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Color name
RGB 185 95 158

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 95 158 it is the complementary color RGB 70 160 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 95 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 95 158 shade: RGB 190 95 153, RGB 207 113 172, RGB 224 131 191, RGB 241 149 210 and RGB 255 167 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 95 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 168 77 139, RGB 151 59 120, RGB 134 41 101 and RGB 117 23 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 185 95 134, RGB 185 95 109 and RGB 185 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 185 95 182, RGB 163 95 185, RGB 139 95 185 and RGB 115 95 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 95 158 shade matches the following richer shades: RGB 185 95 158, RGB 203 76 165, RGB 222 58 173 and RGB 240 39 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 166 114 150, RGB 147 132 143, RGB 129 151 135 and RGB 110 169 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 95 158 shade: RGB 164 95 185, RGB 185 95 182, RGB 185 95 158, RGB 185 95 134 and RGB 185 95 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 95 158 shade: RGB 137 60 114, RGB 166 72 138, RGB 185 95 158, RGB 197 124 175 and RGB 210 152 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 185 140 95 and RGB 95 185 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 158 185 95 and RGB 95 158 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 185 140 95, RGB 95 185 122 and RGB 95 140 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 95 158 shade: RGB 185 95 158, RGB 185 167 95, RGB 95 185 122 and RGB 95 113 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

Complementary color

CMYK 56 / 0 / 39 / 37

HEX #46A061

RGB 70 160 97

HSL 138, 0.39%, 0.45%

LAB 59.26, -41.27, 24.94

 

CMYK 0 / 50 / 19 / 25

HEX #BE5F99

RGB 190 95 153

HSL 323.37, 0.42%, 0.56%

LAB 53.42, 45.24, -14.16

 

CMYK 0 / 45 / 17 / 19

HEX #CF71AC

RGB 207 113 172

HSL 322.34, 0.49%, 0.63%

LAB 59.94, 44.49, -15.1

 

CMYK 0 / 42 / 15 / 12

HEX #E083BF

RGB 224 131 191

HSL 321.29, 0.6%, 0.7%

LAB 66.4, 43.73, -15.91

 

CMYK 0 / 38 / 13 / 5

HEX #F195D2

RGB 241 149 210

HSL 320.22, 0.77%, 0.76%

LAB 72.79, 42.97, -16.63

 

CMYK 0 / 35 / 10 / 0

HEX #FFA7E5

RGB 255 167 229

HSL 317.73, 1%, 0.83%

LAB 78.78, 41.26, -17.81

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 54 / 17 / 34

HEX #A84D8B

RGB 168 77 139

HSL 319.12, 0.37%, 0.48%

LAB 46.31, 45.09, -16.94

 

CMYK 0 / 61 / 21 / 41

HEX #973B78

RGB 151 59 120

HSL 320.22, 0.44%, 0.41%

LAB 39.69, 45.59, -15.69

 

CMYK 0 / 69 / 25 / 47

HEX #862965

RGB 134 41 101

HSL 321.29, 0.53%, 0.34%

LAB 33.12, 45.71, -14.03

 

CMYK 0 / 80 / 30 / 54

HEX #751752

RGB 117 23 82

HSL 322.34, 0.67%, 0.27%

LAB 26.75, 45.04, -11.66

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 49 / 28 / 27

HEX #B95F86

RGB 185 95 134

HSL 334, 0.39%, 0.55%

LAB 52.08, 40.81, -5.02

 

CMYK 0 / 49 / 41 / 27

HEX #B95F6D

RGB 185 95 109

HSL 350.67, 0.39%, 0.55%

LAB 51.39, 37.66, 8.83

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 49 / 2 / 27

HEX #B95FB6

RGB 185 95 182

HSL 302, 0.39%, 0.55%

LAB 53.9, 48.52, -30.39

 

CMYK 12 / 49 / 0 / 27

HEX #A35FB9

RGB 163 95 185

HSL 285.33, 0.39%, 0.55%

LAB 51.24, 42.69, -36.48

 

CMYK 25 / 49 / 0 / 27

HEX #8B5FB9

RGB 139 95 185

HSL 269.33, 0.39%, 0.55%

LAB 48.48, 35.87, -41.01

 

CMYK 38 / 49 / 0 / 27

HEX #735FB9

RGB 115 95 185

HSL 253.33, 0.39%, 0.55%

LAB 46.09, 29.38, -44.97

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 63 / 19 / 20

HEX #CB4CA5

RGB 203 76 165

HSL 317.95, 0.55%, 0.55%

LAB 52.49, 59.74, -22.45

 

CMYK 0 / 74 / 22 / 13

HEX #DE3AAD

RGB 222 58 173

HSL 317.93, 0.71%, 0.55%

LAB 53.57, 72.24, -25.21

 

CMYK 0 / 84 / 25 / 6

HEX #F027B4

RGB 240 39 180

HSL 317.91, 0.87%, 0.55%

LAB 55.35, 81.86, -26.29

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 31 / 10 / 35

HEX #A67296

RGB 166 114 150

HSL 318.46, 0.23%, 0.55%

LAB 54.39, 26.28, -11.24

 

CMYK 0 / 10 / 3 / 42

HEX #93848F

RGB 147 132 143

HSL 316, 0.06%, 0.55%

LAB 56.77, 7.72, -3.83

 

CMYK 15 / 0 / 11 / 41

HEX #819787

RGB 129 151 135

HSL 136.36, 0.1%, 0.55%

LAB 60.38, -11.05, 5.82

 

CMYK 35 / 0 / 24 / 34

HEX #6EA980

RGB 110 169 128

HSL 138.31, 0.26%, 0.55%

LAB 64.36, -28.12, 15.2

 

CMYK 11 / 49 / 0 / 27

HEX #A45FB9

RGB 164 95 185

HSL 286, 0.39%, 0.55%

LAB 51.36, 42.98, -36.28

 

CMYK 0 / 49 / 2 / 27

HEX #B95FB6

RGB 185 95 182

HSL 302, 0.39%, 0.55%

LAB 53.9, 48.52, -30.39

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 49 / 28 / 27

HEX #B95F86

RGB 185 95 134

HSL 334, 0.39%, 0.55%

LAB 52.08, 40.81, -5.02

 

CMYK 0 / 49 / 41 / 27

HEX #B95F6E

RGB 185 95 110

HSL 350, 0.39%, 0.55%

LAB 51.41, 37.78, 8.27

 

CMYK 0 / 56 / 17 / 46

HEX #893C72

RGB 137 60 114

HSL 317.92, 0.39%, 0.39%

LAB 37.42, 39.77, -15.63

 

CMYK 0 / 57 / 17 / 35

HEX #A6488A

RGB 166 72 138

HSL 317.87, 0.39%, 0.47%

LAB 45.05, 46.76, -18.29

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 37 / 11 / 23

HEX #C57CAF

RGB 197 124 175

HSL 318.08, 0.39%, 0.63%

LAB 61.12, 35.85, -15.16

 

CMYK 0 / 28 / 9 / 18

HEX #D298C0

RGB 210 152 192

HSL 318.62, 0.39%, 0.71%

LAB 69.44, 27.99, -12.05

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 24 / 49 / 27

HEX #B98C5F

RGB 185 140 95

HSL 30, 0.39%, 0.55%

LAB 61.56, 11.5, 30.58

 

CMYK 49 / 0 / 5 / 27

HEX #5FB9B0

RGB 95 185 176

HSL 174, 0.39%, 0.55%

LAB 69.66, -29.14, -3.75

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 15 / 0 / 49 / 27

HEX #9EB95F

RGB 158 185 95

HSL 78, 0.39%, 0.55%

LAB 71.41, -23.55, 42.35

 

CMYK 49 / 15 / 0 / 27

HEX #5F9EB9

RGB 95 158 185

HSL 198, 0.39%, 0.55%

LAB 61.99, -12.82, -20.26

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 24 / 49 / 27

HEX #B98C5F

RGB 185 140 95

HSL 30, 0.39%, 0.55%

LAB 61.56, 11.5, 30.58

 

CMYK 49 / 0 / 34 / 27

HEX #5FB97A

RGB 95 185 122

HSL 138, 0.39%, 0.55%

LAB 68.41, -41.03, 23.89

 

CMYK 49 / 24 / 0 / 27

HEX #5F8CB9

RGB 95 140 185

HSL 210, 0.39%, 0.55%

LAB 56.77, -2.76, -28.27

 

CMYK 0 / 49 / 15 / 27

HEX #B95F9E

RGB 185 95 158

HSL 318, 0.39%, 0.55%

LAB 52.91, 44.41, -17.92

 

CMYK 0 / 10 / 49 / 27

HEX #B9A75F

RGB 185 167 95

HSL 48, 0.39%, 0.55%

LAB 68.59, -3.21, 39.39

 

CMYK 49 / 0 / 34 / 27

HEX #5FB97A

RGB 95 185 122

HSL 138, 0.39%, 0.55%

LAB 68.41, -41.03, 23.89

 

CMYK 49 / 39 / 0 / 27

HEX #5F71B9

RGB 95 113 185

HSL 228, 0.39%, 0.55%

LAB 49.19, 13.32, -40.14

 

Description

Color code: RGB 185 95 158 | qconv.com Color code: RGB 185 95 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 95 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 95 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 15% 27% C M Y K

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Provide designers and agencies with accurate color values.

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