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Color name
RGB 185 162 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 162 126 it is the complementary color RGB 70 93 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 162 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 162 126 shade: RGB 190 162 121, RGB 207 180 140, RGB 224 198 159, RGB 241 216 178 and RGB 255 234 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 162 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 162 126 shade: RGB 185 162 126, RGB 168 144 107, RGB 151 126 88, RGB 134 108 69 and RGB 117 90 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 162 126 shade: RGB 185 162 125, RGB 185 146 125, RGB 185 129 125 and RGB 185 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 162 126 shade: RGB 185 162 125, RGB 185 178 125, RGB 176 185 125, RGB 160 185 125 and RGB 144 185 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 162 126 shade matches the following richer shades: RGB 185 162 125, RGB 201 165 109, RGB 217 169 93, RGB 233 172 77 and RGB 249 176 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 162 126 shade: RGB 185 162 125, RGB 169 158 141, RGB 153 155 157, RGB 137 151 173 and RGB 121 147 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 162 126 shade: RGB 185 129 125, RGB 185 145 125, RGB 185 161 125, RGB 185 177 125 and RGB 177 185 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 162 126 shade: RGB 148 121 80, RGB 170 142 98, RGB 185 162 125, RGB 199 181 152 and RGB 214 200 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 162 126 shade: RGB 185 162 126, RGB 137 185 125 and RGB 137 125 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 162 126 shade: RGB 185 162 126, RGB 125 185 161 and RGB 161 125 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 162 126 shade: RGB 185 162 126, RGB 137 185 125, RGB 125 149 185 and RGB 173 125 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 162 126 shade: RGB 185 162 126, RGB 125 185 131, RGB 125 149 185 and RGB 185 125 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 32 / 27

HEX #B9A27E

RGB 185 162 126

HSL 36.61, 0.3%, 0.61%

LAB 67.77, 2.99, 21.84

 

Complementary color

CMYK 46 / 28 / 0 / 49

HEX #465D81

RGB 70 93 129

HSL 216.61, 0.3%, 0.39%

LAB 39.1, 1.68, -22.88

 

CMYK 0 / 15 / 36 / 25

HEX #BEA279

RGB 190 162 121

HSL 35.65, 0.35%, 0.61%

LAB 68.14, 4.38, 25.15

 

CMYK 0 / 13 / 32 / 19

HEX #CFB48C

RGB 207 180 140

HSL 35.82, 0.41%, 0.68%

LAB 74.7, 3.84, 24

 

CMYK 0 / 12 / 29 / 12

HEX #E0C69F

RGB 224 198 159

HSL 36, 0.51%, 0.75%

LAB 81.15, 3.38, 22.93

 

CMYK 0 / 10 / 26 / 5

HEX #F1D8B2

RGB 241 216 178

HSL 36.19, 0.69%, 0.82%

LAB 87.5, 2.97, 21.91

 

CMYK 0 / 8 / 23 / 0

HEX #FFEAC5

RGB 255 234 197

HSL 38.28, 1%, 0.89%

LAB 93.51, 1.51, 20.57

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27E

RGB 185 162 126

HSL 36.61, 0.3%, 0.61%

LAB 67.77, 2.99, 21.84

 

CMYK 0 / 14 / 36 / 34

HEX #A8906B

RGB 168 144 107

HSL 36.39, 0.26%, 0.54%

LAB 61.07, 3.52, 23.01

 

CMYK 0 / 17 / 42 / 41

HEX #977E58

RGB 151 126 88

HSL 36.19, 0.26%, 0.47%

LAB 54.24, 4.15, 24.27

 

CMYK 0 / 19 / 49 / 47

HEX #866C45

RGB 134 108 69

HSL 36, 0.32%, 0.4%

LAB 47.27, 4.91, 25.65

 

CMYK 0 / 23 / 57 / 54

HEX #755A32

RGB 117 90 50

HSL 35.82, 0.4%, 0.33%

LAB 40.12, 5.88, 27.14

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27D

RGB 185 162 125

HSL 37, 0.3%, 0.61%

LAB 67.75, 2.86, 22.36

 

CMYK 0 / 21 / 32 / 27

HEX #B9927D

RGB 185 146 125

HSL 21, 0.3%, 0.61%

LAB 63.63, 11.65, 16.73

 

CMYK 0 / 30 / 32 / 27

HEX #B9817D

RGB 185 129 125

HSL 4, 0.3%, 0.61%

LAB 59.43, 21.1, 10.86

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27D

RGB 185 162 125

HSL 37, 0.3%, 0.61%

LAB 67.75, 2.86, 22.36

 

CMYK 0 / 4 / 32 / 27

HEX #B9B27D

RGB 185 178 125

HSL 53, 0.3%, 0.61%

LAB 71.98, -5.71, 28.04

 

CMYK 5 / 0 / 32 / 27

HEX #B0B97D

RGB 176 185 125

HSL 69, 0.3%, 0.61%

LAB 73.16, -12.91, 29.46

 

CMYK 14 / 0 / 32 / 27

HEX #A0B97D

RGB 160 185 125

HSL 85, 0.3%, 0.61%

LAB 72, -19.05, 27.71

 

CMYK 22 / 0 / 32 / 27

HEX #90B97D

RGB 144 185 125

HSL 101, 0.3%, 0.61%

LAB 70.95, -24.94, 26.12

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27D

RGB 185 162 125

HSL 37, 0.3%, 0.61%

LAB 67.75, 2.86, 22.36

 

CMYK 0 / 18 / 46 / 21

HEX #C9A56D

RGB 201 165 109

HSL 36.52, 0.46%, 0.61%

LAB 69.78, 5.91, 33.92

 

CMYK 0 / 22 / 57 / 15

HEX #D9A95D

RGB 217 169 93

HSL 36.77, 0.62%, 0.61%

LAB 72.17, 9, 45.45

 

CMYK 0 / 26 / 67 / 9

HEX #E9AC4D

RGB 233 172 77

HSL 36.54, 0.78%, 0.61%

LAB 74.42, 13.06, 56.06

 

CMYK 0 / 29 / 76 / 2

HEX #F9B03D

RGB 249 176 61

HSL 36.7, 0.94%, 0.61%

LAB 77, 16.9, 65.97

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27D

RGB 185 162 125

HSL 37, 0.3%, 0.61%

LAB 67.75, 2.86, 22.36

 

CMYK 0 / 7 / 17 / 34

HEX #A99E8D

RGB 169 158 141

HSL 36.43, 0.14%, 0.61%

LAB 65.6, 1.09, 10.32

 

CMYK 3 / 1 / 0 / 38

HEX #999B9D

RGB 153 155 157

HSL 210, 0.02%, 0.61%

LAB 63.88, -0.33, -1.3

 

CMYK 21 / 13 / 0 / 32

HEX #8997AD

RGB 137 151 173

HSL 216.67, 0.18%, 0.61%

LAB 62.06, -0.13, -13.16

 

CMYK 36 / 23 / 0 / 25

HEX #7993BE

RGB 121 147 190

HSL 217.39, 0.35%, 0.61%

LAB 60.47, 1.53, -25.27

 

CMYK 0 / 30 / 32 / 27

HEX #B9817D

RGB 185 129 125

HSL 4, 0.3%, 0.61%

LAB 59.43, 21.1, 10.86

 

CMYK 0 / 22 / 32 / 27

HEX #B9917D

RGB 185 145 125

HSL 20, 0.3%, 0.61%

LAB 63.38, 12.2, 16.38

 

CMYK 0 / 13 / 32 / 27

HEX #B9A17D

RGB 185 161 125

HSL 36, 0.3%, 0.61%

LAB 67.49, 3.41, 22.01

 

CMYK 0 / 4 / 32 / 27

HEX #B9B17D

RGB 185 177 125

HSL 52, 0.3%, 0.61%

LAB 71.72, -5.18, 27.68

 

CMYK 4 / 0 / 32 / 27

HEX #B1B97D

RGB 177 185 125

HSL 68, 0.3%, 0.61%

LAB 73.24, -12.52, 29.58

 

CMYK 0 / 18 / 46 / 42

HEX #947950

RGB 148 121 80

HSL 36.18, 0.3%, 0.45%

LAB 52.45, 4.79, 26.38

 

CMYK 0 / 16 / 42 / 33

HEX #AA8E62

RGB 170 142 98

HSL 36.67, 0.3%, 0.53%

LAB 60.58, 4.39, 27.36

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27D

RGB 185 162 125

HSL 37, 0.3%, 0.61%

LAB 67.75, 2.86, 22.36

 

CMYK 0 / 9 / 24 / 22

HEX #C7B598

RGB 199 181 152

HSL 37.02, 0.3%, 0.69%

LAB 74.48, 1.83, 17.13

 

CMYK 0 / 7 / 16 / 16

HEX #D6C8B3

RGB 214 200 179

HSL 36, 0.3%, 0.77%

LAB 81.21, 1.44, 12.26

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27E

RGB 185 162 126

HSL 36.61, 0.3%, 0.61%

LAB 67.77, 2.99, 21.84

 

CMYK 26 / 0 / 32 / 27

HEX #89B97D

RGB 137 185 125

HSL 108, 0.3%, 0.61%

LAB 70.52, -27.42, 25.48

 

CMYK 26 / 32 / 0 / 27

HEX #897DB9

RGB 137 125 185

HSL 252, 0.3%, 0.61%

LAB 55.57, 17.76, -29.91

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27E

RGB 185 162 126

HSL 36.61, 0.3%, 0.61%

LAB 67.77, 2.99, 21.84

 

CMYK 32 / 0 / 13 / 27

HEX #7DB9A1

RGB 125 185 161

HSL 156, 0.3%, 0.61%

LAB 70.62, -24.64, 6.03

 

CMYK 13 / 32 / 0 / 27

HEX #A17DB9

RGB 161 125 185

HSL 276, 0.3%, 0.61%

LAB 57.8, 25.3, -26.29

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27E

RGB 185 162 126

HSL 36.61, 0.3%, 0.61%

LAB 67.77, 2.99, 21.84

 

CMYK 26 / 0 / 32 / 27

HEX #89B97D

RGB 137 185 125

HSL 108, 0.3%, 0.61%

LAB 70.52, -27.42, 25.48

 

CMYK 32 / 19 / 0 / 27

HEX #7D95B9

RGB 125 149 185

HSL 216, 0.3%, 0.61%

LAB 61.1, 0.23, -21.47

 

CMYK 6 / 32 / 0 / 27

HEX #AD7DB9

RGB 173 125 185

HSL 288, 0.3%, 0.61%

LAB 59.02, 29.19, -24.29

 

CMYK 0 / 12 / 32 / 27

HEX #B9A27E

RGB 185 162 126

HSL 36.61, 0.3%, 0.61%

LAB 67.77, 2.99, 21.84

 

CMYK 32 / 0 / 29 / 27

HEX #7DB983

RGB 125 185 131

HSL 126, 0.3%, 0.61%

LAB 69.96, -30.46, 21.41

 

CMYK 32 / 19 / 0 / 27

HEX #7D95B9

RGB 125 149 185

HSL 216, 0.3%, 0.61%

LAB 61.1, 0.23, -21.47

 

CMYK 0 / 32 / 3 / 27

HEX #B97DB3

RGB 185 125 179

HSL 306, 0.3%, 0.61%

LAB 60.1, 31.98, -19.11

 

Description

Color code: RGB 185 162 126 | qconv.com Color code: RGB 185 162 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 162 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 162 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 32 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 32% 27% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - サンモトヤマについて | SUN MOT...
Link: http://www.sunmotoyama.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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