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Color name
RGB 185 222 32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 222 32 it is the complementary color RGB 70 33 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 222 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 222 32 shade: RGB 190 222 27, RGB 207 240 46, RGB 224 255 65, RGB 241 255 84 and RGB 255 255 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 222 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 222 32 shade: RGB 185 222 32, RGB 168 204 13, RGB 151 186 0, RGB 134 168 0 and RGB 117 150 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 222 32 shade: RGB 185 223 31, RGB 223 208 31, RGB 223 157 31, RGB 223 105 31 and RGB 223 54 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 222 32 shade: RGB 185 223 31, RGB 134 223 31, RGB 82 223 31, RGB 31 223 32 and RGB 31 223 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 222 32 shade matches the following richer shades: RGB 185 223 31 and RGB 198 243 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 222 32 shade: RGB 185 223 31, RGB 173 202 52, RGB 160 181 73, RGB 148 161 93 and RGB 135 140 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 222 32 shade: RGB 223 156 31, RGB 223 207 31, RGB 188 223 31, RGB 137 223 31 and RGB 86 223 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 222 32 shade: RGB 125 150 21, RGB 155 187 26, RGB 185 223 31, RGB 197 228 67 and RGB 208 233 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 222 32 shade: RGB 185 222 32, RGB 31 223 105 and RGB 181 31 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 222 32 shade: RGB 185 222 32, RGB 31 188 223 and RGB 223 31 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 222 32 shade: RGB 185 222 32, RGB 31 223 105, RGB 66 31 223 and RGB 223 31 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 222 32 shade: RGB 185 222 32, RGB 31 223 162, RGB 66 31 223 and RGB 223 31 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 86 / 13

HEX #B9DE20

RGB 185 222 32

HSL 71.68, 0.75%, 0.5%

LAB 83.26, -34.19, 77.95

 

Complementary color

CMYK 69 / 85 / 0 / 13

HEX #4621DF

RGB 70 33 223

HSL 251.68, 0.75%, 0.5%

LAB 33.39, 65.42, -87.82

 

CMYK 14 / 0 / 88 / 13

HEX #BEDE1B

RGB 190 222 27

HSL 69.85, 0.78%, 0.49%

LAB 83.58, -32.3, 79.28

 

CMYK 14 / 0 / 81 / 6

HEX #CFF02E

RGB 207 240 46

HSL 70.21, 0.87%, 0.56%

LAB 89.76, -33.26, 80.95

 

CMYK 12 / 0 / 75 / 0

HEX #E0FF41

RGB 224 255 65

HSL 69.79, 1%, 0.63%

LAB 95.06, -32.69, 80.94

 

CMYK 5 / 0 / 67 / 0

HEX #F1FF54

RGB 241 255 84

HSL 64.91, 1%, 0.66%

LAB 96.35, -25.06, 76.27

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 17 / 0 / 86 / 13

HEX #B9DE20

RGB 185 222 32

HSL 71.68, 0.75%, 0.5%

LAB 83.26, -34.19, 77.95

 

CMYK 18 / 0 / 94 / 20

HEX #A8CC0D

RGB 168 204 13

HSL 71.31, 0.88%, 0.43%

LAB 77, -33.14, 75.43

 

CMYK 19 / 0 / 100 / 27

HEX #97BA00

RGB 151 186 0

HSL 71.29, 1%, 0.36%

LAB 70.66, -31.9, 71.45

 

CMYK 20 / 0 / 100 / 34

HEX #86A800

RGB 134 168 0

HSL 72.14, 1%, 0.33%

LAB 64.22, -30.48, 66.09

 

CMYK 22 / 0 / 100 / 41

HEX #759600

RGB 117 150 0

HSL 73.2, 1%, 0.29%

LAB 57.65, -29.04, 60.62

 

CMYK 17 / 0 / 86 / 13

HEX #B9DF1F

RGB 185 223 31

HSL 71.88, 0.76%, 0.5%

LAB 83.54, -34.68, 78.38

 

CMYK 0 / 7 / 86 / 13

HEX #DFD01F

RGB 223 208 31

HSL 55.31, 0.76%, 0.5%

LAB 82.32, -11.66, 78.56

 

CMYK 0 / 30 / 86 / 13

HEX #DF9D1F

RGB 223 157 31

HSL 39.38, 0.76%, 0.5%

LAB 69.4, 14.95, 68.1

 

CMYK 0 / 53 / 86 / 13

HEX #DF691F

RGB 223 105 31

HSL 23.13, 0.76%, 0.5%

LAB 57.93, 42.18, 58.78

 

CMYK 0 / 76 / 86 / 13

HEX #DF361F

RGB 223 54 31

HSL 7.19, 0.76%, 0.5%

LAB 50.01, 63.31, 52.3

 

CMYK 17 / 0 / 86 / 13

HEX #B9DF1F

RGB 185 223 31

HSL 71.88, 0.76%, 0.5%

LAB 83.54, -34.68, 78.38

 

CMYK 40 / 0 / 86 / 13

HEX #86DF1F

RGB 134 223 31

HSL 87.81, 0.76%, 0.5%

LAB 80.71, -53.52, 74.85

 

CMYK 63 / 0 / 86 / 13

HEX #52DF1F

RGB 82 223 31

HSL 104.06, 0.76%, 0.5%

LAB 78.85, -67.97, 72.52

 

CMYK 86 / 0 / 86 / 13

HEX #1FDF20

RGB 31 223 32

HSL 120.31, 0.76%, 0.5%

LAB 77.98, -75.52, 71.21

 

CMYK 86 / 0 / 62 / 13

HEX #1FDF54

RGB 31 223 84

HSL 136.56, 0.76%, 0.5%

LAB 78.29, -71.56, 54.35

 

CMYK 17 / 0 / 86 / 13

HEX #B9DF1F

RGB 185 223 31

HSL 71.88, 0.76%, 0.5%

LAB 83.54, -34.68, 78.38

 

CMYK 19 / 0 / 95 / 5

HEX #C6F30B

RGB 198 243 11

HSL 71.64, 0.91%, 0.5%

LAB 89.92, -38.89, 86.49

 

CMYK 17 / 0 / 86 / 13

HEX #B9DF1F

RGB 185 223 31

HSL 71.88, 0.76%, 0.5%

LAB 83.54, -34.68, 78.38

 

CMYK 14 / 0 / 74 / 21

HEX #ADCA34

RGB 173 202 52

HSL 71.6, 0.59%, 0.5%

LAB 76.9, -28.99, 66.72

 

CMYK 12 / 0 / 60 / 29

HEX #A0B549

RGB 160 181 73

HSL 71.67, 0.43%, 0.5%

LAB 70.18, -22.81, 51.33

 

CMYK 8 / 0 / 42 / 37

HEX #94A15D

RGB 148 161 93

HSL 71.47, 0.27%, 0.5%

LAB 63.82, -15.62, 33.81

 

CMYK 4 / 0 / 19 / 45

HEX #878C72

RGB 135 140 114

HSL 71.54, 0.1%, 0.5%

LAB 57.19, -6.61, 13.29

 

CMYK 0 / 30 / 86 / 13

HEX #DF9C1F

RGB 223 156 31

HSL 39.06, 0.76%, 0.5%

LAB 69.16, 15.49, 67.91

 

CMYK 0 / 7 / 86 / 13

HEX #DFCF1F

RGB 223 207 31

HSL 55, 0.76%, 0.5%

LAB 82.06, -11.16, 78.35

 

CMYK 16 / 0 / 86 / 13

HEX #BCDF1F

RGB 188 223 31

HSL 70.94, 0.76%, 0.5%

LAB 83.74, -33.48, 78.62

 

CMYK 39 / 0 / 86 / 13

HEX #89DF1F

RGB 137 223 31

HSL 86.88, 0.76%, 0.5%

LAB 80.85, -52.52, 75.03

 

CMYK 61 / 0 / 86 / 13

HEX #56DF1F

RGB 86 223 31

HSL 102.81, 0.76%, 0.5%

LAB 78.96, -67.08, 72.65

 

CMYK 17 / 0 / 86 / 41

HEX #7D9615

RGB 125 150 21

HSL 71.63, 0.75%, 0.34%

LAB 58.25, -25.16, 57.64

 

CMYK 17 / 0 / 86 / 27

HEX #9BBB1A

RGB 155 187 26

HSL 71.93, 0.76%, 0.42%

LAB 71.27, -30.25, 68.35

 

CMYK 17 / 0 / 86 / 13

HEX #B9DF1F

RGB 185 223 31

HSL 71.88, 0.76%, 0.5%

LAB 83.54, -34.68, 78.38

 

CMYK 14 / 0 / 71 / 11

HEX #C5E443

RGB 197 228 67

HSL 71.55, 0.75%, 0.58%

LAB 85.89, -30.8, 70.88

 

CMYK 11 / 0 / 55 / 9

HEX #D0E968

RGB 208 233 104

HSL 71.63, 0.75%, 0.66%

LAB 88.3, -26.32, 58.86

 

CMYK 17 / 0 / 86 / 13

HEX #B9DE20

RGB 185 222 32

HSL 71.68, 0.75%, 0.5%

LAB 83.26, -34.19, 77.95

 

CMYK 86 / 0 / 53 / 13

HEX #1FDF69

RGB 31 223 105

HSL 143.13, 0.76%, 0.5%

LAB 78.51, -68.84, 45.15

 

CMYK 19 / 86 / 0 / 13

HEX #B51FDF

RGB 181 31 223

HSL 286.88, 0.76%, 0.5%

LAB 47.15, 78.76, -64.72

 

CMYK 17 / 0 / 86 / 13

HEX #B9DE20

RGB 185 222 32

HSL 71.68, 0.75%, 0.5%

LAB 83.26, -34.19, 77.95

 

CMYK 86 / 16 / 0 / 13

HEX #1FBCDF

RGB 31 188 223

HSL 190.94, 0.76%, 0.5%

LAB 70.58, -25.85, -28.25

 

CMYK 0 / 86 / 16 / 13

HEX #DF1FBC

RGB 223 31 188

HSL 310.94, 0.76%, 0.5%

LAB 52.17, 80.84, -36.13

 

CMYK 17 / 0 / 86 / 13

HEX #B9DE20

RGB 185 222 32

HSL 71.68, 0.75%, 0.5%

LAB 83.26, -34.19, 77.95

 

CMYK 86 / 0 / 53 / 13

HEX #1FDF69

RGB 31 223 105

HSL 143.13, 0.76%, 0.5%

LAB 78.51, -68.84, 45.15

 

CMYK 70 / 86 / 0 / 13

HEX #421FDF

RGB 66 31 223

HSL 250.94, 0.76%, 0.5%

LAB 32.84, 65.86, -88.73

 

CMYK 0 / 86 / 33 / 13

HEX #DF1F95

RGB 223 31 149

HSL 323.13, 0.76%, 0.5%

LAB 50.5, 76.29, -15.71

 

CMYK 17 / 0 / 86 / 13

HEX #B9DE20

RGB 185 222 32

HSL 71.68, 0.75%, 0.5%

LAB 83.26, -34.19, 77.95

 

CMYK 86 / 0 / 27 / 13

HEX #1FDFA2

RGB 31 223 162

HSL 160.94, 0.76%, 0.5%

LAB 79.43, -58.23, 17.61

 

CMYK 70 / 86 / 0 / 13

HEX #421FDF

RGB 66 31 223

HSL 250.94, 0.76%, 0.5%

LAB 32.84, 65.86, -88.73

 

CMYK 0 / 86 / 59 / 13

HEX #DF1F5C

RGB 223 31 92

HSL 340.94, 0.76%, 0.5%

LAB 48.81, 71.54, 16.5

 

Description

Color code: RGB 185 222 32 | qconv.com Color code: RGB 185 222 32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 222 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 222 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 86% 13% C M Y K

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Provide designers and agencies with accurate color values.

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