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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 202 214 it is the complementary color RGB 72 53 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 202 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 202 214 shade: RGB 188 202 209, RGB 205 220 228, RGB 222 238 247 and RGB 239 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 202 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 166 184 195, RGB 149 166 176, RGB 132 148 157 and RGB 115 130 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 183 194 214, RGB 183 185 214, RGB 189 183 214 and RGB 197 183 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 183 194 214, RGB 183 185 214 and RGB 183 183 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 202 214 shade matches the following richer shades: RGB 183 202 214, RGB 174 204 223, RGB 165 206 232, RGB 156 208 241 and RGB 147 210 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 192 200 204, RGB 201 198 195, RGB 210 196 186 and RGB 220 194 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 202 214 shade: RGB 183 214 209, RGB 183 210 214, RGB 183 202 214, RGB 183 194 214 and RGB 183 186 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 202 214 shade: RGB 131 163 183, RGB 157 182 198, RGB 183 202 214, RGB 209 221 229 and RGB 236 241 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 201 183 214 and RGB 214 213 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 214 183 202 and RGB 202 214 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 201 183 214, RGB 214 195 183 and RGB 196 214 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 202 214 shade: RGB 183 202 214, RGB 210 183 214, RGB 214 195 183 and RGB 187 214 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

Complementary color

CMYK 0 / 26 / 43 / 72

HEX #483529

RGB 72 53 41

HSL 23.23, 0.27%, 0.22%

LAB 23.95, 6.61, 10.86

 

CMYK 10 / 3 / 0 / 18

HEX #BCCAD1

RGB 188 202 209

HSL 200, 0.19%, 0.78%

LAB 80.48, -3.37, -5.12

 

CMYK 10 / 4 / 0 / 11

HEX #CDDCE4

RGB 205 220 228

HSL 200.87, 0.3%, 0.85%

LAB 86.88, -3.45, -5.65

 

CMYK 10 / 4 / 0 / 3

HEX #DEEEF7

RGB 222 238 247

HSL 201.6, 0.61%, 0.92%

LAB 93.19, -3.54, -6.16

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 15 / 6 / 0 / 24

HEX #A6B8C3

RGB 166 184 195

HSL 202.76, 0.19%, 0.71%

LAB 73.76, -3.9, -7.67

 

CMYK 15 / 6 / 0 / 31

HEX #95A6B0

RGB 149 166 176

HSL 202.22, 0.15%, 0.64%

LAB 67.12, -3.82, -7.18

 

CMYK 16 / 6 / 0 / 38

HEX #84949D

RGB 132 148 157

HSL 201.6, 0.11%, 0.57%

LAB 60.36, -3.75, -6.68

 

CMYK 17 / 6 / 0 / 46

HEX #73828A

RGB 115 130 138

HSL 200.87, 0.09%, 0.5%

LAB 53.43, -3.68, -6.17

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 14 / 9 / 0 / 16

HEX #B7C2D6

RGB 183 194 214

HSL 218.71, 0.27%, 0.78%

LAB 78.17, 0.27, -11.28

 

CMYK 14 / 14 / 0 / 16

HEX #B7B9D6

RGB 183 185 214

HSL 236.13, 0.27%, 0.78%

LAB 75.84, 5.12, -14.78

 

CMYK 12 / 14 / 0 / 16

HEX #BDB7D6

RGB 189 183 214

HSL 251.61, 0.27%, 0.78%

LAB 75.79, 8.15, -14.81

 

CMYK 8 / 14 / 0 / 16

HEX #C5B7D6

RGB 197 183 214

HSL 267.1, 0.27%, 0.78%

LAB 76.43, 10.78, -13.77

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 14 / 9 / 0 / 16

HEX #B7C2D6

RGB 183 194 214

HSL 218.71, 0.27%, 0.78%

LAB 78.17, 0.27, -11.28

 

CMYK 14 / 14 / 0 / 16

HEX #B7B9D6

RGB 183 185 214

HSL 236.13, 0.27%, 0.78%

LAB 75.84, 5.12, -14.78

 

CMYK 14 / 14 / 0 / 16

HEX #B7B7D6

RGB 183 183 214

HSL 240, 0.27%, 0.78%

LAB 75.32, 6.2, -15.55

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 22 / 9 / 0 / 13

HEX #AECCDF

RGB 174 204 223

HSL 203.27, 0.43%, 0.78%

LAB 80.47, -5.9, -12.75

 

CMYK 29 / 11 / 0 / 9

HEX #A5CEE8

RGB 165 206 232

HSL 203.28, 0.59%, 0.78%

LAB 80.72, -7.56, -17.24

 

CMYK 35 / 14 / 0 / 5

HEX #9CD0F1

RGB 156 208 241

HSL 203.29, 0.75%, 0.78%

LAB 81.03, -8.93, -21.62

 

CMYK 41 / 16 / 0 / 2

HEX #93D2FA

RGB 147 210 250

HSL 203.3, 0.91%, 0.78%

LAB 81.4, -10.02, -25.9

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 6 / 2 / 0 / 20

HEX #C0C8CC

RGB 192 200 204

HSL 200, 0.11%, 0.78%

LAB 80.11, -1.97, -2.95

 

CMYK 0 / 1 / 3 / 21

HEX #C9C6C3

RGB 201 198 195

HSL 30, 0.05%, 0.78%

LAB 80.04, 0.5, 1.86

 

CMYK 0 / 7 / 11 / 18

HEX #D2C4BA

RGB 210 196 186

HSL 25, 0.21%, 0.78%

LAB 80.03, 3.21, 6.77

 

CMYK 0 / 12 / 20 / 14

HEX #DCC2B1

RGB 220 194 177

HSL 23.72, 0.38%, 0.78%

LAB 80.16, 6.51, 11.91

 

CMYK 14 / 0 / 2 / 16

HEX #B7D6D1

RGB 183 214 209

HSL 170.32, 0.27%, 0.78%

LAB 83.32, -11.23, -0.99

 

CMYK 14 / 2 / 0 / 16

HEX #B7D2D6

RGB 183 210 214

HSL 187.74, 0.27%, 0.78%

LAB 82.39, -8.15, -5.02

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 14 / 9 / 0 / 16

HEX #B7C2D6

RGB 183 194 214

HSL 218.71, 0.27%, 0.78%

LAB 78.17, 0.27, -11.28

 

CMYK 14 / 13 / 0 / 16

HEX #B7BAD6

RGB 183 186 214

HSL 234.19, 0.27%, 0.78%

LAB 76.09, 4.57, -14.39

 

CMYK 28 / 11 / 0 / 28

HEX #83A3B7

RGB 131 163 183

HSL 203.08, 0.27%, 0.62%

LAB 65.31, -6.28, -13.92

 

CMYK 21 / 8 / 0 / 22

HEX #9DB6C6

RGB 157 182 198

HSL 203.41, 0.26%, 0.7%

LAB 72.69, -5.05, -10.96

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 9 / 3 / 0 / 10

HEX #D1DDE5

RGB 209 221 229

HSL 204, 0.28%, 0.86%

LAB 87.45, -2.48, -5.31

 

CMYK 3 / 1 / 0 / 4

HEX #ECF1F4

RGB 236 241 244

HSL 202.5, 0.27%, 0.94%

LAB 94.85, -1.11, -2.03

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 6 / 14 / 0 / 16

HEX #C9B7D6

RGB 201 183 214

HSL 274.84, 0.27%, 0.78%

LAB 76.76, 12.11, -13.24

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B7

RGB 214 213 183

HSL 58.06, 0.27%, 0.78%

LAB 84.64, -4.7, 14.97

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 0 / 14 / 6 / 16

HEX #D6B7CA

RGB 214 183 202

HSL 323.23, 0.27%, 0.78%

LAB 77.54, 14.31, -5.46

 

CMYK 6 / 0 / 14 / 16

HEX #CAD6B7

RGB 202 214 183

HSL 83.23, 0.27%, 0.78%

LAB 84, -9.52, 13.95

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 6 / 14 / 0 / 16

HEX #C9B7D6

RGB 201 183 214

HSL 274.84, 0.27%, 0.78%

LAB 76.76, 12.11, -13.24

 

CMYK 0 / 9 / 14 / 16

HEX #D6C3B7

RGB 214 195 183

HSL 23.23, 0.27%, 0.78%

LAB 80.04, 4.7, 8.44

 

CMYK 8 / 0 / 14 / 16

HEX #C4D6B7

RGB 196 214 183

HSL 94.84, 0.27%, 0.78%

LAB 83.57, -11.63, 13.28

 

CMYK 14 / 6 / 0 / 16

HEX #B7CAD6

RGB 183 202 214

HSL 203.23, 0.27%, 0.78%

LAB 80.27, -3.97, -8.15

 

CMYK 2 / 14 / 0 / 16

HEX #D2B7D6

RGB 210 183 214

HSL 292.26, 0.27%, 0.78%

LAB 77.53, 15.13, -12.01

 

CMYK 0 / 9 / 14 / 16

HEX #D6C3B7

RGB 214 195 183

HSL 23.23, 0.27%, 0.78%

LAB 80.04, 4.7, 8.44

 

CMYK 13 / 0 / 14 / 16

HEX #BBD6B7

RGB 187 214 183

HSL 112.26, 0.27%, 0.78%

LAB 82.95, -14.76, 12.32

 

Description

Color code: RGB 183 202 214 | qconv.com Color code: RGB 183 202 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 202 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 202 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 6 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 6% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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