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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 210 198 it is the complementary color RGB 68 45 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 210 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 210 198 shade: RGB 192 210 193, RGB 209 228 212, RGB 226 246 231 and RGB 243 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 210 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 170 192 179, RGB 153 174 160, RGB 136 156 141 and RGB 119 138 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 187 210 192, RGB 189 210 187, RGB 195 210 187 and RGB 201 210 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 187 210 204, RGB 187 209 210, RGB 187 203 210 and RGB 187 197 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 210 198 shade matches the following richer shades: RGB 187 210 198, RGB 178 219 198, RGB 169 228 197, RGB 160 237 197 and RGB 151 246 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 196 201 198, RGB 205 191 199, RGB 214 182 199 and RGB 223 173 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 210 198 shade: RGB 189 210 187, RGB 187 210 192, RGB 187 210 198, RGB 187 210 204 and RGB 187 210 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 210 198 shade: RGB 138 177 156, RGB 162 193 177, RGB 187 210 198, RGB 212 226 219 and RGB 237 243 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 187 195 210 and RGB 210 189 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 198 187 210 and RGB 210 198 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 187 195 210, RGB 210 187 199 and RGB 210 202 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 210 198 shade: RGB 187 210 198, RGB 187 188 210, RGB 210 187 199 and RGB 210 209 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

Complementary color

CMYK 0 / 34 / 16 / 73

HEX #442D39

RGB 68 45 57

HSL 328.7, 0.2%, 0.22%

LAB 21.58, 12.8, -3.38

 

CMYK 9 / 0 / 8 / 18

HEX #C0D2C1

RGB 192 210 193

HSL 123.33, 0.17%, 0.79%

LAB 82.46, -9.23, 6.35

 

CMYK 8 / 0 / 7 / 11

HEX #D1E4D4

RGB 209 228 212

HSL 129.47, 0.26%, 0.86%

LAB 88.83, -9.25, 5.64

 

CMYK 8 / 0 / 6 / 4

HEX #E2F6E7

RGB 226 246 231

HSL 135, 0.53%, 0.93%

LAB 95.1, -9.27, 4.96

 

CMYK 5 / 0 / 2 / 0

HEX #F3FFFA

RGB 243 255 250

HSL 155, 1%, 0.98%

LAB 99.02, -4.81, 1.01

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 11 / 0 / 7 / 25

HEX #AAC0B3

RGB 170 192 179

HSL 144.55, 0.15%, 0.71%

LAB 75.76, -10.02, 4.01

 

CMYK 12 / 0 / 8 / 32

HEX #99AEA0

RGB 153 174 160

HSL 140, 0.11%, 0.64%

LAB 69.17, -10.04, 4.72

 

CMYK 13 / 0 / 10 / 39

HEX #889C8D

RGB 136 156 141

HSL 135, 0.09%, 0.57%

LAB 62.45, -10.08, 5.48

 

CMYK 14 / 0 / 12 / 46

HEX #778A7A

RGB 119 138 122

HSL 129.47, 0.08%, 0.5%

LAB 55.59, -10.14, 6.27

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 11 / 0 / 9 / 18

HEX #BBD2C0

RGB 187 210 192

HSL 133.04, 0.2%, 0.78%

LAB 82.09, -11.12, 6.3

 

CMYK 10 / 0 / 11 / 18

HEX #BDD2BB

RGB 189 210 187

HSL 114.78, 0.2%, 0.78%

LAB 82.11, -11.33, 9.01

 

CMYK 7 / 0 / 11 / 18

HEX #C3D2BB

RGB 195 210 187

HSL 99.13, 0.2%, 0.78%

LAB 82.53, -9.26, 9.67

 

CMYK 4 / 0 / 11 / 18

HEX #C9D2BB

RGB 201 210 187

HSL 83.48, 0.2%, 0.78%

LAB 82.97, -7.15, 10.35

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 11 / 0 / 3 / 18

HEX #BBD2CC

RGB 187 210 204

HSL 164.35, 0.2%, 0.78%

LAB 82.39, -8.85, 0.34

 

CMYK 11 / 0 / 0 / 18

HEX #BBD1D2

RGB 187 209 210

HSL 182.61, 0.2%, 0.78%

LAB 82.28, -7.15, -3.01

 

CMYK 11 / 3 / 0 / 18

HEX #BBCBD2

RGB 187 203 210

HSL 198.26, 0.2%, 0.78%

LAB 80.7, -4.02, -5.34

 

CMYK 11 / 6 / 0 / 18

HEX #BBC5D2

RGB 187 197 210

HSL 213.91, 0.2%, 0.78%

LAB 79.13, -0.85, -7.67

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 19 / 0 / 10 / 14

HEX #B2DBC6

RGB 178 219 198

HSL 149.27, 0.36%, 0.78%

LAB 84.07, -17.53, 5.9

 

CMYK 26 / 0 / 14 / 11

HEX #A9E4C5

RGB 169 228 197

HSL 148.47, 0.52%, 0.78%

LAB 85.98, -25, 9.1

 

CMYK 32 / 0 / 17 / 7

HEX #A0EDC5

RGB 160 237 197

HSL 148.83, 0.68%, 0.78%

LAB 88, -31.99, 11.92

 

CMYK 39 / 0 / 20 / 4

HEX #97F6C4

RGB 151 246 196

HSL 148.42, 0.84%, 0.78%

LAB 90.08, -38.87, 15.32

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 2 / 0 / 1 / 21

HEX #C4C9C6

RGB 196 201 198

HSL 144, 0.04%, 0.78%

LAB 80.51, -2.27, 0.89

 

CMYK 0 / 7 / 3 / 20

HEX #CDBFC7

RGB 205 191 199

HSL 325.71, 0.12%, 0.78%

LAB 78.67, 6.34, -2.25

 

CMYK 0 / 15 / 7 / 16

HEX #D6B6C7

RGB 214 182 199

HSL 328.13, 0.28%, 0.78%

LAB 77.21, 14.32, -4.32

 

CMYK 0 / 22 / 11 / 13

HEX #DFADC7

RGB 223 173 199

HSL 328.8, 0.44%, 0.78%

LAB 75.88, 22.32, -6.17

 

CMYK 10 / 0 / 11 / 18

HEX #BDD2BB

RGB 189 210 187

HSL 114.78, 0.2%, 0.78%

LAB 82.11, -11.33, 9.01

 

CMYK 11 / 0 / 9 / 18

HEX #BBD2C0

RGB 187 210 192

HSL 133.04, 0.2%, 0.78%

LAB 82.09, -11.12, 6.3

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 11 / 0 / 3 / 18

HEX #BBD2CC

RGB 187 210 204

HSL 164.35, 0.2%, 0.78%

LAB 82.39, -8.85, 0.34

 

CMYK 11 / 0 / 0 / 18

HEX #BBD2D2

RGB 187 210 210

HSL 180, 0.2%, 0.78%

LAB 82.55, -7.67, -2.62

 

CMYK 22 / 0 / 12 / 31

HEX #8AB19C

RGB 138 177 156

HSL 147.69, 0.2%, 0.62%

LAB 68.93, -17.51, 6.45

 

CMYK 16 / 0 / 8 / 24

HEX #A2C1B1

RGB 162 193 177

HSL 149.03, 0.2%, 0.7%

LAB 75.45, -13.62, 4.57

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 6 / 0 / 3 / 11

HEX #D4E2DB

RGB 212 226 219

HSL 150, 0.19%, 0.86%

LAB 88.69, -5.96, 1.8

 

CMYK 2 / 0 / 1 / 5

HEX #EDF3F0

RGB 237 243 240

HSL 150, 0.2%, 0.94%

LAB 95.33, -2.52, 0.74

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 11 / 7 / 0 / 18

HEX #BBC3D2

RGB 187 195 210

HSL 219.13, 0.2%, 0.78%

LAB 78.61, 0.21, -8.44

 

CMYK 0 / 10 / 11 / 18

HEX #D2BDBB

RGB 210 189 187

HSL 5.22, 0.2%, 0.78%

LAB 78.28, 7.1, 3.71

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 6 / 11 / 0 / 18

HEX #C6BBD2

RGB 198 187 210

HSL 268.7, 0.2%, 0.78%

LAB 77.4, 8.16, -10.15

 

CMYK 0 / 6 / 11 / 18

HEX #D2C6BB

RGB 210 198 187

HSL 28.7, 0.2%, 0.78%

LAB 80.56, 2.32, 7

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 11 / 7 / 0 / 18

HEX #BBC3D2

RGB 187 195 210

HSL 219.13, 0.2%, 0.78%

LAB 78.61, 0.21, -8.44

 

CMYK 0 / 11 / 5 / 18

HEX #D2BBC7

RGB 210 187 199

HSL 328.7, 0.2%, 0.78%

LAB 78.09, 10.23, -3.06

 

CMYK 0 / 4 / 11 / 18

HEX #D2CABB

RGB 210 202 187

HSL 39.13, 0.2%, 0.78%

LAB 81.58, 0.21, 8.47

 

CMYK 11 / 0 / 6 / 18

HEX #BBD2C6

RGB 187 210 198

HSL 148.7, 0.2%, 0.78%

LAB 82.24, -10, 3.32

 

CMYK 11 / 10 / 0 / 18

HEX #BBBCD2

RGB 187 188 210

HSL 237.39, 0.2%, 0.78%

LAB 76.79, 3.96, -11.15

 

CMYK 0 / 11 / 5 / 18

HEX #D2BBC7

RGB 210 187 199

HSL 328.7, 0.2%, 0.78%

LAB 78.09, 10.23, -3.06

 

CMYK 0 / 0 / 11 / 18

HEX #D2D1BB

RGB 210 209 187

HSL 57.39, 0.2%, 0.78%

LAB 83.38, -3.44, 11.04

 

Description

Color code: RGB 187 210 198 | qconv.com Color code: RGB 187 210 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 210 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 210 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 6 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 6% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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