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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 216 221 it is the complementary color RGB 69 39 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 216 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 216 221 shade: RGB 191 216 216, RGB 208 234 235, RGB 225 252 254 and RGB 242 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 216 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 169 198 202, RGB 152 180 183, RGB 135 162 164 and RGB 118 144 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 186 207 221, RGB 186 197 221, RGB 186 188 221 and RGB 194 186 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 186 207 221, RGB 186 197 221, RGB 186 188 221 and RGB 186 186 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 216 221 shade matches the following richer shades: RGB 186 216 221, RGB 178 222 229, RGB 170 228 237, RGB 161 234 246 and RGB 153 239 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 194 210 213, RGB 203 204 204, RGB 211 198 196 and RGB 219 192 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 216 221 shade: RGB 186 221 207, RGB 186 221 216, RGB 186 216 221, RGB 186 207 221 and RGB 186 198 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 216 221 shade: RGB 131 185 194, RGB 159 200 207, RGB 186 216 221, RGB 214 232 234 and RGB 241 247 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 198 186 221 and RGB 221 212 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 221 186 216 and RGB 216 221 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 198 186 221, RGB 221 191 186 and RGB 209 221 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 216 221 shade: RGB 186 216 221, RGB 208 186 221, RGB 221 191 186 and RGB 199 221 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

Complementary color

CMYK 0 / 43 / 51 / 73

HEX #452722

RGB 69 39 34

HSL 8.57, 0.34%, 0.2%

LAB 19.36, 13.44, 9.29

 

CMYK 12 / 0 / 0 / 15

HEX #BFD8D8

RGB 191 216 216

HSL 180, 0.24%, 0.8%

LAB 84.56, -8.28, -2.83

 

CMYK 11 / 0 / 0 / 8

HEX #D0EAEB

RGB 208 234 235

HSL 182.22, 0.4%, 0.87%

LAB 90.9, -8.3, -3.39

 

CMYK 11 / 1 / 0 / 0

HEX #E1FCFE

RGB 225 252 254

HSL 184.14, 0.94%, 0.94%

LAB 97.14, -8.32, -3.93

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 16 / 2 / 0 / 21

HEX #A9C6CA

RGB 169 198 202

HSL 187.27, 0.24%, 0.73%

LAB 77.93, -8.86, -5.27

 

CMYK 17 / 2 / 0 / 28

HEX #98B4B7

RGB 152 180 183

HSL 185.81, 0.18%, 0.66%

LAB 71.38, -8.87, -4.73

 

CMYK 18 / 1 / 0 / 36

HEX #87A2A4

RGB 135 162 164

HSL 184.14, 0.14%, 0.59%

LAB 64.7, -8.89, -4.17

 

CMYK 19 / 1 / 0 / 43

HEX #769091

RGB 118 144 145

HSL 182.22, 0.11%, 0.52%

LAB 57.89, -8.92, -3.59

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 16 / 6 / 0 / 13

HEX #BACFDD

RGB 186 207 221

HSL 204, 0.34%, 0.8%

LAB 81.99, -4.18, -9.32

 

CMYK 16 / 11 / 0 / 13

HEX #BAC5DD

RGB 186 197 221

HSL 221.14, 0.34%, 0.8%

LAB 79.38, 1.11, -13.22

 

CMYK 16 / 15 / 0 / 13

HEX #BABCDD

RGB 186 188 221

HSL 236.57, 0.34%, 0.8%

LAB 77.06, 5.95, -16.71

 

CMYK 12 / 16 / 0 / 13

HEX #C2BADD

RGB 194 186 221

HSL 253.71, 0.34%, 0.8%

LAB 77.17, 9.6, -16.49

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 16 / 6 / 0 / 13

HEX #BACFDD

RGB 186 207 221

HSL 204, 0.34%, 0.8%

LAB 81.99, -4.18, -9.32

 

CMYK 16 / 11 / 0 / 13

HEX #BAC5DD

RGB 186 197 221

HSL 221.14, 0.34%, 0.8%

LAB 79.38, 1.11, -13.22

 

CMYK 16 / 15 / 0 / 13

HEX #BABCDD

RGB 186 188 221

HSL 236.57, 0.34%, 0.8%

LAB 77.06, 5.95, -16.71

 

CMYK 16 / 16 / 0 / 13

HEX #BABADD

RGB 186 186 221

HSL 240, 0.34%, 0.8%

LAB 76.54, 7.03, -17.48

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 22 / 3 / 0 / 10

HEX #B2DEE5

RGB 178 222 229

HSL 188.24, 0.5%, 0.8%

LAB 85.69, -12.7, -8.14

 

CMYK 28 / 4 / 0 / 7

HEX #AAE4ED

RGB 170 228 237

HSL 188.06, 0.65%, 0.8%

LAB 87.07, -16.28, -10.35

 

CMYK 35 / 5 / 0 / 4

HEX #A1EAF6

RGB 161 234 246

HSL 188.47, 0.83%, 0.8%

LAB 88.48, -19.65, -13.02

 

CMYK 40 / 6 / 0 / 0

HEX #99EFFE

RGB 153 239 254

HSL 188.91, 0.98%, 0.8%

LAB 89.7, -22.23, -15.42

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 9 / 1 / 0 / 16

HEX #C2D2D5

RGB 194 210 213

HSL 189.47, 0.18%, 0.8%

LAB 83.11, -4.79, -3.34

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCC

RGB 203 204 204

HSL 180, 0.01%, 0.8%

LAB 81.97, -0.34, -0.13

 

CMYK 0 / 6 / 7 / 17

HEX #D3C6C4

RGB 211 198 196

HSL 8, 0.15%, 0.8%

LAB 80.86, 4.19, 2.62

 

CMYK 0 / 12 / 14 / 14

HEX #DBC0BC

RGB 219 192 188

HSL 7.74, 0.3%, 0.8%

LAB 79.84, 8.91, 5.52

 

CMYK 16 / 0 / 6 / 13

HEX #BADDCF

RGB 186 221 207

HSL 156, 0.34%, 0.8%

LAB 85.33, -14.22, 3.02

 

CMYK 16 / 0 / 2 / 13

HEX #BADDD8

RGB 186 221 216

HSL 171.43, 0.34%, 0.8%

LAB 85.56, -12.44, -1.4

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 16 / 6 / 0 / 13

HEX #BACFDD

RGB 186 207 221

HSL 204, 0.34%, 0.8%

LAB 81.99, -4.18, -9.32

 

CMYK 16 / 10 / 0 / 13

HEX #BAC6DD

RGB 186 198 221

HSL 219.43, 0.34%, 0.8%

LAB 79.64, 0.58, -12.83

 

CMYK 32 / 5 / 0 / 24

HEX #83B9C2

RGB 131 185 194

HSL 188.57, 0.34%, 0.64%

LAB 71.84, -15.36, -10.21

 

CMYK 23 / 3 / 0 / 19

HEX #9FC8CF

RGB 159 200 207

HSL 188.75, 0.33%, 0.72%

LAB 77.98, -11.93, -7.95

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 9 / 1 / 0 / 8

HEX #D6E8EA

RGB 214 232 234

HSL 186, 0.32%, 0.88%

LAB 90.76, -5.55, -3.02

 

CMYK 3 / 0 / 0 / 3

HEX #F1F7F8

RGB 241 247 248

HSL 188.57, 0.33%, 0.96%

LAB 96.82, -1.79, -1.18

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 10 / 16 / 0 / 13

HEX #C6BADD

RGB 198 186 221

HSL 260.57, 0.34%, 0.8%

LAB 77.49, 10.9, -15.97

 

CMYK 0 / 4 / 16 / 13

HEX #DDD4BA

RGB 221 212 186

HSL 44.57, 0.34%, 0.8%

LAB 85, -1.18, 13.98

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 0 / 16 / 2 / 13

HEX #DDBAD8

RGB 221 186 216

HSL 308.57, 0.34%, 0.8%

LAB 79.3, 17.61, -10.35

 

CMYK 2 / 0 / 16 / 13

HEX #D8DDBA

RGB 216 221 186

HSL 68.57, 0.34%, 0.8%

LAB 86.93, -7.61, 16.63

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 10 / 16 / 0 / 13

HEX #C6BADD

RGB 198 186 221

HSL 260.57, 0.34%, 0.8%

LAB 77.49, 10.9, -15.97

 

CMYK 0 / 14 / 16 / 13

HEX #DDBFBA

RGB 221 191 186

HSL 8.57, 0.34%, 0.8%

LAB 79.72, 9.85, 6.45

 

CMYK 5 / 0 / 16 / 13

HEX #D1DDBA

RGB 209 221 186

HSL 80.57, 0.34%, 0.8%

LAB 86.41, -10.11, 15.84

 

CMYK 16 / 2 / 0 / 13

HEX #BAD8DD

RGB 186 216 221

HSL 188.57, 0.34%, 0.8%

LAB 84.37, -8.86, -5.8

 

CMYK 6 / 16 / 0 / 13

HEX #D0BADD

RGB 208 186 221

HSL 277.71, 0.34%, 0.8%

LAB 78.31, 14.19, -14.64

 

CMYK 0 / 14 / 16 / 13

HEX #DDBFBA

RGB 221 191 186

HSL 8.57, 0.34%, 0.8%

LAB 79.72, 9.85, 6.45

 

CMYK 10 / 0 / 16 / 13

HEX #C7DDBA

RGB 199 221 186

HSL 97.71, 0.34%, 0.8%

LAB 85.71, -13.62, 14.74

 

Description

Color code: RGB 186 216 221 | qconv.com Color code: RGB 186 216 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 216 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 216 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 2 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 2% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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