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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 222 165 it is the complementary color RGB 70 33 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 222 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 222 165 shade: RGB 190 222 160, RGB 207 240 179, RGB 224 255 198, RGB 241 255 217 and RGB 255 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 222 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 222 165 shade: RGB 185 222 165, RGB 168 204 146, RGB 151 186 127, RGB 134 168 108 and RGB 117 150 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 222 165 shade: RGB 185 221 165, RGB 200 221 165, RGB 215 221 165, RGB 221 212 165 and RGB 221 197 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 222 165 shade: RGB 185 221 165, RGB 170 221 165, RGB 165 221 176, RGB 165 221 191 and RGB 165 221 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 222 165 shade matches the following richer shades: RGB 185 221 165, RGB 182 231 155, RGB 179 241 145 and RGB 176 251 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 222 165 shade: RGB 185 221 165, RGB 188 212 175, RGB 191 202 185, RGB 194 192 195 and RGB 197 182 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 222 165 shade: RGB 216 221 165, RGB 201 221 165, RGB 186 221 165, RGB 171 221 165 and RGB 165 221 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 222 165 shade: RGB 138 199 105, RGB 161 210 135, RGB 185 221 165, RGB 208 233 195 and RGB 232 244 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 222 165 shade: RGB 185 222 165, RGB 165 221 212 and RGB 221 165 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 222 165 shade: RGB 185 222 165, RGB 165 186 221 and RGB 221 165 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 222 165 shade: RGB 185 222 165, RGB 165 221 212, RGB 201 165 221 and RGB 221 165 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 222 165 shade: RGB 185 222 165, RGB 165 214 221, RGB 201 165 221 and RGB 221 173 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 26 / 13

HEX #B9DEA5

RGB 185 222 165

HSL 98.95, 0.46%, 0.76%

LAB 84.62, -22.39, 24.07

 

Complementary color

CMYK 22 / 63 / 0 / 65

HEX #46215A

RGB 70 33 90

HSL 278.95, 0.46%, 0.24%

LAB 20.55, 28.74, -27.27

 

CMYK 14 / 0 / 28 / 13

HEX #BEDEA0

RGB 190 222 160

HSL 90.97, 0.48%, 0.75%

LAB 84.86, -21.38, 27.03

 

CMYK 14 / 0 / 25 / 6

HEX #CFF0B3

RGB 207 240 179

HSL 92.46, 0.67%, 0.82%

LAB 91.16, -21.32, 26.03

 

CMYK 12 / 0 / 22 / 0

HEX #E0FFC6

RGB 224 255 198

HSL 92.63, 1%, 0.89%

LAB 96.59, -19.82, 23.98

 

CMYK 5 / 0 / 15 / 0

HEX #F1FFD9

RGB 241 255 217

HSL 82.11, 1%, 0.93%

LAB 98.13, -11.03, 16.62

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 17 / 0 / 26 / 13

HEX #B9DEA5

RGB 185 222 165

HSL 98.95, 0.46%, 0.76%

LAB 84.62, -22.39, 24.07

 

CMYK 18 / 0 / 28 / 20

HEX #A8CC92

RGB 168 204 146

HSL 97.24, 0.36%, 0.69%

LAB 78.22, -22.49, 25.09

 

CMYK 19 / 0 / 32 / 27

HEX #97BA7F

RGB 151 186 127

HSL 95.59, 0.3%, 0.61%

LAB 71.71, -22.6, 26.16

 

CMYK 20 / 0 / 36 / 34

HEX #86A86C

RGB 134 168 108

HSL 94, 0.26%, 0.54%

LAB 65.09, -22.7, 27.3

 

CMYK 22 / 0 / 41 / 41

HEX #759659

RGB 117 150 89

HSL 92.46, 0.26%, 0.47%

LAB 58.34, -22.79, 28.5

 

CMYK 16 / 0 / 25 / 13

HEX #B9DDA5

RGB 185 221 165

HSL 98.57, 0.45%, 0.76%

LAB 84.35, -21.9, 23.69

 

CMYK 10 / 0 / 25 / 13

HEX #C8DDA5

RGB 200 221 165

HSL 82.5, 0.45%, 0.76%

LAB 85.36, -16.55, 25.23

 

CMYK 3 / 0 / 25 / 13

HEX #D7DDA5

RGB 215 221 165

HSL 66.43, 0.45%, 0.76%

LAB 86.44, -11.05, 26.89

 

CMYK 0 / 4 / 25 / 13

HEX #DDD4A5

RGB 221 212 165

HSL 50.36, 0.45%, 0.76%

LAB 84.57, -4.23, 24.42

 

CMYK 0 / 11 / 25 / 13

HEX #DDC5A5

RGB 221 197 165

HSL 34.29, 0.45%, 0.76%

LAB 80.75, 3.57, 19.16

 

CMYK 16 / 0 / 25 / 13

HEX #B9DDA5

RGB 185 221 165

HSL 98.57, 0.45%, 0.76%

LAB 84.35, -21.9, 23.69

 

CMYK 23 / 0 / 25 / 13

HEX #AADDA5

RGB 170 221 165

HSL 114.64, 0.45%, 0.76%

LAB 83.43, -27.04, 22.28

 

CMYK 25 / 0 / 20 / 13

HEX #A5DDB0

RGB 165 221 176

HSL 131.79, 0.45%, 0.76%

LAB 83.36, -26.79, 16.39

 

CMYK 25 / 0 / 14 / 13

HEX #A5DDBF

RGB 165 221 191

HSL 147.86, 0.45%, 0.76%

LAB 83.69, -23.99, 8.95

 

CMYK 25 / 0 / 7 / 13

HEX #A5DDCE

RGB 165 221 206

HSL 163.93, 0.45%, 0.76%

LAB 84.05, -20.98, 1.54

 

CMYK 16 / 0 / 25 / 13

HEX #B9DDA5

RGB 185 221 165

HSL 98.57, 0.45%, 0.76%

LAB 84.35, -21.9, 23.69

 

CMYK 21 / 0 / 33 / 9

HEX #B6E79B

RGB 182 231 155

HSL 98.68, 0.61%, 0.76%

LAB 86.73, -29.25, 32.02

 

CMYK 26 / 0 / 40 / 5

HEX #B3F191

RGB 179 241 145

HSL 98.75, 0.77%, 0.76%

LAB 89.18, -36.3, 40.2

 

CMYK 30 / 0 / 46 / 2

HEX #B0FB87

RGB 176 251 135

HSL 98.79, 0.94%, 0.76%

LAB 91.67, -43.02, 48.16

 

CMYK 16 / 0 / 25 / 13

HEX #B9DDA5

RGB 185 221 165

HSL 98.57, 0.45%, 0.76%

LAB 84.35, -21.9, 23.69

 

CMYK 11 / 0 / 17 / 17

HEX #BCD4AF

RGB 188 212 175

HSL 98.92, 0.3%, 0.76%

LAB 82.31, -14.76, 15.65

 

CMYK 5 / 0 / 8 / 21

HEX #BFCAB9

RGB 191 202 185

HSL 98.82, 0.14%, 0.76%

LAB 80.08, -6.87, 7.19

 

CMYK 1 / 2 / 0 / 24

HEX #C2C0C3

RGB 194 192 195

HSL 280, 0.02%, 0.76%

LAB 77.94, 1.25, -1.27

 

CMYK 4 / 11 / 0 / 20

HEX #C5B6CD

RGB 197 182 205

HSL 279.13, 0.19%, 0.76%

LAB 75.91, 9.55, -9.67

 

CMYK 2 / 0 / 25 / 13

HEX #D8DDA5

RGB 216 221 165

HSL 65.36, 0.45%, 0.76%

LAB 86.52, -10.68, 27

 

CMYK 9 / 0 / 25 / 13

HEX #C9DDA5

RGB 201 221 165

HSL 81.43, 0.45%, 0.76%

LAB 85.43, -16.19, 25.34

 

CMYK 16 / 0 / 25 / 13

HEX #BADDA5

RGB 186 221 165

HSL 97.5, 0.45%, 0.76%

LAB 84.42, -21.55, 23.79

 

CMYK 23 / 0 / 25 / 13

HEX #ABDDA5

RGB 171 221 165

HSL 113.57, 0.45%, 0.76%

LAB 83.49, -26.71, 22.37

 

CMYK 25 / 0 / 21 / 13

HEX #A5DDAF

RGB 165 221 175

HSL 130.71, 0.45%, 0.76%

LAB 83.34, -26.97, 16.88

 

CMYK 31 / 0 / 47 / 22

HEX #8AC769

RGB 138 199 105

HSL 98.94, 0.46%, 0.6%

LAB 74.36, -36.46, 40.75

 

CMYK 23 / 0 / 36 / 18

HEX #A1D287

RGB 161 210 135

HSL 99.2, 0.45%, 0.68%

LAB 79.28, -29.51, 32.15

 

CMYK 16 / 0 / 25 / 13

HEX #B9DDA5

RGB 185 221 165

HSL 98.57, 0.45%, 0.76%

LAB 84.35, -21.9, 23.69

 

CMYK 11 / 0 / 16 / 9

HEX #D0E9C3

RGB 208 233 195

HSL 99.47, 0.46%, 0.84%

LAB 89.69, -15.02, 15.74

 

CMYK 5 / 0 / 8 / 4

HEX #E8F4E1

RGB 232 244 225

HSL 97.89, 0.46%, 0.92%

LAB 94.86, -7.31, 7.78

 

CMYK 17 / 0 / 26 / 13

HEX #B9DEA5

RGB 185 222 165

HSL 98.95, 0.46%, 0.76%

LAB 84.62, -22.39, 24.07

 

CMYK 25 / 0 / 4 / 13

HEX #A5DDD4

RGB 165 221 212

HSL 170.36, 0.45%, 0.76%

LAB 84.21, -19.72, -1.41

 

CMYK 0 / 25 / 6 / 13

HEX #DDA5D0

RGB 221 165 208

HSL 313.93, 0.45%, 0.76%

LAB 74.09, 27.5, -13.8

 

CMYK 17 / 0 / 26 / 13

HEX #B9DEA5

RGB 185 222 165

HSL 98.95, 0.46%, 0.76%

LAB 84.62, -22.39, 24.07

 

CMYK 25 / 16 / 0 / 13

HEX #A5BADD

RGB 165 186 221

HSL 217.5, 0.45%, 0.76%

LAB 75.04, 0.52, -19.91

 

CMYK 0 / 25 / 16 / 13

HEX #DDA5BA

RGB 221 165 186

HSL 337.5, 0.45%, 0.76%

LAB 73.43, 23.81, -2.69

 

CMYK 17 / 0 / 26 / 13

HEX #B9DEA5

RGB 185 222 165

HSL 98.95, 0.46%, 0.76%

LAB 84.62, -22.39, 24.07

 

CMYK 25 / 0 / 4 / 13

HEX #A5DDD4

RGB 165 221 212

HSL 170.36, 0.45%, 0.76%

LAB 84.21, -19.72, -1.41

 

CMYK 9 / 25 / 0 / 13

HEX #C9A5DD

RGB 201 165 221

HSL 278.57, 0.45%, 0.76%

LAB 72.59, 23.35, -23.36

 

CMYK 0 / 25 / 21 / 13

HEX #DDA5AF

RGB 221 165 175

HSL 349.29, 0.45%, 0.76%

LAB 73.14, 22.11, 2.94

 

CMYK 17 / 0 / 26 / 13

HEX #B9DEA5

RGB 185 222 165

HSL 98.95, 0.46%, 0.76%

LAB 84.62, -22.39, 24.07

 

CMYK 25 / 3 / 0 / 13

HEX #A5D6DD

RGB 165 214 221

HSL 187.5, 0.45%, 0.76%

LAB 82.55, -14.23, -8.64

 

CMYK 9 / 25 / 0 / 13

HEX #C9A5DD

RGB 201 165 221

HSL 278.57, 0.45%, 0.76%

LAB 72.59, 23.35, -23.36

 

CMYK 0 / 22 / 25 / 13

HEX #DDADA5

RGB 221 173 165

HSL 8.57, 0.45%, 0.76%

LAB 74.81, 16.34, 10.82

 

Description

Color code: RGB 185 222 165 | qconv.com Color code: RGB 185 222 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 222 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 222 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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