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Color name
RGB 183 82 165

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 82 165 it is the complementary color RGB 72 173 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 82 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 82 165 shade: RGB 188 82 160, RGB 205 100 179, RGB 222 118 198, RGB 239 136 217 and RGB 255 154 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 82 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 82 165 shade: RGB 183 82 165, RGB 166 64 146, RGB 149 46 127, RGB 132 28 108 and RGB 115 10 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 82 165 shade: RGB 182 82 164, RGB 182 82 137, RGB 182 82 110, RGB 182 82 83 and RGB 182 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 82 165 shade: RGB 182 82 164, RGB 173 82 182, RGB 146 82 182, RGB 119 82 182 and RGB 92 82 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 82 165 shade matches the following richer shades: RGB 182 82 164, RGB 202 62 177, RGB 222 42 190 and RGB 242 23 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 82 165 shade: RGB 182 82 164, RGB 162 102 152, RGB 143 122 139, RGB 123 141 126 and RGB 103 161 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 82 165 shade: RGB 145 82 182, RGB 172 82 182, RGB 182 82 166, RGB 182 82 139 and RGB 182 82 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 82 165 shade: RGB 128 53 115, RGB 157 66 141, RGB 182 82 164, RGB 194 111 180 and RGB 207 140 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 82 165 shade: RGB 183 82 165, RGB 182 119 82 and RGB 82 182 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 82 165 shade: RGB 183 82 165, RGB 166 182 82 and RGB 82 166 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 82 165 shade: RGB 183 82 165, RGB 182 119 82, RGB 82 182 99 and RGB 82 145 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 82 165 shade: RGB 183 82 165, RGB 182 149 82, RGB 82 182 99 and RGB 82 115 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 10 / 28

HEX #B752A5

RGB 183 82 165

HSL 310.69, 0.41%, 0.52%

LAB 50.47, 51.38, -25.81

 

Complementary color

CMYK 58 / 0 / 48 / 32

HEX #48AD5A

RGB 72 173 90

HSL 130.69, 0.41%, 0.48%

LAB 63.35, -47.3, 33.91

 

CMYK 0 / 56 / 15 / 26

HEX #BC52A0

RGB 188 82 160

HSL 315.85, 0.44%, 0.53%

LAB 50.99, 52.05, -22

 

CMYK 0 / 51 / 13 / 20

HEX #CD64B3

RGB 205 100 179

HSL 314.86, 0.51%, 0.6%

LAB 57.41, 51.49, -23

 

CMYK 0 / 47 / 11 / 13

HEX #DE76C6

RGB 222 118 198

HSL 313.85, 0.61%, 0.67%

LAB 63.81, 50.82, -23.82

 

CMYK 0 / 43 / 9 / 6

HEX #EF88D9

RGB 239 136 217

HSL 312.82, 0.76%, 0.74%

LAB 70.15, 50.11, -24.53

 

CMYK 0 / 40 / 7 / 0

HEX #FF9AEC

RGB 255 154 236

HSL 311.29, 1%, 0.8%

LAB 76.33, 49.07, -25.33

 

CMYK 0 / 55 / 10 / 28

HEX #B752A5

RGB 183 82 165

HSL 310.69, 0.41%, 0.52%

LAB 50.47, 51.38, -25.81

 

CMYK 0 / 61 / 12 / 35

HEX #A64092

RGB 166 64 146

HSL 311.76, 0.44%, 0.45%

LAB 44.02, 51.75, -24.71

 

CMYK 0 / 69 / 15 / 42

HEX #952E7F

RGB 149 46 127

HSL 312.82, 0.53%, 0.38%

LAB 37.62, 51.71, -23.25

 

CMYK 0 / 79 / 18 / 48

HEX #841C6C

RGB 132 28 108

HSL 313.85, 0.65%, 0.31%

LAB 31.39, 50.93, -21.21

 

CMYK 0 / 91 / 23 / 55

HEX #730A59

RGB 115 10 89

HSL 314.86, 0.84%, 0.25%

LAB 25.51, 48.81, -18.25

 

CMYK 0 / 55 / 10 / 29

HEX #B652A4

RGB 182 82 164

HSL 310.8, 0.41%, 0.52%

LAB 50.29, 50.92, -25.52

 

CMYK 0 / 55 / 25 / 29

HEX #B65289

RGB 182 82 137

HSL 327, 0.41%, 0.52%

LAB 49.24, 46.78, -11.1

 

CMYK 0 / 55 / 40 / 29

HEX #B6526E

RGB 182 82 110

HSL 343.2, 0.41%, 0.52%

LAB 48.39, 43.33, 3.9

 

CMYK 0 / 55 / 54 / 29

HEX #B65253

RGB 182 82 83

HSL 359.4, 0.41%, 0.52%

LAB 47.76, 40.64, 19.3

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 55 / 10 / 29

HEX #B652A4

RGB 182 82 164

HSL 310.8, 0.41%, 0.52%

LAB 50.29, 50.92, -25.52

 

CMYK 5 / 55 / 0 / 29

HEX #AD52B6

RGB 173 82 182

HSL 294.6, 0.41%, 0.52%

LAB 49.85, 51.57, -36.83

 

CMYK 20 / 55 / 0 / 29

HEX #9252B6

RGB 146 82 182

HSL 278.4, 0.41%, 0.52%

LAB 46.34, 44.28, -42.61

 

CMYK 35 / 55 / 0 / 29

HEX #7752B6

RGB 119 82 182

HSL 262.2, 0.41%, 0.52%

LAB 43.26, 37.26, -47.7

 

CMYK 49 / 55 / 0 / 29

HEX #5C52B6

RGB 92 82 182

HSL 246, 0.41%, 0.52%

LAB 40.71, 30.89, -51.93

 

CMYK 0 / 55 / 10 / 29

HEX #B652A4

RGB 182 82 164

HSL 310.8, 0.41%, 0.52%

LAB 50.29, 50.92, -25.52

 

CMYK 0 / 69 / 12 / 21

HEX #CA3EB1

RGB 202 62 177

HSL 310.71, 0.57%, 0.52%

LAB 50.89, 66.66, -31.97

 

CMYK 0 / 81 / 14 / 13

HEX #DE2ABE

RGB 222 42 190

HSL 310.67, 0.73%, 0.52%

LAB 52.84, 78.72, -36.25

 

CMYK 0 / 90 / 16 / 5

HEX #F217CB

RGB 242 23 203

HSL 310.68, 0.89%, 0.52%

LAB 55.89, 87.49, -38.72

 

CMYK 0 / 55 / 10 / 29

HEX #B652A4

RGB 182 82 164

HSL 310.8, 0.41%, 0.52%

LAB 50.29, 50.92, -25.52

 

CMYK 0 / 37 / 6 / 36

HEX #A26698

RGB 162 102 152

HSL 310, 0.24%, 0.52%

LAB 51.21, 32.01, -17.27

 

CMYK 0 / 15 / 3 / 44

HEX #8F7A8B

RGB 143 122 139

HSL 311.43, 0.09%, 0.52%

LAB 53.62, 11.23, -6.21

 

CMYK 13 / 0 / 11 / 45

HEX #7B8D7E

RGB 123 141 126

HSL 130, 0.07%, 0.52%

LAB 56.85, -9.54, 5.82

 

CMYK 36 / 0 / 30 / 37

HEX #67A171

RGB 103 161 113

HSL 130.34, 0.24%, 0.52%

LAB 61.28, -29.3, 19.16

 

CMYK 20 / 55 / 0 / 29

HEX #9152B6

RGB 145 82 182

HSL 277.8, 0.41%, 0.52%

LAB 46.22, 44.01, -42.81

 

CMYK 5 / 55 / 0 / 29

HEX #AC52B6

RGB 172 82 182

HSL 294, 0.41%, 0.52%

LAB 49.72, 51.3, -37.05

 

CMYK 0 / 55 / 9 / 29

HEX #B652A6

RGB 182 82 166

HSL 309.6, 0.41%, 0.52%

LAB 50.37, 51.26, -26.56

 

CMYK 0 / 55 / 24 / 29

HEX #B6528B

RGB 182 82 139

HSL 325.8, 0.41%, 0.52%

LAB 49.31, 47.07, -12.19

 

CMYK 0 / 55 / 38 / 29

HEX #B65270

RGB 182 82 112

HSL 342, 0.41%, 0.52%

LAB 48.45, 43.56, 2.77

 

CMYK 0 / 59 / 10 / 50

HEX #803573

RGB 128 53 115

HSL 310.4, 0.41%, 0.35%

LAB 34.75, 40.64, -20.48

 

CMYK 0 / 58 / 10 / 38

HEX #9D428D

RGB 157 66 141

HSL 310.55, 0.41%, 0.44%

LAB 42.74, 47.42, -23.77

 

CMYK 0 / 55 / 10 / 29

HEX #B652A4

RGB 182 82 164

HSL 310.8, 0.41%, 0.52%

LAB 50.29, 50.92, -25.52

 

CMYK 0 / 43 / 7 / 24

HEX #C26FB4

RGB 194 111 180

HSL 310.12, 0.4%, 0.6%

LAB 58.16, 42.66, -22.55

 

CMYK 0 / 32 / 6 / 19

HEX #CF8CC3

RGB 207 140 195

HSL 310.75, 0.41%, 0.68%

LAB 66.49, 34.02, -18.21

 

CMYK 0 / 55 / 10 / 28

HEX #B752A5

RGB 183 82 165

HSL 310.69, 0.41%, 0.52%

LAB 50.47, 51.38, -25.81

 

CMYK 0 / 35 / 55 / 29

HEX #B67752

RGB 182 119 82

HSL 22.2, 0.41%, 0.52%

LAB 55.83, 20.71, 30.36

 

CMYK 55 / 0 / 13 / 29

HEX #52B69F

RGB 82 182 159

HSL 166.2, 0.41%, 0.52%

LAB 67.84, -34.87, 2.89

 

CMYK 0 / 55 / 10 / 28

HEX #B752A5

RGB 183 82 165

HSL 310.69, 0.41%, 0.52%

LAB 50.47, 51.38, -25.81

 

CMYK 9 / 0 / 55 / 29

HEX #A6B652

RGB 166 182 82

HSL 69.6, 0.41%, 0.52%

LAB 70.99, -20.1, 48.24

 

CMYK 55 / 9 / 0 / 29

HEX #52A6B6

RGB 82 166 182

HSL 189.6, 0.41%, 0.52%

LAB 63.71, -20.84, -16.02

 

CMYK 0 / 55 / 10 / 28

HEX #B752A5

RGB 183 82 165

HSL 310.69, 0.41%, 0.52%

LAB 50.47, 51.38, -25.81

 

CMYK 0 / 35 / 55 / 29

HEX #B67752

RGB 182 119 82

HSL 22.2, 0.41%, 0.52%

LAB 55.83, 20.71, 30.36

 

CMYK 55 / 0 / 46 / 29

HEX #52B663

RGB 82 182 99

HSL 130.2, 0.41%, 0.52%

LAB 66.63, -47.07, 33.53

 

CMYK 55 / 20 / 0 / 29

HEX #5291B6

RGB 82 145 182

HSL 202.2, 0.41%, 0.52%

LAB 57.48, -9.52, -25.52

 

CMYK 0 / 55 / 10 / 28

HEX #B752A5

RGB 183 82 165

HSL 310.69, 0.41%, 0.52%

LAB 50.47, 51.38, -25.81

 

CMYK 0 / 18 / 55 / 29

HEX #B69552

RGB 182 149 82

HSL 40.2, 0.41%, 0.52%

LAB 63.38, 4.07, 39.65

 

CMYK 55 / 0 / 46 / 29

HEX #52B663

RGB 82 182 99

HSL 130.2, 0.41%, 0.52%

LAB 66.63, -47.07, 33.53

 

CMYK 55 / 37 / 0 / 29

HEX #5273B6

RGB 82 115 182

HSL 220.2, 0.41%, 0.52%

LAB 48.8, 8.1, -39.07

 

Description

Color code: RGB 183 82 165 | qconv.com Color code: RGB 183 82 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 82 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 82 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 10 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 10% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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