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Color name
RGB 185 123 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 123 42 it is the complementary color RGB 70 132 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 123 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 123 42 shade: RGB 190 123 37, RGB 207 141 56, RGB 224 159 75, RGB 241 177 94 and RGB 255 195 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 123 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 123 42 shade: RGB 185 123 42, RGB 168 105 23, RGB 151 87 4, RGB 134 69 0 and RGB 117 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 123 42 shade: RGB 187 124 42, RGB 187 85 42, RGB 187 46 42 and RGB 187 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 123 42 shade: RGB 187 124 42, RGB 187 163 42, RGB 171 187 42, RGB 132 187 42 and RGB 93 187 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 123 42 shade matches the following richer shades: RGB 187 124 42, RGB 205 126 23 and RGB 224 129 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 123 42 shade: RGB 187 124 42, RGB 168 121 61, RGB 149 119 79, RGB 131 116 98 and RGB 112 114 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 123 42 shade: RGB 187 44 42, RGB 187 83 42, RGB 187 121 42, RGB 187 160 42 and RGB 174 187 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 123 42 shade: RGB 119 79 27, RGB 153 102 34, RGB 187 124 42, RGB 210 145 60 and RGB 218 164 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 123 42 shade: RGB 185 123 42, RGB 78 187 42 and RGB 64 42 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 123 42 shade: RGB 185 123 42, RGB 42 187 121 and RGB 121 42 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 123 42 shade: RGB 185 123 42, RGB 78 187 42, RGB 42 107 187 and RGB 150 42 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 123 42 shade: RGB 185 123 42, RGB 42 187 49, RGB 42 107 187 and RGB 187 42 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 77 / 27

HEX #B97B2A

RGB 185 123 42

HSL 33.99, 0.63%, 0.45%

LAB 56.73, 17.24, 51.47

 

Complementary color

CMYK 67 / 38 / 0 / 16

HEX #4684D5

RGB 70 132 213

HSL 213.99, 0.63%, 0.55%

LAB 54.67, 6.02, -47.52

 

CMYK 0 / 35 / 81 / 25

HEX #BE7B25

RGB 190 123 37

HSL 33.73, 0.67%, 0.45%

LAB 57.31, 19.24, 54.25

 

CMYK 0 / 32 / 73 / 19

HEX #CF8D38

RGB 207 141 56

HSL 33.77, 0.61%, 0.52%

LAB 63.84, 17.54, 53.4

 

CMYK 0 / 29 / 67 / 12

HEX #E09F4B

RGB 224 159 75

HSL 33.83, 0.71%, 0.59%

LAB 70.28, 16.08, 52.19

 

CMYK 0 / 27 / 61 / 5

HEX #F1B15E

RGB 241 177 94

HSL 33.88, 0.84%, 0.66%

LAB 76.65, 14.81, 50.84

 

CMYK 0 / 24 / 56 / 0

HEX #FFC371

RGB 255 195 113

HSL 34.65, 1%, 0.72%

LAB 82.64, 12.48, 49.03

 

CMYK 0 / 34 / 77 / 27

HEX #B97B2A

RGB 185 123 42

HSL 33.99, 0.63%, 0.45%

LAB 56.73, 17.24, 51.47

 

CMYK 0 / 38 / 86 / 34

HEX #A86917

RGB 168 105 23

HSL 33.93, 0.76%, 0.37%

LAB 50.08, 19.11, 51.87

 

CMYK 0 / 42 / 97 / 41

HEX #975704

RGB 151 87 4

HSL 33.88, 0.95%, 0.3%

LAB 43.37, 21.29, 50.95

 

CMYK 0 / 49 / 100 / 47

HEX #864500

RGB 134 69 0

HSL 30.9, 1%, 0.26%

LAB 36.6, 23.82, 46.57

 

CMYK 0 / 56 / 100 / 54

HEX #753300

RGB 117 51 0

HSL 26.15, 1%, 0.23%

LAB 29.79, 26.41, 40.8

 

CMYK 0 / 34 / 78 / 27

HEX #BB7C2A

RGB 187 124 42

HSL 33.93, 0.63%, 0.45%

LAB 57.22, 17.57, 52.03

 

CMYK 0 / 55 / 78 / 27

HEX #BB552A

RGB 187 85 42

HSL 17.79, 0.63%, 0.45%

LAB 48.55, 38.51, 43.48

 

CMYK 0 / 75 / 78 / 27

HEX #BB2E2A

RGB 187 46 42

HSL 1.66, 0.63%, 0.45%

LAB 42.29, 55.24, 36.99

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 34 / 78 / 27

HEX #BB7C2A

RGB 187 124 42

HSL 33.93, 0.63%, 0.45%

LAB 57.22, 17.57, 52.03

 

CMYK 0 / 13 / 78 / 27

HEX #BBA32A

RGB 187 163 42

HSL 50.07, 0.63%, 0.45%

LAB 67.22, -3.75, 61.41

 

CMYK 9 / 0 / 78 / 27

HEX #ABBB2A

RGB 171 187 42

HSL 66.62, 0.63%, 0.45%

LAB 72.47, -23.02, 65.71

 

CMYK 29 / 0 / 78 / 27

HEX #84BB2A

RGB 132 187 42

HSL 82.76, 0.63%, 0.45%

LAB 69.9, -38.76, 62.4

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 0 / 34 / 78 / 27

HEX #BB7C2A

RGB 187 124 42

HSL 33.93, 0.63%, 0.45%

LAB 57.22, 17.57, 52.03

 

CMYK 0 / 39 / 89 / 20

HEX #CD7E17

RGB 205 126 23

HSL 33.96, 0.8%, 0.45%

LAB 59.86, 23.72, 61.74

 

CMYK 0 / 42 / 98 / 12

HEX #E08105

RGB 224 129 5

HSL 33.97, 0.96%, 0.45%

LAB 62.98, 29.91, 68.59

 

CMYK 0 / 34 / 78 / 27

HEX #BB7C2A

RGB 187 124 42

HSL 33.93, 0.63%, 0.45%

LAB 57.22, 17.57, 52.03

 

CMYK 0 / 28 / 64 / 34

HEX #A8793D

RGB 168 121 61

HSL 33.64, 0.47%, 0.45%

LAB 54.38, 11.9, 39.47

 

CMYK 0 / 20 / 47 / 42

HEX #95774F

RGB 149 119 79

HSL 34.29, 0.31%, 0.45%

LAB 52, 6.26, 26.38

 

CMYK 0 / 11 / 25 / 49

HEX #837462

RGB 131 116 98

HSL 32.73, 0.14%, 0.45%

LAB 49.74, 2.78, 12.08

 

CMYK 3 / 2 / 0 / 55

HEX #707274

RGB 112 114 116

HSL 210, 0.02%, 0.45%

LAB 47.93, -0.34, -1.38

 

CMYK 0 / 76 / 78 / 27

HEX #BB2C2A

RGB 187 44 42

HSL 0.83, 0.63%, 0.45%

LAB 42.05, 55.9, 36.74

 

CMYK 0 / 56 / 78 / 27

HEX #BB532A

RGB 187 83 42

HSL 16.97, 0.63%, 0.45%

LAB 48.16, 39.51, 43.09

 

CMYK 0 / 35 / 78 / 27

HEX #BB792A

RGB 187 121 42

HSL 32.69, 0.63%, 0.45%

LAB 56.49, 19.23, 51.33

 

CMYK 0 / 14 / 78 / 27

HEX #BBA02A

RGB 187 160 42

HSL 48.83, 0.63%, 0.45%

LAB 66.42, -2.15, 60.67

 

CMYK 7 / 0 / 78 / 27

HEX #AEBB2A

RGB 174 187 42

HSL 65.38, 0.63%, 0.45%

LAB 72.7, -21.75, 66

 

CMYK 0 / 34 / 77 / 53

HEX #774F1B

RGB 119 79 27

HSL 33.91, 0.63%, 0.29%

LAB 37.1, 11.8, 36.03

 

CMYK 0 / 33 / 78 / 40

HEX #996622

RGB 153 102 34

HSL 34.29, 0.64%, 0.37%

LAB 47.48, 14.44, 44.56

 

CMYK 0 / 34 / 78 / 27

HEX #BB7C2A

RGB 187 124 42

HSL 33.93, 0.63%, 0.45%

LAB 57.22, 17.57, 52.03

 

CMYK 0 / 31 / 71 / 18

HEX #D2913C

RGB 210 145 60

HSL 34, 0.63%, 0.53%

LAB 65.18, 16.86, 53.13

 

CMYK 0 / 25 / 57 / 15

HEX #DAA45D

RGB 218 164 93

HSL 34.08, 0.63%, 0.61%

LAB 71.04, 12.1, 44.13

 

CMYK 0 / 34 / 77 / 27

HEX #B97B2A

RGB 185 123 42

HSL 33.99, 0.63%, 0.45%

LAB 56.73, 17.24, 51.47

 

CMYK 58 / 0 / 78 / 27

HEX #4EBB2A

RGB 78 187 42

HSL 105.1, 0.63%, 0.45%

LAB 67.52, -56.16, 59.3

 

CMYK 66 / 78 / 0 / 27

HEX #402ABB

RGB 64 42 187

HSL 249.1, 0.63%, 0.45%

LAB 30.24, 50.91, -72.08

 

CMYK 0 / 34 / 77 / 27

HEX #B97B2A

RGB 185 123 42

HSL 33.99, 0.63%, 0.45%

LAB 56.73, 17.24, 51.47

 

CMYK 78 / 0 / 35 / 27

HEX #2ABB79

RGB 42 187 121

HSL 152.69, 0.63%, 0.45%

LAB 67.59, -52.47, 23.06

 

CMYK 35 / 78 / 0 / 27

HEX #792ABB

RGB 121 42 187

HSL 272.69, 0.63%, 0.45%

LAB 36.57, 58.83, -61.44

 

CMYK 0 / 34 / 77 / 27

HEX #B97B2A

RGB 185 123 42

HSL 33.99, 0.63%, 0.45%

LAB 56.73, 17.24, 51.47

 

CMYK 58 / 0 / 78 / 27

HEX #4EBB2A

RGB 78 187 42

HSL 105.1, 0.63%, 0.45%

LAB 67.52, -56.16, 59.3

 

CMYK 78 / 43 / 0 / 27

HEX #2A6BBB

RGB 42 107 187

HSL 213.1, 0.63%, 0.45%

LAB 45.08, 8.04, -47.99

 

CMYK 20 / 78 / 0 / 27

HEX #962ABB

RGB 150 42 187

HSL 284.69, 0.63%, 0.45%

LAB 40.78, 63.99, -54.42

 

CMYK 0 / 34 / 77 / 27

HEX #B97B2A

RGB 185 123 42

HSL 33.99, 0.63%, 0.45%

LAB 56.73, 17.24, 51.47

 

CMYK 78 / 0 / 74 / 27

HEX #2ABB31

RGB 42 187 49

HSL 122.9, 0.63%, 0.45%

LAB 66.71, -62.75, 55.85

 

CMYK 78 / 43 / 0 / 27

HEX #2A6BBB

RGB 42 107 187

HSL 213.1, 0.63%, 0.45%

LAB 45.08, 8.04, -47.99

 

CMYK 0 / 78 / 4 / 27

HEX #BB2AB3

RGB 187 42 179

HSL 303.31, 0.63%, 0.45%

LAB 46.28, 69.93, -40.58

 

Description

Color code: RGB 185 123 42 | qconv.com Color code: RGB 185 123 42 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 123 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 123 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 77 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 77% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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