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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 25 35 it is the complementary color RGB 75 230 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 25 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 25 35 shade: RGB 185 25 30, RGB 202 43 49, RGB 219 61 68, RGB 236 79 87 and RGB 253 97 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 25 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 25 35 shade: RGB 180 25 35, RGB 163 7 16, RGB 146 0 0, RGB 129 0 0 and RGB 112 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 25 35 shade: RGB 179 24 34 and RGB 179 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 25 35 shade: RGB 179 24 34, RGB 179 24 76, RGB 179 24 118, RGB 179 24 159 and RGB 157 24 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 25 35 shade matches the following richer shades: RGB 179 24 34 and RGB 196 7 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 25 35 shade: RGB 179 24 34, RGB 163 40 48, RGB 146 57 63, RGB 130 73 77 and RGB 113 90 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 25 35 shade: RGB 179 24 117, RGB 179 24 76, RGB 179 24 34, RGB 179 55 24 and RGB 179 96 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 25 35 shade: RGB 106 14 20, RGB 143 19 27, RGB 179 24 34, RGB 215 29 41 and RGB 228 58 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 25 35 shade: RGB 180 25 35, RGB 158 179 24 and RGB 24 96 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 25 35 shade: RGB 180 25 35, RGB 34 179 24 and RGB 24 34 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 25 35 shade: RGB 180 25 35, RGB 158 179 24, RGB 24 179 169 and RGB 45 24 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 25 35 shade: RGB 180 25 35, RGB 112 179 24, RGB 24 179 169 and RGB 91 24 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 81 / 29

HEX #B41923

RGB 180 25 35

HSL 356.13, 0.76%, 0.4%

LAB 38.76, 58.73, 36.86

 

Complementary color

CMYK 67 / 0 / 4 / 10

HEX #4BE6DC

RGB 75 230 220

HSL 176.13, 0.76%, 0.6%

LAB 83.58, -42.08, -6.96

 

CMYK 0 / 86 / 84 / 27

HEX #B9191E

RGB 185 25 30

HSL 358.13, 0.76%, 0.41%

LAB 39.75, 59.97, 40.95

 

CMYK 0 / 79 / 76 / 21

HEX #CA2B31

RGB 202 43 49

HSL 357.74, 0.65%, 0.48%

LAB 44.95, 60.92, 36.73

 

CMYK 0 / 72 / 69 / 14

HEX #DB3D44

RGB 219 61 68

HSL 357.34, 0.69%, 0.55%

LAB 50.47, 61.06, 32.92

 

CMYK 0 / 67 / 63 / 7

HEX #EC4F57

RGB 236 79 87

HSL 356.94, 0.81%, 0.62%

LAB 56.2, 60.68, 29.65

 

CMYK 0 / 62 / 58 / 1

HEX #FD616A

RGB 253 97 106

HSL 356.54, 0.98%, 0.69%

LAB 62.06, 60, 26.85

 

CMYK 0 / 86 / 81 / 29

HEX #B41923

RGB 180 25 35

HSL 356.13, 0.76%, 0.4%

LAB 38.76, 58.73, 36.86

 

CMYK 0 / 96 / 90 / 36

HEX #A30710

RGB 163 7 16

HSL 356.54, 0.92%, 0.33%

LAB 33.93, 56.61, 41.28

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 87 / 81 / 30

HEX #B31822

RGB 179 24 34

HSL 356.13, 0.76%, 0.4%

LAB 38.47, 58.63, 37.07

 

CMYK 0 / 87 / 87 / 30

HEX #B31818

RGB 179 24 24

HSL 0, 0.76%, 0.4%

LAB 38.38, 58.37, 42.37

 

CMYK 0 / 87 / 81 / 30

HEX #B31822

RGB 179 24 34

HSL 356.13, 0.76%, 0.4%

LAB 38.47, 58.63, 37.07

 

CMYK 0 / 87 / 58 / 30

HEX #B3184C

RGB 179 24 76

HSL 339.87, 0.76%, 0.4%

LAB 39.17, 60.68, 11.89

 

CMYK 0 / 87 / 34 / 30

HEX #B31876

RGB 179 24 118

HSL 323.61, 0.76%, 0.4%

LAB 40.48, 64.4, -12.78

 

CMYK 0 / 87 / 11 / 30

HEX #B3189F

RGB 179 24 159

HSL 307.74, 0.76%, 0.4%

LAB 42.37, 69.51, -34.96

 

CMYK 12 / 87 / 0 / 30

HEX #9D18B3

RGB 157 24 179

HSL 291.48, 0.76%, 0.4%

LAB 39.71, 68.58, -51.37

 

CMYK 0 / 87 / 81 / 30

HEX #B31822

RGB 179 24 34

HSL 356.13, 0.76%, 0.4%

LAB 38.47, 58.63, 37.07

 

CMYK 0 / 96 / 90 / 23

HEX #C40714

RGB 196 7 20

HSL 355.87, 0.93%, 0.4%

LAB 41.12, 65.23, 47.95

 

CMYK 0 / 87 / 81 / 30

HEX #B31822

RGB 179 24 34

HSL 356.13, 0.76%, 0.4%

LAB 38.47, 58.63, 37.07

 

CMYK 0 / 75 / 71 / 36

HEX #A32830

RGB 163 40 48

HSL 356.1, 0.61%, 0.4%

LAB 36.96, 50.05, 26.13

 

CMYK 0 / 61 / 57 / 43

HEX #92393F

RGB 146 57 63

HSL 355.96, 0.44%, 0.4%

LAB 36.74, 38.09, 15.81

 

CMYK 0 / 44 / 41 / 49

HEX #82494D

RGB 130 73 77

HSL 355.79, 0.28%, 0.4%

LAB 37.93, 24.7, 8.25

 

CMYK 0 / 20 / 19 / 56

HEX #715A5B

RGB 113 90 91

HSL 357.39, 0.11%, 0.4%

LAB 40.54, 9.58, 2.99

 

CMYK 0 / 87 / 35 / 30

HEX #B31875

RGB 179 24 117

HSL 324, 0.76%, 0.4%

LAB 40.45, 64.29, -12.22

 

CMYK 0 / 87 / 58 / 30

HEX #B3184C

RGB 179 24 76

HSL 339.87, 0.76%, 0.4%

LAB 39.17, 60.68, 11.89

 

CMYK 0 / 87 / 81 / 30

HEX #B31822

RGB 179 24 34

HSL 356.13, 0.76%, 0.4%

LAB 38.47, 58.63, 37.07

 

CMYK 0 / 69 / 87 / 30

HEX #B33718

RGB 179 55 24

HSL 12, 0.76%, 0.4%

LAB 41.82, 48.78, 45.26

 

CMYK 0 / 46 / 87 / 30

HEX #B36018

RGB 179 96 24

HSL 27.87, 0.76%, 0.4%

LAB 49.51, 28.91, 51.67

 

CMYK 0 / 87 / 81 / 58

HEX #6A0E14

RGB 106 14 20

HSL 356.09, 0.77%, 0.24%

LAB 21.69, 39.13, 23.15

 

CMYK 0 / 87 / 81 / 44

HEX #8F131B

RGB 143 19 27

HSL 356.13, 0.77%, 0.32%

LAB 30.36, 49.3, 30.45

 

CMYK 0 / 87 / 81 / 30

HEX #B31822

RGB 179 24 34

HSL 356.13, 0.76%, 0.4%

LAB 38.47, 58.63, 37.07

 

CMYK 0 / 87 / 81 / 16

HEX #D71D29

RGB 215 29 41

HSL 356.13, 0.76%, 0.48%

LAB 46.29, 67.58, 43.41

 

CMYK 0 / 75 / 70 / 11

HEX #E43A45

RGB 228 58 69

HSL 356.12, 0.76%, 0.56%

LAB 51.78, 64.79, 34.31

 

CMYK 0 / 86 / 81 / 29

HEX #B41923

RGB 180 25 35

HSL 356.13, 0.76%, 0.4%

LAB 38.76, 58.73, 36.86

 

CMYK 12 / 0 / 87 / 30

HEX #9EB318

RGB 158 179 24

HSL 68.13, 0.76%, 0.4%

LAB 69.17, -25.21, 67.1

 

CMYK 87 / 46 / 0 / 30

HEX #1860B3

RGB 24 96 179

HSL 212.13, 0.76%, 0.4%

LAB 40.92, 10.25, -50.02

 

CMYK 0 / 86 / 81 / 29

HEX #B41923

RGB 180 25 35

HSL 356.13, 0.76%, 0.4%

LAB 38.76, 58.73, 36.86

 

CMYK 81 / 0 / 87 / 30

HEX #22B318

RGB 34 179 24

HSL 116.13, 0.76%, 0.4%

LAB 63.87, -62.88, 60.47

 

CMYK 87 / 81 / 0 / 30

HEX #1822B3

RGB 24 34 179

HSL 236.13, 0.76%, 0.4%

LAB 25.54, 49.55, -75.17

 

CMYK 0 / 86 / 81 / 29

HEX #B41923

RGB 180 25 35

HSL 356.13, 0.76%, 0.4%

LAB 38.76, 58.73, 36.86

 

CMYK 12 / 0 / 87 / 30

HEX #9EB318

RGB 158 179 24

HSL 68.13, 0.76%, 0.4%

LAB 69.17, -25.21, 67.1

 

CMYK 87 / 0 / 6 / 30

HEX #18B3A9

RGB 24 179 169

HSL 176.13, 0.76%, 0.4%

LAB 65.98, -38.84, -5.51

 

CMYK 75 / 87 / 0 / 30

HEX #2D18B3

RGB 45 24 179

HSL 248.13, 0.76%, 0.4%

LAB 25.16, 55.02, -75.78

 

CMYK 0 / 86 / 81 / 29

HEX #B41923

RGB 180 25 35

HSL 356.13, 0.76%, 0.4%

LAB 38.76, 58.73, 36.86

 

CMYK 37 / 0 / 87 / 30

HEX #70B318

RGB 112 179 24

HSL 85.94, 0.76%, 0.4%

LAB 66.33, -43.44, 63.56

 

CMYK 87 / 0 / 6 / 30

HEX #18B3A9

RGB 24 179 169

HSL 176.13, 0.76%, 0.4%

LAB 65.98, -38.84, -5.51

 

CMYK 49 / 87 / 0 / 30

HEX #5B18B3

RGB 91 24 179

HSL 265.94, 0.76%, 0.4%

LAB 29.74, 58.97, -68.05

 

Description

Color code: RGB 180 25 35 | qconv.com Color code: RGB 180 25 35 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 25 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 25 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 81 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 81% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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