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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 80 29 it is the complementary color RGB 70 175 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 80 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 80 29 shade: RGB 190 80 24, RGB 207 98 43, RGB 224 116 62, RGB 241 134 81 and RGB 255 152 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 80 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 80 29 shade: RGB 185 80 29, RGB 168 62 10, RGB 151 44 0, RGB 134 26 0 and RGB 117 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 80 29 shade: RGB 185 80 28, RGB 185 37 28 and RGB 185 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 80 29 shade: RGB 185 80 28, RGB 185 122 28, RGB 185 164 28, RGB 164 185 28 and RGB 121 185 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 80 29 shade matches the following richer shades: RGB 185 80 28 and RGB 202 74 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 80 29 shade: RGB 185 80 28, RGB 167 86 46, RGB 150 92 63, RGB 133 98 80 and RGB 115 104 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 80 29 shade: RGB 185 28 62, RGB 185 36 28, RGB 185 78 28, RGB 185 120 28 and RGB 185 161 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 80 29 shade: RGB 113 49 17, RGB 149 64 23, RGB 185 80 28, RGB 220 95 34 and RGB 226 121 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 80 29 shade: RGB 185 80 29, RGB 104 185 28 and RGB 28 41 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 80 29 shade: RGB 185 80 29, RGB 28 185 78 and RGB 78 28 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 80 29 shade: RGB 185 80 29, RGB 104 185 28, RGB 28 135 185 and RGB 109 28 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 80 29 shade: RGB 185 80 29, RGB 57 185 28, RGB 28 135 185 and RGB 156 28 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 84 / 27

HEX #B9501D

RGB 185 80 29

HSL 19.62, 0.73%, 0.42%

LAB 47.16, 39.79, 48.08

 

Complementary color

CMYK 69 / 23 / 0 / 11

HEX #46AFE2

RGB 70 175 226

HSL 199.62, 0.73%, 0.58%

LAB 67.62, -14.09, -34.42

 

CMYK 0 / 58 / 87 / 25

HEX #BE5018

RGB 190 80 24

HSL 20.24, 0.78%, 0.42%

LAB 47.94, 41.58, 51.09

 

CMYK 0 / 53 / 79 / 19

HEX #CF622B

RGB 207 98 43

HSL 20.12, 0.66%, 0.49%

LAB 54.21, 39.81, 49.65

 

CMYK 0 / 48 / 72 / 12

HEX #E0743E

RGB 224 116 62

HSL 20, 0.72%, 0.56%

LAB 60.5, 38.12, 47.79

 

CMYK 0 / 44 / 66 / 5

HEX #F18651

RGB 241 134 81

HSL 19.88, 0.85%, 0.63%

LAB 66.78, 36.55, 45.89

 

CMYK 0 / 40 / 61 / 0

HEX #FF9864

RGB 255 152 100

HSL 20.13, 1%, 0.7%

LAB 72.65, 33.95, 43.52

 

CMYK 0 / 57 / 84 / 27

HEX #B9501D

RGB 185 80 29

HSL 19.62, 0.73%, 0.42%

LAB 47.16, 39.79, 48.08

 

CMYK 0 / 63 / 94 / 34

HEX #A83E0A

RGB 168 62 10

HSL 19.75, 0.89%, 0.35%

LAB 40.88, 41.55, 48.9

 

CMYK 0 / 71 / 100 / 41

HEX #972C00

RGB 151 44 0

HSL 17.48, 1%, 0.3%

LAB 34.76, 43.12, 47.1

 

CMYK 0 / 81 / 100 / 47

HEX #861A00

RGB 134 26 0

HSL 11.64, 1%, 0.26%

LAB 28.92, 43.99, 41.52

 

CMYK 0 / 93 / 100 / 54

HEX #750800

RGB 117 8 0

HSL 4.1, 1%, 0.23%

LAB 23.52, 43.36, 35.23

 

CMYK 0 / 57 / 85 / 27

HEX #B9501C

RGB 185 80 28

HSL 19.87, 0.74%, 0.42%

LAB 47.15, 39.76, 48.5

 

CMYK 0 / 80 / 85 / 27

HEX #B9251C

RGB 185 37 28

HSL 3.44, 0.74%, 0.42%

LAB 40.77, 56.99, 42.91

 

CMYK 0 / 85 / 85 / 27

HEX #B91C1C

RGB 185 28 28

HSL 0, 0.74%, 0.42%

LAB 39.96, 59.28, 42.19

 

CMYK 0 / 57 / 85 / 27

HEX #B9501C

RGB 185 80 28

HSL 19.87, 0.74%, 0.42%

LAB 47.15, 39.76, 48.5

 

CMYK 0 / 34 / 85 / 27

HEX #B97A1C

RGB 185 122 28

HSL 35.92, 0.74%, 0.42%

LAB 56.4, 17.31, 56.41

 

CMYK 0 / 11 / 85 / 27

HEX #B9A41C

RGB 185 164 28

HSL 51.97, 0.74%, 0.42%

LAB 67.24, -5.63, 65.49

 

CMYK 11 / 0 / 85 / 27

HEX #A4B91C

RGB 164 185 28

HSL 68.03, 0.74%, 0.42%

LAB 71.33, -25.48, 68.22

 

CMYK 35 / 0 / 85 / 27

HEX #79B91C

RGB 121 185 28

HSL 84.46, 0.74%, 0.42%

LAB 68.64, -42.58, 64.85

 

CMYK 0 / 57 / 85 / 27

HEX #B9501C

RGB 185 80 28

HSL 19.87, 0.74%, 0.42%

LAB 47.15, 39.76, 48.5

 

CMYK 0 / 63 / 95 / 21

HEX #CA4A0B

RGB 202 74 11

HSL 19.79, 0.9%, 0.42%

LAB 48.86, 48.58, 56.74

 

CMYK 0 / 57 / 85 / 27

HEX #B9501C

RGB 185 80 28

HSL 19.87, 0.74%, 0.42%

LAB 47.15, 39.76, 48.5

 

CMYK 0 / 49 / 72 / 35

HEX #A7562E

RGB 167 86 46

HSL 19.83, 0.57%, 0.42%

LAB 45.73, 30.12, 37.53

 

CMYK 0 / 39 / 58 / 41

HEX #965C3F

RGB 150 92 63

HSL 20, 0.41%, 0.42%

LAB 44.94, 20.71, 26.54

 

CMYK 0 / 26 / 40 / 48

HEX #856250

RGB 133 98 80

HSL 20.38, 0.25%, 0.42%

LAB 44.66, 11.63, 15.78

 

CMYK 0 / 10 / 15 / 55

HEX #736862

RGB 115 104 98

HSL 21.18, 0.08%, 0.42%

LAB 44.84, 3.23, 4.95

 

CMYK 0 / 85 / 66 / 27

HEX #B91C3E

RGB 185 28 62

HSL 347.01, 0.74%, 0.42%

LAB 40.4, 60.57, 22.62

 

CMYK 0 / 81 / 85 / 27

HEX #B9241C

RGB 185 36 28

HSL 3.06, 0.74%, 0.42%

LAB 40.67, 57.27, 42.82

 

CMYK 0 / 58 / 85 / 27

HEX #B94E1C

RGB 185 78 28

HSL 19.11, 0.74%, 0.42%

LAB 46.77, 40.74, 48.17

 

CMYK 0 / 35 / 85 / 27

HEX #B9781C

RGB 185 120 28

HSL 35.16, 0.74%, 0.42%

LAB 55.92, 18.42, 56

 

CMYK 0 / 13 / 85 / 27

HEX #B9A11C

RGB 185 161 28

HSL 50.83, 0.74%, 0.42%

LAB 66.43, -4.03, 64.82

 

CMYK 0 / 57 / 85 / 56

HEX #713111

RGB 113 49 17

HSL 20, 0.74%, 0.25%

LAB 28.77, 26.25, 32.46

 

CMYK 0 / 57 / 85 / 42

HEX #954017

RGB 149 64 23

HSL 19.52, 0.73%, 0.34%

LAB 38.05, 33.45, 40.38

 

CMYK 0 / 57 / 85 / 27

HEX #B9501C

RGB 185 80 28

HSL 19.87, 0.74%, 0.42%

LAB 47.15, 39.76, 48.5

 

CMYK 0 / 57 / 85 / 14

HEX #DC5F22

RGB 220 95 34

HSL 19.68, 0.73%, 0.5%

LAB 55.6, 45.96, 55.52

 

CMYK 0 / 46 / 69 / 11

HEX #E27946

RGB 226 121 70

HSL 19.62, 0.73%, 0.58%

LAB 61.9, 36.74, 45.39

 

CMYK 0 / 57 / 84 / 27

HEX #B9501D

RGB 185 80 29

HSL 19.62, 0.73%, 0.42%

LAB 47.16, 39.79, 48.08

 

CMYK 44 / 0 / 85 / 27

HEX #68B91C

RGB 104 185 28

HSL 90.96, 0.74%, 0.42%

LAB 67.82, -48.5, 63.81

 

CMYK 85 / 78 / 0 / 27

HEX #1C29B9

RGB 28 41 185

HSL 235.03, 0.74%, 0.42%

LAB 27.67, 48.04, -75.21

 

CMYK 0 / 57 / 84 / 27

HEX #B9501D

RGB 185 80 29

HSL 19.62, 0.73%, 0.42%

LAB 47.16, 39.79, 48.08

 

CMYK 85 / 0 / 58 / 27

HEX #1CB94E

RGB 28 185 78

HSL 139.11, 0.74%, 0.42%

LAB 66.13, -60.63, 43.01

 

CMYK 58 / 85 / 0 / 27

HEX #4E1CB9

RGB 78 28 185

HSL 259.11, 0.74%, 0.42%

LAB 29.29, 57.77, -72.41

 

CMYK 0 / 57 / 84 / 27

HEX #B9501D

RGB 185 80 29

HSL 19.62, 0.73%, 0.42%

LAB 47.16, 39.79, 48.08

 

CMYK 44 / 0 / 85 / 27

HEX #68B91C

RGB 104 185 28

HSL 90.96, 0.74%, 0.42%

LAB 67.82, -48.5, 63.81

 

CMYK 85 / 27 / 0 / 27

HEX #1C87B9

RGB 28 135 185

HSL 199.11, 0.74%, 0.42%

LAB 53.03, -10.96, -34.26

 

CMYK 41 / 85 / 0 / 27

HEX #6D1CB9

RGB 109 28 185

HSL 270.96, 0.74%, 0.42%

LAB 33.1, 61.4, -66

 

CMYK 0 / 57 / 84 / 27

HEX #B9501D

RGB 185 80 29

HSL 19.62, 0.73%, 0.42%

LAB 47.16, 39.79, 48.08

 

CMYK 69 / 0 / 85 / 27

HEX #39B91C

RGB 57 185 28

HSL 108.92, 0.74%, 0.42%

LAB 66.25, -60.93, 61.83

 

CMYK 85 / 27 / 0 / 27

HEX #1C87B9

RGB 28 135 185

HSL 199.11, 0.74%, 0.42%

LAB 53.03, -10.96, -34.26

 

CMYK 16 / 85 / 0 / 27

HEX #9C1CB9

RGB 156 28 185

HSL 288.92, 0.74%, 0.42%

LAB 40.25, 68.6, -54.06

 

Description

Color code: RGB 185 80 29 | qconv.com Color code: RGB 185 80 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 80 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 80 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 84 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 84% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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