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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 24 152 it is the complementary color RGB 75 231 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 24 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 24 152 shade: RGB 185 24 147, RGB 202 42 166, RGB 219 60 185, RGB 236 78 204 and RGB 253 96 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 24 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 24 152 shade: RGB 180 24 152, RGB 163 6 133, RGB 146 0 114, RGB 129 0 95 and RGB 112 0 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 24 152 shade: RGB 179 24 151, RGB 179 24 109, RGB 179 24 68, RGB 179 24 26 and RGB 179 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 24 152 shade: RGB 179 24 151, RGB 165 24 179, RGB 123 24 179, RGB 81 24 179 and RGB 40 24 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 24 152 shade matches the following richer shades: RGB 179 24 151 and RGB 196 7 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 24 152 shade: RGB 179 24 151, RGB 163 40 141, RGB 146 57 130, RGB 130 73 119 and RGB 113 90 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 24 152 shade: RGB 122 24 179, RGB 164 24 179, RGB 179 24 153, RGB 179 24 112 and RGB 179 24 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 24 152 shade: RGB 106 14 90, RGB 143 19 121, RGB 179 24 151, RGB 215 29 182 and RGB 228 58 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 24 152 shade: RGB 180 24 152, RGB 179 81 24 and RGB 24 179 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 24 152 shade: RGB 180 24 152, RGB 153 179 24 and RGB 24 153 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 24 152 shade: RGB 180 24 152, RGB 179 81 24, RGB 24 179 50 and RGB 24 122 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 24 152 shade: RGB 180 24 152, RGB 179 127 24, RGB 24 179 50 and RGB 24 76 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 16 / 29

HEX #B41898

RGB 180 24 152

HSL 310.77, 0.76%, 0.4%

LAB 42.19, 68.75, -31.01

 

Complementary color

CMYK 68 / 0 / 55 / 9

HEX #4BE767

RGB 75 231 103

HSL 130.77, 0.76%, 0.6%

LAB 81.64, -66.16, 50

 

CMYK 0 / 87 / 21 / 27

HEX #B91893

RGB 185 24 147

HSL 314.16, 0.77%, 0.41%

LAB 42.87, 69.13, -26.84

 

CMYK 0 / 79 / 18 / 21

HEX #CA2AA6

RGB 202 42 166

HSL 313.5, 0.66%, 0.48%

LAB 48.22, 71.29, -29.67

 

CMYK 0 / 73 / 16 / 14

HEX #DB3CB9

RGB 219 60 185

HSL 312.83, 0.69%, 0.55%

LAB 53.81, 72.5, -31.88

 

CMYK 0 / 67 / 14 / 7

HEX #EC4ECC

RGB 236 78 204

HSL 312.15, 0.81%, 0.62%

LAB 59.56, 73.06, -33.61

 

CMYK 0 / 62 / 12 / 1

HEX #FD60DF

RGB 253 96 223

HSL 311.46, 0.98%, 0.68%

LAB 65.42, 73.19, -35.01

 

CMYK 0 / 87 / 16 / 29

HEX #B41898

RGB 180 24 152

HSL 310.77, 0.76%, 0.4%

LAB 42.19, 68.75, -31.01

 

CMYK 0 / 96 / 18 / 36

HEX #A30685

RGB 163 6 133

HSL 311.46, 0.93%, 0.33%

LAB 37.13, 65.38, -27.54

 

CMYK 0 / 100 / 22 / 43

HEX #920072

RGB 146 0 114

HSL 313.15, 1%, 0.29%

LAB 32.54, 60.33, -23.05

 

CMYK 0 / 100 / 26 / 49

HEX #81005F

RGB 129 0 95

HSL 315.81, 1%, 0.25%

LAB 28.1, 54.47, -17.96

 

CMYK 0 / 100 / 32 / 56

HEX #70004C

RGB 112 0 76

HSL 319.29, 1%, 0.22%

LAB 23.56, 48.48, -12.6

 

CMYK 0 / 87 / 16 / 30

HEX #B31897

RGB 179 24 151

HSL 310.84, 0.76%, 0.4%

LAB 41.96, 68.41, -30.79

 

CMYK 0 / 87 / 39 / 30

HEX #B3186D

RGB 179 24 109

HSL 327.1, 0.76%, 0.4%

LAB 40.15, 63.46, -7.65

 

CMYK 0 / 87 / 62 / 30

HEX #B31844

RGB 179 24 68

HSL 342.97, 0.76%, 0.4%

LAB 38.99, 60.16, 16.76

 

CMYK 0 / 87 / 85 / 30

HEX #B3181A

RGB 179 24 26

HSL 359.23, 0.76%, 0.4%

LAB 38.4, 58.42, 41.36

 

CMYK 0 / 87 / 87 / 30

HEX #B31818

RGB 179 24 24

HSL 0, 0.76%, 0.4%

LAB 38.38, 58.37, 42.37

 

CMYK 0 / 87 / 16 / 30

HEX #B31897

RGB 179 24 151

HSL 310.84, 0.76%, 0.4%

LAB 41.96, 68.41, -30.79

 

CMYK 8 / 87 / 0 / 30

HEX #A518B3

RGB 165 24 179

HSL 294.58, 0.76%, 0.4%

LAB 41.07, 69.96, -49.11

 

CMYK 31 / 87 / 0 / 30

HEX #7B18B3

RGB 123 24 179

HSL 278.32, 0.76%, 0.4%

LAB 34.23, 63.16, -60.52

 

CMYK 55 / 87 / 0 / 30

HEX #5118B3

RGB 81 24 179

HSL 262.06, 0.76%, 0.4%

LAB 28.53, 57.89, -70.09

 

CMYK 78 / 87 / 0 / 30

HEX #2818B3

RGB 40 24 179

HSL 246.19, 0.76%, 0.4%

LAB 24.82, 54.75, -76.34

 

CMYK 0 / 87 / 16 / 30

HEX #B31897

RGB 179 24 151

HSL 310.84, 0.76%, 0.4%

LAB 41.96, 68.41, -30.79

 

CMYK 0 / 96 / 17 / 23

HEX #C407A2

RGB 196 7 162

HSL 310.79, 0.93%, 0.4%

LAB 44.94, 75.35, -32.5

 

CMYK 0 / 87 / 16 / 30

HEX #B31897

RGB 179 24 151

HSL 310.84, 0.76%, 0.4%

LAB 41.96, 68.41, -30.79

 

CMYK 0 / 75 / 13 / 36

HEX #A3288D

RGB 163 40 141

HSL 310.73, 0.61%, 0.4%

LAB 39.96, 59.47, -28.04

 

CMYK 0 / 61 / 11 / 43

HEX #923982

RGB 146 57 130

HSL 310.79, 0.44%, 0.4%

LAB 38.98, 46.62, -23.02

 

CMYK 0 / 44 / 8 / 49

HEX #824977

RGB 130 73 119

HSL 311.58, 0.28%, 0.4%

LAB 39.31, 31.29, -15.92

 

CMYK 0 / 20 / 4 / 56

HEX #715A6D

RGB 113 90 109

HSL 310.43, 0.11%, 0.4%

LAB 41.1, 12.98, -7.25

 

CMYK 32 / 87 / 0 / 30

HEX #7A18B3

RGB 122 24 179

HSL 277.94, 0.76%, 0.4%

LAB 34.08, 63.01, -60.77

 

CMYK 8 / 87 / 0 / 30

HEX #A418B3

RGB 164 24 179

HSL 294.19, 0.76%, 0.4%

LAB 40.9, 69.78, -49.4

 

CMYK 0 / 87 / 15 / 30

HEX #B31899

RGB 179 24 153

HSL 310.06, 0.76%, 0.4%

LAB 42.06, 68.68, -31.84

 

CMYK 0 / 87 / 37 / 30

HEX #B31870

RGB 179 24 112

HSL 325.94, 0.76%, 0.4%

LAB 40.26, 63.77, -9.37

 

CMYK 0 / 87 / 61 / 30

HEX #B31846

RGB 179 24 70

HSL 342.19, 0.76%, 0.4%

LAB 39.03, 60.29, 15.54

 

CMYK 0 / 87 / 15 / 58

HEX #6A0E5A

RGB 106 14 90

HSL 310.43, 0.77%, 0.24%

LAB 24.05, 45.99, -21.32

 

CMYK 0 / 87 / 15 / 44

HEX #8F1379

RGB 143 19 121

HSL 310.65, 0.77%, 0.32%

LAB 33.32, 57.69, -26.3

 

CMYK 0 / 87 / 16 / 30

HEX #B31897

RGB 179 24 151

HSL 310.84, 0.76%, 0.4%

LAB 41.96, 68.41, -30.79

 

CMYK 0 / 87 / 15 / 16

HEX #D71DB6

RGB 215 29 182

HSL 310.65, 0.76%, 0.48%

LAB 50.34, 78.84, -35.61

 

CMYK 0 / 75 / 14 / 11

HEX #E43AC5

RGB 228 58 197

HSL 310.94, 0.76%, 0.56%

LAB 55.64, 76.8, -35.84

 

CMYK 0 / 87 / 16 / 29

HEX #B41898

RGB 180 24 152

HSL 310.77, 0.76%, 0.4%

LAB 42.19, 68.75, -31.01

 

CMYK 0 / 55 / 87 / 30

HEX #B35118

RGB 179 81 24

HSL 22.06, 0.76%, 0.4%

LAB 46.36, 36.8, 49.05

 

CMYK 87 / 0 / 20 / 30

HEX #18B38F

RGB 24 179 143

HSL 166.06, 0.76%, 0.4%

LAB 65.29, -45.96, 7.89

 

CMYK 0 / 87 / 16 / 29

HEX #B41898

RGB 180 24 152

HSL 310.77, 0.76%, 0.4%

LAB 42.19, 68.75, -31.01

 

CMYK 15 / 0 / 87 / 30

HEX #99B318

RGB 153 179 24

HSL 70.06, 0.76%, 0.4%

LAB 68.81, -27.32, 66.65

 

CMYK 87 / 15 / 0 / 30

HEX #1899B3

RGB 24 153 179

HSL 190.06, 0.76%, 0.4%

LAB 58.26, -23.15, -22.76

 

CMYK 0 / 87 / 16 / 29

HEX #B41898

RGB 180 24 152

HSL 310.77, 0.76%, 0.4%

LAB 42.19, 68.75, -31.01

 

CMYK 0 / 55 / 87 / 30

HEX #B35118

RGB 179 81 24

HSL 22.06, 0.76%, 0.4%

LAB 46.36, 36.8, 49.05

 

CMYK 87 / 0 / 72 / 30

HEX #18B332

RGB 24 179 50

HSL 130.06, 0.76%, 0.4%

LAB 63.89, -62.23, 52.52

 

CMYK 87 / 32 / 0 / 30

HEX #187AB3

RGB 24 122 179

HSL 202.06, 0.76%, 0.4%

LAB 48.72, -5.96, -37.59

 

CMYK 0 / 87 / 16 / 29

HEX #B41898

RGB 180 24 152

HSL 310.77, 0.76%, 0.4%

LAB 42.19, 68.75, -31.01

 

CMYK 0 / 29 / 87 / 30

HEX #B37F18

RGB 179 127 24

HSL 39.87, 0.76%, 0.4%

LAB 56.91, 11.74, 57.76

 

CMYK 87 / 0 / 72 / 30

HEX #18B332

RGB 24 179 50

HSL 130.06, 0.76%, 0.4%

LAB 63.89, -62.23, 52.52

 

CMYK 87 / 58 / 0 / 30

HEX #184CB3

RGB 24 76 179

HSL 219.87, 0.76%, 0.4%

LAB 35.24, 23.53, -59.22

 

Description

Color code: RGB 180 24 152 | qconv.com Color code: RGB 180 24 152 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 24 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 24 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 16% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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