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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 108 131 it is the complementary color RGB 69 147 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 108 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 108 131 shade: RGB 191 108 126, RGB 208 126 145, RGB 225 144 164, RGB 242 162 183 and RGB 255 180 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 108 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 108 131 shade: RGB 186 108 131, RGB 169 90 112, RGB 152 72 93, RGB 135 54 74 and RGB 118 36 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 108 131 shade: RGB 186 109 132, RGB 186 109 111 and RGB 186 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 108 131 shade: RGB 186 109 132, RGB 186 109 152, RGB 186 109 173, RGB 178 109 186 and RGB 157 109 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 108 131 shade matches the following richer shades: RGB 186 109 132, RGB 203 92 124, RGB 221 74 117 and RGB 238 57 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 108 131 shade: RGB 186 109 132, RGB 169 126 139, RGB 151 144 146, RGB 134 161 153 and RGB 117 178 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 108 131 shade: RGB 186 109 173, RGB 186 109 153, RGB 186 109 132, RGB 186 109 111 and RGB 186 127 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 108 131 shade: RGB 145 68 90, RGB 173 81 108, RGB 186 109 132, RGB 199 137 155 and RGB 212 165 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 108 131 shade: RGB 186 108 131, RGB 186 178 109 and RGB 109 163 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 108 131 shade: RGB 186 108 131, RGB 132 186 109 and RGB 109 132 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 108 131 shade: RGB 186 108 131, RGB 186 178 109, RGB 109 186 163 and RGB 109 117 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 108 131 shade: RGB 186 108 131, RGB 171 186 109, RGB 109 186 163 and RGB 124 109 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 30 / 27

HEX #BA6C83

RGB 186 108 131

HSL 342.31, 0.36%, 0.58%

LAB 54.87, 33.86, 0.86

 

Complementary color

CMYK 53 / 0 / 16 / 42

HEX #45937C

RGB 69 147 124

HSL 162.31, 0.36%, 0.42%

LAB 55.67, -29.86, 4.89

 

CMYK 0 / 43 / 34 / 25

HEX #BF6C7E

RGB 191 108 126

HSL 346.99, 0.39%, 0.59%

LAB 55.39, 35.03, 4.62

 

CMYK 0 / 39 / 30 / 18

HEX #D07E91

RGB 208 126 145

HSL 346.1, 0.47%, 0.65%

LAB 61.98, 34.11, 3.41

 

CMYK 0 / 36 / 27 / 12

HEX #E190A4

RGB 225 144 164

HSL 345.19, 0.57%, 0.72%

LAB 68.49, 33.25, 2.35

 

CMYK 0 / 33 / 24 / 5

HEX #F2A2B7

RGB 242 162 183

HSL 344.25, 0.75%, 0.79%

LAB 74.91, 32.45, 1.39

 

CMYK 0 / 29 / 21 / 0

HEX #FFB4CA

RGB 255 180 202

HSL 342.4, 1%, 0.85%

LAB 80.83, 30.3, -0.15

 

CMYK 0 / 42 / 30 / 27

HEX #BA6C83

RGB 186 108 131

HSL 342.31, 0.36%, 0.58%

LAB 54.87, 33.86, 0.86

 

CMYK 0 / 47 / 34 / 34

HEX #A95A70

RGB 169 90 112

HSL 343.29, 0.31%, 0.51%

LAB 48.16, 34.79, 2.11

 

CMYK 0 / 53 / 39 / 40

HEX #98485D

RGB 152 72 93

HSL 344.25, 0.36%, 0.44%

LAB 41.38, 35.74, 3.62

 

CMYK 0 / 60 / 45 / 47

HEX #87364A

RGB 135 54 74

HSL 345.19, 0.43%, 0.37%

LAB 34.57, 36.63, 5.51

 

CMYK 0 / 69 / 53 / 54

HEX #762437

RGB 118 36 55

HSL 346.1, 0.53%, 0.3%

LAB 27.82, 37.26, 8.02

 

CMYK 0 / 41 / 29 / 27

HEX #BA6D84

RGB 186 109 132

HSL 342.08, 0.36%, 0.58%

LAB 55.12, 33.46, 0.63

 

CMYK 0 / 41 / 40 / 27

HEX #BA6D6F

RGB 186 109 111

HSL 358.44, 0.36%, 0.58%

LAB 54.58, 30.79, 12.17

 

CMYK 0 / 41 / 41 / 27

HEX #BA6D6D

RGB 186 109 109

HSL 0, 0.36%, 0.58%

LAB 54.53, 30.56, 13.27

 

CMYK 0 / 41 / 29 / 27

HEX #BA6D84

RGB 186 109 132

HSL 342.08, 0.36%, 0.58%

LAB 55.12, 33.46, 0.63

 

CMYK 0 / 41 / 18 / 27

HEX #BA6D98

RGB 186 109 152

HSL 326.49, 0.36%, 0.58%

LAB 55.73, 36.42, -10.15

 

CMYK 0 / 41 / 7 / 27

HEX #BA6DAD

RGB 186 109 173

HSL 310.13, 0.36%, 0.58%

LAB 56.48, 39.93, -21.19

 

CMYK 4 / 41 / 0 / 27

HEX #B26DBA

RGB 178 109 186

HSL 293.77, 0.36%, 0.58%

LAB 56.04, 39.83, -29.43

 

CMYK 16 / 41 / 0 / 27

HEX #9D6DBA

RGB 157 109 186

HSL 277.4, 0.36%, 0.58%

LAB 53.65, 33.39, -33.32

 

CMYK 0 / 41 / 29 / 27

HEX #BA6D84

RGB 186 109 132

HSL 342.08, 0.36%, 0.58%

LAB 55.12, 33.46, 0.63

 

CMYK 0 / 55 / 39 / 20

HEX #CB5C7C

RGB 203 92 124

HSL 342.7, 0.52%, 0.58%

LAB 53.82, 47.22, 3.76

 

CMYK 0 / 67 / 47 / 13

HEX #DD4A75

RGB 221 74 117

HSL 342.45, 0.68%, 0.58%

LAB 53.55, 60.22, 7.92

 

CMYK 0 / 76 / 54 / 7

HEX #EE396E

RGB 238 57 110

HSL 342.43, 0.84%, 0.58%

LAB 54.27, 70.36, 13.55

 

CMYK 0 / 41 / 29 / 27

HEX #BA6D84

RGB 186 109 132

HSL 342.08, 0.36%, 0.58%

LAB 55.12, 33.46, 0.63

 

CMYK 0 / 25 / 18 / 34

HEX #A97E8B

RGB 169 126 139

HSL 341.86, 0.2%, 0.58%

LAB 57.29, 18.69, -0.51

 

CMYK 0 / 5 / 3 / 41

HEX #979092

RGB 151 144 146

HSL 342.86, 0.03%, 0.58%

LAB 60.43, 2.96, -0.14

 

CMYK 17 / 0 / 5 / 37

HEX #86A199

RGB 134 161 153

HSL 162.22, 0.13%, 0.58%

LAB 64.05, -11.05, 1.02

 

CMYK 34 / 0 / 10 / 30

HEX #75B2A0

RGB 117 178 160

HSL 162.3, 0.28%, 0.58%

LAB 68.14, -23.75, 2.95

 

CMYK 0 / 41 / 7 / 27

HEX #BA6DAD

RGB 186 109 173

HSL 310.13, 0.36%, 0.58%

LAB 56.48, 39.93, -21.19

 

CMYK 0 / 41 / 18 / 27

HEX #BA6D99

RGB 186 109 153

HSL 325.71, 0.36%, 0.58%

LAB 55.76, 36.58, -10.68

 

CMYK 0 / 41 / 29 / 27

HEX #BA6D84

RGB 186 109 132

HSL 342.08, 0.36%, 0.58%

LAB 55.12, 33.46, 0.63

 

CMYK 0 / 41 / 40 / 27

HEX #BA6D6F

RGB 186 109 111

HSL 358.44, 0.36%, 0.58%

LAB 54.58, 30.79, 12.17

 

CMYK 0 / 32 / 41 / 27

HEX #BA7F6D

RGB 186 127 109

HSL 14.03, 0.36%, 0.58%

LAB 58.72, 20.63, 19.03

 

CMYK 0 / 53 / 38 / 43

HEX #91445A

RGB 145 68 90

HSL 342.86, 0.36%, 0.42%

LAB 39.4, 34.91, 2.5

 

CMYK 0 / 53 / 38 / 32

HEX #AD516C

RGB 173 81 108

HSL 342.39, 0.36%, 0.5%

LAB 46.78, 40.45, 2.61

 

CMYK 0 / 41 / 29 / 27

HEX #BA6D84

RGB 186 109 132

HSL 342.08, 0.36%, 0.58%

LAB 55.12, 33.46, 0.63

 

CMYK 0 / 31 / 22 / 22

HEX #C7899B

RGB 199 137 155

HSL 342.58, 0.36%, 0.66%

LAB 63.67, 26.26, 0.05

 

CMYK 0 / 22 / 16 / 17

HEX #D4A5B3

RGB 212 165 179

HSL 342.13, 0.35%, 0.74%

LAB 72.34, 19.46, -0.54

 

CMYK 0 / 42 / 30 / 27

HEX #BA6C83

RGB 186 108 131

HSL 342.31, 0.36%, 0.58%

LAB 54.87, 33.86, 0.86

 

CMYK 0 / 4 / 41 / 27

HEX #BAB26D

RGB 186 178 109

HSL 53.77, 0.36%, 0.58%

LAB 71.81, -7.19, 36.24

 

CMYK 41 / 12 / 0 / 27

HEX #6DA3BA

RGB 109 163 186

HSL 197.92, 0.36%, 0.58%

LAB 64.15, -11.74, -17.46

 

CMYK 0 / 42 / 30 / 27

HEX #BA6C83

RGB 186 108 131

HSL 342.31, 0.36%, 0.58%

LAB 54.87, 33.86, 0.86

 

CMYK 29 / 0 / 41 / 27

HEX #84BA6D

RGB 132 186 109

HSL 102.08, 0.36%, 0.58%

LAB 70.27, -32.03, 33.48

 

CMYK 41 / 29 / 0 / 27

HEX #6D84BA

RGB 109 132 186

HSL 222.08, 0.36%, 0.58%

LAB 55.38, 5.8, -30.94

 

CMYK 0 / 42 / 30 / 27

HEX #BA6C83

RGB 186 108 131

HSL 342.31, 0.36%, 0.58%

LAB 54.87, 33.86, 0.86

 

CMYK 0 / 4 / 41 / 27

HEX #BAB26D

RGB 186 178 109

HSL 53.77, 0.36%, 0.58%

LAB 71.81, -7.19, 36.24

 

CMYK 41 / 0 / 12 / 27

HEX #6DBAA3

RGB 109 186 163

HSL 162.08, 0.36%, 0.58%

LAB 70.19, -29.26, 4.22

 

CMYK 41 / 37 / 0 / 27

HEX #6D75BA

RGB 109 117 186

HSL 233.77, 0.36%, 0.58%

LAB 51.29, 14.76, -37.34

 

CMYK 0 / 42 / 30 / 27

HEX #BA6C83

RGB 186 108 131

HSL 342.31, 0.36%, 0.58%

LAB 54.87, 33.86, 0.86

 

CMYK 8 / 0 / 41 / 27

HEX #ABBA6D

RGB 171 186 109

HSL 71.69, 0.36%, 0.58%

LAB 72.81, -17.36, 37.25

 

CMYK 41 / 0 / 12 / 27

HEX #6DBAA3

RGB 109 186 163

HSL 162.08, 0.36%, 0.58%

LAB 70.19, -29.26, 4.22

 

CMYK 33 / 41 / 0 / 27

HEX #7C6DBA

RGB 124 109 186

HSL 251.69, 0.36%, 0.58%

LAB 50.41, 23.69, -38.64

 

Description

Color code: RGB 186 108 131 | qconv.com Color code: RGB 186 108 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 108 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 108 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 30 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 30% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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