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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 192 201 it is the complementary color RGB 69 63 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 192 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 192 201 shade: RGB 191 192 196, RGB 208 210 215, RGB 225 228 234 and RGB 242 246 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 192 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 169 174 182, RGB 152 156 163, RGB 135 138 144 and RGB 118 120 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 186 188 201, RGB 188 186 201, RGB 192 186 201 and RGB 196 186 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 186 188 201 and RGB 186 186 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 192 201 shade matches the following richer shades: RGB 186 192 201, RGB 176 190 211, RGB 166 188 220, RGB 156 186 230 and RGB 146 184 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 196 194 191, RGB 206 196 181, RGB 216 198 171 and RGB 226 200 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 192 201 shade: RGB 186 200 201, RGB 186 196 201, RGB 186 192 201, RGB 186 188 201 and RGB 188 186 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 192 201 shade: RGB 140 150 164, RGB 163 171 182, RGB 186 192 201, RGB 209 213 219 and RGB 232 234 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 198 186 201 and RGB 198 201 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 201 186 192 and RGB 192 201 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 198 186 201, RGB 201 195 186 and RGB 189 201 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 192 201 shade: RGB 186 192 201, RGB 201 186 199, RGB 201 195 186 and RGB 186 201 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

Complementary color

CMYK 0 / 9 / 22 / 73

HEX #453F36

RGB 69 63 54

HSL 36, 0.12%, 0.24%

LAB 26.98, 0.8, 6.45

 

CMYK 3 / 2 / 0 / 23

HEX #BFC0C4

RGB 191 192 196

HSL 228, 0.04%, 0.76%

LAB 77.73, 0.41, -2.14

 

CMYK 3 / 2 / 0 / 16

HEX #D0D2D7

RGB 208 210 215

HSL 222.86, 0.08%, 0.83%

LAB 84.18, 0.25, -2.71

 

CMYK 4 / 3 / 0 / 8

HEX #E1E4EA

RGB 225 228 234

HSL 220, 0.18%, 0.9%

LAB 90.52, 0.1, -3.28

 

CMYK 4 / 3 / 0 / 1

HEX #F2F6FD

RGB 242 246 253

HSL 218.18, 0.73%, 0.97%

LAB 96.77, -0.05, -3.82

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 7 / 4 / 0 / 29

HEX #A9AEB6

RGB 169 174 182

HSL 216.92, 0.08%, 0.69%

LAB 70.93, -0.18, -4.7

 

CMYK 7 / 4 / 0 / 36

HEX #989CA3

RGB 152 156 163

HSL 218.18, 0.06%, 0.62%

LAB 64.24, -0.03, -4.15

 

CMYK 6 / 4 / 0 / 44

HEX #878A90

RGB 135 138 144

HSL 220, 0.04%, 0.55%

LAB 57.41, 0.12, -3.59

 

CMYK 6 / 4 / 0 / 51

HEX #76787D

RGB 118 120 125

HSL 222.86, 0.03%, 0.48%

LAB 50.41, 0.29, -3

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 7 / 6 / 0 / 21

HEX #BABCC9

RGB 186 188 201

HSL 232, 0.12%, 0.76%

LAB 76.45, 1.81, -6.78

 

CMYK 6 / 7 / 0 / 21

HEX #BCBAC9

RGB 188 186 201

HSL 248, 0.12%, 0.76%

LAB 76.09, 3.56, -7.31

 

CMYK 4 / 7 / 0 / 21

HEX #C0BAC9

RGB 192 186 201

HSL 264, 0.12%, 0.76%

LAB 76.4, 4.92, -6.8

 

CMYK 2 / 7 / 0 / 21

HEX #C4BAC9

RGB 196 186 201

HSL 280, 0.12%, 0.76%

LAB 76.72, 6.28, -6.29

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 7 / 6 / 0 / 21

HEX #BABCC9

RGB 186 188 201

HSL 232, 0.12%, 0.76%

LAB 76.45, 1.81, -6.78

 

CMYK 7 / 7 / 0 / 21

HEX #BABAC9

RGB 186 186 201

HSL 240, 0.12%, 0.76%

LAB 75.93, 2.89, -7.55

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 17 / 10 / 0 / 17

HEX #B0BED3

RGB 176 190 211

HSL 216, 0.28%, 0.76%

LAB 76.53, -0.47, -12.16

 

CMYK 25 / 15 / 0 / 14

HEX #A6BCDC

RGB 166 188 220

HSL 215.56, 0.44%, 0.76%

LAB 75.6, -0.49, -18.51

 

CMYK 32 / 19 / 0 / 10

HEX #9CBAE6

RGB 156 186 230

HSL 215.68, 0.6%, 0.76%

LAB 74.76, 0.07, -25.26

 

CMYK 39 / 23 / 0 / 6

HEX #92B8F0

RGB 146 184 240

HSL 215.74, 0.76%, 0.76%

LAB 73.99, 1.02, -31.91

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 0 / 1 / 3 / 23

HEX #C4C2BF

RGB 196 194 191

HSL 36, 0.04%, 0.76%

LAB 78.51, 0.15, 1.74

 

CMYK 0 / 5 / 12 / 19

HEX #CEC4B5

RGB 206 196 181

HSL 36, 0.2%, 0.76%

LAB 79.58, 0.95, 8.77

 

CMYK 0 / 8 / 21 / 15

HEX #D8C6AB

RGB 216 198 171

HSL 36, 0.37%, 0.76%

LAB 80.7, 2.02, 15.82

 

CMYK 0 / 12 / 29 / 11

HEX #E2C8A1

RGB 226 200 161

HSL 36, 0.53%, 0.76%

LAB 81.87, 3.36, 22.88

 

CMYK 7 / 0 / 0 / 21

HEX #BAC8C9

RGB 186 200 201

HSL 184, 0.12%, 0.76%

LAB 79.59, -4.56, -2.15

 

CMYK 7 / 2 / 0 / 21

HEX #BAC4C9

RGB 186 196 201

HSL 200, 0.12%, 0.76%

LAB 78.54, -2.45, -3.69

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 7 / 6 / 0 / 21

HEX #BABCC9

RGB 186 188 201

HSL 232, 0.12%, 0.76%

LAB 76.45, 1.81, -6.78

 

CMYK 6 / 7 / 0 / 21

HEX #BCBAC9

RGB 188 186 201

HSL 248, 0.12%, 0.76%

LAB 76.09, 3.56, -7.31

 

CMYK 15 / 9 / 0 / 36

HEX #8C96A4

RGB 140 150 164

HSL 215, 0.12%, 0.6%

LAB 61.71, -0.61, -8.56

 

CMYK 10 / 6 / 0 / 29

HEX #A3ABB6

RGB 163 171 182

HSL 214.74, 0.12%, 0.68%

LAB 69.68, -0.59, -6.61

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 5 / 3 / 0 / 14

HEX #D1D5DB

RGB 209 213 219

HSL 216, 0.12%, 0.84%

LAB 85.13, -0.23, -3.44

 

CMYK 2 / 1 / 0 / 7

HEX #E8EAED

RGB 232 234 237

HSL 216, 0.12%, 0.92%

LAB 92.63, -0.12, -1.7

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 1 / 7 / 0 / 21

HEX #C6BAC9

RGB 198 186 201

HSL 288, 0.12%, 0.76%

LAB 76.88, 6.97, -6.03

 

CMYK 1 / 0 / 7 / 21

HEX #C6C9BA

RGB 198 201 186

HSL 72, 0.12%, 0.76%

LAB 80.36, -3.71, 7.13

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 0 / 7 / 4 / 21

HEX #C9BAC0

RGB 201 186 192

HSL 336, 0.12%, 0.76%

LAB 76.89, 6.36, -1.12

 

CMYK 4 / 0 / 7 / 21

HEX #C0C9BA

RGB 192 201 186

HSL 96, 0.12%, 0.76%

LAB 79.91, -5.82, 6.42

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 1 / 7 / 0 / 21

HEX #C6BAC9

RGB 198 186 201

HSL 288, 0.12%, 0.76%

LAB 76.88, 6.97, -6.03

 

CMYK 0 / 3 / 7 / 21

HEX #C9C3BA

RGB 201 195 186

HSL 36, 0.12%, 0.76%

LAB 79.04, 0.51, 5.25

 

CMYK 6 / 0 / 7 / 21

HEX #BDC9BA

RGB 189 201 186

HSL 108, 0.12%, 0.76%

LAB 79.69, -6.87, 6.08

 

CMYK 7 / 4 / 0 / 21

HEX #BAC0C9

RGB 186 192 201

HSL 216, 0.12%, 0.76%

LAB 77.49, -0.33, -5.24

 

CMYK 0 / 7 / 1 / 21

HEX #C9BAC7

RGB 201 186 199

HSL 308, 0.12%, 0.76%

LAB 77.08, 7.63, -4.64

 

CMYK 0 / 3 / 7 / 21

HEX #C9C3BA

RGB 201 195 186

HSL 36, 0.12%, 0.76%

LAB 79.04, 0.51, 5.25

 

CMYK 7 / 0 / 7 / 21

HEX #BAC9BB

RGB 186 201 187

HSL 124, 0.12%, 0.76%

LAB 79.5, -7.73, 5.24

 

Description

Color code: RGB 186 192 201 | qconv.com Color code: RGB 186 192 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 192 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 192 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 4 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 4% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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