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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 204 207 it is the complementary color RGB 74 51 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 204 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 204 207 shade: RGB 186 204 202, RGB 203 222 221, RGB 220 240 240, RGB 237 255 255 and RGB 254 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 204 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 204 207 shade: RGB 181 204 207, RGB 164 186 188, RGB 147 168 169, RGB 130 150 150 and RGB 113 132 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 204 207 shade: RGB 180 203 206, RGB 180 196 206, RGB 180 189 206, RGB 180 182 206 and RGB 185 180 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 204 207 shade: RGB 180 203 206, RGB 180 196 206, RGB 180 189 206, RGB 180 182 206 and RGB 180 180 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 204 207 shade matches the following richer shades: RGB 180 203 206, RGB 171 211 216, RGB 161 218 226, RGB 151 226 236 and RGB 141 234 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 204 207 shade: RGB 180 203 206, RGB 190 196 196, RGB 200 188 186, RGB 210 180 176 and RGB 220 173 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 204 207 shade: RGB 180 206 195, RGB 180 206 202, RGB 180 204 206, RGB 180 197 206 and RGB 180 190 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 204 207 shade: RGB 131 169 174, RGB 155 186 190, RGB 180 203 206, RGB 205 220 222 and RGB 230 238 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 204 207 shade: RGB 181 204 207, RGB 188 180 206 and RGB 206 198 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 204 207 shade: RGB 181 204 207, RGB 206 180 204 and RGB 204 206 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 204 207 shade: RGB 181 204 207, RGB 188 180 206, RGB 206 183 180 and RGB 198 206 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 204 207 shade: RGB 181 204 207, RGB 196 180 206, RGB 206 183 180 and RGB 191 206 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 1 / 0 / 19

HEX #B5CCCF

RGB 181 204 207

HSL 186.92, 0.21%, 0.76%

LAB 80.47, -7.1, -4.12

 

Complementary color

CMYK 0 / 31 / 35 / 71

HEX #4A3330

RGB 74 51 48

HSL 6.92, 0.21%, 0.24%

LAB 23.79, 9.91, 6.03

 

CMYK 9 / 0 / 1 / 20

HEX #BACCCA

RGB 186 204 202

HSL 173.33, 0.15%, 0.76%

LAB 80.68, -6.46, -1.1

 

CMYK 9 / 0 / 0 / 13

HEX #CBDEDD

RGB 203 222 221

HSL 176.84, 0.22%, 0.83%

LAB 87.08, -6.5, -1.69

 

CMYK 8 / 0 / 0 / 6

HEX #DCF0F0

RGB 220 240 240

HSL 180, 0.4%, 0.9%

LAB 93.38, -6.54, -2.26

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 13 / 1 / 0 / 19

HEX #B5CCCF

RGB 181 204 207

HSL 186.92, 0.21%, 0.76%

LAB 80.47, -7.1, -4.12

 

CMYK 13 / 1 / 0 / 26

HEX #A4BABC

RGB 164 186 188

HSL 185, 0.15%, 0.69%

LAB 73.96, -7.08, -3.57

 

CMYK 13 / 1 / 0 / 34

HEX #93A8A9

RGB 147 168 169

HSL 182.73, 0.11%, 0.62%

LAB 67.33, -7.07, -2.99

 

CMYK 13 / 0 / 0 / 41

HEX #829696

RGB 130 150 150

HSL 180, 0.09%, 0.55%

LAB 60.57, -7.07, -2.4

 

CMYK 14 / 0 / 1 / 48

HEX #718483

RGB 113 132 131

HSL 176.84, 0.08%, 0.48%

LAB 53.66, -7.08, -1.79

 

CMYK 13 / 1 / 0 / 19

HEX #B4CBCE

RGB 180 203 206

HSL 186.92, 0.21%, 0.76%

LAB 80.11, -7.11, -4.13

 

CMYK 13 / 5 / 0 / 19

HEX #B4C4CE

RGB 180 196 206

HSL 203.08, 0.21%, 0.76%

LAB 78.25, -3.43, -6.87

 

CMYK 13 / 8 / 0 / 19

HEX #B4BDCE

RGB 180 189 206

HSL 219.23, 0.21%, 0.76%

LAB 76.41, 0.3, -9.6

 

CMYK 13 / 12 / 0 / 19

HEX #B4B6CE

RGB 180 182 206

HSL 235.38, 0.21%, 0.76%

LAB 74.58, 4.08, -12.33

 

CMYK 10 / 13 / 0 / 19

HEX #B9B4CE

RGB 185 180 206

HSL 251.54, 0.21%, 0.76%

LAB 74.45, 6.82, -12.48

 

CMYK 13 / 1 / 0 / 19

HEX #B4CBCE

RGB 180 203 206

HSL 186.92, 0.21%, 0.76%

LAB 80.11, -7.11, -4.13

 

CMYK 13 / 5 / 0 / 19

HEX #B4C4CE

RGB 180 196 206

HSL 203.08, 0.21%, 0.76%

LAB 78.25, -3.43, -6.87

 

CMYK 13 / 8 / 0 / 19

HEX #B4BDCE

RGB 180 189 206

HSL 219.23, 0.21%, 0.76%

LAB 76.41, 0.3, -9.6

 

CMYK 13 / 12 / 0 / 19

HEX #B4B6CE

RGB 180 182 206

HSL 235.38, 0.21%, 0.76%

LAB 74.58, 4.08, -12.33

 

CMYK 13 / 13 / 0 / 19

HEX #B4B4CE

RGB 180 180 206

HSL 240, 0.21%, 0.76%

LAB 74.06, 5.17, -13.11

 

CMYK 13 / 1 / 0 / 19

HEX #B4CBCE

RGB 180 203 206

HSL 186.92, 0.21%, 0.76%

LAB 80.11, -7.11, -4.13

 

CMYK 21 / 2 / 0 / 15

HEX #ABD3D8

RGB 171 211 216

HSL 186.67, 0.37%, 0.76%

LAB 81.95, -11.99, -6.82

 

CMYK 29 / 4 / 0 / 11

HEX #A1DAE2

RGB 161 218 226

HSL 187.38, 0.53%, 0.76%

LAB 83.55, -16.28, -9.82

 

CMYK 36 / 4 / 0 / 7

HEX #97E2EC

RGB 151 226 236

HSL 187.06, 0.69%, 0.76%

LAB 85.52, -20.67, -12.24

 

CMYK 43 / 5 / 0 / 4

HEX #8DEAF6

RGB 141 234 246

HSL 186.86, 0.85%, 0.76%

LAB 87.56, -24.65, -14.49

 

CMYK 13 / 1 / 0 / 19

HEX #B4CBCE

RGB 180 203 206

HSL 186.92, 0.21%, 0.76%

LAB 80.11, -7.11, -4.13

 

CMYK 3 / 0 / 0 / 23

HEX #BEC4C4

RGB 190 196 196

HSL 180, 0.05%, 0.76%

LAB 78.7, -2.06, -0.73

 

CMYK 0 / 6 / 7 / 22

HEX #C8BCBA

RGB 200 188 186

HSL 8.57, 0.11%, 0.76%

LAB 77.16, 3.88, 2.52

 

CMYK 0 / 14 / 16 / 18

HEX #D2B4B0

RGB 210 180 176

HSL 7.06, 0.27%, 0.76%

LAB 75.75, 10.13, 6.02

 

CMYK 0 / 21 / 24 / 14

HEX #DCADA7

RGB 220 173 167

HSL 6.79, 0.43%, 0.76%

LAB 74.76, 16.25, 9.64

 

CMYK 13 / 0 / 5 / 19

HEX #B4CEC3

RGB 180 206 195

HSL 154.62, 0.21%, 0.76%

LAB 80.62, -10.84, 2.52

 

CMYK 13 / 0 / 2 / 19

HEX #B4CECA

RGB 180 206 202

HSL 170.77, 0.21%, 0.76%

LAB 80.8, -9.47, -0.97

 

CMYK 13 / 1 / 0 / 19

HEX #B4CCCE

RGB 180 204 206

HSL 184.62, 0.21%, 0.76%

LAB 80.37, -7.63, -3.73

 

CMYK 13 / 4 / 0 / 19

HEX #B4C5CE

RGB 180 197 206

HSL 200.77, 0.21%, 0.76%

LAB 78.52, -3.96, -6.48

 

CMYK 13 / 8 / 0 / 19

HEX #B4BECE

RGB 180 190 206

HSL 216.92, 0.21%, 0.76%

LAB 76.67, -0.23, -9.21

 

CMYK 25 / 3 / 0 / 32

HEX #83A9AE

RGB 131 169 174

HSL 186.98, 0.21%, 0.6%

LAB 66.72, -11.67, -6.8

 

CMYK 18 / 2 / 0 / 25

HEX #9BBABE

RGB 155 186 190

HSL 186.86, 0.21%, 0.68%

LAB 73.42, -9.57, -5.52

 

CMYK 13 / 1 / 0 / 19

HEX #B4CBCE

RGB 180 203 206

HSL 186.92, 0.21%, 0.76%

LAB 80.11, -7.11, -4.13

 

CMYK 8 / 1 / 0 / 13

HEX #CDDCDE

RGB 205 220 222

HSL 187.06, 0.2%, 0.84%

LAB 86.72, -4.62, -2.72

 

CMYK 4 / 0 / 0 / 6

HEX #E6EEEF

RGB 230 238 239

HSL 186.67, 0.22%, 0.92%

LAB 93.54, -2.46, -1.42

 

CMYK 13 / 1 / 0 / 19

HEX #B5CCCF

RGB 181 204 207

HSL 186.92, 0.21%, 0.76%

LAB 80.47, -7.1, -4.12

 

CMYK 9 / 13 / 0 / 19

HEX #BCB4CE

RGB 188 180 206

HSL 258.46, 0.21%, 0.76%

LAB 74.69, 7.81, -12.1

 

CMYK 0 / 4 / 13 / 19

HEX #CEC6B4

RGB 206 198 180

HSL 41.54, 0.21%, 0.76%

LAB 80.07, -0.27, 10.01

 

CMYK 13 / 1 / 0 / 19

HEX #B5CCCF

RGB 181 204 207

HSL 186.92, 0.21%, 0.76%

LAB 80.47, -7.1, -4.12

 

CMYK 0 / 13 / 1 / 19

HEX #CEB4CC

RGB 206 180 204

HSL 304.62, 0.21%, 0.76%

LAB 76.15, 13.52, -8.69

 

CMYK 1 / 0 / 13 / 19

HEX #CCCEB4

RGB 204 206 180

HSL 64.62, 0.21%, 0.76%

LAB 81.99, -5.17, 12.71

 

CMYK 13 / 1 / 0 / 19

HEX #B5CCCF

RGB 181 204 207

HSL 186.92, 0.21%, 0.76%

LAB 80.47, -7.1, -4.12

 

CMYK 9 / 13 / 0 / 19

HEX #BCB4CE

RGB 188 180 206

HSL 258.46, 0.21%, 0.76%

LAB 74.69, 7.81, -12.1

 

CMYK 0 / 11 / 13 / 19

HEX #CEB7B4

RGB 206 183 180

HSL 6.92, 0.21%, 0.76%

LAB 76.24, 7.7, 4.52

 

CMYK 4 / 0 / 13 / 19

HEX #C6CEB4

RGB 198 206 180

HSL 78.46, 0.21%, 0.76%

LAB 81.53, -7.32, 12

 

CMYK 13 / 1 / 0 / 19

HEX #B5CCCF

RGB 181 204 207

HSL 186.92, 0.21%, 0.76%

LAB 80.47, -7.1, -4.12

 

CMYK 5 / 13 / 0 / 19

HEX #C4B4CE

RGB 196 180 206

HSL 276.92, 0.21%, 0.76%

LAB 75.35, 10.49, -11.05

 

CMYK 0 / 11 / 13 / 19

HEX #CEB7B4

RGB 206 183 180

HSL 6.92, 0.21%, 0.76%

LAB 76.24, 7.7, 4.52

 

CMYK 7 / 0 / 13 / 19

HEX #BFCEB4

RGB 191 206 180

HSL 94.62, 0.21%, 0.76%

LAB 81.02, -9.8, 11.21

 

Description

Color code: RGB 181 204 207 | qconv.com Color code: RGB 181 204 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 204 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 204 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 1 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 1% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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