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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 177 114 it is the complementary color RGB 70 78 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 177 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 177 114 shade: RGB 190 177 109, RGB 207 195 128, RGB 224 213 147, RGB 241 231 166 and RGB 255 249 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 177 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 168 159 95, RGB 151 141 76, RGB 134 123 57 and RGB 117 105 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 185 158 114, RGB 185 139 114, RGB 185 120 114 and RGB 185 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 174 185 114, RGB 155 185 114, RGB 136 185 114 and RGB 117 185 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 177 114 shade matches the following richer shades: RGB 185 177 114, RGB 202 191 97, RGB 219 204 81, RGB 236 217 64 and RGB 253 230 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 169 164 131, RGB 152 151 148, RGB 135 138 165 and RGB 118 125 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 177 114 shade: RGB 185 139 114, RGB 185 158 114, RGB 185 177 114, RGB 175 185 114 and RGB 156 185 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 177 114 shade: RGB 146 137 72, RGB 172 162 87, RGB 185 177 114, RGB 199 193 142 and RGB 213 208 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 114 185 120 and RGB 149 114 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 114 185 177 and RGB 177 114 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 114 185 120, RGB 114 123 185 and RGB 185 114 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 177 114 shade: RGB 185 177 114, RGB 114 185 142, RGB 114 123 185 and RGB 185 114 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

Complementary color

CMYK 50 / 45 / 0 / 45

HEX #464E8D

RGB 70 78 141

HSL 233.24, 0.34%, 0.41%

LAB 35.35, 15.17, -36.09

 

CMYK 0 / 7 / 43 / 25

HEX #BEB16D

RGB 190 177 109

HSL 50.37, 0.38%, 0.59%

LAB 71.89, -5.03, 36.4

 

CMYK 0 / 6 / 38 / 19

HEX #CFC380

RGB 207 195 128

HSL 50.89, 0.45%, 0.66%

LAB 78.38, -5.49, 35.19

 

CMYK 0 / 5 / 34 / 12

HEX #E0D593

RGB 224 213 147

HSL 51.43, 0.55%, 0.73%

LAB 84.76, -5.88, 34.03

 

CMYK 0 / 4 / 31 / 5

HEX #F1E7A6

RGB 241 231 166

HSL 52, 0.73%, 0.8%

LAB 91.06, -6.21, 32.93

 

CMYK 0 / 2 / 27 / 0

HEX #FFF9B9

RGB 255 249 185

HSL 54.86, 1%, 0.86%

LAB 97.03, -7.62, 31.52

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 0 / 5 / 43 / 34

HEX #A89F5F

RGB 168 159 95

HSL 52.6, 0.3%, 0.52%

LAB 64.92, -6.06, 34.5

 

CMYK 0 / 7 / 50 / 41

HEX #978D4C

RGB 151 141 76

HSL 52, 0.33%, 0.45%

LAB 58.18, -5.51, 35.77

 

CMYK 0 / 8 / 57 / 47

HEX #867B39

RGB 134 123 57

HSL 51.43, 0.4%, 0.37%

LAB 51.3, -4.82, 37.04

 

CMYK 0 / 10 / 68 / 54

HEX #756926

RGB 117 105 38

HSL 50.89, 0.51%, 0.3%

LAB 44.27, -3.91, 38.16

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 0 / 15 / 38 / 27

HEX #B99E72

RGB 185 158 114

HSL 37.18, 0.34%, 0.59%

LAB 66.51, 3.67, 26.69

 

CMYK 0 / 25 / 38 / 27

HEX #B98B72

RGB 185 139 114

HSL 21.13, 0.34%, 0.59%

LAB 61.65, 14.14, 20.17

 

CMYK 0 / 35 / 38 / 27

HEX #B97872

RGB 185 120 114

HSL 5.07, 0.34%, 0.59%

LAB 57.04, 24.71, 13.84

 

CMYK 0 / 38 / 38 / 27

HEX #B97272

RGB 185 114 114

HSL 0, 0.34%, 0.59%

LAB 55.65, 28.02, 11.9

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 6 / 0 / 38 / 27

HEX #AEB972

RGB 174 185 114

HSL 69.3, 0.34%, 0.59%

LAB 72.83, -15.07, 34.76

 

CMYK 16 / 0 / 38 / 27

HEX #9BB972

RGB 155 185 114

HSL 85.35, 0.34%, 0.59%

LAB 71.47, -22.44, 32.73

 

CMYK 26 / 0 / 38 / 27

HEX #88B972

RGB 136 185 114

HSL 101.41, 0.34%, 0.59%

LAB 70.28, -29.43, 30.95

 

CMYK 37 / 0 / 38 / 27

HEX #75B972

RGB 117 185 114

HSL 117.46, 0.34%, 0.59%

LAB 69.25, -35.87, 29.41

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 0 / 5 / 52 / 21

HEX #CABF61

RGB 202 191 97

HSL 53.71, 0.5%, 0.59%

LAB 76.49, -8.53, 48.26

 

CMYK 0 / 7 / 63 / 14

HEX #DBCC51

RGB 219 204 81

HSL 53.48, 0.66%, 0.59%

LAB 81.2, -9.28, 61.21

 

CMYK 0 / 8 / 73 / 7

HEX #ECD940

RGB 236 217 64

HSL 53.37, 0.82%, 0.59%

LAB 85.92, -9.61, 72.98

 

CMYK 0 / 9 / 81 / 1

HEX #FDE62F

RGB 253 230 47

HSL 53.3, 0.98%, 0.59%

LAB 90.63, -9.57, 82.84

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 0 / 3 / 22 / 34

HEX #A9A483

RGB 169 164 131

HSL 52.11, 0.18%, 0.59%

LAB 66.99, -3.73, 17.81

 

CMYK 0 / 1 / 3 / 40

HEX #989794

RGB 152 151 148

HSL 45, 0.02%, 0.59%

LAB 62.46, -0.2, 1.7

 

CMYK 18 / 16 / 0 / 35

HEX #878AA5

RGB 135 138 165

HSL 234, 0.14%, 0.59%

LAB 58.08, 4.73, -14.63

 

CMYK 35 / 31 / 0 / 29

HEX #767DB6

RGB 118 125 182

HSL 233.44, 0.3%, 0.59%

LAB 53.92, 11.33, -30.88

 

CMYK 0 / 25 / 38 / 27

HEX #B98B72

RGB 185 139 114

HSL 21.13, 0.34%, 0.59%

LAB 61.65, 14.14, 20.17

 

CMYK 0 / 15 / 38 / 27

HEX #B99E72

RGB 185 158 114

HSL 37.18, 0.34%, 0.59%

LAB 66.51, 3.67, 26.69

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 5 / 0 / 38 / 27

HEX #AFB972

RGB 175 185 114

HSL 68.45, 0.34%, 0.59%

LAB 72.91, -14.68, 34.87

 

CMYK 16 / 0 / 38 / 27

HEX #9CB972

RGB 156 185 114

HSL 84.51, 0.34%, 0.59%

LAB 71.54, -22.06, 32.84

 

CMYK 0 / 6 / 51 / 43

HEX #928948

RGB 146 137 72

HSL 52.7, 0.34%, 0.43%

LAB 56.56, -5.89, 35.78

 

CMYK 0 / 6 / 49 / 33

HEX #ACA257

RGB 172 162 87

HSL 52.94, 0.34%, 0.51%

LAB 65.98, -6.79, 40.01

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 0 / 3 / 29 / 22

HEX #C7C18E

RGB 199 193 142

HSL 53.68, 0.34%, 0.67%

LAB 77.42, -5.88, 26.5

 

CMYK 0 / 2 / 20 / 16

HEX #D5D0AA

RGB 213 208 170

HSL 53.02, 0.34%, 0.75%

LAB 83, -4.45, 19.53

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 38 / 0 / 35 / 27

HEX #72B978

RGB 114 185 120

HSL 125.07, 0.34%, 0.59%

LAB 69.21, -35.85, 26.16

 

CMYK 19 / 38 / 0 / 27

HEX #9572B9

RGB 149 114 185

HSL 269.58, 0.34%, 0.59%

LAB 53.95, 27.86, -32.35

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 38 / 0 / 4 / 27

HEX #72B9B1

RGB 114 185 177

HSL 173.24, 0.34%, 0.59%

LAB 70.49, -24.15, -2.99

 

CMYK 4 / 38 / 0 / 27

HEX #B172B9

RGB 177 114 185

HSL 293.24, 0.34%, 0.59%

LAB 56.96, 36.59, -27.43

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 38 / 0 / 35 / 27

HEX #72B978

RGB 114 185 120

HSL 125.07, 0.34%, 0.59%

LAB 69.21, -35.85, 26.16

 

CMYK 38 / 34 / 0 / 27

HEX #727BB9

RGB 114 123 185

HSL 232.39, 0.34%, 0.59%

LAB 53.22, 12.23, -33.71

 

CMYK 0 / 38 / 3 / 27

HEX #B972B4

RGB 185 114 180

HSL 304.23, 0.34%, 0.59%

LAB 57.7, 38.19, -23.36

 

CMYK 0 / 4 / 38 / 27

HEX #B9B172

RGB 185 177 114

HSL 53.24, 0.34%, 0.59%

LAB 71.54, -6.51, 33.26

 

CMYK 38 / 0 / 23 / 27

HEX #72B98E

RGB 114 185 142

HSL 143.66, 0.34%, 0.59%

LAB 69.63, -31.84, 14.92

 

CMYK 38 / 34 / 0 / 27

HEX #727BB9

RGB 114 123 185

HSL 232.39, 0.34%, 0.59%

LAB 53.22, 12.23, -33.71

 

CMYK 0 / 38 / 15 / 27

HEX #B9729E

RGB 185 114 158

HSL 322.82, 0.34%, 0.59%

LAB 56.9, 34.33, -11.89

 

Description

Color code: RGB 185 177 114 | qconv.com Color code: RGB 185 177 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 177 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 177 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 38 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 38% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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