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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 241 193 it is the complementary color RGB 73 14 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 241 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 241 193 shade: RGB 187 241 188, RGB 204 255 207, RGB 221 255 226, RGB 238 255 245 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 241 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 165 223 174, RGB 148 205 155, RGB 131 187 136 and RGB 114 169 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 187 241 182, RGB 202 241 182, RGB 218 241 182 and RGB 234 241 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 182 241 209, RGB 182 241 224, RGB 182 241 240 and RGB 182 225 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 241 193 shade matches the following richer shades: RGB 182 241 193 and RGB 175 248 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 189 234 197, RGB 196 227 201, RGB 203 220 206 and RGB 210 213 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 241 193 shade: RGB 202 241 182, RGB 187 241 182, RGB 182 241 192, RGB 182 241 208 and RGB 182 241 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 241 193 shade: RGB 112 227 134, RGB 147 234 163, RGB 182 241 193, RGB 216 247 222 and RGB 251 254 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 182 218 241 and RGB 241 182 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 192 182 241 and RGB 241 192 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 182 218 241, RGB 241 182 230 and RGB 241 204 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 241 193 shade: RGB 182 241 193, RGB 182 200 241, RGB 241 182 230 and RGB 241 222 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

Complementary color

CMYK 0 / 81 / 15 / 71

HEX #490E3E

RGB 73 14 62

HSL 311.19, 0.68%, 0.17%

LAB 15.89, 33.11, -15.47

 

CMYK 22 / 0 / 22 / 5

HEX #BBF1BC

RGB 187 241 188

HSL 121.11, 0.66%, 0.84%

LAB 90.37, -27.14, 20.12

 

CMYK 20 / 0 / 19 / 0

HEX #CCFFCF

RGB 204 255 207

HSL 123.53, 1%, 0.9%

LAB 95.52, -25.07, 17.72

 

CMYK 13 / 0 / 11 / 0

HEX #DDFFE2

RGB 221 255 226

HSL 128.82, 1%, 0.93%

LAB 96.98, -16.25, 10.2

 

CMYK 7 / 0 / 4 / 0

HEX #EEFFF5

RGB 238 255 245

HSL 144.71, 1%, 0.97%

LAB 98.55, -7.34, 2.86

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 26 / 0 / 22 / 13

HEX #A5DFAE

RGB 165 223 174

HSL 129.31, 0.48%, 0.76%

LAB 83.88, -28.11, 18.16

 

CMYK 28 / 0 / 24 / 20

HEX #94CD9B

RGB 148 205 155

HSL 127.37, 0.36%, 0.69%

LAB 77.47, -28.34, 19.12

 

CMYK 30 / 0 / 27 / 27

HEX #83BB88

RGB 131 187 136

HSL 125.36, 0.29%, 0.62%

LAB 70.97, -28.58, 20.15

 

CMYK 33 / 0 / 31 / 34

HEX #72A975

RGB 114 169 117

HSL 123.27, 0.24%, 0.55%

LAB 64.35, -28.84, 21.25

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 22 / 0 / 24 / 5

HEX #BBF1B6

RGB 187 241 182

HSL 114.92, 0.68%, 0.83%

LAB 90.25, -28.14, 23.04

 

CMYK 16 / 0 / 24 / 5

HEX #CAF1B6

RGB 202 241 182

HSL 99.66, 0.68%, 0.83%

LAB 91.16, -23.08, 24.44

 

CMYK 10 / 0 / 24 / 5

HEX #DAF1B6

RGB 218 241 182

HSL 83.39, 0.68%, 0.83%

LAB 92.22, -17.49, 26.05

 

CMYK 3 / 0 / 24 / 5

HEX #EAF1B6

RGB 234 241 182

HSL 67.12, 0.68%, 0.83%

LAB 93.36, -11.73, 27.79

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 24 / 0 / 13 / 5

HEX #B6F1D1

RGB 182 241 209

HSL 147.46, 0.68%, 0.83%

LAB 90.53, -24.97, 9.44

 

CMYK 24 / 0 / 7 / 5

HEX #B6F1E0

RGB 182 241 224

HSL 162.71, 0.68%, 0.83%

LAB 90.89, -22.02, 2.15

 

CMYK 24 / 0 / 0 / 5

HEX #B6F1F0

RGB 182 241 240

HSL 178.98, 0.68%, 0.83%

LAB 91.3, -18.68, -5.58

 

CMYK 24 / 7 / 0 / 5

HEX #B6E1F1

RGB 182 225 241

HSL 196.27, 0.68%, 0.83%

LAB 87.07, -10.41, -12.39

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 29 / 0 / 24 / 3

HEX #AFF8BC

RGB 175 248 188

HSL 130.68, 0.84%, 0.83%

LAB 91.63, -34.24, 21.77

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 19 / 0 / 16 / 8

HEX #BDEAC5

RGB 189 234 197

HSL 130.67, 0.52%, 0.83%

LAB 88.78, -21.56, 13.24

 

CMYK 14 / 0 / 11 / 11

HEX #C4E3C9

RGB 196 227 201

HSL 129.68, 0.36%, 0.83%

LAB 87.43, -15.07, 9.29

 

CMYK 8 / 0 / 6 / 14

HEX #CBDCCE

RGB 203 220 206

HSL 130.59, 0.2%, 0.83%

LAB 86.18, -8.27, 4.92

 

CMYK 1 / 0 / 1 / 16

HEX #D2D5D2

RGB 210 213 210

HSL 120, 0.03%, 0.83%

LAB 84.97, -1.56, 1.11

 

CMYK 16 / 0 / 24 / 5

HEX #CAF1B6

RGB 202 241 182

HSL 99.66, 0.68%, 0.83%

LAB 91.16, -23.08, 24.44

 

CMYK 22 / 0 / 24 / 5

HEX #BBF1B6

RGB 187 241 182

HSL 114.92, 0.68%, 0.83%

LAB 90.25, -28.14, 23.04

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C0

RGB 182 241 192

HSL 130.17, 0.68%, 0.83%

LAB 90.17, -28.07, 17.73

 

CMYK 24 / 0 / 14 / 5

HEX #B6F1D0

RGB 182 241 208

HSL 146.44, 0.68%, 0.83%

LAB 90.51, -25.16, 9.93

 

CMYK 24 / 0 / 7 / 5

HEX #B6F1E0

RGB 182 241 224

HSL 162.71, 0.68%, 0.83%

LAB 90.89, -22.02, 2.15

 

CMYK 51 / 0 / 41 / 11

HEX #70E386

RGB 112 227 134

HSL 131.48, 0.67%, 0.66%

LAB 81.89, -52.16, 35.63

 

CMYK 37 / 0 / 30 / 8

HEX #93EAA3

RGB 147 234 163

HSL 131.03, 0.67%, 0.75%

LAB 85.85, -40.66, 26.43

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 13 / 0 / 10 / 3

HEX #D8F7DE

RGB 216 247 222

HSL 131.61, 0.66%, 0.91%

LAB 94.48, -14.66, 8.64

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFC

RGB 251 254 252

HSL 140, 0.6%, 0.99%

LAB 99.39, -1.33, 0.6

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 24 / 10 / 0 / 5

HEX #B6DAF1

RGB 182 218 241

HSL 203.39, 0.68%, 0.83%

LAB 85.22, -6.8, -15.15

 

CMYK 0 / 24 / 20 / 5

HEX #F1B6C2

RGB 241 182 194

HSL 347.8, 0.68%, 0.83%

LAB 79.64, 23.1, 2.26

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 20 / 24 / 0 / 5

HEX #C0B6F1

RGB 192 182 241

HSL 250.17, 0.68%, 0.83%

LAB 76.69, 15.48, -28.03

 

CMYK 0 / 20 / 24 / 5

HEX #F1C0B6

RGB 241 192 182

HSL 10.17, 0.68%, 0.83%

LAB 81.72, 16.06, 11.7

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 24 / 10 / 0 / 5

HEX #B6DAF1

RGB 182 218 241

HSL 203.39, 0.68%, 0.83%

LAB 85.22, -6.8, -15.15

 

CMYK 0 / 24 / 5 / 5

HEX #F1B6E6

RGB 241 182 230

HSL 311.19, 0.68%, 0.83%

LAB 80.67, 28.96, -15.66

 

CMYK 0 / 15 / 24 / 5

HEX #F1CCB6

RGB 241 204 182

HSL 22.37, 0.68%, 0.83%

LAB 84.62, 9.76, 15.8

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C1

RGB 182 241 193

HSL 131.19, 0.68%, 0.83%

LAB 90.19, -27.9, 17.24

 

CMYK 24 / 17 / 0 / 5

HEX #B6C8F1

RGB 182 200 241

HSL 221.69, 0.68%, 0.83%

LAB 80.52, 2.7, -22.25

 

CMYK 0 / 24 / 5 / 5

HEX #F1B6E6

RGB 241 182 230

HSL 311.19, 0.68%, 0.83%

LAB 80.67, 28.96, -15.66

 

CMYK 0 / 8 / 24 / 5

HEX #F1DEB6

RGB 241 222 182

HSL 40.68, 0.68%, 0.83%

LAB 89.07, 0.43, 22.01

 

Description

Color code: RGB 182 241 193 | qconv.com Color code: RGB 182 241 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 241 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 241 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 20% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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