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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 198 204 it is the complementary color RGB 73 57 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 198 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 198 204 shade: RGB 187 198 199, RGB 204 216 218, RGB 221 234 237, RGB 238 252 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 198 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 165 180 185, RGB 148 162 166, RGB 131 144 147 and RGB 114 126 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 182 192 204, RGB 182 186 204, RGB 184 182 204 and RGB 190 182 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 182 192 204, RGB 182 186 204 and RGB 182 182 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 198 204 shade matches the following richer shades: RGB 182 198 204, RGB 172 203 214, RGB 162 207 224, RGB 153 212 234 and RGB 143 216 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 192 194 194, RGB 202 189 185, RGB 212 185 175 and RGB 222 180 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 198 204 shade: RGB 182 204 198, RGB 182 204 204, RGB 182 198 204, RGB 182 193 204 and RGB 182 187 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 198 204 shade: RGB 134 160 170, RGB 158 179 187, RGB 182 198 204, RGB 207 217 221 and RGB 231 236 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 193 182 204 and RGB 204 201 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 204 182 198 and RGB 198 204 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 193 182 204, RGB 204 188 182 and RGB 194 204 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 198 204 shade: RGB 182 198 204, RGB 199 182 204, RGB 204 188 182 and RGB 187 204 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

Complementary color

CMYK 0 / 22 / 30 / 71

HEX #493933

RGB 73 57 51

HSL 16.36, 0.18%, 0.24%

LAB 25.51, 6.01, 6.42

 

CMYK 6 / 1 / 0 / 22

HEX #BBC6C7

RGB 187 198 199

HSL 185, 0.1%, 0.76%

LAB 79.09, -3.56, -1.81

 

CMYK 6 / 1 / 0 / 15

HEX #CCD8DA

RGB 204 216 218

HSL 188.57, 0.16%, 0.83%

LAB 85.51, -3.65, -2.39

 

CMYK 7 / 1 / 0 / 7

HEX #DDEAED

RGB 221 234 237

HSL 191.25, 0.31%, 0.9%

LAB 91.83, -3.73, -2.95

 

CMYK 7 / 1 / 0 / 0

HEX #EEFCFF

RGB 238 252 255

HSL 190.59, 1%, 0.97%

LAB 98.04, -4.01, -3.02

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 11 / 3 / 0 / 27

HEX #A5B4B9

RGB 165 180 185

HSL 195, 0.13%, 0.69%

LAB 72.33, -4.17, -4.33

 

CMYK 11 / 2 / 0 / 35

HEX #94A2A6

RGB 148 162 166

HSL 193.33, 0.09%, 0.62%

LAB 65.66, -4.1, -3.77

 

CMYK 11 / 2 / 0 / 42

HEX #839093

RGB 131 144 147

HSL 191.25, 0.07%, 0.55%

LAB 58.86, -4.04, -3.2

 

CMYK 11 / 2 / 0 / 50

HEX #727E80

RGB 114 126 128

HSL 188.57, 0.06%, 0.47%

LAB 51.9, -3.98, -2.6

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 11 / 6 / 0 / 20

HEX #B6C0CC

RGB 182 192 204

HSL 212.73, 0.18%, 0.76%

LAB 77.28, -1.06, -7.21

 

CMYK 11 / 9 / 0 / 20

HEX #B6BACC

RGB 182 186 204

HSL 229.09, 0.18%, 0.76%

LAB 75.71, 2.16, -9.54

 

CMYK 10 / 11 / 0 / 20

HEX #B8B6CC

RGB 184 182 204

HSL 245.45, 0.18%, 0.76%

LAB 74.83, 4.99, -10.84

 

CMYK 7 / 11 / 0 / 20

HEX #BEB6CC

RGB 190 182 204

HSL 261.82, 0.18%, 0.76%

LAB 75.3, 6.99, -10.08

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 11 / 6 / 0 / 20

HEX #B6C0CC

RGB 182 192 204

HSL 212.73, 0.18%, 0.76%

LAB 77.28, -1.06, -7.21

 

CMYK 11 / 9 / 0 / 20

HEX #B6BACC

RGB 182 186 204

HSL 229.09, 0.18%, 0.76%

LAB 75.71, 2.16, -9.54

 

CMYK 11 / 11 / 0 / 20

HEX #B6B6CC

RGB 182 182 204

HSL 240, 0.18%, 0.76%

LAB 74.67, 4.32, -11.09

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 20 / 5 / 0 / 16

HEX #ACCBD6

RGB 172 203 214

HSL 195.71, 0.34%, 0.76%

LAB 79.81, -7.97, -8.92

 

CMYK 28 / 8 / 0 / 12

HEX #A2CFE0

RGB 162 207 224

HSL 196.45, 0.5%, 0.76%

LAB 80.57, -10.81, -13.21

 

CMYK 35 / 9 / 0 / 8

HEX #99D4EA

RGB 153 212 234

HSL 196.3, 0.66%, 0.76%

LAB 81.73, -13.54, -16.85

 

CMYK 41 / 11 / 0 / 4

HEX #8FD8F4

RGB 143 216 244

HSL 196.63, 0.82%, 0.76%

LAB 82.64, -15.67, -20.85

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 1 / 0 / 0 / 24

HEX #C0C2C2

RGB 192 194 194

HSL 180, 0.02%, 0.76%

LAB 78.28, -0.69, -0.25

 

CMYK 0 / 6 / 8 / 21

HEX #CABDB9

RGB 202 189 185

HSL 14.12, 0.14%, 0.76%

LAB 77.55, 3.89, 3.65

 

CMYK 0 / 13 / 17 / 17

HEX #D4B9AF

RGB 212 185 175

HSL 16.22, 0.3%, 0.76%

LAB 77.16, 8.03, 8.61

 

CMYK 0 / 19 / 26 / 13

HEX #DEB4A5

RGB 222 180 165

HSL 15.79, 0.46%, 0.76%

LAB 76.61, 12.97, 13.38

 

CMYK 11 / 0 / 3 / 20

HEX #B6CCC6

RGB 182 204 198

HSL 163.64, 0.18%, 0.76%

LAB 80.3, -8.57, 0.46

 

CMYK 11 / 0 / 0 / 20

HEX #B6CCCC

RGB 182 204 204

HSL 180, 0.18%, 0.76%

LAB 80.45, -7.38, -2.53

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 11 / 5 / 0 / 20

HEX #B6C1CC

RGB 182 193 204

HSL 210, 0.18%, 0.76%

LAB 77.55, -1.59, -6.82

 

CMYK 11 / 8 / 0 / 20

HEX #B6BBCC

RGB 182 187 204

HSL 226.36, 0.18%, 0.76%

LAB 75.97, 1.62, -9.15

 

CMYK 21 / 6 / 0 / 33

HEX #86A0AA

RGB 134 160 170

HSL 196.67, 0.17%, 0.6%

LAB 64.25, -6.78, -8.21

 

CMYK 16 / 4 / 0 / 27

HEX #9EB3BB

RGB 158 179 187

HSL 196.55, 0.18%, 0.68%

LAB 71.62, -5.53, -6.52

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 6 / 2 / 0 / 13

HEX #CFD9DD

RGB 207 217 221

HSL 197.14, 0.17%, 0.84%

LAB 86.06, -2.6, -3.14

 

CMYK 3 / 1 / 0 / 7

HEX #E7ECEE

RGB 231 236 238

HSL 197.14, 0.17%, 0.92%

LAB 93.08, -1.29, -1.56

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 5 / 11 / 0 / 20

HEX #C1B6CC

RGB 193 182 204

HSL 270, 0.18%, 0.76%

LAB 75.55, 8, -9.69

 

CMYK 0 / 1 / 11 / 20

HEX #CCC9B6

RGB 204 201 182

HSL 51.82, 0.18%, 0.76%

LAB 80.73, -2.24, 9.86

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 0 / 11 / 3 / 20

HEX #CCB6C6

RGB 204 182 198

HSL 316.36, 0.18%, 0.76%

LAB 76.3, 10.65, -5.22

 

CMYK 3 / 0 / 11 / 20

HEX #C6CCB6

RGB 198 204 182

HSL 76.36, 0.18%, 0.76%

LAB 81.05, -5.95, 10.26

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 5 / 11 / 0 / 20

HEX #C1B6CC

RGB 193 182 204

HSL 270, 0.18%, 0.76%

LAB 75.55, 8, -9.69

 

CMYK 0 / 8 / 11 / 20

HEX #CCBCB6

RGB 204 188 182

HSL 16.36, 0.18%, 0.76%

LAB 77.39, 4.63, 5.06

 

CMYK 5 / 0 / 11 / 20

HEX #C2CCB6

RGB 194 204 182

HSL 87.27, 0.18%, 0.76%

LAB 80.76, -7.37, 9.79

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CC

RGB 182 198 204

HSL 196.36, 0.18%, 0.76%

LAB 78.86, -4.24, -4.87

 

CMYK 2 / 11 / 0 / 20

HEX #C7B6CC

RGB 199 182 204

HSL 286.36, 0.18%, 0.76%

LAB 76.04, 10.04, -8.9

 

CMYK 0 / 8 / 11 / 20

HEX #CCBCB6

RGB 204 188 182

HSL 16.36, 0.18%, 0.76%

LAB 77.39, 4.63, 5.06

 

CMYK 8 / 0 / 11 / 20

HEX #BBCCB6

RGB 187 204 182

HSL 106.36, 0.18%, 0.76%

LAB 80.25, -9.83, 9

 

Description

Color code: RGB 182 198 204 | qconv.com Color code: RGB 182 198 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 198 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 198 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 3 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 3% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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