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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 17 171 it is the complementary color RGB 75 238 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 17 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 17 171 shade: RGB 185 17 166, RGB 202 35 185, RGB 219 53 204, RGB 236 71 223 and RGB 253 89 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 17 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 17 171 shade: RGB 180 17 171, RGB 163 0 152, RGB 146 0 133, RGB 129 0 114 and RGB 112 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 17 171 shade: RGB 181 16 172, RGB 181 16 128, RGB 181 16 83, RGB 181 16 39 and RGB 181 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 17 171 shade: RGB 181 16 172, RGB 146 16 181, RGB 102 16 181, RGB 57 16 181 and RGB 16 16 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 17 171 shade matches the following richer shades: RGB 181 16 172 and RGB 198 0 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 17 171 shade: RGB 181 16 172, RGB 165 32 158, RGB 149 49 144, RGB 133 65 129 and RGB 117 81 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 17 171 shade: RGB 102 16 181, RGB 146 16 181, RGB 181 16 173, RGB 181 16 129 and RGB 181 16 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 17 171 shade: RGB 106 9 101, RGB 144 13 137, RGB 181 16 172, RGB 219 20 208 and RGB 235 45 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 17 171 shade: RGB 180 17 171, RGB 181 58 16 and RGB 16 181 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 17 171 shade: RGB 180 17 171, RGB 173 181 16 and RGB 16 173 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 17 171 shade: RGB 180 17 171, RGB 181 58 16, RGB 16 181 25 and RGB 16 140 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 17 171 shade: RGB 180 17 171, RGB 181 107 16, RGB 16 181 25 and RGB 16 91 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 5 / 29

HEX #B411AB

RGB 180 17 171

HSL 303.31, 0.83%, 0.39%

LAB 42.83, 72.54, -41.4

 

Complementary color

CMYK 68 / 0 / 65 / 7

HEX #4BEE54

RGB 75 238 84

HSL 123.31, 0.83%, 0.61%

LAB 83.59, -70.63, 60.43

 

CMYK 0 / 91 / 10 / 27

HEX #B911A6

RGB 185 17 166

HSL 306.79, 0.83%, 0.4%

LAB 43.46, 72.76, -37.36

 

CMYK 0 / 83 / 8 / 21

HEX #CA23B9

RGB 202 35 185

HSL 306.11, 0.7%, 0.46%

LAB 48.59, 75.55, -40.28

 

CMYK 0 / 76 / 7 / 14

HEX #DB35CC

RGB 219 53 204

HSL 305.42, 0.7%, 0.53%

LAB 53.99, 77.29, -42.55

 

CMYK 0 / 70 / 6 / 7

HEX #EC47DF

RGB 236 71 223

HSL 304.73, 0.81%, 0.6%

LAB 59.59, 78.26, -44.33

 

CMYK 0 / 65 / 4 / 1

HEX #FD59F2

RGB 253 89 242

HSL 304.02, 0.98%, 0.67%

LAB 65.31, 78.7, -45.74

 

CMYK 0 / 91 / 5 / 29

HEX #B411AB

RGB 180 17 171

HSL 303.31, 0.83%, 0.39%

LAB 42.83, 72.54, -41.4

 

CMYK 0 / 100 / 7 / 36

HEX #A30098

RGB 163 0 152

HSL 304.05, 1%, 0.32%

LAB 37.94, 68.68, -37.94

 

CMYK 0 / 100 / 9 / 43

HEX #920085

RGB 146 0 133

HSL 305.34, 1%, 0.29%

LAB 33.57, 62.91, -33.38

 

CMYK 0 / 100 / 12 / 49

HEX #810072

RGB 129 0 114

HSL 306.98, 1%, 0.25%

LAB 29.11, 57.01, -28.67

 

CMYK 0 / 100 / 15 / 56

HEX #70005F

RGB 112 0 95

HSL 309.11, 1%, 0.22%

LAB 24.55, 50.97, -23.77

 

CMYK 0 / 91 / 5 / 29

HEX #B510AC

RGB 181 16 172

HSL 303.27, 0.84%, 0.39%

LAB 43.02, 73, -41.67

 

CMYK 0 / 91 / 29 / 29

HEX #B51080

RGB 181 16 128

HSL 319.27, 0.84%, 0.39%

LAB 40.82, 67.28, -18.44

 

CMYK 0 / 91 / 54 / 29

HEX #B51053

RGB 181 16 83

HSL 335.64, 0.84%, 0.39%

LAB 39.27, 63.07, 7.62

 

CMYK 0 / 91 / 78 / 29

HEX #B51027

RGB 181 16 39

HSL 351.64, 0.84%, 0.39%

LAB 38.45, 60.75, 34.27

 

CMYK 0 / 91 / 91 / 29

HEX #B51010

RGB 181 16 16

HSL 0, 0.84%, 0.39%

LAB 38.26, 60.2, 46.18

 

CMYK 0 / 91 / 5 / 29

HEX #B510AC

RGB 181 16 172

HSL 303.27, 0.84%, 0.39%

LAB 43.02, 73, -41.67

 

CMYK 19 / 91 / 0 / 29

HEX #9210B5

RGB 146 16 181

HSL 287.27, 0.84%, 0.39%

LAB 37.51, 68.6, -56.2

 

CMYK 44 / 91 / 0 / 29

HEX #6610B5

RGB 102 16 181

HSL 271.27, 0.84%, 0.39%

LAB 30.72, 62.73, -67.59

 

CMYK 69 / 91 / 0 / 29

HEX #3910B5

RGB 57 16 181

HSL 254.91, 0.84%, 0.39%

LAB 25.49, 58.86, -76.39

 

CMYK 91 / 91 / 0 / 29

HEX #1010B5

RGB 16 16 181

HSL 240, 0.84%, 0.39%

LAB 23.06, 57.33, -80.52

 

CMYK 0 / 91 / 5 / 29

HEX #B510AC

RGB 181 16 172

HSL 303.27, 0.84%, 0.39%

LAB 43.02, 73, -41.67

 

CMYK 0 / 100 / 6 / 22

HEX #C600BB

RGB 198 0 187

HSL 303.33, 1%, 0.39%

LAB 46.44, 79.65, -44.91

 

CMYK 0 / 91 / 5 / 29

HEX #B510AC

RGB 181 16 172

HSL 303.27, 0.84%, 0.39%

LAB 43.02, 73, -41.67

 

CMYK 0 / 81 / 4 / 35

HEX #A5209E

RGB 165 32 158

HSL 303.16, 0.68%, 0.39%

LAB 40.41, 64.79, -37.62

 

CMYK 0 / 67 / 3 / 42

HEX #953190

RGB 149 49 144

HSL 303, 0.51%, 0.39%

LAB 38.9, 53.28, -31.7

 

CMYK 0 / 51 / 3 / 48

HEX #854181

RGB 133 65 129

HSL 303.53, 0.34%, 0.39%

LAB 38.47, 38.55, -23.36

 

CMYK 0 / 31 / 2 / 54

HEX #755173

RGB 117 81 115

HSL 303.33, 0.18%, 0.39%

LAB 39.42, 21.18, -13.44

 

CMYK 44 / 91 / 0 / 29

HEX #6610B5

RGB 102 16 181

HSL 271.27, 0.84%, 0.39%

LAB 30.72, 62.73, -67.59

 

CMYK 19 / 91 / 0 / 29

HEX #9210B5

RGB 146 16 181

HSL 287.27, 0.84%, 0.39%

LAB 37.51, 68.6, -56.2

 

CMYK 0 / 91 / 4 / 29

HEX #B510AD

RGB 181 16 173

HSL 302.91, 0.84%, 0.39%

LAB 43.08, 73.15, -42.18

 

CMYK 0 / 91 / 29 / 29

HEX #B51081

RGB 181 16 129

HSL 318.91, 0.84%, 0.39%

LAB 40.86, 67.4, -19

 

CMYK 0 / 91 / 53 / 29

HEX #B51055

RGB 181 16 85

HSL 334.91, 0.84%, 0.39%

LAB 39.33, 63.22, 6.41

 

CMYK 0 / 92 / 5 / 58

HEX #6A0965

RGB 106 9 101

HSL 303.09, 0.84%, 0.23%

LAB 24.32, 48.84, -28.15

 

CMYK 0 / 91 / 5 / 44

HEX #900D89

RGB 144 13 137

HSL 303.21, 0.83%, 0.31%

LAB 34.03, 61.35, -35.16

 

CMYK 0 / 91 / 5 / 29

HEX #B510AC

RGB 181 16 172

HSL 303.27, 0.84%, 0.39%

LAB 43.02, 73, -41.67

 

CMYK 0 / 91 / 5 / 14

HEX #DB14D0

RGB 219 20 208

HSL 303.32, 0.83%, 0.47%

LAB 51.97, 84.37, -48.05

 

CMYK 0 / 81 / 4 / 8

HEX #EB2DE1

RGB 235 45 225

HSL 303.16, 0.83%, 0.55%

LAB 57.05, 85.47, -49.48

 

CMYK 0 / 91 / 5 / 29

HEX #B411AB

RGB 180 17 171

HSL 303.31, 0.83%, 0.39%

LAB 42.83, 72.54, -41.4

 

CMYK 0 / 68 / 91 / 29

HEX #B53A10

RGB 181 58 16

HSL 15.27, 0.84%, 0.39%

LAB 42.59, 48.09, 49.25

 

CMYK 91 / 0 / 31 / 29

HEX #10B57C

RGB 16 181 124

HSL 159.27, 0.84%, 0.39%

LAB 65.45, -51.82, 18.49

 

CMYK 0 / 91 / 5 / 29

HEX #B411AB

RGB 180 17 171

HSL 303.31, 0.83%, 0.39%

LAB 42.83, 72.54, -41.4

 

CMYK 4 / 0 / 91 / 29

HEX #ADB510

RGB 173 181 16

HSL 62.91, 0.84%, 0.39%

LAB 70.85, -19.94, 70.36

 

CMYK 91 / 4 / 0 / 29

HEX #10ADB5

RGB 16 173 181

HSL 182.91, 0.84%, 0.39%

LAB 64.43, -32.87, -14.5

 

CMYK 0 / 91 / 5 / 29

HEX #B411AB

RGB 180 17 171

HSL 303.31, 0.83%, 0.39%

LAB 42.83, 72.54, -41.4

 

CMYK 0 / 68 / 91 / 29

HEX #B53A10

RGB 181 58 16

HSL 15.27, 0.84%, 0.39%

LAB 42.59, 48.09, 49.25

 

CMYK 91 / 0 / 86 / 29

HEX #10B519

RGB 16 181 25

HSL 123.27, 0.84%, 0.39%

LAB 64.35, -65.08, 60.59

 

CMYK 91 / 23 / 0 / 29

HEX #108CB5

RGB 16 140 181

HSL 194.91, 0.84%, 0.39%

LAB 54.24, -15.99, -30.11

 

CMYK 0 / 91 / 5 / 29

HEX #B411AB

RGB 180 17 171

HSL 303.31, 0.83%, 0.39%

LAB 42.83, 72.54, -41.4

 

CMYK 0 / 41 / 91 / 29

HEX #B56B10

RGB 181 107 16

HSL 33.09, 0.84%, 0.39%

LAB 52.26, 23.58, 56.38

 

CMYK 91 / 0 / 86 / 29

HEX #10B519

RGB 16 181 25

HSL 123.27, 0.84%, 0.39%

LAB 64.35, -65.08, 60.59

 

CMYK 91 / 50 / 0 / 29

HEX #105BB5

RGB 16 91 181

HSL 212.73, 0.84%, 0.39%

LAB 39.46, 13.82, -53.55

 

Description

Color code: RGB 180 17 171 | qconv.com Color code: RGB 180 17 171 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 17 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 17 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 5 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 5% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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