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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 130 129 it is the complementary color RGB 74 125 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 130 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 130 129 shade: RGB 186 130 124, RGB 203 148 143, RGB 220 166 162, RGB 237 184 181 and RGB 254 202 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 130 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 130 129 shade: RGB 181 130 129, RGB 164 112 110, RGB 147 94 91, RGB 130 76 72 and RGB 113 58 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 130 129 shade: RGB 181 130 129 and RGB 181 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 130 129 shade: RGB 181 130 129, RGB 181 144 129, RGB 181 158 129, RGB 181 172 129 and RGB 176 181 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 130 129 shade matches the following richer shades: RGB 181 130 129, RGB 197 115 113, RGB 213 99 97, RGB 229 84 81 and RGB 245 68 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 130 129 shade: RGB 181 130 129, RGB 165 146 145, RGB 149 161 161, RGB 133 177 177 and RGB 117 192 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 130 129 shade: RGB 181 129 156, RGB 181 129 142, RGB 181 130 129, RGB 181 144 129 and RGB 181 158 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 130 129 shade: RGB 144 85 84, RGB 166 104 103, RGB 181 130 129, RGB 196 156 155 and RGB 211 182 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 130 129 shade: RGB 181 130 129, RGB 170 181 129 and RGB 129 149 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 130 129 shade: RGB 181 130 129, RGB 129 181 130 and RGB 130 129 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 130 129 shade: RGB 181 130 129, RGB 170 181 129, RGB 129 180 181 and RGB 140 129 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 130 129 shade: RGB 181 130 129, RGB 154 181 129, RGB 129 180 181 and RGB 156 129 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

Complementary color

CMYK 41 / 1 / 0 / 51

HEX #4A7D7E

RGB 74 125 126

HSL 181.15, 0.26%, 0.39%

LAB 49.04, -16.78, -5.94

 

CMYK 0 / 30 / 33 / 27

HEX #BA827C

RGB 186 130 124

HSL 5.81, 0.31%, 0.61%

LAB 59.76, 20.81, 11.92

 

CMYK 0 / 27 / 30 / 20

HEX #CB948F

RGB 203 148 143

HSL 5, 0.37%, 0.68%

LAB 66.41, 20.02, 10.82

 

CMYK 0 / 25 / 26 / 14

HEX #DCA6A2

RGB 220 166 162

HSL 4.14, 0.45%, 0.75%

LAB 72.96, 19.32, 9.81

 

CMYK 0 / 22 / 24 / 7

HEX #EDB8B5

RGB 237 184 181

HSL 3.21, 0.61%, 0.82%

LAB 79.4, 18.68, 8.89

 

CMYK 0 / 20 / 21 / 0

HEX #FECAC8

RGB 254 202 200

HSL 2.22, 0.96%, 0.89%

LAB 85.75, 18.11, 8.02

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 0 / 32 / 33 / 36

HEX #A4706E

RGB 164 112 110

HSL 2.22, 0.23%, 0.54%

LAB 52.52, 20.34, 9.46

 

CMYK 0 / 36 / 38 / 42

HEX #935E5B

RGB 147 94 91

HSL 3.21, 0.24%, 0.47%

LAB 45.58, 21.27, 10.72

 

CMYK 0 / 42 / 45 / 49

HEX #824C48

RGB 130 76 72

HSL 4.14, 0.29%, 0.4%

LAB 38.52, 22.35, 12.19

 

CMYK 0 / 49 / 53 / 56

HEX #713A35

RGB 113 58 53

HSL 5, 0.36%, 0.33%

LAB 31.33, 23.59, 14

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 0 / 29 / 29 / 29

HEX #B58181

RGB 181 129 129

HSL 0, 0.26%, 0.61%

LAB 59.08, 20.09, 8

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 0 / 20 / 29 / 29

HEX #B59081

RGB 181 144 129

HSL 17.31, 0.26%, 0.61%

LAB 62.81, 11.71, 13.27

 

CMYK 0 / 13 / 29 / 29

HEX #B59E81

RGB 181 158 129

HSL 33.46, 0.26%, 0.61%

LAB 66.41, 3.98, 18.28

 

CMYK 0 / 5 / 29 / 29

HEX #B5AC81

RGB 181 172 129

HSL 49.62, 0.26%, 0.61%

LAB 70.12, -3.59, 23.33

 

CMYK 3 / 0 / 29 / 29

HEX #B0B581

RGB 176 181 129

HSL 65.77, 0.26%, 0.61%

LAB 72.14, -10.3, 25.98

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 0 / 42 / 43 / 23

HEX #C57371

RGB 197 115 113

HSL 1.43, 0.42%, 0.61%

LAB 57.39, 32, 15.13

 

CMYK 0 / 54 / 54 / 16

HEX #D56361

RGB 213 99 97

HSL 1.03, 0.58%, 0.61%

LAB 56.02, 44.71, 22.91

 

CMYK 0 / 63 / 65 / 10

HEX #E55451

RGB 229 84 81

HSL 1.22, 0.74%, 0.61%

LAB 55.68, 56.02, 32.19

 

CMYK 0 / 72 / 73 / 4

HEX #F54441

RGB 245 68 65

HSL 1, 0.9%, 0.61%

LAB 56.02, 66.38, 42.27

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 0 / 12 / 12 / 35

HEX #A59291

RGB 165 146 145

HSL 3, 0.1%, 0.61%

LAB 62.17, 6.89, 3.11

 

CMYK 7 / 0 / 0 / 37

HEX #95A1A1

RGB 149 161 161

HSL 180, 0.06%, 0.61%

LAB 65.32, -4.24, -1.47

 

CMYK 25 / 0 / 0 / 31

HEX #85B1B1

RGB 133 177 177

HSL 180, 0.22%, 0.61%

LAB 69.19, -14.59, -4.79

 

CMYK 40 / 1 / 0 / 24

HEX #75C0C2

RGB 117 192 194

HSL 181.56, 0.39%, 0.61%

LAB 73.14, -22.71, -8.35

 

CMYK 0 / 29 / 14 / 29

HEX #B5819C

RGB 181 129 156

HSL 328.85, 0.26%, 0.61%

LAB 59.82, 24.28, -6.42

 

CMYK 0 / 29 / 22 / 29

HEX #B5818E

RGB 181 129 142

HSL 345, 0.26%, 0.61%

LAB 59.41, 22.01, 1.02

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 0 / 20 / 29 / 29

HEX #B59081

RGB 181 144 129

HSL 17.31, 0.26%, 0.61%

LAB 62.81, 11.71, 13.27

 

CMYK 0 / 13 / 29 / 29

HEX #B59E81

RGB 181 158 129

HSL 33.46, 0.26%, 0.61%

LAB 66.41, 3.98, 18.28

 

CMYK 0 / 41 / 42 / 44

HEX #905554

RGB 144 85 84

HSL 1, 0.26%, 0.45%

LAB 42.86, 24.36, 11.11

 

CMYK 0 / 37 / 38 / 35

HEX #A66867

RGB 166 104 103

HSL 0.95, 0.26%, 0.53%

LAB 50.67, 24.76, 11.02

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 0 / 20 / 21 / 23

HEX #C49C9B

RGB 196 156 155

HSL 1.46, 0.26%, 0.69%

LAB 67.93, 14.69, 6.18

 

CMYK 0 / 14 / 14 / 17

HEX #D3B6B5

RGB 211 182 181

HSL 2, 0.25%, 0.77%

LAB 76.46, 10.22, 4.34

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 6 / 0 / 29 / 29

HEX #AAB581

RGB 170 181 129

HSL 72.69, 0.26%, 0.61%

LAB 71.68, -12.62, 25.28

 

CMYK 29 / 18 / 0 / 29

HEX #8195B5

RGB 129 149 181

HSL 216.92, 0.26%, 0.61%

LAB 61.22, 0.41, -19

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 29 / 0 / 28 / 29

HEX #81B582

RGB 129 181 130

HSL 121.15, 0.26%, 0.61%

LAB 68.99, -27.39, 20.65

 

CMYK 28 / 29 / 0 / 29

HEX #8281B5

RGB 130 129 181

HSL 241.15, 0.26%, 0.61%

LAB 55.87, 12.26, -27.2

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 6 / 0 / 29 / 29

HEX #AAB581

RGB 170 181 129

HSL 72.69, 0.26%, 0.61%

LAB 71.68, -12.62, 25.28

 

CMYK 29 / 1 / 0 / 29

HEX #81B4B5

RGB 129 180 181

HSL 181.15, 0.26%, 0.61%

LAB 69.93, -16.43, -5.93

 

CMYK 23 / 29 / 0 / 29

HEX #8C81B5

RGB 140 129 181

HSL 252.69, 0.26%, 0.61%

LAB 56.7, 15.37, -25.86

 

CMYK 0 / 28 / 29 / 29

HEX #B58281

RGB 181 130 129

HSL 1.15, 0.26%, 0.61%

LAB 59.32, 19.53, 8.35

 

CMYK 15 / 0 / 29 / 29

HEX #9AB581

RGB 154 181 129

HSL 91.15, 0.26%, 0.61%

LAB 70.53, -18.68, 23.54

 

CMYK 29 / 1 / 0 / 29

HEX #81B4B5

RGB 129 180 181

HSL 181.15, 0.26%, 0.61%

LAB 69.93, -16.43, -5.93

 

CMYK 14 / 29 / 0 / 29

HEX #9C81B5

RGB 156 129 181

HSL 271.15, 0.26%, 0.61%

LAB 58.14, 20.51, -23.52

 

Description

Color code: RGB 181 130 129 | qconv.com Color code: RGB 181 130 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 130 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 130 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 29 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 29% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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