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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 186 119 it is the complementary color RGB 75 69 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 186 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 186 119 shade: RGB 185 186 114, RGB 202 204 133, RGB 219 222 152, RGB 236 240 171 and RGB 253 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 186 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 163 168 100, RGB 146 150 81, RGB 129 132 62 and RGB 112 114 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 186 174 119, RGB 186 156 119, RGB 186 138 119 and RGB 186 120 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 162 186 119, RGB 144 186 119, RGB 126 186 119 and RGB 119 186 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 186 119 shade matches the following richer shades: RGB 180 186 119, RGB 194 203 102, RGB 207 219 86, RGB 221 236 69 and RGB 234 252 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 167 170 135, RGB 153 153 152, RGB 139 137 168 and RGB 126 120 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 186 119 shade: RGB 186 156 119, RGB 186 174 119, RGB 181 186 119, RGB 163 186 119 and RGB 145 186 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 186 119 shade: RGB 142 148 74, RGB 165 172 91, RGB 180 186 119, RGB 195 200 146 and RGB 210 214 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 119 186 138 and RGB 165 119 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 119 181 186 and RGB 186 119 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 119 186 138, RGB 124 119 186 and RGB 186 119 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 186 119 shade: RGB 180 186 119, RGB 119 186 158, RGB 124 119 186 and RGB 186 119 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

Complementary color

CMYK 45 / 49 / 0 / 47

HEX #4B4588

RGB 75 69 136

HSL 245.37, 0.33%, 0.4%

LAB 32.98, 20.69, -36.77

 

CMYK 1 / 0 / 39 / 27

HEX #B9BA72

RGB 185 186 114

HSL 60.83, 0.34%, 0.59%

LAB 73.96, -11.2, 36.37

 

CMYK 1 / 0 / 35 / 20

HEX #CACC85

RGB 202 204 133

HSL 61.69, 0.41%, 0.66%

LAB 80.42, -11.5, 35.2

 

CMYK 1 / 0 / 32 / 13

HEX #DBDE98

RGB 219 222 152

HSL 62.57, 0.51%, 0.73%

LAB 86.79, -11.75, 34.07

 

CMYK 2 / 0 / 29 / 6

HEX #ECF0AB

RGB 236 240 171

HSL 63.48, 0.7%, 0.81%

LAB 93.06, -11.96, 33

 

CMYK 1 / 0 / 25 / 0

HEX #FDFFBE

RGB 253 255 190

HSL 61.85, 1%, 0.87%

LAB 98.48, -10.67, 30.94

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 3 / 0 / 40 / 34

HEX #A3A864

RGB 163 168 100

HSL 64.41, 0.28%, 0.53%

LAB 67.06, -12.34, 34.49

 

CMYK 3 / 0 / 46 / 41

HEX #929651

RGB 146 150 81

HSL 63.48, 0.3%, 0.45%

LAB 60.35, -12.01, 35.73

 

CMYK 2 / 0 / 53 / 48

HEX #81843E

RGB 129 132 62

HSL 62.57, 0.36%, 0.38%

LAB 53.51, -11.56, 36.95

 

CMYK 2 / 0 / 62 / 55

HEX #70722B

RGB 112 114 43

HSL 61.69, 0.45%, 0.31%

LAB 46.52, -10.96, 38.06

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 0 / 6 / 36 / 27

HEX #BAAE77

RGB 186 174 119

HSL 49.25, 0.33%, 0.6%

LAB 70.9, -3.93, 29.81

 

CMYK 0 / 16 / 36 / 27

HEX #BA9C77

RGB 186 156 119

HSL 33.13, 0.33%, 0.6%

LAB 66.17, 5.78, 23.53

 

CMYK 0 / 26 / 36 / 27

HEX #BA8A77

RGB 186 138 119

HSL 17.01, 0.33%, 0.6%

LAB 61.61, 15.72, 17.32

 

CMYK 0 / 35 / 36 / 27

HEX #BA7877

RGB 186 120 119

HSL 0.9, 0.33%, 0.6%

LAB 57.27, 25.71, 11.29

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 13 / 0 / 36 / 27

HEX #A2BA77

RGB 162 186 119

HSL 81.49, 0.33%, 0.6%

LAB 72.32, -19.62, 31.31

 

CMYK 23 / 0 / 36 / 27

HEX #90BA77

RGB 144 186 119

HSL 97.61, 0.33%, 0.6%

LAB 71.13, -26.32, 29.54

 

CMYK 32 / 0 / 36 / 27

HEX #7EBA77

RGB 126 186 119

HSL 113.73, 0.33%, 0.6%

LAB 70.1, -32.6, 27.98

 

CMYK 36 / 0 / 30 / 27

HEX #77BA82

RGB 119 186 130

HSL 129.85, 0.33%, 0.6%

LAB 69.93, -33.03, 21.85

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 4 / 0 / 50 / 20

HEX #C2CB66

RGB 194 203 102

HSL 65.35, 0.49%, 0.6%

LAB 79.12, -17.44, 48.84

 

CMYK 5 / 0 / 61 / 14

HEX #CFDB56

RGB 207 219 86

HSL 65.41, 0.65%, 0.6%

LAB 84.28, -21.35, 62.13

 

CMYK 6 / 0 / 71 / 7

HEX #DDEC45

RGB 221 236 69

HSL 65.39, 0.81%, 0.6%

LAB 89.76, -24.85, 74.55

 

CMYK 7 / 0 / 79 / 1

HEX #EAFC35

RGB 234 252 53

HSL 65.43, 0.97%, 0.6%

LAB 94.9, -27.79, 84.41

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 2 / 0 / 21 / 33

HEX #A7AA87

RGB 167 170 135

HSL 65.14, 0.17%, 0.6%

LAB 68.54, -7.11, 17.73

 

CMYK 0 / 0 / 1 / 40

HEX #999998

RGB 153 153 152

HSL 60, 0%, 0.6%

LAB 63.2, -0.19, 0.52

 

CMYK 17 / 18 / 0 / 34

HEX #8B89A8

RGB 139 137 168

HSL 243.87, 0.15%, 0.6%

LAB 58.23, 7.33, -16.08

 

CMYK 32 / 35 / 0 / 27

HEX #7E78B9

RGB 126 120 185

HSL 245.54, 0.32%, 0.6%

LAB 53.35, 17.43, -33.43

 

CMYK 0 / 16 / 36 / 27

HEX #BA9C77

RGB 186 156 119

HSL 33.13, 0.33%, 0.6%

LAB 66.17, 5.78, 23.53

 

CMYK 0 / 6 / 36 / 27

HEX #BAAE77

RGB 186 174 119

HSL 49.25, 0.33%, 0.6%

LAB 70.9, -3.93, 29.81

 

CMYK 3 / 0 / 36 / 27

HEX #B5BA77

RGB 181 186 119

HSL 64.48, 0.33%, 0.6%

LAB 73.72, -12.21, 33.41

 

CMYK 12 / 0 / 36 / 27

HEX #A3BA77

RGB 163 186 119

HSL 80.6, 0.33%, 0.6%

LAB 72.39, -19.23, 31.42

 

CMYK 22 / 0 / 36 / 27

HEX #91BA77

RGB 145 186 119

HSL 96.72, 0.33%, 0.6%

LAB 71.19, -25.96, 29.63

 

CMYK 4 / 0 / 50 / 42

HEX #8E944A

RGB 142 148 74

HSL 64.86, 0.33%, 0.44%

LAB 59.37, -13.36, 38.05

 

CMYK 4 / 0 / 47 / 33

HEX #A5AC5B

RGB 165 172 91

HSL 65.19, 0.33%, 0.52%

LAB 68.21, -14.57, 40.57

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 3 / 0 / 27 / 22

HEX #C3C892

RGB 195 200 146

HSL 65.56, 0.33%, 0.68%

LAB 79.03, -10.49, 26.51

 

CMYK 2 / 0 / 19 / 16

HEX #D2D6AE

RGB 210 214 174

HSL 66, 0.33%, 0.76%

LAB 84.41, -8.04, 19.34

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 36 / 0 / 26 / 27

HEX #77BA8A

RGB 119 186 138

HSL 137.01, 0.33%, 0.6%

LAB 70.09, -31.57, 17.76

 

CMYK 11 / 36 / 0 / 27

HEX #A577BA

RGB 165 119 186

HSL 281.19, 0.33%, 0.6%

LAB 56.82, 30.21, -28.33

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 36 / 3 / 0 / 27

HEX #77B5BA

RGB 119 181 186

HSL 184.48, 0.33%, 0.6%

LAB 69.83, -18.57, -8.87

 

CMYK 0 / 36 / 3 / 27

HEX #BA77B5

RGB 186 119 181

HSL 304.48, 0.33%, 0.6%

LAB 58.95, 35.98, -22.01

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 36 / 0 / 26 / 27

HEX #77BA8A

RGB 119 186 138

HSL 137.01, 0.33%, 0.6%

LAB 70.09, -31.57, 17.76

 

CMYK 33 / 36 / 0 / 27

HEX #7C77BA

RGB 124 119 186

HSL 244.48, 0.33%, 0.6%

LAB 52.98, 17.72, -34.61

 

CMYK 0 / 36 / 10 / 27

HEX #BA77A7

RGB 186 119 167

HSL 317.01, 0.33%, 0.6%

LAB 58.44, 33.47, -14.75

 

CMYK 3 / 0 / 36 / 27

HEX #B4BA77

RGB 180 186 119

HSL 65.37, 0.33%, 0.6%

LAB 73.64, -12.61, 33.3

 

CMYK 36 / 0 / 15 / 27

HEX #77BA9E

RGB 119 186 158

HSL 154.93, 0.33%, 0.6%

LAB 70.53, -27.56, 7.51

 

CMYK 33 / 36 / 0 / 27

HEX #7C77BA

RGB 124 119 186

HSL 244.48, 0.33%, 0.6%

LAB 52.98, 17.72, -34.61

 

CMYK 0 / 36 / 21 / 27

HEX #BA7793

RGB 186 119 147

HSL 334.93, 0.33%, 0.6%

LAB 57.79, 30.19, -4.18

 

Description

Color code: RGB 180 186 119 | qconv.com Color code: RGB 180 186 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 186 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 186 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 36 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 36% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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