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Color name
RGB 184 13 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 13 170 it is the complementary color RGB 71 242 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 13 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 184 13 170 shade: RGB 189 13 165, RGB 206 31 184, RGB 223 49 203, RGB 240 67 222 and RGB 255 85 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 13 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 184 13 170 shade: RGB 184 13 170, RGB 167 0 151, RGB 150 0 132, RGB 133 0 113 and RGB 116 0 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 184 13 170 shade: RGB 185 12 171, RGB 185 12 125, RGB 185 12 78, RGB 185 12 31 and RGB 185 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 184 13 170 shade: RGB 185 12 171, RGB 153 12 185, RGB 106 12 185, RGB 60 12 185 and RGB 13 12 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 184 13 170 shade matches the following richer shades: RGB 185 12 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 184 13 170 shade: RGB 185 12 171, RGB 169 29 158, RGB 153 45 144, RGB 137 61 131 and RGB 121 77 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 184 13 170 shade: RGB 105 12 185, RGB 151 12 185, RGB 185 12 174, RGB 185 12 128 and RGB 185 12 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 184 13 170 shade: RGB 108 7 100, RGB 147 10 136, RGB 185 12 171, RGB 224 15 207 and RGB 240 41 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 184 13 170 shade: RGB 184 13 170, RGB 185 59 12 and RGB 12 185 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 184 13 170 shade: RGB 184 13 170, RGB 174 185 12 and RGB 12 174 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 184 13 170 shade: RGB 184 13 170, RGB 185 59 12, RGB 12 185 24 and RGB 12 139 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 184 13 170 shade: RGB 184 13 170, RGB 185 110 12, RGB 12 185 24 and RGB 12 87 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 8 / 28

HEX #B80DAA

RGB 184 13 170

HSL 304.91, 0.87%, 0.39%

LAB 43.33, 73.62, -39.96

 

Complementary color

CMYK 71 / 0 / 65 / 5

HEX #47F255

RGB 71 242 85

HSL 124.91, 0.87%, 0.61%

LAB 84.74, -72.5, 61.27

 

CMYK 0 / 93 / 13 / 26

HEX #BD0DA5

RGB 189 13 165

HSL 308.18, 0.87%, 0.4%

LAB 43.98, 73.85, -35.89

 

CMYK 0 / 85 / 11 / 19

HEX #CE1FB8

RGB 206 31 184

HSL 307.54, 0.74%, 0.46%

LAB 48.96, 76.99, -39.06

 

CMYK 0 / 78 / 9 / 13

HEX #DF31CB

RGB 223 49 203

HSL 306.9, 0.73%, 0.53%

LAB 54.23, 79.03, -41.55

 

CMYK 0 / 72 / 8 / 6

HEX #F043DE

RGB 240 67 222

HSL 306.24, 0.85%, 0.6%

LAB 59.72, 80.26, -43.51

 

CMYK 0 / 67 / 5 / 0

HEX #FF55F1

RGB 255 85 241

HSL 304.94, 1%, 0.67%

LAB 65.05, 80.44, -45.58

 

CMYK 0 / 93 / 8 / 28

HEX #B80DAA

RGB 184 13 170

HSL 304.91, 0.87%, 0.39%

LAB 43.33, 73.62, -39.96

 

CMYK 0 / 100 / 10 / 35

HEX #A70097

RGB 167 0 151

HSL 305.75, 1%, 0.33%

LAB 38.64, 69.25, -36.17

 

CMYK 0 / 100 / 12 / 41

HEX #960084

RGB 150 0 132

HSL 307.2, 1%, 0.29%

LAB 34.29, 63.5, -31.57

 

CMYK 0 / 100 / 15 / 48

HEX #850071

RGB 133 0 113

HSL 309.02, 1%, 0.26%

LAB 29.86, 57.64, -26.8

 

CMYK 0 / 100 / 19 / 55

HEX #74005E

RGB 116 0 94

HSL 311.38, 1%, 0.23%

LAB 25.32, 51.64, -21.83

 

CMYK 0 / 94 / 8 / 27

HEX #B90CAB

RGB 185 12 171

HSL 304.86, 0.88%, 0.39%

LAB 43.53, 74.05, -40.22

 

CMYK 0 / 94 / 32 / 27

HEX #B90C7D

RGB 185 12 125

HSL 320.81, 0.88%, 0.39%

LAB 41.31, 68.31, -15.77

 

CMYK 0 / 94 / 58 / 27

HEX #B90C4E

RGB 185 12 78

HSL 337.11, 0.88%, 0.39%

LAB 39.79, 64.23, 11.66

 

CMYK 0 / 94 / 83 / 27

HEX #B90C1F

RGB 185 12 31

HSL 353.41, 0.88%, 0.39%

LAB 39.03, 62.1, 39.73

 

CMYK 0 / 94 / 94 / 27

HEX #B90C0C

RGB 185 12 12

HSL 0, 0.88%, 0.39%

LAB 38.9, 61.75, 48.61

 

CMYK 0 / 94 / 8 / 27

HEX #B90CAB

RGB 185 12 171

HSL 304.86, 0.88%, 0.39%

LAB 43.53, 74.05, -40.22

 

CMYK 17 / 94 / 0 / 27

HEX #990CB9

RGB 153 12 185

HSL 288.9, 0.88%, 0.39%

LAB 38.79, 70.94, -56.44

 

CMYK 43 / 94 / 0 / 27

HEX #6A0CB9

RGB 106 12 185

HSL 272.6, 0.88%, 0.39%

LAB 31.42, 64.81, -68.79

 

CMYK 68 / 94 / 0 / 27

HEX #3C0CB9

RGB 60 12 185

HSL 256.65, 0.88%, 0.39%

LAB 25.94, 61.04, -78.02

 

CMYK 93 / 94 / 0 / 27

HEX #0D0CB9

RGB 13 12 185

HSL 240.35, 0.88%, 0.39%

LAB 23.17, 59.5, -82.71

 

CMYK 0 / 94 / 8 / 27

HEX #B90CAB

RGB 185 12 171

HSL 304.86, 0.88%, 0.39%

LAB 43.53, 74.05, -40.22

 

CMYK 0 / 94 / 8 / 27

HEX #B90CAB

RGB 185 12 171

HSL 304.86, 0.88%, 0.39%

LAB 43.53, 74.05, -40.22

 

CMYK 0 / 83 / 7 / 34

HEX #A91D9E

RGB 169 29 158

HSL 304.71, 0.71%, 0.39%

LAB 40.87, 66.34, -36.85

 

CMYK 0 / 71 / 6 / 40

HEX #992D90

RGB 153 45 144

HSL 305, 0.55%, 0.39%

LAB 39.01, 55.82, -31.49

 

CMYK 0 / 55 / 4 / 46

HEX #893D83

RGB 137 61 131

HSL 304.74, 0.38%, 0.39%

LAB 38.37, 42.21, -24.7

 

CMYK 0 / 36 / 3 / 53

HEX #794D75

RGB 121 77 117

HSL 305.45, 0.22%, 0.39%

LAB 39, 25.42, -15.27

 

CMYK 43 / 94 / 0 / 27

HEX #690CB9

RGB 105 12 185

HSL 272.25, 0.88%, 0.39%

LAB 31.28, 64.7, -69.03

 

CMYK 18 / 94 / 0 / 27

HEX #970CB9

RGB 151 12 185

HSL 288.21, 0.88%, 0.39%

LAB 38.45, 70.64, -57

 

CMYK 0 / 94 / 6 / 27

HEX #B90CAE

RGB 185 12 174

HSL 303.82, 0.88%, 0.39%

LAB 43.7, 74.48, -41.74

 

CMYK 0 / 94 / 31 / 27

HEX #B90C80

RGB 185 12 128

HSL 319.77, 0.88%, 0.39%

LAB 41.43, 68.64, -17.44

 

CMYK 0 / 94 / 56 / 27

HEX #B90C52

RGB 185 12 82

HSL 335.72, 0.88%, 0.39%

LAB 39.89, 64.5, 9.25

 

CMYK 0 / 94 / 7 / 58

HEX #6C0764

RGB 108 7 100

HSL 304.75, 0.88%, 0.23%

LAB 24.51, 49.5, -27.16

 

CMYK 0 / 93 / 7 / 42

HEX #930A88

RGB 147 10 136

HSL 304.82, 0.87%, 0.31%

LAB 34.39, 62.2, -33.93

 

CMYK 0 / 94 / 8 / 27

HEX #B90CAB

RGB 185 12 171

HSL 304.86, 0.88%, 0.39%

LAB 43.53, 74.05, -40.22

 

CMYK 0 / 93 / 8 / 12

HEX #E00FCF

RGB 224 15 207

HSL 304.88, 0.87%, 0.47%

LAB 52.61, 85.62, -46.4

 

CMYK 0 / 83 / 7 / 6

HEX #F029DF

RGB 240 41 223

HSL 305.13, 0.87%, 0.55%

LAB 57.5, 86.94, -47.59

 

CMYK 0 / 93 / 8 / 28

HEX #B80DAA

RGB 184 13 170

HSL 304.91, 0.87%, 0.39%

LAB 43.33, 73.62, -39.96

 

CMYK 0 / 68 / 94 / 27

HEX #B93B0C

RGB 185 59 12

HSL 16.3, 0.88%, 0.39%

LAB 43.46, 49, 51.5

 

CMYK 94 / 0 / 31 / 27

HEX #0CB980

RGB 12 185 128

HSL 160.23, 0.88%, 0.39%

LAB 66.77, -52.62, 18.15

 

CMYK 0 / 93 / 8 / 28

HEX #B80DAA

RGB 184 13 170

HSL 304.91, 0.87%, 0.39%

LAB 43.33, 73.62, -39.96

 

CMYK 6 / 0 / 94 / 27

HEX #AEB90C

RGB 174 185 12

HSL 63.82, 0.88%, 0.39%

LAB 72.04, -21.55, 71.87

 

CMYK 94 / 6 / 0 / 27

HEX #0CAEB9

RGB 12 174 185

HSL 183.82, 0.88%, 0.39%

LAB 64.85, -32.25, -16.1

 

CMYK 0 / 93 / 8 / 28

HEX #B80DAA

RGB 184 13 170

HSL 304.91, 0.87%, 0.39%

LAB 43.33, 73.62, -39.96

 

CMYK 0 / 68 / 94 / 27

HEX #B93B0C

RGB 185 59 12

HSL 16.3, 0.88%, 0.39%

LAB 43.46, 49, 51.5

 

CMYK 94 / 0 / 87 / 27

HEX #0CB918

RGB 12 185 24

HSL 124.16, 0.88%, 0.39%

LAB 65.63, -66.49, 61.94

 

CMYK 94 / 25 / 0 / 27

HEX #0C8BB9

RGB 12 139 185

HSL 195.95, 0.88%, 0.39%

LAB 54.08, -14.17, -32.65

 

CMYK 0 / 93 / 8 / 28

HEX #B80DAA

RGB 184 13 170

HSL 304.91, 0.87%, 0.39%

LAB 43.33, 73.62, -39.96

 

CMYK 0 / 41 / 94 / 27

HEX #B96E0C

RGB 185 110 12

HSL 33.99, 0.88%, 0.39%

LAB 53.48, 23.61, 58.44

 

CMYK 94 / 0 / 87 / 27

HEX #0CB918

RGB 12 185 24

HSL 124.16, 0.88%, 0.39%

LAB 65.63, -66.49, 61.94

 

CMYK 94 / 53 / 0 / 27

HEX #0C57B9

RGB 12 87 185

HSL 213.99, 0.88%, 0.39%

LAB 38.55, 17.91, -57.38

 

Description

Color code: RGB 184 13 170 | qconv.com Color code: RGB 184 13 170 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 13 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 13 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 8 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 8% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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