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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 17 124 it is the complementary color RGB 75 238 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 17 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 17 124 shade: RGB 185 17 119, RGB 202 35 138, RGB 219 53 157, RGB 236 71 176 and RGB 253 89 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 17 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 17 124 shade: RGB 180 17 124, RGB 163 0 105, RGB 146 0 86, RGB 129 0 67 and RGB 112 0 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 17 124 shade: RGB 181 16 125, RGB 181 16 80, RGB 181 16 36 and RGB 181 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 17 124 shade: RGB 181 16 125, RGB 181 16 169, RGB 149 16 181, RGB 105 16 181 and RGB 60 16 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 17 124 shade matches the following richer shades: RGB 181 16 125 and RGB 198 0 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 17 124 shade: RGB 181 16 125, RGB 165 32 120, RGB 149 49 115, RGB 133 65 110 and RGB 117 81 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 17 124 shade: RGB 148 16 181, RGB 181 16 170, RGB 181 16 126, RGB 181 16 82 and RGB 181 16 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 17 124 shade: RGB 106 9 73, RGB 144 13 99, RGB 181 16 125, RGB 219 20 151 and RGB 235 45 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 17 124 shade: RGB 180 17 124, RGB 181 104 16 and RGB 16 181 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 17 124 shade: RGB 180 17 124, RGB 126 181 16 and RGB 16 126 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 17 124 shade: RGB 180 17 124, RGB 181 104 16, RGB 16 181 71 and RGB 16 93 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 17 124 shade: RGB 180 17 124, RGB 181 154 16, RGB 16 181 71 and RGB 16 44 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 31 / 29

HEX #B4117C

RGB 180 17 124

HSL 320.61, 0.83%, 0.39%

LAB 40.51, 66.47, -16.46

 

Complementary color

CMYK 68 / 0 / 45 / 7

HEX #4BEE83

RGB 75 238 131

HSL 140.61, 0.83%, 0.61%

LAB 84.11, -64.57, 39.78

 

CMYK 0 / 91 / 36 / 27

HEX #B91177

RGB 185 17 119

HSL 323.57, 0.83%, 0.4%

LAB 41.29, 67.04, -12.07

 

CMYK 0 / 83 / 32 / 21

HEX #CA238A

RGB 202 35 138

HSL 322.99, 0.7%, 0.46%

LAB 46.44, 69.58, -15.63

 

CMYK 0 / 76 / 28 / 14

HEX #DB359D

RGB 219 53 157

HSL 322.41, 0.7%, 0.53%

LAB 51.88, 71.07, -18.43

 

CMYK 0 / 70 / 25 / 7

HEX #EC47B0

RGB 236 71 176

HSL 321.82, 0.81%, 0.6%

LAB 57.53, 71.82, -20.67

 

CMYK 0 / 65 / 23 / 1

HEX #FD59C3

RGB 253 89 195

HSL 321.22, 0.98%, 0.67%

LAB 63.32, 72.06, -22.49

 

CMYK 0 / 91 / 31 / 29

HEX #B4117C

RGB 180 17 124

HSL 320.61, 0.83%, 0.39%

LAB 40.51, 66.47, -16.46

 

CMYK 0 / 100 / 36 / 36

HEX #A30069

RGB 163 0 105

HSL 321.35, 1%, 0.32%

LAB 35.61, 62.83, -12.29

 

CMYK 0 / 100 / 41 / 43

HEX #920056

RGB 146 0 86

HSL 324.66, 1%, 0.29%

LAB 31.31, 57.18, -6.83

 

CMYK 0 / 100 / 48 / 49

HEX #810043

RGB 129 0 67

HSL 328.84, 1%, 0.25%

LAB 26.94, 51.48, -1.04

 

CMYK 0 / 100 / 57 / 56

HEX #700030

RGB 112 0 48

HSL 334.29, 1%, 0.22%

LAB 22.51, 45.73, 5.18

 

CMYK 0 / 91 / 31 / 29

HEX #B5107D

RGB 181 16 125

HSL 320.36, 0.84%, 0.39%

LAB 40.69, 66.95, -16.78

 

CMYK 0 / 91 / 56 / 29

HEX #B51050

RGB 181 16 80

HSL 336.73, 0.84%, 0.39%

LAB 39.2, 62.86, 9.43

 

CMYK 0 / 91 / 80 / 29

HEX #B51024

RGB 181 16 36

HSL 352.73, 0.84%, 0.39%

LAB 38.41, 60.65, 36

 

CMYK 0 / 91 / 91 / 29

HEX #B51010

RGB 181 16 16

HSL 0, 0.84%, 0.39%

LAB 38.26, 60.2, 46.18

 

CMYK 0 / 91 / 31 / 29

HEX #B5107D

RGB 181 16 125

HSL 320.36, 0.84%, 0.39%

LAB 40.69, 66.95, -16.78

 

CMYK 0 / 91 / 7 / 29

HEX #B510A9

RGB 181 16 169

HSL 304.36, 0.84%, 0.39%

LAB 42.85, 72.57, -40.16

 

CMYK 18 / 91 / 0 / 29

HEX #9510B5

RGB 149 16 181

HSL 288.36, 0.84%, 0.39%

LAB 38.01, 69.07, -55.36

 

CMYK 42 / 91 / 0 / 29

HEX #6910B5

RGB 105 16 181

HSL 272.36, 0.84%, 0.39%

LAB 31.14, 63.07, -66.88

 

CMYK 67 / 91 / 0 / 29

HEX #3C10B5

RGB 60 16 181

HSL 256, 0.84%, 0.39%

LAB 25.77, 59.04, -75.93

 

CMYK 0 / 91 / 31 / 29

HEX #B5107D

RGB 181 16 125

HSL 320.36, 0.84%, 0.39%

LAB 40.69, 66.95, -16.78

 

CMYK 0 / 100 / 34 / 22

HEX #C60082

RGB 198 0 130

HSL 320.61, 1%, 0.39%

LAB 43.68, 72.73, -15.01

 

CMYK 0 / 91 / 31 / 29

HEX #B5107D

RGB 181 16 125

HSL 320.36, 0.84%, 0.39%

LAB 40.69, 66.95, -16.78

 

CMYK 0 / 81 / 27 / 35

HEX #A52078

RGB 165 32 120

HSL 320.3, 0.68%, 0.39%

LAB 38.53, 59.46, -17.25

 

CMYK 0 / 67 / 23 / 42

HEX #953173

RGB 149 49 115

HSL 320.4, 0.51%, 0.39%

LAB 37.52, 48.7, -15.92

 

CMYK 0 / 51 / 17 / 48

HEX #85416E

RGB 133 65 110

HSL 320.29, 0.34%, 0.39%

LAB 37.65, 35.16, -12.83

 

CMYK 0 / 31 / 10 / 54

HEX #755169

RGB 117 81 105

HSL 320, 0.18%, 0.39%

LAB 39.05, 19.2, -7.81

 

CMYK 18 / 91 / 0 / 29

HEX #9410B5

RGB 148 16 181

HSL 288, 0.84%, 0.39%

LAB 37.85, 68.91, -55.64

 

CMYK 0 / 91 / 6 / 29

HEX #B510AA

RGB 181 16 170

HSL 304, 0.84%, 0.39%

LAB 42.91, 72.71, -40.67

 

CMYK 0 / 91 / 30 / 29

HEX #B5107E

RGB 181 16 126

HSL 320, 0.84%, 0.39%

LAB 40.74, 67.06, -17.34

 

CMYK 0 / 91 / 55 / 29

HEX #B51052

RGB 181 16 82

HSL 336, 0.84%, 0.39%

LAB 39.25, 63, 8.22

 

CMYK 0 / 91 / 79 / 29

HEX #B51026

RGB 181 16 38

HSL 352, 0.84%, 0.39%

LAB 38.44, 60.72, 34.85

 

CMYK 0 / 92 / 31 / 58

HEX #6A0949

RGB 106 9 73

HSL 320.41, 0.84%, 0.23%

LAB 22.79, 44.77, -11.85

 

CMYK 0 / 91 / 31 / 44

HEX #900D63

RGB 144 13 99

HSL 320.61, 0.83%, 0.31%

LAB 32.07, 56.2, -14.18

 

CMYK 0 / 91 / 31 / 29

HEX #B5107D

RGB 181 16 125

HSL 320.36, 0.84%, 0.39%

LAB 40.69, 66.95, -16.78

 

CMYK 0 / 91 / 31 / 14

HEX #DB1497

RGB 219 20 151

HSL 320.5, 0.83%, 0.47%

LAB 49.25, 77.32, -18.89

 

CMYK 0 / 81 / 28 / 8

HEX #EB2DAA

RGB 235 45 170

HSL 320.53, 0.83%, 0.55%

LAB 54.49, 78.36, -21.85

 

CMYK 0 / 91 / 31 / 29

HEX #B4117C

RGB 180 17 124

HSL 320.61, 0.83%, 0.39%

LAB 40.51, 66.47, -16.46

 

CMYK 0 / 43 / 91 / 29

HEX #B56810

RGB 181 104 16

HSL 32, 0.84%, 0.39%

LAB 51.57, 25.23, 55.86

 

CMYK 91 / 0 / 6 / 29

HEX #10B5AA

RGB 16 181 170

HSL 176, 0.84%, 0.39%

LAB 66.57, -39.89, -5.2

 

CMYK 0 / 91 / 31 / 29

HEX #B4117C

RGB 180 17 124

HSL 320.61, 0.83%, 0.39%

LAB 40.51, 66.47, -16.46

 

CMYK 30 / 0 / 91 / 29

HEX #7EB510

RGB 126 181 16

HSL 80, 0.84%, 0.39%

LAB 67.67, -39.33, 66.48

 

CMYK 91 / 30 / 0 / 29

HEX #107EB5

RGB 16 126 181

HSL 200, 0.84%, 0.39%

LAB 49.94, -8.06, -36.83

 

CMYK 0 / 91 / 31 / 29

HEX #B4117C

RGB 180 17 124

HSL 320.61, 0.83%, 0.39%

LAB 40.51, 66.47, -16.46

 

CMYK 0 / 43 / 91 / 29

HEX #B56810

RGB 181 104 16

HSL 32, 0.84%, 0.39%

LAB 51.57, 25.23, 55.86

 

CMYK 91 / 0 / 61 / 29

HEX #10B547

RGB 16 181 71

HSL 140, 0.84%, 0.39%

LAB 64.65, -61.18, 44.5

 

CMYK 91 / 49 / 0 / 29

HEX #105DB5

RGB 16 93 181

HSL 212, 0.84%, 0.39%

LAB 40.04, 12.5, -52.61

 

CMYK 0 / 91 / 31 / 29

HEX #B4117C

RGB 180 17 124

HSL 320.61, 0.83%, 0.39%

LAB 40.51, 66.47, -16.46

 

CMYK 0 / 15 / 91 / 29

HEX #B59A10

RGB 181 154 16

HSL 50.18, 0.84%, 0.39%

LAB 64.14, -2.35, 65.44

 

CMYK 91 / 0 / 61 / 29

HEX #10B547

RGB 16 181 71

HSL 140, 0.84%, 0.39%

LAB 64.65, -61.18, 44.5

 

CMYK 91 / 76 / 0 / 29

HEX #102CB5

RGB 16 44 181

HSL 229.82, 0.84%, 0.39%

LAB 27.43, 44.48, -73.24

 

Description

Color code: RGB 180 17 124 | qconv.com Color code: RGB 180 17 124 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 17 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 17 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 31% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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