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Color name
RGB 186 127 32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 127 32 it is the complementary color RGB 69 128 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 127 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 127 32 shade: RGB 191 127 27, RGB 208 145 46, RGB 225 163 65, RGB 242 181 84 and RGB 255 199 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 127 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 127 32 shade: RGB 186 127 32, RGB 169 109 13, RGB 152 91 0, RGB 135 73 0 and RGB 118 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 127 32 shade: RGB 187 127 31, RGB 187 85 31, RGB 187 43 31 and RGB 187 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 127 32 shade: RGB 187 127 31, RGB 187 169 31, RGB 163 187 31, RGB 121 187 31 and RGB 79 187 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 127 32 shade matches the following richer shades: RGB 187 127 31 and RGB 205 131 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 127 32 shade: RGB 187 127 31, RGB 169 123 49, RGB 152 119 67, RGB 134 115 85 and RGB 116 111 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 127 32 shade: RGB 187 44 31, RGB 187 86 31, RGB 187 127 31, RGB 187 169 31 and RGB 164 187 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 127 32 shade: RGB 116 79 19, RGB 152 103 25, RGB 187 127 31, RGB 218 150 41 and RGB 224 168 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 127 32 shade: RGB 186 127 32, RGB 60 187 31 and RGB 65 31 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 127 32 shade: RGB 186 127 32, RGB 31 187 127 and RGB 127 31 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 127 32 shade: RGB 186 127 32, RGB 60 187 31, RGB 31 91 187 and RGB 158 31 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 127 32 shade: RGB 186 127 32, RGB 31 187 49, RGB 31 91 187 and RGB 187 31 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 83 / 27

HEX #BA7F20

RGB 186 127 32

HSL 37.01, 0.71%, 0.43%

LAB 57.77, 15.1, 56.3

 

Complementary color

CMYK 69 / 43 / 0 / 13

HEX #4580DF

RGB 69 128 223

HSL 217.01, 0.71%, 0.57%

LAB 54.06, 11.8, -54.11

 

CMYK 0 / 34 / 86 / 25

HEX #BF7F1B

RGB 191 127 27

HSL 36.59, 0.75%, 0.43%

LAB 58.35, 17.17, 58.65

 

CMYK 0 / 30 / 78 / 18

HEX #D0912E

RGB 208 145 46

HSL 36.67, 0.64%, 0.5%

LAB 64.85, 15.37, 58.56

 

CMYK 0 / 28 / 71 / 12

HEX #E1A341

RGB 225 163 65

HSL 36.75, 0.73%, 0.57%

LAB 71.27, 13.82, 57.76

 

CMYK 0 / 25 / 65 / 5

HEX #F2B554

RGB 242 181 84

HSL 36.84, 0.86%, 0.64%

LAB 77.62, 12.48, 56.65

 

CMYK 0 / 22 / 60 / 0

HEX #FFC767

RGB 255 199 103

HSL 37.89, 1%, 0.7%

LAB 83.49, 9.67, 54.83

 

CMYK 0 / 32 / 83 / 27

HEX #BA7F20

RGB 186 127 32

HSL 37.01, 0.71%, 0.43%

LAB 57.77, 15.1, 56.3

 

CMYK 0 / 36 / 92 / 34

HEX #A96D0D

RGB 169 109 13

HSL 36.92, 0.86%, 0.36%

LAB 51.15, 17.09, 55.57

 

CMYK 0 / 40 / 100 / 40

HEX #985B00

RGB 152 91 0

HSL 35.92, 1%, 0.3%

LAB 44.46, 19.39, 52.79

 

CMYK 0 / 46 / 100 / 47

HEX #874900

RGB 135 73 0

HSL 32.44, 1%, 0.26%

LAB 37.69, 21.99, 47.31

 

CMYK 0 / 53 / 100 / 54

HEX #763700

RGB 118 55 0

HSL 27.97, 1%, 0.23%

LAB 30.84, 24.62, 41.66

 

CMYK 0 / 32 / 83 / 27

HEX #BB7F1F

RGB 187 127 31

HSL 36.92, 0.72%, 0.43%

LAB 57.89, 15.52, 56.78

 

CMYK 0 / 55 / 83 / 27

HEX #BB551F

RGB 187 85 31

HSL 20.77, 0.72%, 0.43%

LAB 48.46, 38.13, 48.51

 

CMYK 0 / 77 / 83 / 27

HEX #BB2B1F

RGB 187 43 31

HSL 4.62, 0.72%, 0.43%

LAB 41.83, 55.87, 42.49

 

CMYK 0 / 83 / 83 / 27

HEX #BB1F1F

RGB 187 31 31

HSL 0, 0.72%, 0.43%

LAB 40.64, 59.22, 41.39

 

CMYK 0 / 32 / 83 / 27

HEX #BB7F1F

RGB 187 127 31

HSL 36.92, 0.72%, 0.43%

LAB 57.89, 15.52, 56.78

 

CMYK 0 / 10 / 83 / 27

HEX #BBA91F

RGB 187 169 31

HSL 53.08, 0.72%, 0.43%

LAB 68.78, -7.29, 66.09

 

CMYK 13 / 0 / 83 / 27

HEX #A3BB1F

RGB 163 187 31

HSL 69.23, 0.72%, 0.43%

LAB 71.84, -26.78, 67.92

 

CMYK 35 / 0 / 83 / 27

HEX #79BB1F

RGB 121 187 31

HSL 85.38, 0.72%, 0.43%

LAB 69.26, -43.32, 64.67

 

CMYK 58 / 0 / 83 / 27

HEX #4FBB1F

RGB 79 187 31

HSL 101.54, 0.72%, 0.43%

LAB 67.5, -56.5, 62.44

 

CMYK 0 / 32 / 83 / 27

HEX #BB7F1F

RGB 187 127 31

HSL 36.92, 0.72%, 0.43%

LAB 57.89, 15.52, 56.78

 

CMYK 0 / 36 / 93 / 20

HEX #CD830E

RGB 205 131 14

HSL 36.75, 0.87%, 0.43%

LAB 61, 20.86, 64.64

 

CMYK 0 / 32 / 83 / 27

HEX #BB7F1F

RGB 187 127 31

HSL 36.92, 0.72%, 0.43%

LAB 57.89, 15.52, 56.78

 

CMYK 0 / 27 / 71 / 34

HEX #A97B31

RGB 169 123 49

HSL 37, 0.55%, 0.43%

LAB 54.89, 10.47, 45.92

 

CMYK 0 / 22 / 56 / 40

HEX #987743

RGB 152 119 67

HSL 36.71, 0.39%, 0.43%

LAB 52.15, 6.41, 33.24

 

CMYK 0 / 14 / 37 / 47

HEX #867355

RGB 134 115 85

HSL 36.73, 0.22%, 0.43%

LAB 49.48, 2.76, 19.36

 

CMYK 0 / 4 / 12 / 55

HEX #746F66

RGB 116 111 102

HSL 38.57, 0.06%, 0.43%

LAB 47.03, 0.23, 5.7

 

CMYK 0 / 76 / 83 / 27

HEX #BB2C1F

RGB 187 44 31

HSL 5, 0.72%, 0.43%

LAB 41.95, 55.55, 42.6

 

CMYK 0 / 54 / 83 / 27

HEX #BB561F

RGB 187 86 31

HSL 21.15, 0.72%, 0.43%

LAB 48.66, 37.62, 48.68

 

CMYK 0 / 32 / 83 / 27

HEX #BB7F1F

RGB 187 127 31

HSL 36.92, 0.72%, 0.43%

LAB 57.89, 15.52, 56.78

 

CMYK 0 / 10 / 83 / 27

HEX #BBA91F

RGB 187 169 31

HSL 53.08, 0.72%, 0.43%

LAB 68.78, -7.29, 66.09

 

CMYK 12 / 0 / 83 / 27

HEX #A4BB1F

RGB 164 187 31

HSL 68.85, 0.72%, 0.43%

LAB 71.91, -26.36, 68.01

 

CMYK 0 / 32 / 84 / 55

HEX #744F13

RGB 116 79 19

HSL 37.11, 0.72%, 0.26%

LAB 36.65, 10, 39.02

 

CMYK 0 / 32 / 84 / 40

HEX #986719

RGB 152 103 25

HSL 36.85, 0.72%, 0.35%

LAB 47.55, 13.06, 48.2

 

CMYK 0 / 32 / 83 / 27

HEX #BB7F1F

RGB 187 127 31

HSL 36.92, 0.72%, 0.43%

LAB 57.89, 15.52, 56.78

 

CMYK 0 / 31 / 81 / 15

HEX #DA9629

RGB 218 150 41

HSL 36.95, 0.71%, 0.51%

LAB 67.19, 16.82, 62.94

 

CMYK 0 / 25 / 66 / 12

HEX #E0A84D

RGB 224 168 77

HSL 37.14, 0.7%, 0.59%

LAB 72.49, 11.39, 53.68

 

CMYK 0 / 32 / 83 / 27

HEX #BA7F20

RGB 186 127 32

HSL 37.01, 0.71%, 0.43%

LAB 57.77, 15.1, 56.3

 

CMYK 68 / 0 / 83 / 27

HEX #3CBB1F

RGB 60 187 31

HSL 108.85, 0.72%, 0.43%

LAB 66.98, -60.85, 61.76

 

CMYK 65 / 83 / 0 / 27

HEX #411FBB

RGB 65 31 187

HSL 253.08, 0.72%, 0.43%

LAB 28.62, 55.97, -74.75

 

CMYK 0 / 32 / 83 / 27

HEX #BA7F20

RGB 186 127 32

HSL 37.01, 0.71%, 0.43%

LAB 57.77, 15.1, 56.3

 

CMYK 83 / 0 / 32 / 27

HEX #1FBB7F

RGB 31 187 127

HSL 156.92, 0.72%, 0.43%

LAB 67.55, -52.36, 19.78

 

CMYK 32 / 83 / 0 / 27

HEX #7F1FBB

RGB 127 31 187

HSL 276.92, 0.72%, 0.43%

LAB 36.14, 63.52, -62.12

 

CMYK 0 / 32 / 83 / 27

HEX #BA7F20

RGB 186 127 32

HSL 37.01, 0.71%, 0.43%

LAB 57.77, 15.1, 56.3

 

CMYK 68 / 0 / 83 / 27

HEX #3CBB1F

RGB 60 187 31

HSL 108.85, 0.72%, 0.43%

LAB 66.98, -60.85, 61.76

 

CMYK 83 / 51 / 0 / 27

HEX #1F5BBB

RGB 31 91 187

HSL 216.92, 0.72%, 0.43%

LAB 40.18, 17.26, -55.88

 

CMYK 16 / 83 / 0 / 27

HEX #9E1FBB

RGB 158 31 187

HSL 288.85, 0.72%, 0.43%

LAB 40.96, 68.59, -54.08

 

CMYK 0 / 32 / 83 / 27

HEX #BA7F20

RGB 186 127 32

HSL 37.01, 0.71%, 0.43%

LAB 57.77, 15.1, 56.3

 

CMYK 83 / 0 / 74 / 27

HEX #1FBB31

RGB 31 187 49

HSL 126.92, 0.72%, 0.43%

LAB 66.56, -64.08, 55.65

 

CMYK 83 / 51 / 0 / 27

HEX #1F5BBB

RGB 31 91 187

HSL 216.92, 0.72%, 0.43%

LAB 40.18, 17.26, -55.88

 

CMYK 0 / 83 / 10 / 27

HEX #BB1FA9

RGB 187 31 169

HSL 306.92, 0.72%, 0.43%

LAB 44.81, 71.13, -36.98

 

Description

Color code: RGB 186 127 32 | qconv.com Color code: RGB 186 127 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 127 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 127 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 83 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 83% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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