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Color name
RGB 185 125 158

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 125 158 it is the complementary color RGB 70 130 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 125 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 125 158 shade: RGB 190 125 153, RGB 207 143 172, RGB 224 161 191, RGB 241 179 210 and RGB 255 197 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 125 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 168 107 139, RGB 151 89 120, RGB 134 71 101 and RGB 117 53 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 185 125 142, RGB 185 125 126 and RGB 185 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 185 125 174, RGB 180 125 185, RGB 163 125 185 and RGB 147 125 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 125 158 shade matches the following richer shades: RGB 185 125 158, RGB 201 109 160, RGB 217 93 161, RGB 233 77 163 and RGB 249 61 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 169 141 156, RGB 153 157 155, RGB 137 173 153 and RGB 121 190 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 125 158 shade: RGB 180 125 185, RGB 185 125 174, RGB 185 125 158, RGB 185 125 142 and RGB 185 125 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 125 158 shade: RGB 148 80 117, RGB 170 98 138, RGB 185 125 158, RGB 199 152 178 and RGB 214 179 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 185 164 125 and RGB 125 182 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 158 185 125 and RGB 125 158 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 185 164 125, RGB 125 185 152 and RGB 125 146 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 125 158 shade: RGB 185 125 158, RGB 185 182 125, RGB 125 185 152 and RGB 125 128 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

Complementary color

CMYK 46 / 0 / 25 / 49

HEX #468261

RGB 70 130 97

HSL 147, 0.3%, 0.39%

LAB 49.65, -27.6, 11.91

 

CMYK 0 / 34 / 19 / 25

HEX #BE7D99

RGB 190 125 153

HSL 334.15, 0.33%, 0.62%

LAB 59.81, 29.27, -4.6

 

CMYK 0 / 31 / 17 / 19

HEX #CF8FAC

RGB 207 143 172

HSL 332.81, 0.4%, 0.69%

LAB 66.43, 28.52, -5.39

 

CMYK 0 / 28 / 15 / 12

HEX #E0A1BF

RGB 224 161 191

HSL 331.43, 0.5%, 0.75%

LAB 72.96, 27.82, -6.11

 

CMYK 0 / 26 / 13 / 5

HEX #F1B3D2

RGB 241 179 210

HSL 330, 0.69%, 0.82%

LAB 79.38, 27.18, -6.78

 

CMYK 0 / 23 / 10 / 0

HEX #FFC5E5

RGB 255 197 229

HSL 326.9, 1%, 0.89%

LAB 85.43, 25.56, -7.87

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 36 / 17 / 34

HEX #A86B8B

RGB 168 107 139

HSL 328.52, 0.26%, 0.54%

LAB 52.62, 29.06, -7.41

 

CMYK 0 / 41 / 21 / 41

HEX #975978

RGB 151 89 120

HSL 330, 0.26%, 0.47%

LAB 45.74, 29.89, -6.55

 

CMYK 0 / 47 / 25 / 47

HEX #864765

RGB 134 71 101

HSL 331.43, 0.31%, 0.4%

LAB 38.75, 30.77, -5.53

 

CMYK 0 / 55 / 30 / 54

HEX #753552

RGB 117 53 82

HSL 332.81, 0.38%, 0.33%

LAB 31.66, 31.63, -4.25

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 32 / 23 / 27

HEX #B97D8E

RGB 185 125 142

HSL 343, 0.3%, 0.61%

LAB 58.91, 25.74, 0.35

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7E

RGB 185 125 126

HSL 359, 0.3%, 0.61%

LAB 58.5, 23.46, 8.97

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 32 / 6 / 27

HEX #B97DAE

RGB 185 125 174

HSL 311, 0.3%, 0.61%

LAB 59.92, 31.07, -16.53

 

CMYK 3 / 32 / 0 / 27

HEX #B47DB9

RGB 180 125 185

HSL 295, 0.3%, 0.61%

LAB 59.77, 31.47, -23.08

 

CMYK 12 / 32 / 0 / 27

HEX #A37DB9

RGB 163 125 185

HSL 278, 0.3%, 0.61%

LAB 58, 25.95, -25.96

 

CMYK 21 / 32 / 0 / 27

HEX #937DB9

RGB 147 125 185

HSL 262, 0.3%, 0.61%

LAB 56.46, 20.85, -28.46

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 46 / 20 / 21

HEX #C96DA0

RGB 201 109 160

HSL 326.74, 0.46%, 0.61%

LAB 57.94, 42.75, -11.29

 

CMYK 0 / 57 / 26 / 15

HEX #D95DA1

RGB 217 93 161

HSL 327.1, 0.62%, 0.61%

LAB 57.22, 55.8, -12.71

 

CMYK 0 / 67 / 30 / 9

HEX #E94DA3

RGB 233 77 163

HSL 326.92, 0.78%, 0.61%

LAB 57.34, 67.31, -13.45

 

CMYK 0 / 76 / 34 / 2

HEX #F93DA4

RGB 249 61 164

HSL 327.13, 0.94%, 0.61%

LAB 58.19, 76.84, -12.5

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 17 / 8 / 34

HEX #A98D9C

RGB 169 141 156

HSL 327.86, 0.14%, 0.61%

LAB 61.55, 13.14, -3.99

 

CMYK 3 / 0 / 1 / 38

HEX #999D9B

RGB 153 157 155

HSL 150, 0.02%, 0.61%

LAB 64.37, -1.82, 0.53

 

CMYK 21 / 0 / 12 / 32

HEX #89AD99

RGB 137 173 153

HSL 146.67, 0.18%, 0.61%

LAB 67.65, -16.37, 6.27

 

CMYK 36 / 0 / 20 / 25

HEX #79BE98

RGB 121 190 152

HSL 146.96, 0.35%, 0.61%

LAB 71.66, -30.14, 12.4

 

CMYK 3 / 32 / 0 / 27

HEX #B47DB9

RGB 180 125 185

HSL 295, 0.3%, 0.61%

LAB 59.77, 31.47, -23.08

 

CMYK 0 / 32 / 6 / 27

HEX #B97DAE

RGB 185 125 174

HSL 311, 0.3%, 0.61%

LAB 59.92, 31.07, -16.53

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 32 / 23 / 27

HEX #B97D8E

RGB 185 125 142

HSL 343, 0.3%, 0.61%

LAB 58.91, 25.74, 0.35

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7E

RGB 185 125 126

HSL 359, 0.3%, 0.61%

LAB 58.5, 23.46, 8.97

 

CMYK 0 / 46 / 21 / 42

HEX #945075

RGB 148 80 117

HSL 327.35, 0.3%, 0.45%

LAB 43.24, 33.34, -8.51

 

CMYK 0 / 42 / 19 / 33

HEX #AA628A

RGB 170 98 138

HSL 326.67, 0.3%, 0.53%

LAB 50.82, 34.59, -9.48

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 24 / 11 / 22

HEX #C798B2

RGB 199 152 178

HSL 326.81, 0.3%, 0.69%

LAB 67.88, 21.73, -6.7

 

CMYK 0 / 16 / 7 / 16

HEX #D6B3C6

RGB 214 179 198

HSL 327.43, 0.3%, 0.77%

LAB 76.44, 15.76, -4.9

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 11 / 32 / 27

HEX #B9A47D

RGB 185 164 125

HSL 39, 0.3%, 0.61%

LAB 68.27, 1.78, 23.07

 

CMYK 32 / 2 / 0 / 27

HEX #7DB6B9

RGB 125 182 185

HSL 183, 0.3%, 0.61%

LAB 70.4, -17.67, -7.45

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 15 / 0 / 32 / 27

HEX #9EB97D

RGB 158 185 125

HSL 87, 0.3%, 0.61%

LAB 71.86, -19.8, 27.5

 

CMYK 32 / 15 / 0 / 27

HEX #7D9EB9

RGB 125 158 185

HSL 207, 0.3%, 0.61%

LAB 63.6, -4.81, -17.65

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 11 / 32 / 27

HEX #B9A47D

RGB 185 164 125

HSL 39, 0.3%, 0.61%

LAB 68.27, 1.78, 23.07

 

CMYK 32 / 0 / 18 / 27

HEX #7DB998

RGB 125 185 152

HSL 147, 0.3%, 0.61%

LAB 70.4, -26.51, 10.64

 

CMYK 32 / 21 / 0 / 27

HEX #7D92B9

RGB 125 146 185

HSL 219, 0.3%, 0.61%

LAB 60.27, 1.94, -22.74

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9E

RGB 185 125 158

HSL 327, 0.3%, 0.61%

LAB 59.39, 28.28, -8.16

 

CMYK 0 / 2 / 32 / 27

HEX #B9B67D

RGB 185 182 125

HSL 57, 0.3%, 0.61%

LAB 73.06, -7.81, 29.46

 

CMYK 32 / 0 / 18 / 27

HEX #7DB998

RGB 125 185 152

HSL 147, 0.3%, 0.61%

LAB 70.4, -26.51, 10.64

 

CMYK 32 / 31 / 0 / 27

HEX #7D80B9

RGB 125 128 185

HSL 237, 0.3%, 0.61%

LAB 55.38, 12.4, -30.28

 

Description

Color code: RGB 185 125 158 | qconv.com Color code: RGB 185 125 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 125 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 125 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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