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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 105 159 it is the complementary color RGB 75 150 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 105 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 105 159 shade: RGB 185 105 154, RGB 202 123 173, RGB 219 141 192, RGB 236 159 211 and RGB 253 177 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 105 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 105 159 shade: RGB 180 105 159, RGB 163 87 140, RGB 146 69 121, RGB 129 51 102 and RGB 112 33 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 105 159 shade: RGB 179 105 159, RGB 179 105 139, RGB 179 105 119 and RGB 179 105 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 105 159 shade: RGB 179 105 159, RGB 179 105 179, RGB 160 105 179, RGB 140 105 179 and RGB 120 105 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 105 159 shade matches the following richer shades: RGB 179 105 159, RGB 197 87 167, RGB 216 69 175, RGB 234 51 183 and RGB 252 33 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 105 159 shade: RGB 179 105 159, RGB 161 123 151, RGB 143 142 143, RGB 125 160 135 and RGB 107 178 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 105 159 shade: RGB 160 105 179, RGB 179 105 179, RGB 179 105 160, RGB 179 105 140 and RGB 179 105 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 105 159 shade: RGB 135 68 116, RGB 162 81 139, RGB 179 105 159, RGB 193 133 176 and RGB 207 160 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 105 159 shade: RGB 180 105 159, RGB 179 140 105 and RGB 105 179 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 105 159 shade: RGB 180 105 159, RGB 160 179 105 and RGB 105 160 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 105 159 shade: RGB 180 105 159, RGB 179 140 105, RGB 105 179 125 and RGB 105 145 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 105 159 shade: RGB 180 105 159, RGB 179 162 105, RGB 105 179 125 and RGB 105 123 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 12 / 29

HEX #B4699F

RGB 180 105 159

HSL 316.8, 0.33%, 0.56%

LAB 54.35, 37.68, -16.38

 

Complementary color

CMYK 50 / 0 / 36 / 41

HEX #4B9660

RGB 75 150 96

HSL 136.8, 0.33%, 0.44%

LAB 56.24, -35.77, 21.51

 

CMYK 0 / 43 / 17 / 27

HEX #B9699A

RGB 185 105 154

HSL 323.25, 0.36%, 0.57%

LAB 54.81, 38.54, -12.7

 

CMYK 0 / 39 / 14 / 21

HEX #CA7BAD

RGB 202 123 173

HSL 322.03, 0.43%, 0.64%

LAB 61.43, 37.75, -13.49

 

CMYK 0 / 36 / 12 / 14

HEX #DB8DC0

RGB 219 141 192

HSL 320.77, 0.52%, 0.71%

LAB 67.96, 36.98, -14.18

 

CMYK 0 / 33 / 11 / 7

HEX #EC9FD3

RGB 236 159 211

HSL 319.48, 0.67%, 0.77%

LAB 74.4, 36.25, -14.81

 

CMYK 0 / 30 / 9 / 1

HEX #FDB1E6

RGB 253 177 230

HSL 318.16, 0.95%, 0.84%

LAB 80.76, 35.56, -15.39

 

CMYK 0 / 42 / 12 / 29

HEX #B4699F

RGB 180 105 159

HSL 316.8, 0.33%, 0.56%

LAB 54.35, 37.68, -16.38

 

CMYK 0 / 47 / 14 / 36

HEX #A3578C

RGB 163 87 140

HSL 318.16, 0.3%, 0.49%

LAB 47.62, 38.46, -15.6

 

CMYK 0 / 53 / 17 / 43

HEX #924579

RGB 146 69 121

HSL 319.48, 0.36%, 0.42%

LAB 40.81, 39.21, -14.66

 

CMYK 0 / 60 / 21 / 49

HEX #813366

RGB 129 51 102

HSL 320.77, 0.43%, 0.35%

LAB 33.97, 39.79, -13.44

 

CMYK 0 / 71 / 26 / 56

HEX #702153

RGB 112 33 83

HSL 322.03, 0.54%, 0.28%

LAB 27.18, 39.98, -11.75

 

CMYK 0 / 41 / 11 / 30

HEX #B3699F

RGB 179 105 159

HSL 316.22, 0.33%, 0.56%

LAB 54.23, 37.35, -16.58

 

CMYK 0 / 41 / 22 / 30

HEX #B3698B

RGB 179 105 139

HSL 332.43, 0.33%, 0.56%

LAB 53.55, 34.11, -5.89

 

CMYK 0 / 41 / 34 / 30

HEX #B36977

RGB 179 105 119

HSL 348.65, 0.33%, 0.56%

LAB 52.97, 31.28, 5.06

 

CMYK 0 / 41 / 41 / 30

HEX #B36969

RGB 179 105 105

HSL 0, 0.33%, 0.56%

LAB 52.63, 29.56, 12.82

 

CMYK 0 / 41 / 11 / 30

HEX #B3699F

RGB 179 105 159

HSL 316.22, 0.33%, 0.56%

LAB 54.23, 37.35, -16.58

 

CMYK 0 / 41 / 0 / 30

HEX #B369B3

RGB 179 105 179

HSL 300, 0.33%, 0.56%

LAB 55.01, 40.95, -26.98

 

CMYK 11 / 41 / 0 / 30

HEX #A069B3

RGB 160 105 179

HSL 284.59, 0.33%, 0.56%

LAB 52.76, 35.04, -30.65

 

CMYK 22 / 41 / 0 / 30

HEX #8C69B3

RGB 140 105 179

HSL 268.38, 0.33%, 0.56%

LAB 50.61, 28.94, -34.17

 

CMYK 33 / 41 / 0 / 30

HEX #7869B3

RGB 120 105 179

HSL 252.16, 0.33%, 0.56%

LAB 48.7, 23.08, -37.31

 

CMYK 0 / 41 / 11 / 30

HEX #B3699F

RGB 179 105 159

HSL 316.22, 0.33%, 0.56%

LAB 54.23, 37.35, -16.58

 

CMYK 0 / 56 / 15 / 23

HEX #C557A7

RGB 197 87 167

HSL 316.36, 0.49%, 0.56%

LAB 53.47, 53.44, -22.2

 

CMYK 0 / 68 / 19 / 15

HEX #D845AF

RGB 216 69 175

HSL 316.73, 0.65%, 0.56%

LAB 53.97, 67.33, -25.84

 

CMYK 0 / 78 / 22 / 8

HEX #EA33B7

RGB 234 51 183

HSL 316.72, 0.81%, 0.56%

LAB 55.36, 78.22, -28.11

 

CMYK 0 / 87 / 24 / 1

HEX #FC21BF

RGB 252 33 191

HSL 316.71, 0.97%, 0.56%

LAB 57.6, 86.62, -29.01

 

CMYK 0 / 41 / 11 / 30

HEX #B3699F

RGB 179 105 159

HSL 316.22, 0.33%, 0.56%

LAB 54.23, 37.35, -16.58

 

CMYK 0 / 24 / 6 / 37

HEX #A17B97

RGB 161 123 151

HSL 315.79, 0.17%, 0.56%

LAB 56.07, 19.54, -9.36

 

CMYK 0 / 1 / 0 / 44

HEX #8F8E8F

RGB 143 142 143

HSL 300, 0%, 0.56%

LAB 59.13, 0.57, -0.41

 

CMYK 22 / 0 / 16 / 37

HEX #7DA087

RGB 125 160 135

HSL 137.14, 0.16%, 0.56%

LAB 62.72, -17.24, 9.12

 

CMYK 40 / 0 / 29 / 30

HEX #6BB27F

RGB 107 178 127

HSL 136.9, 0.32%, 0.56%

LAB 66.9, -33.52, 19.23

 

CMYK 11 / 41 / 0 / 30

HEX #A069B3

RGB 160 105 179

HSL 284.59, 0.33%, 0.56%

LAB 52.76, 35.04, -30.65

 

CMYK 0 / 41 / 0 / 30

HEX #B369B3

RGB 179 105 179

HSL 300, 0.33%, 0.56%

LAB 55.01, 40.95, -26.98

 

CMYK 0 / 41 / 11 / 30

HEX #B369A0

RGB 179 105 160

HSL 315.41, 0.33%, 0.56%

LAB 54.26, 37.52, -17.11

 

CMYK 0 / 41 / 22 / 30

HEX #B3698C

RGB 179 105 140

HSL 331.62, 0.33%, 0.56%

LAB 53.58, 34.26, -6.43

 

CMYK 0 / 41 / 33 / 30

HEX #B36978

RGB 179 105 120

HSL 347.84, 0.33%, 0.56%

LAB 53, 31.42, 4.51

 

CMYK 0 / 50 / 14 / 47

HEX #874474

RGB 135 68 116

HSL 317.01, 0.33%, 0.4%

LAB 38.81, 35.23, -14.78

 

CMYK 0 / 50 / 14 / 36

HEX #A2518B

RGB 162 81 139

HSL 317.04, 0.33%, 0.48%

LAB 46.22, 41.14, -17.15

 

CMYK 0 / 41 / 11 / 30

HEX #B3699F

RGB 179 105 159

HSL 316.22, 0.33%, 0.56%

LAB 54.23, 37.35, -16.58

 

CMYK 0 / 31 / 9 / 24

HEX #C185B0

RGB 193 133 176

HSL 317, 0.33%, 0.64%

LAB 62.72, 29.75, -13.36

 

CMYK 0 / 23 / 6 / 19

HEX #CFA0C2

RGB 207 160 194

HSL 316.6, 0.33%, 0.72%

LAB 71.08, 22.95, -10.74

 

CMYK 0 / 42 / 12 / 29

HEX #B4699F

RGB 180 105 159

HSL 316.8, 0.33%, 0.56%

LAB 54.35, 37.68, -16.38

 

CMYK 0 / 22 / 41 / 30

HEX #B38C69

RGB 179 140 105

HSL 28.38, 0.33%, 0.56%

LAB 61.1, 10.06, 24.35

 

CMYK 41 / 0 / 6 / 30

HEX #69B3A9

RGB 105 179 169

HSL 171.89, 0.33%, 0.56%

LAB 68.1, -25.48, -2.14

 

CMYK 0 / 42 / 12 / 29

HEX #B4699F

RGB 180 105 159

HSL 316.8, 0.33%, 0.56%

LAB 54.35, 37.68, -16.38

 

CMYK 11 / 0 / 41 / 30

HEX #A0B369

RGB 160 179 105

HSL 75.41, 0.33%, 0.56%

LAB 69.99, -18.63, 35.56

 

CMYK 41 / 11 / 0 / 30

HEX #69A0B3

RGB 105 160 179

HSL 195.41, 0.33%, 0.56%

LAB 62.84, -13.06, -15.55

 

CMYK 0 / 42 / 12 / 29

HEX #B4699F

RGB 180 105 159

HSL 316.8, 0.33%, 0.56%

LAB 54.35, 37.68, -16.38

 

CMYK 0 / 22 / 41 / 30

HEX #B38C69

RGB 179 140 105

HSL 28.38, 0.33%, 0.56%

LAB 61.1, 10.06, 24.35

 

CMYK 41 / 0 / 30 / 30

HEX #69B37D

RGB 105 179 125

HSL 136.22, 0.33%, 0.56%

LAB 67.07, -34.96, 20.53

 

CMYK 41 / 19 / 0 / 30

HEX #6991B3

RGB 105 145 179

HSL 207.57, 0.33%, 0.56%

LAB 58.52, -4.78, -22.13

 

CMYK 0 / 42 / 12 / 29

HEX #B4699F

RGB 180 105 159

HSL 316.8, 0.33%, 0.56%

LAB 54.35, 37.68, -16.38

 

CMYK 0 / 9 / 41 / 30

HEX #B3A269

RGB 179 162 105

HSL 46.22, 0.33%, 0.56%

LAB 66.86, -2, 31.88

 

CMYK 41 / 0 / 30 / 30

HEX #69B37D

RGB 105 179 125

HSL 136.22, 0.33%, 0.56%

LAB 67.07, -34.96, 20.53

 

CMYK 41 / 31 / 0 / 30

HEX #697BB3

RGB 105 123 179

HSL 225.41, 0.33%, 0.56%

LAB 52.31, 8.04, -31.72

 

Description

Color code: RGB 180 105 159 | qconv.com Color code: RGB 180 105 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 105 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 105 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 12 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 12% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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