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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 127 84 it is the complementary color RGB 75 128 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 127 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 127 84 shade: RGB 185 127 79, RGB 202 145 98, RGB 219 163 117, RGB 236 181 136 and RGB 253 199 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 127 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 163 109 65, RGB 146 91 46, RGB 129 73 27 and RGB 112 55 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 180 101 84 and RGB 180 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 180 153 84, RGB 180 179 84, RGB 155 180 84 and RGB 130 180 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 127 84 shade matches the following richer shades: RGB 180 127 84, RGB 200 125 65, RGB 219 123 45 and RGB 239 121 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 160 129 104, RGB 140 131 124, RGB 120 133 144 and RGB 101 135 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 127 84 shade: RGB 180 84 94, RGB 180 100 84, RGB 180 126 84, RGB 180 151 84 and RGB 180 177 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 127 84 shade: RGB 126 87 55, RGB 155 107 68, RGB 180 127 84, RGB 192 149 113 and RGB 205 170 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 119 180 84 and RGB 88 84 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 84 180 126 and RGB 126 84 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 119 180 84, RGB 84 138 180 and RGB 145 84 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 127 84 shade: RGB 180 127 84, RGB 91 180 84, RGB 84 138 180 and RGB 173 84 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

Complementary color

CMYK 56 / 25 / 0 / 33

HEX #4B80AB

RGB 75 128 171

HSL 206.88, 0.39%, 0.48%

LAB 51.69, -4.81, -28.2

 

CMYK 0 / 31 / 57 / 27

HEX #B97F4F

RGB 185 127 79

HSL 27.17, 0.43%, 0.52%

LAB 58.09, 17.28, 34.89

 

CMYK 0 / 28 / 51 / 21

HEX #CA9162

RGB 202 145 98

HSL 27.12, 0.5%, 0.59%

LAB 64.72, 16.14, 33.35

 

CMYK 0 / 26 / 47 / 14

HEX #DBA375

RGB 219 163 117

HSL 27.06, 0.59%, 0.66%

LAB 71.24, 15.16, 31.93

 

CMYK 0 / 23 / 42 / 7

HEX #ECB588

RGB 236 181 136

HSL 27, 0.72%, 0.73%

LAB 77.67, 14.3, 30.6

 

CMYK 0 / 21 / 39 / 1

HEX #FDC79B

RGB 253 199 155

HSL 26.94, 0.96%, 0.8%

LAB 84.02, 13.55, 29.37

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 0 / 33 / 60 / 36

HEX #A36D41

RGB 163 109 65

HSL 26.94, 0.43%, 0.45%

LAB 50.81, 16.8, 33.01

 

CMYK 0 / 38 / 68 / 43

HEX #925B2E

RGB 146 91 46

HSL 27, 0.52%, 0.38%

LAB 43.93, 18.26, 34.7

 

CMYK 0 / 43 / 79 / 49

HEX #81491B

RGB 129 73 27

HSL 27.06, 0.65%, 0.31%

LAB 36.95, 20.02, 36.33

 

CMYK 0 / 51 / 93 / 56

HEX #703708

RGB 112 55 8

HSL 27.12, 0.87%, 0.24%

LAB 29.9, 22.12, 37.27

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 0 / 44 / 53 / 29

HEX #B46554

RGB 180 101 84

HSL 10.63, 0.39%, 0.52%

LAB 51.44, 30, 23.53

 

CMYK 0 / 53 / 53 / 29

HEX #B45454

RGB 180 84 84

HSL 0, 0.39%, 0.52%

LAB 47.86, 38.98, 18.78

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 0 / 15 / 53 / 29

HEX #B49954

RGB 180 153 84

HSL 43.13, 0.39%, 0.52%

LAB 64.26, 1.2, 39.64

 

CMYK 0 / 1 / 53 / 29

HEX #B4B354

RGB 180 179 84

HSL 59.38, 0.39%, 0.52%

LAB 71.27, -12.6, 47.91

 

CMYK 14 / 0 / 53 / 29

HEX #9BB454

RGB 155 180 84

HSL 75.63, 0.39%, 0.52%

LAB 69.65, -23.38, 45.54

 

CMYK 28 / 0 / 53 / 29

HEX #82B454

RGB 130 180 84

HSL 91.25, 0.39%, 0.52%

LAB 68.04, -33.05, 43.24

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 0 / 38 / 68 / 22

HEX #C87D41

RGB 200 125 65

HSL 26.67, 0.55%, 0.52%

LAB 59.28, 23.75, 44.03

 

CMYK 0 / 44 / 79 / 14

HEX #DB7B2D

RGB 219 123 45

HSL 26.9, 0.71%, 0.52%

LAB 61.15, 31.8, 55.97

 

CMYK 0 / 49 / 90 / 6

HEX #EF7919

RGB 239 121 25

HSL 26.92, 0.87%, 0.52%

LAB 63.42, 40.34, 65.95

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 0 / 19 / 35 / 37

HEX #A08168

RGB 160 129 104

HSL 26.79, 0.23%, 0.52%

LAB 56.26, 8.23, 18.06

 

CMYK 0 / 6 / 11 / 45

HEX #8C837C

RGB 140 131 124

HSL 26.25, 0.07%, 0.52%

LAB 55.34, 2.11, 4.99

 

CMYK 17 / 8 / 0 / 44

HEX #788590

RGB 120 133 144

HSL 207.5, 0.1%, 0.52%

LAB 54.85, -2.3, -7.51

 

CMYK 38 / 18 / 0 / 36

HEX #6587A4

RGB 101 135 164

HSL 207.62, 0.26%, 0.52%

LAB 54.84, -4.37, -19.2

 

CMYK 0 / 53 / 48 / 29

HEX #B4545E

RGB 180 84 94

HSL 353.75, 0.39%, 0.52%

LAB 48.07, 39.91, 13.07

 

CMYK 0 / 44 / 53 / 29

HEX #B46454

RGB 180 100 84

HSL 10, 0.39%, 0.52%

LAB 51.22, 30.54, 23.24

 

CMYK 0 / 30 / 53 / 29

HEX #B47E54

RGB 180 126 84

HSL 26.25, 0.39%, 0.52%

LAB 57.33, 16.14, 31.1

 

CMYK 0 / 16 / 53 / 29

HEX #B49754

RGB 180 151 84

HSL 41.88, 0.39%, 0.52%

LAB 63.73, 2.29, 39

 

CMYK 0 / 2 / 53 / 29

HEX #B4B154

RGB 180 177 84

HSL 58.13, 0.39%, 0.52%

LAB 70.72, -11.56, 47.28

 

CMYK 0 / 31 / 56 / 51

HEX #7E5737

RGB 126 87 55

HSL 27.04, 0.39%, 0.35%

LAB 40.46, 12.29, 24.91

 

CMYK 0 / 31 / 56 / 39

HEX #9B6B44

RGB 155 107 68

HSL 26.9, 0.39%, 0.44%

LAB 49.38, 14.7, 29.37

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 0 / 22 / 41 / 25

HEX #C09571

RGB 192 149 113

HSL 27.34, 0.39%, 0.6%

LAB 64.88, 11.35, 25.2

 

CMYK 0 / 17 / 31 / 20

HEX #CDAA8E

RGB 205 170 142

HSL 26.67, 0.39%, 0.68%

LAB 72.02, 8.68, 19.22

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 34 / 0 / 53 / 29

HEX #77B454

RGB 119 180 84

HSL 98.13, 0.39%, 0.52%

LAB 67.43, -37.01, 42.37

 

CMYK 51 / 53 / 0 / 29

HEX #5854B4

RGB 88 84 180

HSL 242.5, 0.39%, 0.52%

LAB 40.75, 28.15, -50.71

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 53 / 0 / 30 / 29

HEX #54B47E

RGB 84 180 126

HSL 146.25, 0.39%, 0.52%

LAB 66.55, -40.9, 19.13

 

CMYK 30 / 53 / 0 / 29

HEX #7E54B4

RGB 126 84 180

HSL 266.25, 0.39%, 0.52%

LAB 44.34, 37.39, -44.77

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 34 / 0 / 53 / 29

HEX #77B454

RGB 119 180 84

HSL 98.13, 0.39%, 0.52%

LAB 67.43, -37.01, 42.37

 

CMYK 53 / 23 / 0 / 29

HEX #548AB4

RGB 84 138 180

HSL 206.25, 0.39%, 0.52%

LAB 55.44, -5.73, -27.53

 

CMYK 19 / 53 / 0 / 29

HEX #9154B4

RGB 145 84 180

HSL 278.13, 0.39%, 0.52%

LAB 46.52, 42.48, -41.17

 

CMYK 0 / 29 / 53 / 29

HEX #B47F54

RGB 180 127 84

HSL 26.88, 0.39%, 0.52%

LAB 57.58, 15.58, 31.41

 

CMYK 49 / 0 / 53 / 29

HEX #5BB454

RGB 91 180 84

HSL 115.63, 0.39%, 0.52%

LAB 66.14, -45.97, 40.51

 

CMYK 53 / 23 / 0 / 29

HEX #548AB4

RGB 84 138 180

HSL 206.25, 0.39%, 0.52%

LAB 55.44, -5.73, -27.53

 

CMYK 4 / 53 / 0 / 29

HEX #AD54B4

RGB 173 84 180

HSL 295.63, 0.39%, 0.52%

LAB 50.12, 50.21, -35.24

 

Description

Color code: RGB 180 127 84 | qconv.com Color code: RGB 180 127 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 127 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 127 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 53 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 53% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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