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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 206 192 it is the complementary color RGB 68 49 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 206 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 206 192 shade: RGB 192 206 187, RGB 209 224 206, RGB 226 242 225 and RGB 243 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 206 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 206 192 shade: RGB 187 206 192, RGB 170 188 173, RGB 153 170 154, RGB 136 152 135 and RGB 119 134 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 206 192 shade: RGB 186 205 191, RGB 187 205 186, RGB 192 205 186, RGB 197 205 186 and RGB 202 205 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 206 192 shade: RGB 186 205 191, RGB 186 205 196, RGB 186 205 202, RGB 186 204 205 and RGB 186 199 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 206 192 shade matches the following richer shades: RGB 186 205 191, RGB 177 215 187, RGB 167 224 182, RGB 158 234 178 and RGB 149 243 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 206 192 shade: RGB 186 205 191, RGB 196 196 196, RGB 205 186 200, RGB 215 177 205 and RGB 224 167 209

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 206 192 shade: RGB 192 205 186, RGB 187 205 186, RGB 186 205 191, RGB 186 205 196 and RGB 186 205 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 206 192 shade: RGB 139 171 147, RGB 163 188 169, RGB 186 205 191, RGB 210 223 214 and RGB 234 240 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 206 192 shade: RGB 187 206 192, RGB 186 197 205 and RGB 205 186 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 206 192 shade: RGB 187 206 192, RGB 191 186 205 and RGB 205 191 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 206 192 shade: RGB 187 206 192, RGB 186 197 205, RGB 205 186 201 and RGB 205 195 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 206 192 shade: RGB 187 206 192, RGB 186 191 205, RGB 205 186 201 and RGB 205 201 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 7 / 19

HEX #BBCEC0

RGB 187 206 192

HSL 135.79, 0.16%, 0.77%

LAB 81.02, -9.06, 4.77

 

Complementary color

CMYK 0 / 28 / 7 / 73

HEX #44313F

RGB 68 49 63

HSL 315.79, 0.16%, 0.23%

LAB 22.95, 11.38, -5.43

 

CMYK 7 / 0 / 9 / 19

HEX #C0CEBB

RGB 192 206 187

HSL 104.21, 0.16%, 0.77%

LAB 81.26, -8.24, 7.82

 

CMYK 7 / 0 / 8 / 12

HEX #D1E0CE

RGB 209 224 206

HSL 110, 0.23%, 0.84%

LAB 87.64, -8.28, 7.09

 

CMYK 7 / 0 / 7 / 5

HEX #E2F2E1

RGB 226 242 225

HSL 116.47, 0.4%, 0.92%

LAB 93.93, -8.32, 6.38

 

CMYK 5 / 0 / 4 / 0

HEX #F3FFF4

RGB 243 255 244

HSL 125, 1%, 0.98%

LAB 98.87, -5.87, 3.88

 

CMYK 9 / 0 / 7 / 19

HEX #BBCEC0

RGB 187 206 192

HSL 135.79, 0.16%, 0.77%

LAB 81.02, -9.06, 4.77

 

CMYK 10 / 0 / 8 / 26

HEX #AABCAD

RGB 170 188 173

HSL 130, 0.12%, 0.7%

LAB 74.53, -9.05, 5.48

 

CMYK 10 / 0 / 9 / 33

HEX #99AA9A

RGB 153 170 154

HSL 123.53, 0.09%, 0.63%

LAB 67.91, -9.06, 6.23

 

CMYK 11 / 0 / 11 / 40

HEX #889887

RGB 136 152 135

HSL 116.47, 0.08%, 0.56%

LAB 61.17, -9.07, 7.02

 

CMYK 11 / 0 / 13 / 47

HEX #778674

RGB 119 134 116

HSL 110, 0.07%, 0.49%

LAB 54.27, -9.09, 7.86

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 6 / 0 / 9 / 20

HEX #C0CDBA

RGB 192 205 186

HSL 101.05, 0.16%, 0.77%

LAB 80.97, -7.9, 7.94

 

CMYK 4 / 0 / 9 / 20

HEX #C5CDBA

RGB 197 205 186

HSL 85.26, 0.16%, 0.77%

LAB 81.33, -6.15, 8.51

 

CMYK 1 / 0 / 9 / 20

HEX #CACDBA

RGB 202 205 186

HSL 69.47, 0.16%, 0.77%

LAB 81.71, -4.38, 9.1

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 9 / 0 / 4 / 20

HEX #BACDC4

RGB 186 205 196

HSL 151.58, 0.16%, 0.77%

LAB 80.79, -8.13, 2.28

 

CMYK 9 / 0 / 1 / 20

HEX #BACDCA

RGB 186 205 202

HSL 170.53, 0.16%, 0.77%

LAB 80.94, -6.98, -0.71

 

CMYK 9 / 0 / 0 / 20

HEX #BACCCD

RGB 186 204 205

HSL 183.16, 0.16%, 0.77%

LAB 80.76, -5.87, -2.59

 

CMYK 9 / 3 / 0 / 20

HEX #BAC7CD

RGB 186 199 205

HSL 198.95, 0.16%, 0.77%

LAB 79.44, -3.24, -4.53

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 18 / 0 / 13 / 16

HEX #B1D7BB

RGB 177 215 187

HSL 135.79, 0.32%, 0.77%

LAB 82.67, -17.92, 9.7

 

CMYK 25 / 0 / 19 / 12

HEX #A7E0B6

RGB 167 224 182

HSL 135.79, 0.48%, 0.77%

LAB 84.43, -26.51, 14.76

 

CMYK 32 / 0 / 24 / 8

HEX #9EEAB2

RGB 158 234 178

HSL 135.79, 0.64%, 0.77%

LAB 86.67, -34.75, 19.9

 

CMYK 39 / 0 / 29 / 5

HEX #95F3AD

RGB 149 243 173

HSL 135.32, 0.8%, 0.77%

LAB 88.69, -42.34, 25.19

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 0 / 0 / 0 / 23

HEX #C4C4C4

RGB 196 196 196

HSL 0, 0%, 0.77%

LAB 79.16, 0, -0.01

 

CMYK 0 / 9 / 2 / 20

HEX #CDBAC8

RGB 205 186 200

HSL 315.79, 0.16%, 0.77%

LAB 77.44, 9.2, -4.6

 

CMYK 0 / 18 / 5 / 16

HEX #D7B1CD

RGB 215 177 205

HSL 315.79, 0.32%, 0.77%

LAB 76.25, 18.42, -8.98

 

CMYK 0 / 25 / 7 / 12

HEX #E0A7D1

RGB 224 167 209

HSL 315.79, 0.48%, 0.77%

LAB 74.88, 27.61, -13.12

 

CMYK 6 / 0 / 9 / 20

HEX #C0CDBA

RGB 192 205 186

HSL 101.05, 0.16%, 0.77%

LAB 80.97, -7.9, 7.94

 

CMYK 9 / 0 / 9 / 20

HEX #BBCDBA

RGB 187 205 186

HSL 116.84, 0.16%, 0.77%

LAB 80.61, -9.63, 7.38

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 9 / 0 / 4 / 20

HEX #BACDC4

RGB 186 205 196

HSL 151.58, 0.16%, 0.77%

LAB 80.79, -8.13, 2.28

 

CMYK 9 / 0 / 2 / 20

HEX #BACDC9

RGB 186 205 201

HSL 167.37, 0.16%, 0.77%

LAB 80.92, -7.17, -0.21

 

CMYK 19 / 0 / 14 / 33

HEX #8BAB93

RGB 139 171 147

HSL 135, 0.16%, 0.61%

LAB 67.07, -15.82, 8.76

 

CMYK 13 / 0 / 10 / 26

HEX #A3BCA9

RGB 163 188 169

HSL 134.4, 0.16%, 0.69%

LAB 73.94, -12.22, 6.75

 

CMYK 9 / 0 / 7 / 20

HEX #BACDBF

RGB 186 205 191

HSL 135.79, 0.16%, 0.77%

LAB 80.66, -9.07, 4.77

 

CMYK 6 / 0 / 4 / 13

HEX #D2DFD6

RGB 210 223 214

HSL 138.46, 0.17%, 0.85%

LAB 87.65, -6, 2.89

 

CMYK 3 / 0 / 2 / 6

HEX #EAF0EC

RGB 234 240 236

HSL 140, 0.17%, 0.93%

LAB 94.26, -2.7, 1.22

 

CMYK 9 / 0 / 7 / 19

HEX #BBCEC0

RGB 187 206 192

HSL 135.79, 0.16%, 0.77%

LAB 81.02, -9.06, 4.77

 

CMYK 9 / 4 / 0 / 20

HEX #BAC5CD

RGB 186 197 205

HSL 205.26, 0.16%, 0.77%

LAB 78.91, -2.19, -5.3

 

CMYK 0 / 9 / 8 / 20

HEX #CDBABD

RGB 205 186 189

HSL 350.53, 0.16%, 0.77%

LAB 77.14, 7.25, 0.93

 

CMYK 9 / 0 / 7 / 19

HEX #BBCEC0

RGB 187 206 192

HSL 135.79, 0.16%, 0.77%

LAB 81.02, -9.06, 4.77

 

CMYK 7 / 9 / 0 / 20

HEX #BFBACD

RGB 191 186 205

HSL 255.79, 0.16%, 0.77%

LAB 76.44, 5.36, -8.93

 

CMYK 0 / 7 / 9 / 20

HEX #CDBFBA

RGB 205 191 186

HSL 15.79, 0.16%, 0.77%

LAB 78.34, 4.07, 4.28

 

CMYK 9 / 0 / 7 / 19

HEX #BBCEC0

RGB 187 206 192

HSL 135.79, 0.16%, 0.77%

LAB 81.02, -9.06, 4.77

 

CMYK 9 / 4 / 0 / 20

HEX #BAC5CD

RGB 186 197 205

HSL 205.26, 0.16%, 0.77%

LAB 78.91, -2.19, -5.3

 

CMYK 0 / 9 / 2 / 20

HEX #CDBAC9

RGB 205 186 201

HSL 312.63, 0.16%, 0.77%

LAB 77.47, 9.38, -5.11

 

CMYK 0 / 5 / 9 / 20

HEX #CDC3BA

RGB 205 195 186

HSL 28.42, 0.16%, 0.77%

LAB 79.36, 1.94, 5.76

 

CMYK 9 / 0 / 7 / 19

HEX #BBCEC0

RGB 187 206 192

HSL 135.79, 0.16%, 0.77%

LAB 81.02, -9.06, 4.77

 

CMYK 9 / 7 / 0 / 20

HEX #BABFCD

RGB 186 191 205

HSL 224.21, 0.16%, 0.77%

LAB 77.35, 1.01, -7.62

 

CMYK 0 / 9 / 2 / 20

HEX #CDBAC9

RGB 205 186 201

HSL 312.63, 0.16%, 0.77%

LAB 77.47, 9.38, -5.11

 

CMYK 0 / 2 / 9 / 20

HEX #CDC9BA

RGB 205 201 186

HSL 47.37, 0.16%, 0.77%

LAB 80.9, -1.22, 7.98

 

Description

Color code: RGB 187 206 192 | qconv.com Color code: RGB 187 206 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 206 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 206 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 7 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 7% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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