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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 60 83 it is the complementary color RGB 72 195 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 60 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 60 83 shade: RGB 188 60 78, RGB 205 78 97, RGB 222 96 116, RGB 239 114 135 and RGB 255 132 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 60 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 60 83 shade: RGB 183 60 83, RGB 166 42 64, RGB 149 24 45, RGB 132 6 26 and RGB 115 0 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 60 83 shade: RGB 184 59 83 and RGB 184 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 60 83 shade: RGB 184 59 83, RGB 184 59 116, RGB 184 59 150, RGB 184 59 184 and RGB 151 59 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 60 83 shade matches the following richer shades: RGB 184 59 83, RGB 204 40 70, RGB 224 20 58 and RGB 244 0 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 60 83 shade: RGB 184 59 83, RGB 165 79 95, RGB 145 99 108, RGB 125 119 120 and RGB 105 139 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 60 83 shade: RGB 184 59 151, RGB 184 59 118, RGB 184 59 84, RGB 184 68 59 and RGB 184 101 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 60 83 shade: RGB 122 39 55, RGB 153 49 69, RGB 184 59 83, RGB 200 85 107 and RGB 210 117 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 60 83 shade: RGB 183 60 83, RGB 184 184 59 and RGB 59 134 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 60 83 shade: RGB 183 60 83, RGB 84 184 59 and RGB 59 84 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 60 83 shade: RGB 183 60 83, RGB 184 184 59, RGB 59 184 159 and RGB 59 59 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 60 83 shade: RGB 183 60 83, RGB 147 184 59, RGB 59 184 159 and RGB 97 59 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 55 / 28

HEX #B73C53

RGB 183 60 83

HSL 348.78, 0.51%, 0.48%

LAB 44.12, 51.09, 14.42

 

Complementary color

CMYK 63 / 0 / 12 / 24

HEX #48C3AC

RGB 72 195 172

HSL 168.78, 0.51%, 0.52%

LAB 71.82, -39.48, 1.51

 

CMYK 0 / 68 / 59 / 26

HEX #BC3C4E

RGB 188 60 78

HSL 351.56, 0.52%, 0.49%

LAB 44.9, 52.32, 18.7

 

CMYK 0 / 62 / 53 / 20

HEX #CD4E61

RGB 205 78 97

HSL 351.02, 0.56%, 0.55%

LAB 51.03, 51.75, 15.96

 

CMYK 0 / 57 / 48 / 13

HEX #DE6074

RGB 222 96 116

HSL 350.48, 0.66%, 0.62%

LAB 57.23, 50.95, 13.7

 

CMYK 0 / 52 / 44 / 6

HEX #EF7287

RGB 239 114 135

HSL 349.92, 0.8%, 0.69%

LAB 63.45, 50.05, 11.81

 

CMYK 0 / 48 / 40 / 0

HEX #FF849A

RGB 255 132 154

HSL 349.27, 1%, 0.76%

LAB 69.54, 48.78, 9.96

 

CMYK 0 / 67 / 55 / 28

HEX #B73C53

RGB 183 60 83

HSL 348.78, 0.51%, 0.48%

LAB 44.12, 51.09, 14.42

 

CMYK 0 / 75 / 61 / 35

HEX #A62A40

RGB 166 42 64

HSL 349.35, 0.6%, 0.41%

LAB 38.08, 51.23, 17.62

 

CMYK 0 / 84 / 70 / 42

HEX #95182D

RGB 149 24 45

HSL 349.92, 0.72%, 0.34%

LAB 32.33, 50.58, 21.72

 

CMYK 0 / 95 / 80 / 48

HEX #84061A

RGB 132 6 26

HSL 350.48, 0.91%, 0.27%

LAB 27.05, 48.65, 26.83

 

CMYK 0 / 100 / 94 / 55

HEX #730007

RGB 115 0 7

HSL 356.35, 1%, 0.23%

LAB 22.51, 44.65, 31.2

 

CMYK 0 / 68 / 55 / 28

HEX #B83B53

RGB 184 59 83

HSL 348.48, 0.51%, 0.48%

LAB 44.15, 51.82, 14.48

 

CMYK 0 / 68 / 68 / 28

HEX #B83B3B

RGB 184 59 59

HSL 0, 0.51%, 0.48%

LAB 43.7, 50.21, 28.54

 

CMYK 0 / 68 / 55 / 28

HEX #B83B53

RGB 184 59 83

HSL 348.48, 0.51%, 0.48%

LAB 44.15, 51.82, 14.48

 

CMYK 0 / 68 / 37 / 28

HEX #B83B74

RGB 184 59 116

HSL 332.64, 0.51%, 0.48%

LAB 45.05, 54.98, -4.6

 

CMYK 0 / 68 / 18 / 28

HEX #B83B96

RGB 184 59 150

HSL 316.32, 0.51%, 0.48%

LAB 46.34, 59.32, -23.29

 

CMYK 0 / 68 / 0 / 28

HEX #B83BB8

RGB 184 59 184

HSL 300, 0.51%, 0.48%

LAB 47.98, 64.59, -40.85

 

CMYK 18 / 68 / 0 / 28

HEX #973BB8

RGB 151 59 184

HSL 284.16, 0.51%, 0.48%

LAB 43.02, 57.1, -49.05

 

CMYK 0 / 68 / 55 / 28

HEX #B83B53

RGB 184 59 83

HSL 348.48, 0.51%, 0.48%

LAB 44.15, 51.82, 14.48

 

CMYK 0 / 80 / 66 / 20

HEX #CC2846

RGB 204 40 70

HSL 349.02, 0.67%, 0.48%

LAB 45.36, 63.27, 24.76

 

CMYK 0 / 91 / 74 / 12

HEX #E0143A

RGB 224 20 58

HSL 348.82, 0.84%, 0.48%

LAB 47.82, 71.86, 35.91

 

CMYK 0 / 100 / 81 / 4

HEX #F4002E

RGB 244 0 46

HSL 348.69, 1%, 0.48%

LAB 51.19, 78.1, 47.51

 

CMYK 0 / 68 / 55 / 28

HEX #B83B53

RGB 184 59 83

HSL 348.48, 0.51%, 0.48%

LAB 44.15, 51.82, 14.48

 

CMYK 0 / 52 / 42 / 35

HEX #A54F5F

RGB 165 79 95

HSL 348.84, 0.35%, 0.48%

LAB 44.83, 37.08, 7.58

 

CMYK 0 / 32 / 26 / 43

HEX #91636C

RGB 145 99 108

HSL 348.26, 0.19%, 0.48%

LAB 47.01, 19.97, 2.47

 

CMYK 0 / 5 / 4 / 51

HEX #7D7778

RGB 125 119 120

HSL 350, 0.02%, 0.48%

LAB 50.58, 2.49, 0.27

 

CMYK 24 / 0 / 5 / 45

HEX #698B84

RGB 105 139 132

HSL 167.65, 0.14%, 0.48%

LAB 55.21, -13.45, -0.15

 

CMYK 0 / 68 / 18 / 28

HEX #B83B97

RGB 184 59 151

HSL 315.84, 0.51%, 0.48%

LAB 46.38, 59.46, -23.82

 

CMYK 0 / 68 / 36 / 28

HEX #B83B76

RGB 184 59 118

HSL 331.68, 0.51%, 0.48%

LAB 45.12, 55.21, -5.73

 

CMYK 0 / 68 / 54 / 28

HEX #B83B54

RGB 184 59 84

HSL 348, 0.51%, 0.48%

LAB 44.17, 51.9, 13.89

 

CMYK 0 / 63 / 68 / 28

HEX #B8443B

RGB 184 68 59

HSL 4.32, 0.51%, 0.48%

LAB 45.14, 46.34, 30.28

 

CMYK 0 / 45 / 68 / 28

HEX #B8653B

RGB 184 101 59

HSL 20.16, 0.51%, 0.48%

LAB 51.63, 29.76, 37.9

 

CMYK 0 / 68 / 55 / 52

HEX #7A2737

RGB 122 39 55

HSL 348.43, 0.52%, 0.32%

LAB 29.07, 37.3, 9.87

 

CMYK 0 / 68 / 55 / 40

HEX #993145

RGB 153 49 69

HSL 348.46, 0.51%, 0.4%

LAB 36.74, 44.72, 12.22

 

CMYK 0 / 68 / 55 / 28

HEX #B83B53

RGB 184 59 83

HSL 348.48, 0.51%, 0.48%

LAB 44.15, 51.82, 14.48

 

CMYK 0 / 58 / 47 / 22

HEX #C8556B

RGB 200 85 107

HSL 348.52, 0.51%, 0.56%

LAB 51.65, 47.77, 10.73

 

CMYK 0 / 44 / 36 / 18

HEX #D27586

RGB 210 117 134

HSL 349.03, 0.51%, 0.64%

LAB 60.02, 38.21, 6.95

 

CMYK 0 / 67 / 55 / 28

HEX #B73C53

RGB 183 60 83

HSL 348.78, 0.51%, 0.48%

LAB 44.12, 51.09, 14.42

 

CMYK 0 / 0 / 68 / 28

HEX #B8B83B

RGB 184 184 59

HSL 60, 0.51%, 0.48%

LAB 72.75, -15.19, 60.45

 

CMYK 68 / 27 / 0 / 28

HEX #3B86B8

RGB 59 134 184

HSL 204, 0.51%, 0.48%

LAB 53.43, -7.01, -33.02

 

CMYK 0 / 67 / 55 / 28

HEX #B73C53

RGB 183 60 83

HSL 348.78, 0.51%, 0.48%

LAB 44.12, 51.09, 14.42

 

CMYK 54 / 0 / 68 / 28

HEX #54B83B

RGB 84 184 59

HSL 108, 0.51%, 0.48%

LAB 66.89, -52.21, 52.55

 

CMYK 68 / 54 / 0 / 28

HEX #3B54B8

RGB 59 84 184

HSL 228, 0.51%, 0.48%

LAB 39.12, 24.08, -55.79

 

CMYK 0 / 67 / 55 / 28

HEX #B73C53

RGB 183 60 83

HSL 348.78, 0.51%, 0.48%

LAB 44.12, 51.09, 14.42

 

CMYK 0 / 0 / 68 / 28

HEX #B8B83B

RGB 184 184 59

HSL 60, 0.51%, 0.48%

LAB 72.75, -15.19, 60.45

 

CMYK 68 / 0 / 14 / 28

HEX #3BB89F

RGB 59 184 159

HSL 168, 0.51%, 0.48%

LAB 67.81, -40.03, 2.76

 

CMYK 68 / 68 / 0 / 28

HEX #3B3BB8

RGB 59 59 184

HSL 240, 0.51%, 0.48%

LAB 32.96, 39.94, -65.84

 

CMYK 0 / 67 / 55 / 28

HEX #B73C53

RGB 183 60 83

HSL 348.78, 0.51%, 0.48%

LAB 44.12, 51.09, 14.42

 

CMYK 20 / 0 / 68 / 28

HEX #93B83B

RGB 147 184 59

HSL 77.76, 0.51%, 0.48%

LAB 70.04, -30.55, 56.82

 

CMYK 68 / 0 / 14 / 28

HEX #3BB89F

RGB 59 184 159

HSL 168, 0.51%, 0.48%

LAB 67.81, -40.03, 2.76

 

CMYK 47 / 68 / 0 / 28

HEX #613BB8

RGB 97 59 184

HSL 258.24, 0.51%, 0.48%

LAB 36.23, 45.93, -60.35

 

Description

Color code: RGB 183 60 83 | qconv.com Color code: RGB 183 60 83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 60 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 60 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 55 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 55% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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