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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 175 200 it is the complementary color RGB 75 80 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 175 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 175 200 shade: RGB 185 175 195, RGB 202 193 214, RGB 219 211 233, RGB 236 229 252 and RGB 253 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 175 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 175 200 shade: RGB 180 175 200, RGB 163 157 181, RGB 146 139 162, RGB 129 121 143 and RGB 112 103 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 175 200 shade: RGB 181 176 201, RGB 187 176 201, RGB 194 176 201, RGB 201 176 201 and RGB 201 176 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 175 200 shade: RGB 181 176 201 and RGB 176 176 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 175 200 shade matches the following richer shades: RGB 181 176 201, RGB 174 165 212, RGB 168 154 222, RGB 161 143 233 and RGB 155 133 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 175 200 shade: RGB 181 176 201, RGB 187 186 190, RGB 194 197 179, RGB 200 208 169 and RGB 206 219 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 175 200 shade: RGB 176 184 201, RGB 176 177 201, RGB 181 176 201, RGB 187 176 201 and RGB 194 176 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 175 200 shade: RGB 135 127 167, RGB 158 151 184, RGB 181 176 201, RGB 204 200 218 and RGB 227 225 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 175 200 shade: RGB 180 175 200, RGB 201 176 191 and RGB 181 201 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 175 200 shade: RGB 180 175 200, RGB 201 181 176 and RGB 176 201 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 175 200 shade: RGB 180 175 200, RGB 201 176 191, RGB 196 201 176 and RGB 176 201 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 175 200 shade: RGB 180 175 200, RGB 201 176 183, RGB 196 201 176 and RGB 176 201 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 13 / 0 / 22

HEX #B4AFC8

RGB 180 175 200

HSL 252, 0.19%, 0.74%

LAB 72.58, 6.65, -12.04

 

Complementary color

CMYK 6 / 0 / 31 / 69

HEX #4B5037

RGB 75 80 55

HSL 72, 0.19%, 0.26%

LAB 32.94, -6.89, 14.1

 

CMYK 5 / 10 / 0 / 24

HEX #B9AFC3

RGB 185 175 195

HSL 270, 0.14%, 0.73%

LAB 72.84, 7.33, -8.88

 

CMYK 6 / 10 / 0 / 16

HEX #CAC1D6

RGB 202 193 214

HSL 265.71, 0.2%, 0.8%

LAB 79.36, 7.05, -9.36

 

CMYK 6 / 9 / 0 / 9

HEX #DBD3E9

RGB 219 211 233

HSL 261.82, 0.33%, 0.87%

LAB 85.77, 6.79, -9.82

 

CMYK 6 / 9 / 0 / 1

HEX #ECE5FC

RGB 236 229 252

HSL 258.26, 0.79%, 0.94%

LAB 92.09, 6.55, -10.28

 

CMYK 1 / 3 / 0 / 0

HEX #FDF7FF

RGB 253 247 255

HSL 285, 1%, 0.98%

LAB 97.88, 3.4, -3.13

 

CMYK 10 / 13 / 0 / 22

HEX #B4AFC8

RGB 180 175 200

HSL 252, 0.19%, 0.74%

LAB 72.58, 6.65, -12.04

 

CMYK 10 / 13 / 0 / 29

HEX #A39DB5

RGB 163 157 181

HSL 255, 0.14%, 0.66%

LAB 65.93, 6.93, -11.63

 

CMYK 10 / 14 / 0 / 36

HEX #928BA2

RGB 146 139 162

HSL 258.26, 0.11%, 0.59%

LAB 59.15, 7.23, -11.22

 

CMYK 10 / 15 / 0 / 44

HEX #81798F

RGB 129 121 143

HSL 261.82, 0.09%, 0.52%

LAB 52.2, 7.57, -10.81

 

CMYK 10 / 17 / 0 / 51

HEX #70677C

RGB 112 103 124

HSL 265.71, 0.09%, 0.45%

LAB 45.08, 7.94, -10.4

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 7 / 12 / 0 / 21

HEX #BBB0C9

RGB 187 176 201

HSL 266.4, 0.19%, 0.74%

LAB 73.44, 8.65, -11.26

 

CMYK 3 / 12 / 0 / 21

HEX #C2B0C9

RGB 194 176 201

HSL 283.2, 0.19%, 0.74%

LAB 74.02, 11.02, -10.32

 

CMYK 0 / 12 / 0 / 21

HEX #C9B0C9

RGB 201 176 201

HSL 300, 0.19%, 0.74%

LAB 74.63, 13.42, -9.36

 

CMYK 0 / 12 / 3 / 21

HEX #C9B0C2

RGB 201 176 194

HSL 316.8, 0.19%, 0.74%

LAB 74.42, 12.12, -5.83

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 12 / 12 / 0 / 21

HEX #B0B0C9

RGB 176 176 201

HSL 240, 0.19%, 0.74%

LAB 72.56, 4.98, -12.66

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 18 / 22 / 0 / 17

HEX #AEA5D4

RGB 174 165 212

HSL 251.49, 0.35%, 0.74%

LAB 69.94, 12.8, -22.68

 

CMYK 24 / 31 / 0 / 13

HEX #A89ADE

RGB 168 154 222

HSL 252.35, 0.51%, 0.74%

LAB 67.06, 19.44, -32.67

 

CMYK 31 / 39 / 0 / 9

HEX #A18FE9

RGB 161 143 233

HSL 252, 0.67%, 0.74%

LAB 64.25, 26.38, -43.17

 

CMYK 36 / 45 / 0 / 4

HEX #9B85F4

RGB 155 133 244

HSL 251.89, 0.83%, 0.74%

LAB 61.89, 33.36, -53

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 2 / 2 / 0 / 25

HEX #BBBABE

RGB 187 186 190

HSL 255, 0.03%, 0.74%

LAB 75.7, 1.1, -1.9

 

CMYK 2 / 0 / 9 / 23

HEX #C2C5B3

RGB 194 197 179

HSL 70, 0.13%, 0.74%

LAB 78.84, -4.24, 8.66

 

CMYK 4 / 0 / 19 / 18

HEX #C8D0A9

RGB 200 208 169

HSL 72.31, 0.29%, 0.74%

LAB 81.98, -9.39, 18.48

 

CMYK 6 / 0 / 28 / 14

HEX #CEDB9E

RGB 206 219 158

HSL 72.79, 0.46%, 0.74%

LAB 85.13, -14.35, 28.61

 

CMYK 12 / 8 / 0 / 21

HEX #B0B8C9

RGB 176 184 201

HSL 220.8, 0.19%, 0.74%

LAB 74.65, 0.64, -9.53

 

CMYK 12 / 12 / 0 / 21

HEX #B0B1C9

RGB 176 177 201

HSL 237.6, 0.19%, 0.74%

LAB 72.82, 4.44, -12.27

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 7 / 12 / 0 / 21

HEX #BBB0C9

RGB 187 176 201

HSL 266.4, 0.19%, 0.74%

LAB 73.44, 8.65, -11.26

 

CMYK 3 / 12 / 0 / 21

HEX #C2B0C9

RGB 194 176 201

HSL 283.2, 0.19%, 0.74%

LAB 74.02, 11.02, -10.32

 

CMYK 19 / 24 / 0 / 35

HEX #877FA7

RGB 135 127 167

HSL 252, 0.19%, 0.58%

LAB 55.2, 11.58, -20.16

 

CMYK 14 / 18 / 0 / 28

HEX #9E97B8

RGB 158 151 184

HSL 252.73, 0.19%, 0.66%

LAB 64.05, 9.26, -16.19

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 6 / 8 / 0 / 15

HEX #CCC8DA

RGB 204 200 218

HSL 253.33, 0.2%, 0.82%

LAB 81.41, 4.76, -8.45

 

CMYK 3 / 4 / 0 / 8

HEX #E3E1EA

RGB 227 225 234

HSL 253.33, 0.18%, 0.9%

LAB 89.92, 2.31, -4.15

 

CMYK 10 / 13 / 0 / 22

HEX #B4AFC8

RGB 180 175 200

HSL 252, 0.19%, 0.74%

LAB 72.58, 6.65, -12.04

 

CMYK 0 / 12 / 5 / 21

HEX #C9B0BF

RGB 201 176 191

HSL 324, 0.19%, 0.74%

LAB 74.34, 11.58, -4.32

 

CMYK 10 / 0 / 12 / 21

HEX #B5C9B0

RGB 181 201 176

HSL 108, 0.19%, 0.74%

LAB 78.89, -11.43, 10.21

 

CMYK 10 / 13 / 0 / 22

HEX #B4AFC8

RGB 180 175 200

HSL 252, 0.19%, 0.74%

LAB 72.58, 6.65, -12.04

 

CMYK 0 / 10 / 12 / 21

HEX #C9B5B0

RGB 201 181 176

HSL 12, 0.19%, 0.74%

LAB 75.2, 6.3, 5.13

 

CMYK 12 / 0 / 10 / 21

HEX #B0C9B5

RGB 176 201 181

HSL 132, 0.19%, 0.74%

LAB 78.66, -12.26, 7.16

 

CMYK 10 / 13 / 0 / 22

HEX #B4AFC8

RGB 180 175 200

HSL 252, 0.19%, 0.74%

LAB 72.58, 6.65, -12.04

 

CMYK 0 / 12 / 5 / 21

HEX #C9B0BF

RGB 201 176 191

HSL 324, 0.19%, 0.74%

LAB 74.34, 11.58, -4.32

 

CMYK 2 / 0 / 12 / 21

HEX #C4C9B0

RGB 196 201 176

HSL 72, 0.19%, 0.74%

LAB 79.98, -6.11, 11.91

 

CMYK 12 / 0 / 7 / 21

HEX #B0C9BA

RGB 176 201 186

HSL 144, 0.19%, 0.74%

LAB 78.78, -11.32, 4.65

 

CMYK 10 / 13 / 0 / 22

HEX #B4AFC8

RGB 180 175 200

HSL 252, 0.19%, 0.74%

LAB 72.58, 6.65, -12.04

 

CMYK 0 / 12 / 9 / 21

HEX #C9B0B7

RGB 201 176 183

HSL 343.2, 0.19%, 0.74%

LAB 74.12, 10.18, -0.26

 

CMYK 2 / 0 / 12 / 21

HEX #C4C9B0

RGB 196 201 176

HSL 72, 0.19%, 0.74%

LAB 79.98, -6.11, 11.91

 

CMYK 12 / 0 / 4 / 21

HEX #B0C9C1

RGB 176 201 193

HSL 160.8, 0.19%, 0.74%

LAB 78.96, -9.98, 1.14

 

Description

Color code: RGB 180 175 200 | qconv.com Color code: RGB 180 175 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 175 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 175 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 13 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 13% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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