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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 189 29 it is the complementary color RGB 74 66 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 189 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 189 29 shade: RGB 186 189 24, RGB 203 207 43, RGB 220 225 62, RGB 237 243 81 and RGB 254 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 189 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 164 171 10, RGB 147 153 0, RGB 130 135 0 and RGB 113 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 189 154 29, RGB 189 111 29, RGB 189 68 29 and RGB 189 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 138 189 29, RGB 95 189 29, RGB 52 189 29 and RGB 29 189 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 189 29 shade matches the following richer shades: RGB 181 189 29 and RGB 197 207 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 165 171 47, RGB 149 154 65, RGB 133 136 82 and RGB 117 118 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 189 29 shade: RGB 189 112 29, RGB 189 155 29, RGB 181 189 29, RGB 138 189 29 and RGB 96 189 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 189 29 shade: RGB 113 118 18, RGB 147 154 24, RGB 181 189 29, RGB 212 221 39 and RGB 219 226 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 29 189 69 and RGB 133 29 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 29 181 189 and RGB 189 29 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 29 189 69, RGB 37 29 189 and RGB 189 29 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 189 29 shade: RGB 181 189 29, RGB 29 189 117, RGB 37 29 189 and RGB 189 29 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

Complementary color

CMYK 67 / 71 / 0 / 11

HEX #4A42E2

RGB 74 66 226

HSL 243, 0.73%, 0.57%

LAB 39.32, 51.34, -79.73

 

CMYK 2 / 0 / 87 / 26

HEX #BABD18

RGB 186 189 24

HSL 61.09, 0.77%, 0.42%

LAB 74.13, -18.16, 72.04

 

CMYK 2 / 0 / 79 / 19

HEX #CBCF2B

RGB 203 207 43

HSL 61.46, 0.66%, 0.49%

LAB 80.46, -19.32, 73.48

 

CMYK 2 / 0 / 72 / 12

HEX #DCE13E

RGB 220 225 62

HSL 61.84, 0.73%, 0.56%

LAB 86.71, -20.3, 73.94

 

CMYK 2 / 0 / 67 / 5

HEX #EDF351

RGB 237 243 81

HSL 62.22, 0.87%, 0.64%

LAB 92.88, -21.12, 73.78

 

CMYK 0 / 0 / 61 / 0

HEX #FEFF64

RGB 254 255 100

HSL 60.39, 1%, 0.7%

LAB 97.43, -18.96, 71.58

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 4 / 0 / 94 / 33

HEX #A4AB0A

RGB 164 171 10

HSL 62.61, 0.89%, 0.35%

LAB 67.31, -18.92, 68.13

 

CMYK 4 / 0 / 100 / 40

HEX #939900

RGB 147 153 0

HSL 62.35, 1%, 0.3%

LAB 60.77, -17.42, 63.94

 

CMYK 4 / 0 / 100 / 47

HEX #828700

RGB 130 135 0

HSL 62.22, 1%, 0.26%

LAB 54.11, -15.74, 58.4

 

CMYK 3 / 0 / 100 / 54

HEX #717500

RGB 113 117 0

HSL 62.05, 1%, 0.23%

LAB 47.28, -14.01, 52.72

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 0 / 19 / 85 / 26

HEX #BD9A1D

RGB 189 154 29

HSL 46.88, 0.73%, 0.43%

LAB 64.98, 1.54, 63.5

 

CMYK 0 / 41 / 85 / 26

HEX #BD6F1D

RGB 189 111 29

HSL 30.75, 0.73%, 0.43%

LAB 54.32, 25.15, 54.51

 

CMYK 0 / 64 / 85 / 26

HEX #BD441D

RGB 189 68 29

HSL 14.63, 0.73%, 0.43%

LAB 45.69, 46.9, 47.06

 

CMYK 0 / 85 / 85 / 26

HEX #BD1D1D

RGB 189 29 29

HSL 0, 0.73%, 0.43%

LAB 40.87, 60.2, 42.8

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 27 / 0 / 85 / 26

HEX #8ABD1D

RGB 138 189 29

HSL 79.13, 0.73%, 0.43%

LAB 70.79, -37.89, 66.85

 

CMYK 50 / 0 / 85 / 26

HEX #5FBD1D

RGB 95 189 29

HSL 95.25, 0.73%, 0.43%

LAB 68.69, -52.84, 64.2

 

CMYK 72 / 0 / 85 / 26

HEX #34BD1D

RGB 52 189 29

HSL 111.38, 0.73%, 0.43%

LAB 67.44, -63.07, 62.61

 

CMYK 85 / 0 / 74 / 26

HEX #1DBD32

RGB 29 189 50

HSL 127.88, 0.73%, 0.43%

LAB 67.19, -64.8, 55.92

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 5 / 0 / 95 / 19

HEX #C5CF0B

RGB 197 207 11

HSL 63.06, 0.9%, 0.43%

LAB 79.91, -22.55, 78.78

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 4 / 0 / 73 / 33

HEX #A5AB2F

RGB 165 171 47

HSL 62.9, 0.57%, 0.43%

LAB 67.52, -17.36, 59.27

 

CMYK 3 / 0 / 58 / 40

HEX #959A41

RGB 149 154 65

HSL 63.37, 0.41%, 0.43%

LAB 61.55, -14.33, 45.14

 

CMYK 2 / 0 / 40 / 47

HEX #858852

RGB 133 136 82

HSL 63.33, 0.25%, 0.43%

LAB 55.28, -9.85, 28.62

 

CMYK 1 / 0 / 15 / 54

HEX #757664

RGB 117 118 100

HSL 63.33, 0.08%, 0.43%

LAB 49.08, -3.78, 9.8

 

CMYK 0 / 41 / 85 / 26

HEX #BD701D

RGB 189 112 29

HSL 31.13, 0.73%, 0.43%

LAB 54.55, 24.6, 54.7

 

CMYK 0 / 18 / 85 / 26

HEX #BD9B1D

RGB 189 155 29

HSL 47.25, 0.73%, 0.43%

LAB 65.24, 1, 63.72

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 27 / 0 / 85 / 26

HEX #8ABD1D

RGB 138 189 29

HSL 79.13, 0.73%, 0.43%

LAB 70.79, -37.89, 66.85

 

CMYK 49 / 0 / 85 / 26

HEX #60BD1D

RGB 96 189 29

HSL 94.88, 0.73%, 0.43%

LAB 68.73, -52.54, 64.25

 

CMYK 4 / 0 / 85 / 54

HEX #717612

RGB 113 118 18

HSL 63, 0.74%, 0.27%

LAB 47.64, -14.09, 48.96

 

CMYK 5 / 0 / 84 / 40

HEX #939A18

RGB 147 154 24

HSL 63.23, 0.73%, 0.35%

LAB 61.12, -17.45, 60.01

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 4 / 0 / 82 / 13

HEX #D4DD27

RGB 212 221 39

HSL 62.97, 0.73%, 0.51%

LAB 84.92, -22.5, 78.6

 

CMYK 3 / 0 / 67 / 11

HEX #DBE24A

RGB 219 226 74

HSL 62.76, 0.72%, 0.59%

LAB 86.97, -20.61, 69.97

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 85 / 0 / 63 / 26

HEX #1DBD45

RGB 29 189 69

HSL 135, 0.73%, 0.43%

LAB 67.34, -62.94, 48.48

 

CMYK 30 / 85 / 0 / 26

HEX #851DBD

RGB 133 29 189

HSL 279, 0.73%, 0.43%

LAB 37, 65.41, -61.85

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 85 / 4 / 0 / 26

HEX #1DB5BD

RGB 29 181 189

HSL 183, 0.73%, 0.43%

LAB 67.26, -33.43, -14.65

 

CMYK 0 / 85 / 4 / 26

HEX #BD1DB5

RGB 189 29 181

HSL 303, 0.73%, 0.43%

LAB 45.68, 73.68, -42.68

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 85 / 0 / 63 / 26

HEX #1DBD45

RGB 29 189 69

HSL 135, 0.73%, 0.43%

LAB 67.34, -62.94, 48.48

 

CMYK 80 / 85 / 0 / 26

HEX #251DBD

RGB 37 29 189

HSL 243, 0.73%, 0.43%

LAB 26.58, 55.52, -79.38

 

CMYK 0 / 85 / 21 / 26

HEX #BD1D95

RGB 189 29 149

HSL 315, 0.73%, 0.43%

LAB 44.04, 69.27, -26.18

 

CMYK 4 / 0 / 85 / 26

HEX #B5BD1D

RGB 181 189 29

HSL 63, 0.73%, 0.43%

LAB 73.74, -20.19, 70.53

 

CMYK 85 / 0 / 38 / 26

HEX #1DBD75

RGB 29 189 117

HSL 153, 0.73%, 0.43%

LAB 67.98, -55.37, 25.68

 

CMYK 80 / 85 / 0 / 26

HEX #251DBD

RGB 37 29 189

HSL 243, 0.73%, 0.43%

LAB 26.58, 55.52, -79.38

 

CMYK 0 / 85 / 47 / 26

HEX #BD1D65

RGB 189 29 101

HSL 333, 0.73%, 0.43%

LAB 42.21, 64.13, 0.64

 

Description

Color code: RGB 181 189 29 | qconv.com Color code: RGB 181 189 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 189 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 189 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 85 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 85% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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