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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 96 188 it is the complementary color RGB 70 159 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 96 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 96 188 shade: RGB 190 96 183, RGB 207 114 202, RGB 224 132 221, RGB 241 150 240 and RGB 255 168 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 96 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 168 78 169, RGB 151 60 150, RGB 134 42 131 and RGB 117 24 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 188 96 166, RGB 188 96 142, RGB 188 96 117 and RGB 188 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 160 96 188, RGB 136 96 188, RGB 111 96 188 and RGB 96 96 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 96 188 shade matches the following richer shades: RGB 185 96 188, RGB 202 78 206, RGB 219 60 225 and RGB 236 42 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 168 114 170, RGB 151 133 152, RGB 134 151 134 and RGB 117 169 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 96 188 shade: RGB 136 96 188, RGB 161 96 188, RGB 185 96 188, RGB 188 96 167 and RGB 188 96 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 96 188 shade: RGB 140 59 143, RGB 168 72 172, RGB 185 96 188, RGB 198 125 200 and RGB 211 154 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 188 112 96 and RGB 96 188 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 188 185 96 and RGB 96 188 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 188 112 96, RGB 99 188 96 and RGB 96 173 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 96 188 shade: RGB 185 96 188, RGB 188 139 96, RGB 99 188 96 and RGB 96 145 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

Complementary color

CMYK 56 / 0 / 58 / 38

HEX #469F43

RGB 70 159 67

HSL 118.04, 0.41%, 0.44%

LAB 58.51, -45.46, 39.5

 

CMYK 0 / 49 / 4 / 25

HEX #BE60B7

RGB 190 96 183

HSL 304.47, 0.42%, 0.56%

LAB 54.79, 49.66, -29.51

 

CMYK 0 / 45 / 2 / 19

HEX #CF72CA

RGB 207 114 202

HSL 303.23, 0.49%, 0.63%

LAB 61.28, 48.99, -30.14

 

CMYK 0 / 41 / 1 / 12

HEX #E084DD

RGB 224 132 221

HSL 301.96, 0.6%, 0.7%

LAB 67.7, 48.26, -30.66

 

CMYK 0 / 38 / 0 / 5

HEX #F196F0

RGB 241 150 240

HSL 300.66, 0.76%, 0.77%

LAB 74.06, 47.53, -31.12

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 1 / 54 / 0 / 34

HEX #A84EA9

RGB 168 78 169

HSL 299.34, 0.37%, 0.48%

LAB 47.8, 49.71, -32.49

 

CMYK 0 / 60 / 1 / 41

HEX #973C96

RGB 151 60 150

HSL 300.66, 0.43%, 0.41%

LAB 41.24, 50.11, -31.64

 

CMYK 0 / 69 / 2 / 47

HEX #862A83

RGB 134 42 131

HSL 301.96, 0.52%, 0.35%

LAB 34.73, 50.08, -30.45

 

CMYK 0 / 79 / 4 / 54

HEX #751870

RGB 117 24 112

HSL 303.23, 0.66%, 0.28%

LAB 28.39, 49.23, -28.68

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 0 / 49 / 12 / 26

HEX #BC60A6

RGB 188 96 166

HSL 314.35, 0.41%, 0.56%

LAB 53.83, 46.16, -21.17

 

CMYK 0 / 49 / 24 / 26

HEX #BC608E

RGB 188 96 142

HSL 330, 0.41%, 0.56%

LAB 52.96, 42.45, -8.4

 

CMYK 0 / 49 / 38 / 26

HEX #BC6075

RGB 188 96 117

HSL 346.3, 0.41%, 0.56%

LAB 52.22, 39.16, 5.33

 

CMYK 0 / 49 / 49 / 26

HEX #BC6060

RGB 188 96 96

HSL 0, 0.41%, 0.56%

LAB 51.73, 36.9, 17.08

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 15 / 49 / 0 / 26

HEX #A060BC

RGB 160 96 188

HSL 281.74, 0.41%, 0.56%

LAB 51.23, 41.93, -38.25

 

CMYK 28 / 49 / 0 / 26

HEX #8860BC

RGB 136 96 188

HSL 266.09, 0.41%, 0.56%

LAB 48.55, 35.2, -42.67

 

CMYK 41 / 49 / 0 / 26

HEX #6F60BC

RGB 111 96 188

HSL 249.78, 0.41%, 0.56%

LAB 46.15, 28.61, -46.64

 

CMYK 49 / 49 / 0 / 26

HEX #6060BC

RGB 96 96 188

HSL 240, 0.41%, 0.56%

LAB 44.92, 25, -48.67

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 2 / 62 / 0 / 19

HEX #CA4ECE

RGB 202 78 206

HSL 298.13, 0.57%, 0.56%

LAB 54.51, 65.12, -43.04

 

CMYK 3 / 73 / 0 / 12

HEX #DB3CE1

RGB 219 60 225

HSL 297.82, 0.73%, 0.56%

LAB 55.81, 78.47, -51.6

 

CMYK 3 / 83 / 0 / 5

HEX #EC2AF3

RGB 236 42 243

HSL 297.91, 0.89%, 0.56%

LAB 58, 88.92, -58.06

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 1 / 33 / 0 / 33

HEX #A872AA

RGB 168 114 170

HSL 297.86, 0.25%, 0.56%

LAB 55.34, 30.73, -21.39

 

CMYK 1 / 13 / 0 / 40

HEX #978598

RGB 151 133 152

HSL 296.84, 0.08%, 0.56%

LAB 57.68, 10.37, -7.64

 

CMYK 11 / 0 / 11 / 41

HEX #869786

RGB 134 151 134

HSL 120, 0.08%, 0.56%

LAB 60.71, -9.44, 6.91

 

CMYK 31 / 0 / 31 / 34

HEX #75A974

RGB 117 169 116

HSL 118.87, 0.24%, 0.56%

LAB 64.5, -28.01, 22.02

 

CMYK 28 / 49 / 0 / 26

HEX #8860BC

RGB 136 96 188

HSL 266.09, 0.41%, 0.56%

LAB 48.55, 35.2, -42.67

 

CMYK 14 / 49 / 0 / 26

HEX #A160BC

RGB 161 96 188

HSL 282.39, 0.41%, 0.56%

LAB 51.35, 42.22, -38.05

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 0 / 49 / 11 / 26

HEX #BC60A7

RGB 188 96 167

HSL 313.7, 0.41%, 0.56%

LAB 53.86, 46.32, -21.7

 

CMYK 0 / 49 / 24 / 26

HEX #BC608E

RGB 188 96 142

HSL 330, 0.41%, 0.56%

LAB 52.96, 42.45, -8.4

 

CMYK 2 / 59 / 0 / 44

HEX #8C3B8F

RGB 140 59 143

HSL 297.86, 0.42%, 0.4%

LAB 39.05, 46.29, -30.95

 

CMYK 2 / 58 / 0 / 33

HEX #A848AC

RGB 168 72 172

HSL 297.6, 0.41%, 0.48%

LAB 46.89, 53.12, -35.68

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 1 / 38 / 0 / 22

HEX #C67DC8

RGB 198 125 200

HSL 298.4, 0.41%, 0.64%

LAB 62.37, 40.11, -27.4

 

CMYK 1 / 28 / 0 / 16

HEX #D39AD5

RGB 211 154 213

HSL 297.97, 0.41%, 0.72%

LAB 70.71, 31.04, -21.75

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 0 / 40 / 49 / 26

HEX #BC7060

RGB 188 112 96

HSL 10.43, 0.41%, 0.56%

LAB 55.2, 28.33, 21.77

 

CMYK 49 / 0 / 21 / 26

HEX #60BC94

RGB 96 188 148

HSL 153.91, 0.41%, 0.56%

LAB 69.89, -36.91, 11.91

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 0 / 2 / 49 / 26

HEX #BCB960

RGB 188 185 96

HSL 58.04, 0.41%, 0.56%

LAB 73.7, -11.31, 45.15

 

CMYK 49 / 0 / 2 / 26

HEX #60BCB9

RGB 96 188 185

HSL 178.04, 0.41%, 0.56%

LAB 70.84, -28.06, -6.94

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 0 / 40 / 49 / 26

HEX #BC7060

RGB 188 112 96

HSL 10.43, 0.41%, 0.56%

LAB 55.2, 28.33, 21.77

 

CMYK 47 / 0 / 49 / 26

HEX #63BC60

RGB 99 188 96

HSL 118.04, 0.41%, 0.56%

LAB 69.09, -45.37, 38.26

 

CMYK 49 / 8 / 0 / 26

HEX #60ADBC

RGB 96 173 188

HSL 189.78, 0.41%, 0.56%

LAB 66.52, -19.7, -15.05

 

CMYK 2 / 49 / 0 / 26

HEX #B960BC

RGB 185 96 188

HSL 298.04, 0.41%, 0.56%

LAB 54.36, 49.11, -33.13

 

CMYK 0 / 26 / 49 / 26

HEX #BC8B60

RGB 188 139 96

HSL 28.04, 0.41%, 0.56%

LAB 61.66, 13.42, 30.21

 

CMYK 47 / 0 / 49 / 26

HEX #63BC60

RGB 99 188 96

HSL 118.04, 0.41%, 0.56%

LAB 69.09, -45.37, 38.26

 

CMYK 49 / 23 / 0 / 26

HEX #6091BC

RGB 96 145 188

HSL 208.04, 0.41%, 0.56%

LAB 58.39, -4.48, -27.48

 

Description

Color code: RGB 185 96 188 | qconv.com Color code: RGB 185 96 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 96 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 96 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 49 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 49% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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