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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 179 211 it is the complementary color RGB 73 76 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 179 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 179 211 shade: RGB 187 179 206, RGB 204 197 225, RGB 221 215 244, RGB 238 233 255 and RGB 255 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 179 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 179 211 shade: RGB 182 179 211, RGB 165 161 192, RGB 148 143 173, RGB 131 125 154 and RGB 114 107 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 179 211 shade: RGB 180 177 210, RGB 189 177 210, RGB 198 177 210, RGB 207 177 210 and RGB 210 177 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 179 211 shade: RGB 180 177 210 and RGB 177 177 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 179 211 shade matches the following richer shades: RGB 180 177 210, RGB 172 167 220, RGB 164 157 230, RGB 156 147 240 and RGB 148 137 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 179 211 shade: RGB 180 177 210, RGB 188 187 200, RGB 196 197 190, RGB 204 206 180 and RGB 212 216 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 179 211 shade: RGB 177 192 210, RGB 177 183 210, RGB 180 177 210, RGB 188 177 210 and RGB 197 177 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 179 211 shade: RGB 130 124 180, RGB 155 151 195, RGB 180 177 210, RGB 205 203 225 and RGB 230 229 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 179 211 shade: RGB 182 179 211, RGB 210 177 200 and RGB 187 210 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 179 211 shade: RGB 182 179 211, RGB 210 180 177 and RGB 177 210 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 179 211 shade: RGB 182 179 211, RGB 210 177 200, RGB 207 210 177 and RGB 177 210 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 179 211 shade: RGB 182 179 211, RGB 210 177 191, RGB 207 210 177 and RGB 177 210 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 15 / 0 / 17

HEX #B6B3D3

RGB 182 179 211

HSL 245.63, 0.27%, 0.76%

LAB 74.12, 7.42, -15.74

 

Complementary color

CMYK 4 / 0 / 42 / 70

HEX #494C2C

RGB 73 76 44

HSL 65.63, 0.27%, 0.24%

LAB 31.27, -7.06, 18.62

 

CMYK 9 / 13 / 0 / 19

HEX #BBB3CE

RGB 187 179 206

HSL 257.78, 0.22%, 0.75%

LAB 74.36, 8.02, -12.61

 

CMYK 9 / 12 / 0 / 12

HEX #CCC5E1

RGB 204 197 225

HSL 255, 0.32%, 0.83%

LAB 80.85, 7.74, -13.02

 

CMYK 9 / 12 / 0 / 4

HEX #DDD7F4

RGB 221 215 244

HSL 252.41, 0.57%, 0.9%

LAB 87.24, 7.48, -13.43

 

CMYK 7 / 9 / 0 / 0

HEX #EEE9FF

RGB 238 233 255

HSL 253.64, 1%, 0.96%

LAB 93.31, 5.69, -10.01

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 14 / 15 / 0 / 17

HEX #B6B3D3

RGB 182 179 211

HSL 245.63, 0.27%, 0.76%

LAB 74.12, 7.42, -15.74

 

CMYK 14 / 16 / 0 / 25

HEX #A5A1C0

RGB 165 161 192

HSL 247.74, 0.2%, 0.69%

LAB 67.5, 7.71, -15.39

 

CMYK 14 / 17 / 0 / 32

HEX #948FAD

RGB 148 143 173

HSL 250, 0.15%, 0.62%

LAB 60.74, 8.03, -15.06

 

CMYK 15 / 19 / 0 / 40

HEX #837D9A

RGB 131 125 154

HSL 252.41, 0.13%, 0.55%

LAB 53.84, 8.38, -14.73

 

CMYK 16 / 21 / 0 / 47

HEX #726B87

RGB 114 107 135

HSL 255, 0.12%, 0.47%

LAB 46.77, 8.77, -14.42

 

CMYK 14 / 16 / 0 / 18

HEX #B4B1D2

RGB 180 177 210

HSL 245.45, 0.27%, 0.76%

LAB 73.42, 7.65, -16.27

 

CMYK 10 / 16 / 0 / 18

HEX #BDB1D2

RGB 189 177 210

HSL 261.82, 0.27%, 0.76%

LAB 74.14, 10.6, -15.11

 

CMYK 6 / 16 / 0 / 18

HEX #C6B1D2

RGB 198 177 210

HSL 278.18, 0.27%, 0.76%

LAB 74.89, 13.58, -13.9

 

CMYK 1 / 16 / 0 / 18

HEX #CFB1D2

RGB 207 177 210

HSL 294.55, 0.27%, 0.76%

LAB 75.68, 16.61, -12.64

 

CMYK 0 / 16 / 3 / 18

HEX #D2B1CC

RGB 210 177 204

HSL 310.91, 0.27%, 0.76%

LAB 75.76, 16.52, -9.21

 

CMYK 14 / 16 / 0 / 18

HEX #B4B1D2

RGB 180 177 210

HSL 245.45, 0.27%, 0.76%

LAB 73.42, 7.65, -16.27

 

CMYK 16 / 16 / 0 / 18

HEX #B1B1D2

RGB 177 177 210

HSL 240, 0.27%, 0.76%

LAB 73.18, 6.68, -16.64

 

CMYK 14 / 16 / 0 / 18

HEX #B4B1D2

RGB 180 177 210

HSL 245.45, 0.27%, 0.76%

LAB 73.42, 7.65, -16.27

 

CMYK 22 / 24 / 0 / 14

HEX #ACA7DC

RGB 172 167 220

HSL 245.66, 0.43%, 0.76%

LAB 70.58, 12.88, -26.12

 

CMYK 29 / 32 / 0 / 10

HEX #A49DE6

RGB 164 157 230

HSL 245.75, 0.59%, 0.76%

LAB 67.81, 18.51, -35.93

 

CMYK 35 / 39 / 0 / 6

HEX #9C93F0

RGB 156 147 240

HSL 245.81, 0.76%, 0.76%

LAB 65.14, 24.54, -45.65

 

CMYK 41 / 45 / 0 / 2

HEX #9489F9

RGB 148 137 249

HSL 245.89, 0.9%, 0.76%

LAB 62.53, 30.68, -54.77

 

CMYK 14 / 16 / 0 / 18

HEX #B4B1D2

RGB 180 177 210

HSL 245.45, 0.27%, 0.76%

LAB 73.42, 7.65, -16.27

 

CMYK 6 / 7 / 0 / 22

HEX #BCBBC8

RGB 188 187 200

HSL 244.62, 0.11%, 0.76%

LAB 76.32, 2.83, -6.42

 

CMYK 1 / 0 / 4 / 23

HEX #C4C5BE

RGB 196 197 190

HSL 68.57, 0.06%, 0.76%

LAB 79.26, -1.61, 3.38

 

CMYK 1 / 0 / 13 / 19

HEX #CCCEB4

RGB 204 206 180

HSL 64.62, 0.21%, 0.76%

LAB 81.99, -5.17, 12.71

 

CMYK 2 / 0 / 21 / 15

HEX #D4D8AA

RGB 212 216 170

HSL 65.22, 0.37%, 0.76%

LAB 85, -8.92, 22.28

 

CMYK 16 / 9 / 0 / 18

HEX #B1C0D2

RGB 177 192 210

HSL 212.73, 0.27%, 0.76%

LAB 77.1, -1.43, -10.76

 

CMYK 16 / 13 / 0 / 18

HEX #B1B7D2

RGB 177 183 210

HSL 229.09, 0.27%, 0.76%

LAB 74.74, 3.41, -14.29

 

CMYK 14 / 16 / 0 / 18

HEX #B4B1D2

RGB 180 177 210

HSL 245.45, 0.27%, 0.76%

LAB 73.42, 7.65, -16.27

 

CMYK 10 / 16 / 0 / 18

HEX #BCB1D2

RGB 188 177 210

HSL 260, 0.27%, 0.76%

LAB 74.05, 10.27, -15.24

 

CMYK 6 / 16 / 0 / 18

HEX #C5B1D2

RGB 197 177 210

HSL 276.36, 0.27%, 0.76%

LAB 74.8, 13.25, -14.04

 

CMYK 28 / 31 / 0 / 29

HEX #827CB4

RGB 130 124 180

HSL 246.43, 0.27%, 0.6%

LAB 54.51, 14.95, -28.74

 

CMYK 21 / 23 / 0 / 24

HEX #9B97C3

RGB 155 151 195

HSL 245.45, 0.27%, 0.68%

LAB 64.19, 10.77, -22.16

 

CMYK 14 / 16 / 0 / 18

HEX #B4B1D2

RGB 180 177 210

HSL 245.45, 0.27%, 0.76%

LAB 73.42, 7.65, -16.27

 

CMYK 9 / 10 / 0 / 12

HEX #CDCBE1

RGB 205 203 225

HSL 245.45, 0.27%, 0.84%

LAB 82.45, 4.87, -10.63

 

CMYK 4 / 5 / 0 / 6

HEX #E6E5F0

RGB 230 229 240

HSL 245.45, 0.27%, 0.92%

LAB 91.3, 2.34, -5.22

 

CMYK 14 / 15 / 0 / 17

HEX #B6B3D3

RGB 182 179 211

HSL 245.63, 0.27%, 0.76%

LAB 74.12, 7.42, -15.74

 

CMYK 0 / 16 / 5 / 18

HEX #D2B1C8

RGB 210 177 200

HSL 318.18, 0.27%, 0.76%

LAB 75.65, 15.8, -7.21

 

CMYK 11 / 0 / 16 / 18

HEX #BBD2B1

RGB 187 210 177

HSL 101.82, 0.27%, 0.76%

LAB 81.75, -13.76, 13.79

 

CMYK 14 / 15 / 0 / 17

HEX #B6B3D3

RGB 182 179 211

HSL 245.63, 0.27%, 0.76%

LAB 74.12, 7.42, -15.74

 

CMYK 0 / 14 / 16 / 18

HEX #D2B4B1

RGB 210 180 177

HSL 5.45, 0.27%, 0.76%

LAB 75.77, 10.29, 5.51

 

CMYK 16 / 0 / 14 / 18

HEX #B1D2B4

RGB 177 210 180

HSL 125.45, 0.27%, 0.76%

LAB 81.15, -16.68, 11.25

 

CMYK 14 / 15 / 0 / 17

HEX #B6B3D3

RGB 182 179 211

HSL 245.63, 0.27%, 0.76%

LAB 74.12, 7.42, -15.74

 

CMYK 0 / 16 / 5 / 18

HEX #D2B1C8

RGB 210 177 200

HSL 318.18, 0.27%, 0.76%

LAB 75.65, 15.8, -7.21

 

CMYK 1 / 0 / 16 / 18

HEX #CFD2B1

RGB 207 210 177

HSL 65.45, 0.27%, 0.76%

LAB 83.2, -6.63, 16.04

 

CMYK 16 / 0 / 11 / 18

HEX #B1D2BA

RGB 177 210 186

HSL 136.36, 0.27%, 0.76%

LAB 81.28, -15.59, 8.25

 

CMYK 14 / 15 / 0 / 17

HEX #B6B3D3

RGB 182 179 211

HSL 245.63, 0.27%, 0.76%

LAB 74.12, 7.42, -15.74

 

CMYK 0 / 16 / 9 / 18

HEX #D2B1BF

RGB 210 177 191

HSL 334.55, 0.27%, 0.76%

LAB 75.39, 14.22, -2.67

 

CMYK 1 / 0 / 16 / 18

HEX #CFD2B1

RGB 207 210 177

HSL 65.45, 0.27%, 0.76%

LAB 83.2, -6.63, 16.04

 

CMYK 16 / 0 / 7 / 18

HEX #B1D2C4

RGB 177 210 196

HSL 154.55, 0.27%, 0.76%

LAB 81.53, -13.69, 3.27

 

Description

Color code: RGB 182 179 211 | qconv.com Color code: RGB 182 179 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 179 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 179 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 15 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 15% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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