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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 82 243 it is the complementary color RGB 72 173 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 82 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 82 243 shade: RGB 188 82 238, RGB 205 100 255, RGB 222 118 255, RGB 239 136 255 and RGB 255 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 82 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 82 243 shade: RGB 183 82 243, RGB 166 64 224, RGB 149 46 205, RGB 132 28 186 and RGB 115 10 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 82 243 shade: RGB 183 83 243, RGB 226 83 243, RGB 243 83 216, RGB 243 83 173 and RGB 243 83 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 82 243 shade: RGB 183 83 243, RGB 140 83 243, RGB 97 83 243 and RGB 83 83 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 82 243 shade matches the following richer shades: RGB 183 83 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 82 243 shade: RGB 183 83 243, RGB 179 98 228, RGB 175 113 213, RGB 172 127 198 and RGB 168 142 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 82 243 shade: RGB 96 83 243, RGB 139 83 243, RGB 181 83 243, RGB 224 83 243 and RGB 243 83 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 82 243 shade: RGB 148 15 228, RGB 167 44 240, RGB 183 83 243, RGB 199 121 245 and RGB 215 160 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 82 243 shade: RGB 183 82 243, RGB 243 83 112 and RGB 83 243 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 82 243 shade: RGB 183 82 243, RGB 243 181 83 and RGB 83 243 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 82 243 shade: RGB 183 82 243, RGB 243 83 112, RGB 144 243 83 and RGB 83 243 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 82 243 shade: RGB 183 82 243, RGB 243 101 83, RGB 144 243 83 and RGB 83 224 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 66 / 0 / 5

HEX #B752F3

RGB 183 82 243

HSL 277.64, 0.87%, 0.64%

LAB 54.63, 66.23, -63.89

 

Complementary color

CMYK 58 / 0 / 93 / 32

HEX #48AD0C

RGB 72 173 12

HSL 97.64, 0.87%, 0.36%

LAB 62.75, -54.02, 62.05

 

CMYK 21 / 66 / 0 / 7

HEX #BC52EE

RGB 188 82 238

HSL 280.77, 0.82%, 0.63%

LAB 54.97, 66.25, -60.52

 

CMYK 20 / 61 / 0 / 0

HEX #CD64FF

RGB 205 100 255

HSL 280.65, 1%, 0.7%

LAB 61.06, 65.43, -60.08

 

CMYK 13 / 54 / 0 / 0

HEX #DE76FF

RGB 222 118 255

HSL 285.55, 1%, 0.73%

LAB 66.3, 61.06, -51.62

 

CMYK 6 / 47 / 0 / 0

HEX #EF88FF

RGB 239 136 255

HSL 291.93, 1%, 0.77%

LAB 71.68, 56.76, -43.01

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 25 / 66 / 0 / 5

HEX #B752F3

RGB 183 82 243

HSL 277.64, 0.87%, 0.64%

LAB 54.63, 66.23, -63.89

 

CMYK 26 / 71 / 0 / 12

HEX #A640E0

RGB 166 64 224

HSL 278.25, 0.72%, 0.56%

LAB 48.46, 66.4, -63.27

 

CMYK 27 / 78 / 0 / 20

HEX #952ECD

RGB 149 46 205

HSL 278.87, 0.63%, 0.49%

LAB 42.39, 66.07, -62.33

 

CMYK 29 / 85 / 0 / 27

HEX #841CBA

RGB 132 28 186

HSL 279.49, 0.74%, 0.42%

LAB 36.52, 64.91, -60.87

 

CMYK 31 / 94 / 0 / 35

HEX #730AA7

RGB 115 10 167

HSL 280.13, 0.89%, 0.35%

LAB 31, 62.43, -58.65

 

CMYK 25 / 66 / 0 / 5

HEX #B753F3

RGB 183 83 243

HSL 277.5, 0.87%, 0.64%

LAB 54.79, 65.79, -63.64

 

CMYK 7 / 66 / 0 / 5

HEX #E253F3

RGB 226 83 243

HSL 293.63, 0.87%, 0.64%

LAB 60.63, 75.04, -53.96

 

CMYK 0 / 66 / 11 / 5

HEX #F353D8

RGB 243 83 216

HSL 310.13, 0.87%, 0.64%

LAB 61.83, 74.66, -36.8

 

CMYK 0 / 66 / 29 / 5

HEX #F353AD

RGB 243 83 173

HSL 326.25, 0.87%, 0.64%

LAB 60.12, 68.95, -14.9

 

CMYK 0 / 66 / 47 / 5

HEX #F35382

RGB 243 83 130

HSL 342.38, 0.87%, 0.64%

LAB 58.84, 64.46, 8.25

 

CMYK 25 / 66 / 0 / 5

HEX #B753F3

RGB 183 83 243

HSL 277.5, 0.87%, 0.64%

LAB 54.79, 65.79, -63.64

 

CMYK 42 / 66 / 0 / 5

HEX #8C53F3

RGB 140 83 243

HSL 261.38, 0.87%, 0.64%

LAB 49.78, 57.23, -71.98

 

CMYK 60 / 66 / 0 / 5

HEX #6153F3

RGB 97 83 243

HSL 245.25, 0.87%, 0.64%

LAB 45.91, 50.07, -78.46

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 25 / 66 / 0 / 5

HEX #B753F3

RGB 183 83 243

HSL 277.5, 0.87%, 0.64%

LAB 54.79, 65.79, -63.64

 

CMYK 25 / 66 / 0 / 5

HEX #B753F3

RGB 183 83 243

HSL 277.5, 0.87%, 0.64%

LAB 54.79, 65.79, -63.64

 

CMYK 21 / 57 / 0 / 11

HEX #B362E4

RGB 179 98 228

HSL 277.38, 0.71%, 0.64%

LAB 56.01, 54.58, -53.31

 

CMYK 18 / 47 / 0 / 16

HEX #AF71D5

RGB 175 113 213

HSL 277.2, 0.54%, 0.64%

LAB 57.78, 42.39, -42.09

 

CMYK 13 / 36 / 0 / 22

HEX #AC7FC6

RGB 172 127 198

HSL 278.03, 0.38%, 0.64%

LAB 59.91, 30.47, -30.31

 

CMYK 8 / 22 / 0 / 28

HEX #A88EB7

RGB 168 142 183

HSL 278.05, 0.22%, 0.64%

LAB 62.58, 17.49, -17.76

 

CMYK 60 / 66 / 0 / 5

HEX #6053F3

RGB 96 83 243

HSL 244.88, 0.87%, 0.64%

LAB 45.83, 49.93, -78.59

 

CMYK 43 / 66 / 0 / 5

HEX #8B53F3

RGB 139 83 243

HSL 261, 0.87%, 0.64%

LAB 49.67, 57.05, -72.16

 

CMYK 26 / 66 / 0 / 5

HEX #B553F3

RGB 181 83 243

HSL 276.75, 0.87%, 0.64%

LAB 54.53, 65.37, -64.06

 

CMYK 8 / 66 / 0 / 5

HEX #E053F3

RGB 224 83 243

HSL 292.88, 0.87%, 0.64%

LAB 60.34, 74.6, -54.43

 

CMYK 0 / 66 / 10 / 5

HEX #F353DB

RGB 243 83 219

HSL 309, 0.87%, 0.64%

LAB 61.96, 75.1, -38.28

 

CMYK 35 / 93 / 0 / 11

HEX #940FE4

RGB 148 15 228

HSL 277.46, 0.88%, 0.48%

LAB 41.59, 77.93, -76.83

 

CMYK 30 / 82 / 0 / 6

HEX #A72CF0

RGB 167 44 240

HSL 277.65, 0.87%, 0.56%

LAB 47.38, 76.7, -74.07

 

CMYK 25 / 66 / 0 / 5

HEX #B753F3

RGB 183 83 243

HSL 277.5, 0.87%, 0.64%

LAB 54.79, 65.79, -63.64

 

CMYK 19 / 51 / 0 / 4

HEX #C779F5

RGB 199 121 245

HSL 277.74, 0.86%, 0.72%

LAB 63.68, 51.58, -50.44

 

CMYK 13 / 35 / 0 / 3

HEX #D7A0F8

RGB 215 160 248

HSL 277.5, 0.86%, 0.8%

LAB 73.78, 35.98, -36.13

 

CMYK 25 / 66 / 0 / 5

HEX #B752F3

RGB 183 82 243

HSL 277.64, 0.87%, 0.64%

LAB 54.63, 66.23, -63.89

 

CMYK 0 / 66 / 54 / 5

HEX #F35370

RGB 243 83 112

HSL 349.13, 0.87%, 0.64%

LAB 58.43, 62.98, 18.23

 

CMYK 66 / 0 / 52 / 5

HEX #53F375

RGB 83 243 117

HSL 132.75, 0.87%, 0.64%

LAB 85.62, -67, 48.39

 

CMYK 25 / 66 / 0 / 5

HEX #B752F3

RGB 183 82 243

HSL 277.64, 0.87%, 0.64%

LAB 54.63, 66.23, -63.89

 

CMYK 0 / 26 / 66 / 5

HEX #F3B553

RGB 243 181 83

HSL 36.75, 0.87%, 0.64%

LAB 77.71, 12.84, 57.24

 

CMYK 66 / 0 / 26 / 5

HEX #53F3B5

RGB 83 243 181

HSL 156.75, 0.87%, 0.64%

LAB 86.64, -55.75, 17.91

 

CMYK 25 / 66 / 0 / 5

HEX #B752F3

RGB 183 82 243

HSL 277.64, 0.87%, 0.64%

LAB 54.63, 66.23, -63.89

 

CMYK 0 / 66 / 54 / 5

HEX #F35370

RGB 243 83 112

HSL 349.13, 0.87%, 0.64%

LAB 58.43, 62.98, 18.23

 

CMYK 41 / 0 / 66 / 5

HEX #90F353

RGB 144 243 83

HSL 97.13, 0.87%, 0.64%

LAB 87.32, -55.31, 65.51

 

CMYK 66 / 0 / 12 / 5

HEX #53F3D5

RGB 83 243 213

HSL 168.75, 0.87%, 0.64%

LAB 87.36, -48.38, 2.29

 

CMYK 25 / 66 / 0 / 5

HEX #B752F3

RGB 183 82 243

HSL 277.64, 0.87%, 0.64%

LAB 54.63, 66.23, -63.89

 

CMYK 0 / 58 / 66 / 5

HEX #F36553

RGB 243 101 83

HSL 6.75, 0.87%, 0.64%

LAB 60.77, 53.46, 37.82

 

CMYK 41 / 0 / 66 / 5

HEX #90F353

RGB 144 243 83

HSL 97.13, 0.87%, 0.64%

LAB 87.32, -55.31, 65.51

 

CMYK 66 / 8 / 0 / 5

HEX #53E0F3

RGB 83 224 243

HSL 187.13, 0.87%, 0.64%

LAB 82.71, -31.78, -20.41

 

Description

Color code: RGB 183 82 243 | qconv.com Color code: RGB 183 82 243 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 82 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 82 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 66 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 66% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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