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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 63 63 it is the complementary color RGB 74 192 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 63 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 63 63 shade: RGB 186 63 58, RGB 203 81 77, RGB 220 99 96, RGB 237 117 115 and RGB 254 135 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 63 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 63 63 shade: RGB 181 63 63, RGB 164 45 44, RGB 147 27 25, RGB 130 9 6 and RGB 113 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 63 63 shade: RGB 181 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 63 63 shade: RGB 181 63 63, RGB 181 95 63, RGB 181 127 63, RGB 181 158 63 and RGB 171 181 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 63 63 shade matches the following richer shades: RGB 181 63 63, RGB 200 43 43, RGB 220 24 24 and RGB 240 4 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 63 63 shade: RGB 181 63 63, RGB 161 83 83, RGB 141 103 103, RGB 121 123 123 and RGB 101 142 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 63 63 shade: RGB 181 63 126, RGB 181 63 94, RGB 181 63 63, RGB 181 94 63 and RGB 181 126 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 63 63 shade: RGB 120 42 42, RGB 150 52 52, RGB 181 63 63, RGB 196 89 89 and RGB 207 119 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 63 63 shade: RGB 181 63 63, RGB 157 181 63 and RGB 63 110 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 63 63 shade: RGB 181 63 63, RGB 63 181 63 and RGB 63 63 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 63 63 shade: RGB 181 63 63, RGB 157 181 63, RGB 63 181 181 and RGB 87 63 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 63 63 shade: RGB 181 63 63, RGB 122 181 63, RGB 63 181 181 and RGB 122 63 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

Complementary color

CMYK 61 / 0 / 0 / 25

HEX #4AC0C0

RGB 74 192 192

HSL 180, 0.48%, 0.52%

LAB 71.53, -32.41, -9.82

 

CMYK 0 / 66 / 69 / 27

HEX #BA3F3A

RGB 186 63 58

HSL 2.34, 0.52%, 0.48%

LAB 44.66, 49.17, 30.38

 

CMYK 0 / 60 / 62 / 20

HEX #CB514D

RGB 203 81 77

HSL 1.9, 0.55%, 0.55%

LAB 50.82, 48.23, 27.49

 

CMYK 0 / 55 / 56 / 14

HEX #DC6360

RGB 220 99 96

HSL 1.45, 0.64%, 0.62%

LAB 57.06, 47.15, 25.05

 

CMYK 0 / 51 / 51 / 7

HEX #ED7573

RGB 237 117 115

HSL 0.98, 0.77%, 0.69%

LAB 63.31, 46.03, 22.96

 

CMYK 0 / 47 / 47 / 0

HEX #FE8786

RGB 254 135 134

HSL 0.5, 0.98%, 0.76%

LAB 69.55, 44.94, 21.15

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 73 / 73 / 36

HEX #A42D2C

RGB 164 45 44

HSL 0.5, 0.58%, 0.41%

LAB 37.75, 48.36, 29.56

 

CMYK 0 / 82 / 83 / 42

HEX #931B19

RGB 147 27 25

HSL 0.98, 0.71%, 0.34%

LAB 31.94, 48.32, 33.48

 

CMYK 0 / 93 / 95 / 49

HEX #820906

RGB 130 9 6

HSL 1.45, 0.91%, 0.27%

LAB 26.6, 47.06, 36.77

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 48 / 65 / 29

HEX #B55F3F

RGB 181 95 63

HSL 16.27, 0.48%, 0.48%

LAB 49.94, 32.01, 33.64

 

CMYK 0 / 30 / 65 / 29

HEX #B57F3F

RGB 181 127 63

HSL 32.54, 0.48%, 0.48%

LAB 57.43, 14.38, 42.32

 

CMYK 0 / 13 / 65 / 29

HEX #B59E3F

RGB 181 158 63

HSL 48.31, 0.48%, 0.48%

LAB 65.46, -2.65, 51.16

 

CMYK 6 / 0 / 65 / 29

HEX #ABB53F

RGB 171 181 63

HSL 65.08, 0.48%, 0.48%

LAB 70.92, -18.95, 56.65

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 79 / 79 / 22

HEX #C82B2B

RGB 200 43 43

HSL 0, 0.65%, 0.48%

LAB 44.49, 60.13, 39.52

 

CMYK 0 / 89 / 89 / 14

HEX #DC1818

RGB 220 24 24

HSL 0, 0.8%, 0.48%

LAB 46.89, 69.38, 52.68

 

CMYK 0 / 98 / 98 / 6

HEX #F00404

RGB 240 4 4

HSL 0, 0.97%, 0.48%

LAB 50.24, 76.25, 63.15

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 48 / 48 / 37

HEX #A15353

RGB 161 83 83

HSL 0, 0.32%, 0.48%

LAB 44.78, 32.15, 14.74

 

CMYK 0 / 27 / 27 / 45

HEX #8D6767

RGB 141 103 103

HSL 0, 0.16%, 0.48%

LAB 47.42, 15.26, 6

 

CMYK 2 / 0 / 0 / 52

HEX #797B7B

RGB 121 123 123

HSL 180, 0.01%, 0.48%

LAB 51.45, -0.75, -0.27

 

CMYK 29 / 0 / 0 / 44

HEX #658E8E

RGB 101 142 142

HSL 180, 0.17%, 0.48%

LAB 56.15, -14, -4.55

 

CMYK 0 / 65 / 30 / 29

HEX #B53F7E

RGB 181 63 126

HSL 327.97, 0.48%, 0.48%

LAB 45.48, 53.65, -10.13

 

CMYK 0 / 65 / 48 / 29

HEX #B53F5E

RGB 181 63 94

HSL 344.24, 0.48%, 0.48%

LAB 44.5, 50.14, 8.09

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 48 / 65 / 29

HEX #B55E3F

RGB 181 94 63

HSL 15.76, 0.48%, 0.48%

LAB 49.72, 32.55, 33.38

 

CMYK 0 / 30 / 65 / 29

HEX #B57E3F

RGB 181 126 63

HSL 32.03, 0.48%, 0.48%

LAB 57.18, 14.94, 42.04

 

CMYK 0 / 65 / 65 / 53

HEX #782A2A

RGB 120 42 42

HSL 0, 0.48%, 0.32%

LAB 28.94, 34.1, 18.18

 

CMYK 0 / 65 / 65 / 41

HEX #963434

RGB 150 52 52

HSL 0, 0.49%, 0.4%

LAB 36.34, 41.09, 22.34

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 55 / 55 / 23

HEX #C45959

RGB 196 89 89

HSL 0, 0.48%, 0.56%

LAB 51.38, 42.8, 20.96

 

CMYK 0 / 43 / 43 / 19

HEX #CF7777

RGB 207 119 119

HSL 0, 0.48%, 0.64%

LAB 59.7, 34.33, 15.08

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 13 / 0 / 65 / 29

HEX #9DB53F

RGB 157 181 63

HSL 72.2, 0.48%, 0.48%

LAB 69.88, -24.78, 55.25

 

CMYK 65 / 39 / 0 / 29

HEX #3F6EB5

RGB 63 110 181

HSL 216.1, 0.48%, 0.48%

LAB 46.37, 7.04, -42.4

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 65 / 0 / 65 / 29

HEX #3FB53F

RGB 63 181 63

HSL 120, 0.48%, 0.48%

LAB 65.33, -55.81, 49.01

 

CMYK 65 / 65 / 0 / 29

HEX #3F3FB5

RGB 63 63 181

HSL 240, 0.48%, 0.48%

LAB 33.87, 37.02, -62.55

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 13 / 0 / 65 / 29

HEX #9DB53F

RGB 157 181 63

HSL 72.2, 0.48%, 0.48%

LAB 69.88, -24.78, 55.25

 

CMYK 65 / 0 / 0 / 29

HEX #3FB5B5

RGB 63 181 181

HSL 180, 0.48%, 0.48%

LAB 67.61, -32.04, -9.66

 

CMYK 52 / 65 / 0 / 29

HEX #573FB5

RGB 87 63 181

HSL 252.2, 0.48%, 0.48%

LAB 35.82, 40.98, -59.29

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 33 / 0 / 65 / 29

HEX #7AB53F

RGB 122 181 63

HSL 90, 0.48%, 0.48%

LAB 67.68, -38.45, 52.25

 

CMYK 65 / 0 / 0 / 29

HEX #3FB5B5

RGB 63 181 181

HSL 180, 0.48%, 0.48%

LAB 67.61, -32.04, -9.66

 

CMYK 33 / 65 / 0 / 29

HEX #7A3FB5

RGB 122 63 181

HSL 270, 0.48%, 0.48%

LAB 39.63, 48.12, -52.94

 

Description

Color code: RGB 181 63 63 | qconv.com Color code: RGB 181 63 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 63 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 63 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 65 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 65% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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