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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 56 224 it is the complementary color RGB 74 199 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 56 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 56 224 shade: RGB 186 56 219, RGB 203 74 238, RGB 220 92 255, RGB 237 110 255 and RGB 254 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 56 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 164 38 205, RGB 147 20 186, RGB 130 2 167 and RGB 113 0 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 224 56 221, RGB 224 56 176, RGB 224 56 131 and RGB 224 56 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 135 56 224, RGB 90 56 224 and RGB 56 56 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 56 224 shade matches the following richer shades: RGB 181 56 224 and RGB 190 37 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 172 75 205, RGB 163 93 186, RGB 153 112 168 and RGB 144 130 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 56 224 shade: RGB 89 56 224, RGB 134 56 224, RGB 179 56 224, RGB 224 56 224 and RGB 224 56 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 56 224 shade: RGB 134 26 171, RGB 162 32 206, RGB 181 56 224, RGB 194 92 229 and RGB 207 127 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 224 56 67 and RGB 56 224 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 224 179 56 and RGB 56 224 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 224 56 67, RGB 101 224 56 and RGB 56 224 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 56 224 shade: RGB 181 56 224, RGB 224 95 56, RGB 101 224 56 and RGB 56 184 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

Complementary color

CMYK 63 / 0 / 84 / 22

HEX #4AC71F

RGB 74 199 31

HSL 104.64, 0.73%, 0.45%

LAB 71.15, -61.84, 65.65

 

CMYK 15 / 74 / 0 / 14

HEX #BA38DB

RGB 186 56 219

HSL 287.85, 0.69%, 0.54%

LAB 49.96, 72.2, -57.86

 

CMYK 15 / 69 / 0 / 7

HEX #CB4AEE

RGB 203 74 238

HSL 287.2, 0.83%, 0.61%

LAB 55.85, 72.66, -58.99

 

CMYK 14 / 64 / 0 / 0

HEX #DC5CFF

RGB 220 92 255

HSL 287.12, 1%, 0.68%

LAB 61.73, 72.29, -58.89

 

CMYK 7 / 57 / 0 / 0

HEX #ED6EFF

RGB 237 110 255

HSL 292.55, 1%, 0.72%

LAB 66.81, 68.51, -50.69

 

CMYK 0 / 50 / 0 / 0

HEX #FE80FF

RGB 254 128 255

HSL 299.53, 1%, 0.75%

LAB 72.05, 64.68, -42.3

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 20 / 81 / 0 / 20

HEX #A426CD

RGB 164 38 205

HSL 285.27, 0.69%, 0.48%

LAB 43.78, 71.1, -59.96

 

CMYK 21 / 89 / 0 / 27

HEX #9314BA

RGB 147 20 186

HSL 285.9, 0.81%, 0.4%

LAB 38.28, 68.98, -57.9

 

CMYK 22 / 99 / 0 / 35

HEX #8202A7

RGB 130 2 167

HSL 286.55, 0.98%, 0.33%

LAB 33.09, 65.64, -55.14

 

CMYK 24 / 100 / 0 / 42

HEX #710094

RGB 113 0 148

HSL 285.81, 1%, 0.29%

LAB 28.51, 60.06, -51.15

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 0 / 75 / 1 / 12

HEX #E038DD

RGB 224 56 221

HSL 301.07, 0.73%, 0.55%

LAB 55.98, 80.02, -49.03

 

CMYK 0 / 75 / 21 / 12

HEX #E038B0

RGB 224 56 176

HSL 317.14, 0.73%, 0.55%

LAB 53.83, 73.7, -26.55

 

CMYK 0 / 75 / 42 / 12

HEX #E03883

RGB 224 56 131

HSL 333.21, 0.73%, 0.55%

LAB 52.19, 68.68, -2.37

 

CMYK 0 / 75 / 62 / 12

HEX #E03856

RGB 224 56 86

HSL 349.29, 0.73%, 0.55%

LAB 51.09, 65.17, 23.22

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 40 / 75 / 0 / 12

HEX #8738E0

RGB 135 56 224

HSL 268.21, 0.73%, 0.55%

LAB 43.3, 64.15, -71.83

 

CMYK 60 / 75 / 0 / 12

HEX #5A38E0

RGB 90 56 224

HSL 252.14, 0.73%, 0.55%

LAB 38.52, 57.78, -79.85

 

CMYK 75 / 75 / 0 / 12

HEX #3838E0

RGB 56 56 224

HSL 240, 0.73%, 0.55%

LAB 36.08, 54.43, -83.96

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 21 / 85 / 0 / 5

HEX #BE25F2

RGB 190 37 242

HSL 284.78, 0.89%, 0.55%

LAB 50.31, 82.27, -70.26

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 16 / 63 / 0 / 20

HEX #AC4BCD

RGB 172 75 205

HSL 284.77, 0.57%, 0.55%

LAB 49.75, 59.09, -50.3

 

CMYK 12 / 50 / 0 / 27

HEX #A35DBA

RGB 163 93 186

HSL 285.16, 0.4%, 0.55%

LAB 50.87, 43.97, -37.63

 

CMYK 9 / 33 / 0 / 34

HEX #9970A8

RGB 153 112 168

HSL 283.93, 0.24%, 0.55%

LAB 53.15, 26.49, -23.73

 

CMYK 3 / 13 / 0 / 42

HEX #908295

RGB 144 130 149

HSL 284.21, 0.08%, 0.55%

LAB 56.15, 8.97, -8.25

 

CMYK 60 / 75 / 0 / 12

HEX #5938E0

RGB 89 56 224

HSL 251.79, 0.73%, 0.55%

LAB 38.44, 57.66, -80

 

CMYK 40 / 75 / 0 / 12

HEX #8638E0

RGB 134 56 224

HSL 267.86, 0.73%, 0.55%

LAB 43.18, 63.99, -72.03

 

CMYK 20 / 75 / 0 / 12

HEX #B338E0

RGB 179 56 224

HSL 283.93, 0.73%, 0.55%

LAB 49.25, 71.81, -61.91

 

CMYK 0 / 75 / 0 / 12

HEX #E038E0

RGB 224 56 224

HSL 300, 0.73%, 0.55%

LAB 56.15, 80.48, -50.47

 

CMYK 0 / 75 / 20 / 12

HEX #E038B3

RGB 224 56 179

HSL 316.07, 0.73%, 0.55%

LAB 53.95, 74.08, -28.1

 

CMYK 22 / 85 / 0 / 33

HEX #861AAB

RGB 134 26 171

HSL 284.69, 0.74%, 0.39%

LAB 35.49, 62.77, -53.61

 

CMYK 21 / 84 / 0 / 19

HEX #A220CE

RGB 162 32 206

HSL 284.83, 0.73%, 0.47%

LAB 43.02, 72.48, -61.79

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 15 / 60 / 0 / 10

HEX #C25CE5

RGB 194 92 229

HSL 284.67, 0.72%, 0.63%

LAB 56.86, 61.32, -52.4

 

CMYK 12 / 46 / 0 / 8

HEX #CF7FEB

RGB 207 127 235

HSL 284.44, 0.73%, 0.71%

LAB 65.31, 48.56, -42.28

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 0 / 75 / 70 / 12

HEX #E03843

RGB 224 56 67

HSL 356.07, 0.73%, 0.55%

LAB 50.78, 64.16, 34.1

 

CMYK 75 / 0 / 50 / 12

HEX #38E070

RGB 56 224 112

HSL 140, 0.73%, 0.55%

LAB 79.23, -65.5, 42.77

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 0 / 20 / 75 / 12

HEX #E0B338

RGB 224 179 56

HSL 43.93, 0.73%, 0.55%

LAB 75.06, 4.49, 65.08

 

CMYK 75 / 0 / 20 / 12

HEX #38E0B3

RGB 56 224 179

HSL 163.93, 0.73%, 0.55%

LAB 80.41, -52.38, 10.08

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 0 / 75 / 70 / 12

HEX #E03843

RGB 224 56 67

HSL 356.07, 0.73%, 0.55%

LAB 50.78, 64.16, 34.1

 

CMYK 55 / 0 / 75 / 12

HEX #65E038

RGB 101 224 56

HSL 103.93, 0.73%, 0.55%

LAB 79.82, -62.54, 66.99

 

CMYK 75 / 0 / 5 / 12

HEX #38E0D4

RGB 56 224 212

HSL 175.71, 0.73%, 0.55%

LAB 81.24, -43.91, -6.22

 

CMYK 19 / 75 / 0 / 12

HEX #B538E0

RGB 181 56 224

HSL 284.64, 0.73%, 0.55%

LAB 49.54, 72.19, -61.42

 

CMYK 0 / 58 / 75 / 12

HEX #E05F38

RGB 224 95 56

HSL 13.93, 0.73%, 0.55%

LAB 56.4, 48.15, 46.42

 

CMYK 55 / 0 / 75 / 12

HEX #65E038

RGB 101 224 56

HSL 103.93, 0.73%, 0.55%

LAB 79.82, -62.54, 66.99

 

CMYK 75 / 18 / 0 / 12

HEX #38B8E0

RGB 56 184 224

HSL 194.29, 0.73%, 0.55%

LAB 69.83, -21.29, -29.93

 

Description

Color code: RGB 181 56 224 | qconv.com Color code: RGB 181 56 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 56 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 56 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 75 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 75% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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