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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 190 217 it is the complementary color RGB 70 65 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 190 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 190 217 shade: RGB 190 190 212, RGB 207 208 231, RGB 224 226 250 and RGB 241 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 190 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 190 217 shade: RGB 185 190 217, RGB 168 172 198, RGB 151 154 179, RGB 134 136 160 and RGB 117 118 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 190 217 shade: RGB 185 190 217, RGB 189 185 217, RGB 197 185 217, RGB 206 185 217 and RGB 215 185 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 190 217 shade: RGB 185 190 217 and RGB 185 185 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 190 217 shade matches the following richer shades: RGB 185 190 217, RGB 176 184 226, RGB 168 178 234, RGB 159 172 243 and RGB 150 166 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 190 217 shade: RGB 185 190 217, RGB 194 196 208, RGB 202 202 200, RGB 211 208 191 and RGB 220 214 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 190 217 shade: RGB 185 207 217, RGB 185 199 217, RGB 185 190 217, RGB 188 185 217 and RGB 197 185 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 190 217 shade: RGB 131 140 188, RGB 158 165 203, RGB 185 190 217, RGB 212 215 231 and RGB 239 240 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 190 217 shade: RGB 185 190 217, RGB 217 185 216 and RGB 203 217 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 190 217 shade: RGB 185 190 217, RGB 217 185 190 and RGB 190 217 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 190 217 shade: RGB 185 190 217, RGB 217 185 216, RGB 217 212 185 and RGB 185 217 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 190 217 shade: RGB 185 190 217, RGB 217 185 206, RGB 217 212 185 and RGB 185 217 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

Complementary color

CMYK 0 / 7 / 46 / 73

HEX #464126

RGB 70 65 38

HSL 50.63, 0.3%, 0.21%

LAB 27.36, -2.52, 17.24

 

CMYK 10 / 10 / 0 / 17

HEX #BEBED4

RGB 190 190 212

HSL 240, 0.2%, 0.79%

LAB 77.6, 4.28, -11

 

CMYK 10 / 10 / 0 / 9

HEX #CFD0E7

RGB 207 208 231

HSL 237.5, 0.33%, 0.86%

LAB 84.04, 4.07, -11.44

 

CMYK 10 / 10 / 0 / 2

HEX #E0E2FA

RGB 224 226 250

HSL 235.38, 0.72%, 0.93%

LAB 90.39, 3.87, -11.86

 

CMYK 5 / 4 / 0 / 0

HEX #F1F4FF

RGB 241 244 255

HSL 227.14, 1%, 0.97%

LAB 96.25, 1.01, -5.63

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 15 / 13 / 0 / 22

HEX #A8ACC6

RGB 168 172 198

HSL 232, 0.21%, 0.72%

LAB 70.81, 3.91, -13.71

 

CMYK 16 / 14 / 0 / 30

HEX #979AB3

RGB 151 154 179

HSL 233.57, 0.16%, 0.65%

LAB 64.12, 4.15, -13.34

 

CMYK 16 / 15 / 0 / 37

HEX #8688A0

RGB 134 136 160

HSL 235.38, 0.12%, 0.58%

LAB 57.28, 4.4, -12.97

 

CMYK 17 / 16 / 0 / 45

HEX #75768D

RGB 117 118 141

HSL 237.5, 0.1%, 0.51%

LAB 50.29, 4.67, -12.62

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 13 / 15 / 0 / 15

HEX #BDB9D9

RGB 189 185 217

HSL 247.5, 0.3%, 0.79%

LAB 76.39, 7.69, -15.52

 

CMYK 9 / 15 / 0 / 15

HEX #C5B9D9

RGB 197 185 217

HSL 262.5, 0.3%, 0.79%

LAB 77.03, 10.3, -14.5

 

CMYK 5 / 15 / 0 / 15

HEX #CEB9D9

RGB 206 185 217

HSL 279.38, 0.3%, 0.79%

LAB 77.77, 13.28, -13.31

 

CMYK 1 / 15 / 0 / 15

HEX #D7B9D9

RGB 215 185 217

HSL 296.25, 0.3%, 0.79%

LAB 78.55, 16.3, -12.06

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 15 / 15 / 0 / 15

HEX #B9B9D9

RGB 185 185 217

HSL 240, 0.3%, 0.79%

LAB 76.08, 6.4, -16.02

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 22 / 19 / 0 / 11

HEX #B0B8E2

RGB 176 184 226

HSL 230.4, 0.46%, 0.79%

LAB 75.45, 6.1, -21.92

 

CMYK 28 / 24 / 0 / 8

HEX #A8B2EA

RGB 168 178 234

HSL 230.91, 0.61%, 0.79%

LAB 73.61, 8.89, -29.12

 

CMYK 35 / 29 / 0 / 5

HEX #9FACF3

RGB 159 172 243

HSL 230.71, 0.78%, 0.79%

LAB 71.79, 11.95, -36.87

 

CMYK 40 / 34 / 0 / 1

HEX #96A6FC

RGB 150 166 252

HSL 230.59, 0.94%, 0.79%

LAB 70.02, 15.36, -44.56

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 7 / 6 / 0 / 18

HEX #C2C4D0

RGB 194 196 208

HSL 231.43, 0.13%, 0.79%

LAB 79.33, 1.6, -6.23

 

CMYK 0 / 0 / 1 / 21

HEX #CACAC8

RGB 202 202 200

HSL 60, 0.02%, 0.79%

LAB 81.27, -0.36, 0.99

 

CMYK 0 / 1 / 9 / 17

HEX #D3D0BF

RGB 211 208 191

HSL 51, 0.19%, 0.79%

LAB 83.3, -1.9, 8.8

 

CMYK 0 / 3 / 17 / 14

HEX #DCD6B6

RGB 220 214 182

HSL 50.53, 0.35%, 0.79%

LAB 85.35, -3.19, 16.56

 

CMYK 15 / 5 / 0 / 15

HEX #B9CFD9

RGB 185 207 217

HSL 198.75, 0.3%, 0.79%

LAB 81.81, -5.33, -7.46

 

CMYK 15 / 8 / 0 / 15

HEX #B9C7D9

RGB 185 199 217

HSL 213.75, 0.3%, 0.79%

LAB 79.71, -1.12, -10.58

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 13 / 15 / 0 / 15

HEX #BCB9D9

RGB 188 185 217

HSL 245.63, 0.3%, 0.79%

LAB 76.31, 7.37, -15.65

 

CMYK 9 / 15 / 0 / 15

HEX #C5B9D9

RGB 197 185 217

HSL 262.5, 0.3%, 0.79%

LAB 77.03, 10.3, -14.5

 

CMYK 30 / 26 / 0 / 26

HEX #838CBC

RGB 131 140 188

HSL 230.53, 0.3%, 0.63%

LAB 59.17, 7.95, -26.09

 

CMYK 22 / 19 / 0 / 20

HEX #9EA5CB

RGB 158 165 203

HSL 230.67, 0.3%, 0.71%

LAB 68.38, 5.71, -20.2

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 8 / 7 / 0 / 9

HEX #D4D7E7

RGB 212 215 231

HSL 230.53, 0.28%, 0.87%

LAB 86.19, 2.01, -8.2

 

CMYK 3 / 2 / 0 / 4

HEX #EFF0F6

RGB 239 240 246

HSL 231.43, 0.28%, 0.95%

LAB 94.88, 0.75, -3.01

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 0 / 15 / 0 / 15

HEX #D9B9D8

RGB 217 185 216

HSL 301.88, 0.3%, 0.79%

LAB 78.7, 16.79, -11.28

 

CMYK 6 / 0 / 15 / 15

HEX #CBD9B9

RGB 203 217 185

HSL 86.25, 0.3%, 0.79%

LAB 84.91, -10.36, 14.18

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 0 / 15 / 12 / 15

HEX #D9B9BE

RGB 217 185 190

HSL 350.63, 0.3%, 0.79%

LAB 77.97, 12.25, 1.72

 

CMYK 12 / 0 / 15 / 15

HEX #BED9B9

RGB 190 217 185

HSL 110.63, 0.3%, 0.79%

LAB 84.01, -14.89, 12.78

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 0 / 15 / 0 / 15

HEX #D9B9D8

RGB 217 185 216

HSL 301.88, 0.3%, 0.79%

LAB 78.7, 16.79, -11.28

 

CMYK 0 / 2 / 15 / 15

HEX #D9D4B9

RGB 217 212 185

HSL 50.63, 0.3%, 0.79%

LAB 84.66, -2.79, 13.98

 

CMYK 15 / 0 / 14 / 15

HEX #B9D9BA

RGB 185 217 186

HSL 121.88, 0.3%, 0.79%

LAB 83.7, -16.42, 11.77

 

CMYK 15 / 12 / 0 / 15

HEX #B9BED9

RGB 185 190 217

HSL 230.63, 0.3%, 0.79%

LAB 77.37, 3.69, -14.08

 

CMYK 0 / 15 / 5 / 15

HEX #D9B9CE

RGB 217 185 206

HSL 320.63, 0.3%, 0.79%

LAB 78.41, 14.98, -6.31

 

CMYK 0 / 2 / 15 / 15

HEX #D9D4B9

RGB 217 212 185

HSL 50.63, 0.3%, 0.79%

LAB 84.66, -2.79, 13.98

 

CMYK 15 / 0 / 10 / 15

HEX #B9D9C4

RGB 185 217 196

HSL 140.63, 0.3%, 0.79%

LAB 83.93, -14.61, 6.81

 

Description

Color code: RGB 185 190 217 | qconv.com Color code: RGB 185 190 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 190 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 190 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 12 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 12% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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