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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 126 148 it is the complementary color RGB 70 129 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 126 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 126 148 shade: RGB 190 126 143, RGB 207 144 162, RGB 224 162 181, RGB 241 180 200 and RGB 255 198 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 126 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 126 148 shade: RGB 185 126 148, RGB 168 108 129, RGB 151 90 110, RGB 134 72 91 and RGB 117 54 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 126 148 shade: RGB 185 125 147, RGB 185 125 131 and RGB 185 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 126 148 shade: RGB 185 125 147, RGB 185 125 164, RGB 185 125 180, RGB 174 125 185 and RGB 158 125 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 126 148 shade matches the following richer shades: RGB 185 125 147, RGB 201 109 143, RGB 217 93 139, RGB 233 77 135 and RGB 249 61 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 126 148 shade: RGB 185 125 147, RGB 169 141 152, RGB 153 157 156, RGB 137 173 160 and RGB 121 190 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 126 148 shade: RGB 185 125 180, RGB 185 125 164, RGB 185 125 148, RGB 185 125 132 and RGB 185 134 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 126 148 shade: RGB 148 80 105, RGB 170 98 125, RGB 185 125 147, RGB 199 152 170 and RGB 214 179 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 126 148 shade: RGB 185 126 148, RGB 185 174 125 and RGB 125 172 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 126 148 shade: RGB 185 126 148, RGB 148 185 125 and RGB 125 148 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 126 148 shade: RGB 185 126 148, RGB 185 174 125, RGB 125 185 162 and RGB 125 136 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 126 148 shade: RGB 185 126 148, RGB 178 185 125, RGB 125 185 162 and RGB 132 125 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 20 / 27

HEX #B97E94

RGB 185 126 148

HSL 337.63, 0.3%, 0.61%

LAB 59.32, 26.11, -2.51

 

Complementary color

CMYK 46 / 0 / 17 / 49

HEX #46816B

RGB 70 129 107

HSL 157.63, 0.3%, 0.39%

LAB 49.57, -24.83, 5.98

 

CMYK 0 / 34 / 25 / 25

HEX #BE7E8F

RGB 190 126 143

HSL 344.06, 0.33%, 0.62%

LAB 59.75, 27.2, 1.07

 

CMYK 0 / 30 / 22 / 19

HEX #CF90A2

RGB 207 144 162

HSL 342.86, 0.4%, 0.69%

LAB 66.38, 26.43, 0.16

 

CMYK 0 / 28 / 19 / 12

HEX #E0A2B5

RGB 224 162 181

HSL 341.61, 0.5%, 0.76%

LAB 72.91, 25.72, -0.67

 

CMYK 0 / 25 / 17 / 5

HEX #F1B4C8

RGB 241 180 200

HSL 340.33, 0.69%, 0.83%

LAB 79.34, 25.07, -1.43

 

CMYK 0 / 22 / 14 / 0

HEX #FFC6DB

RGB 255 198 219

HSL 337.89, 1%, 0.89%

LAB 85.38, 23.43, -2.61

 

CMYK 0 / 32 / 20 / 27

HEX #B97E94

RGB 185 126 148

HSL 337.63, 0.3%, 0.61%

LAB 59.32, 26.11, -2.51

 

CMYK 0 / 36 / 23 / 34

HEX #A86C81

RGB 168 108 129

HSL 339, 0.26%, 0.54%

LAB 52.55, 26.91, -1.63

 

CMYK 0 / 40 / 27 / 41

HEX #975A6E

RGB 151 90 110

HSL 340.33, 0.25%, 0.47%

LAB 45.66, 27.78, -0.61

 

CMYK 0 / 46 / 32 / 47

HEX #86485B

RGB 134 72 91

HSL 341.61, 0.3%, 0.4%

LAB 38.65, 28.72, 0.59

 

CMYK 0 / 54 / 38 / 54

HEX #753648

RGB 117 54 72

HSL 342.86, 0.37%, 0.34%

LAB 31.55, 29.7, 2.08

 

CMYK 0 / 32 / 21 / 27

HEX #B97D93

RGB 185 125 147

HSL 338, 0.3%, 0.61%

LAB 59.06, 26.51, -2.33

 

CMYK 0 / 32 / 29 / 27

HEX #B97D83

RGB 185 125 131

HSL 354, 0.3%, 0.61%

LAB 58.62, 24.14, 6.26

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 32 / 21 / 27

HEX #B97D93

RGB 185 125 147

HSL 338, 0.3%, 0.61%

LAB 59.06, 26.51, -2.33

 

CMYK 0 / 32 / 11 / 27

HEX #B97DA4

RGB 185 125 164

HSL 321, 0.3%, 0.61%

LAB 59.58, 29.3, -11.32

 

CMYK 0 / 32 / 3 / 27

HEX #B97DB4

RGB 185 125 180

HSL 305, 0.3%, 0.61%

LAB 60.14, 32.17, -19.62

 

CMYK 6 / 32 / 0 / 27

HEX #AE7DB9

RGB 174 125 185

HSL 289, 0.3%, 0.61%

LAB 59.13, 29.51, -24.12

 

CMYK 15 / 32 / 0 / 27

HEX #9E7DB9

RGB 158 125 185

HSL 273, 0.3%, 0.61%

LAB 57.5, 24.34, -26.77

 

CMYK 0 / 32 / 21 / 27

HEX #B97D93

RGB 185 125 147

HSL 338, 0.3%, 0.61%

LAB 59.06, 26.51, -2.33

 

CMYK 0 / 46 / 29 / 21

HEX #C96D8F

RGB 201 109 143

HSL 337.83, 0.46%, 0.61%

LAB 57.4, 40.32, -2.21

 

CMYK 0 / 57 / 36 / 15

HEX #D95D8B

RGB 217 93 139

HSL 337.74, 0.62%, 0.61%

LAB 56.53, 53.08, -0.88

 

CMYK 0 / 67 / 42 / 9

HEX #E94D87

RGB 233 77 135

HSL 337.69, 0.78%, 0.61%

LAB 56.47, 64.3, 1.69

 

CMYK 0 / 76 / 47 / 2

HEX #F93D83

RGB 249 61 131

HSL 337.66, 0.94%, 0.61%

LAB 57.19, 73.75, 5.44

 

CMYK 0 / 32 / 21 / 27

HEX #B97D93

RGB 185 125 147

HSL 338, 0.3%, 0.61%

LAB 59.06, 26.51, -2.33

 

CMYK 0 / 17 / 10 / 34

HEX #A98D98

RGB 169 141 152

HSL 336.43, 0.14%, 0.61%

LAB 61.44, 12.42, -1.88

 

CMYK 3 / 0 / 1 / 38

HEX #999D9C

RGB 153 157 156

HSL 165, 0.02%, 0.61%

LAB 64.39, -1.63, 0.01

 

CMYK 21 / 0 / 8 / 32

HEX #89ADA0

RGB 137 173 160

HSL 158.33, 0.18%, 0.61%

LAB 67.83, -14.94, 2.65

 

CMYK 36 / 0 / 14 / 25

HEX #79BEA4

RGB 121 190 164

HSL 157.39, 0.35%, 0.61%

LAB 71.94, -27.64, 6.27

 

CMYK 0 / 32 / 3 / 27

HEX #B97DB4

RGB 185 125 180

HSL 305, 0.3%, 0.61%

LAB 60.14, 32.17, -19.62

 

CMYK 0 / 32 / 11 / 27

HEX #B97DA4

RGB 185 125 164

HSL 321, 0.3%, 0.61%

LAB 59.58, 29.3, -11.32

 

CMYK 0 / 32 / 20 / 27

HEX #B97D94

RGB 185 125 148

HSL 337, 0.3%, 0.61%

LAB 59.08, 26.66, -2.86

 

CMYK 0 / 32 / 29 / 27

HEX #B97D84

RGB 185 125 132

HSL 353, 0.3%, 0.61%

LAB 58.65, 24.28, 5.72

 

CMYK 0 / 28 / 32 / 27

HEX #B9867D

RGB 185 134 125

HSL 9, 0.3%, 0.61%

LAB 60.64, 18.32, 12.57

 

CMYK 0 / 46 / 29 / 42

HEX #945069

RGB 148 80 105

HSL 337.94, 0.3%, 0.45%

LAB 42.84, 31.52, -1.74

 

CMYK 0 / 42 / 26 / 33

HEX #AA627D

RGB 170 98 125

HSL 337.5, 0.3%, 0.53%

LAB 50.41, 32.6, -2.37

 

CMYK 0 / 32 / 21 / 27

HEX #B97D93

RGB 185 125 147

HSL 338, 0.3%, 0.61%

LAB 59.06, 26.51, -2.33

 

CMYK 0 / 24 / 15 / 22

HEX #C798AA

RGB 199 152 170

HSL 337.02, 0.3%, 0.69%

LAB 67.65, 20.39, -2.57

 

CMYK 0 / 16 / 10 / 16

HEX #D6B3C0

RGB 214 179 192

HSL 337.71, 0.3%, 0.77%

LAB 76.28, 14.74, -1.87

 

CMYK 0 / 32 / 20 / 27

HEX #B97E94

RGB 185 126 148

HSL 337.63, 0.3%, 0.61%

LAB 59.32, 26.11, -2.51

 

CMYK 0 / 6 / 32 / 27

HEX #B9AE7D

RGB 185 174 125

HSL 49, 0.3%, 0.61%

LAB 70.92, -3.59, 26.62

 

CMYK 32 / 7 / 0 / 27

HEX #7DACB9

RGB 125 172 185

HSL 193, 0.3%, 0.61%

LAB 67.55, -12.42, -11.7

 

CMYK 0 / 32 / 20 / 27

HEX #B97E94

RGB 185 126 148

HSL 337.63, 0.3%, 0.61%

LAB 59.32, 26.11, -2.51

 

CMYK 20 / 0 / 32 / 27

HEX #94B97D

RGB 148 185 125

HSL 97, 0.3%, 0.61%

LAB 71.2, -23.49, 26.5

 

CMYK 32 / 20 / 0 / 27

HEX #7D94B9

RGB 125 148 185

HSL 217, 0.3%, 0.61%

LAB 60.82, 0.8, -21.89

 

CMYK 0 / 32 / 20 / 27

HEX #B97E94

RGB 185 126 148

HSL 337.63, 0.3%, 0.61%

LAB 59.32, 26.11, -2.51

 

CMYK 0 / 6 / 32 / 27

HEX #B9AE7D

RGB 185 174 125

HSL 49, 0.3%, 0.61%

LAB 70.92, -3.59, 26.62

 

CMYK 32 / 0 / 12 / 27

HEX #7DB9A2

RGB 125 185 162

HSL 157, 0.3%, 0.61%

LAB 70.64, -24.43, 5.52

 

CMYK 32 / 26 / 0 / 27

HEX #7D88B9

RGB 125 136 185

HSL 229, 0.3%, 0.61%

LAB 57.53, 7.71, -26.95

 

CMYK 0 / 32 / 20 / 27

HEX #B97E94

RGB 185 126 148

HSL 337.63, 0.3%, 0.61%

LAB 59.32, 26.11, -2.51

 

CMYK 4 / 0 / 32 / 27

HEX #B2B97D

RGB 178 185 125

HSL 67, 0.3%, 0.61%

LAB 73.31, -12.13, 29.69

 

CMYK 32 / 0 / 12 / 27

HEX #7DB9A2

RGB 125 185 162

HSL 157, 0.3%, 0.61%

LAB 70.64, -24.43, 5.52

 

CMYK 29 / 32 / 0 / 27

HEX #847DB9

RGB 132 125 185

HSL 247, 0.3%, 0.61%

LAB 55.15, 16.25, -30.6

 

Description

Color code: RGB 185 126 148 | qconv.com Color code: RGB 185 126 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 126 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 126 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 20 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 20% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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