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Color name
RGB 187 240 126

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 240 126 it is the complementary color RGB 68 15 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 240 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 240 126 shade: RGB 192 240 121, RGB 209 255 140, RGB 226 255 159, RGB 243 255 178 and RGB 255 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 240 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 240 126 shade: RGB 187 240 126, RGB 170 222 107, RGB 153 204 88, RGB 136 186 69 and RGB 119 168 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 240 126 shade: RGB 187 240 127, RGB 217 240 127, RGB 240 231 127, RGB 240 201 127 and RGB 240 170 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 240 126 shade: RGB 187 240 127, RGB 157 240 127, RGB 127 240 127, RGB 127 240 158 and RGB 127 240 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 240 126 shade matches the following richer shades: RGB 187 240 127 and RGB 188 251 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 240 126 shade: RGB 187 240 127, RGB 186 228 138, RGB 185 216 150, RGB 185 205 161 and RGB 184 193 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 240 126 shade: RGB 240 230 127, RGB 219 240 127, RGB 189 240 127, RGB 159 240 127 and RGB 129 240 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 240 126 shade: RGB 148 231 53, RGB 168 235 90, RGB 187 240 127, RGB 207 244 164 and RGB 226 248 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 240 126 shade: RGB 187 240 126, RGB 127 240 200 and RGB 240 127 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 240 126 shade: RGB 187 240 126, RGB 127 189 240 and RGB 240 127 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 240 126 shade: RGB 187 240 126, RGB 127 240 200, RGB 177 127 240 and RGB 240 127 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 240 126 shade: RGB 187 240 126, RGB 127 240 234, RGB 177 127 240 and RGB 240 127 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 48 / 6

HEX #BBF07E

RGB 187 240 126

HSL 87.89, 0.79%, 0.72%

LAB 89.11, -35.33, 49.4

 

Complementary color

CMYK 47 / 88 / 0 / 49

HEX #440F81

RGB 68 15 129

HSL 267.89, 0.79%, 0.28%

LAB 20.66, 46.65, -52.42

 

CMYK 20 / 0 / 50 / 6

HEX #C0F079

RGB 192 240 121

HSL 84.2, 0.8%, 0.71%

LAB 89.35, -34.06, 52.11

 

CMYK 18 / 0 / 45 / 0

HEX #D1FF8C

RGB 209 255 140

HSL 84, 1%, 0.77%

LAB 94.73, -32.74, 50

 

CMYK 11 / 0 / 38 / 0

HEX #E2FF9F

RGB 226 255 159

HSL 78.13, 1%, 0.81%

LAB 96.08, -24.4, 42.79

 

CMYK 5 / 0 / 30 / 0

HEX #F3FFB2

RGB 243 255 178

HSL 69.35, 1%, 0.85%

LAB 97.55, -15.85, 35.56

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 22 / 0 / 48 / 6

HEX #BBF07E

RGB 187 240 126

HSL 87.89, 0.79%, 0.72%

LAB 89.11, -35.33, 49.4

 

CMYK 23 / 0 / 52 / 13

HEX #AADE6B

RGB 170 222 107

HSL 87.13, 0.64%, 0.65%

LAB 82.83, -35.29, 50.51

 

CMYK 25 / 0 / 57 / 20

HEX #99CC58

RGB 153 204 88

HSL 86.38, 0.53%, 0.57%

LAB 76.47, -35.19, 51.56

 

CMYK 27 / 0 / 63 / 27

HEX #88BA45

RGB 136 186 69

HSL 85.64, 0.46%, 0.5%

LAB 70.02, -35.01, 52.47

 

CMYK 29 / 0 / 70 / 34

HEX #77A832

RGB 119 168 50

HSL 84.92, 0.54%, 0.43%

LAB 63.47, -34.7, 53.06

 

CMYK 22 / 0 / 47 / 6

HEX #BBF07F

RGB 187 240 127

HSL 88.14, 0.79%, 0.72%

LAB 89.12, -35.22, 48.94

 

CMYK 10 / 0 / 47 / 6

HEX #D9F07F

RGB 217 240 127

HSL 72.21, 0.79%, 0.72%

LAB 91.05, -24.1, 51.75

 

CMYK 0 / 4 / 47 / 6

HEX #F0E77F

RGB 240 231 127

HSL 55.22, 0.79%, 0.72%

LAB 90.42, -10.76, 51.37

 

CMYK 0 / 16 / 47 / 6

HEX #F0C97F

RGB 240 201 127

HSL 39.29, 0.79%, 0.72%

LAB 82.82, 4.5, 41.98

 

CMYK 0 / 29 / 47 / 6

HEX #F0AA7F

RGB 240 170 127

HSL 22.83, 0.79%, 0.72%

LAB 75.33, 20.81, 32.37

 

CMYK 22 / 0 / 47 / 6

HEX #BBF07F

RGB 187 240 127

HSL 88.14, 0.79%, 0.72%

LAB 89.12, -35.22, 48.94

 

CMYK 35 / 0 / 47 / 6

HEX #9DF07F

RGB 157 240 127

HSL 104.07, 0.79%, 0.72%

LAB 87.5, -45.47, 46.57

 

CMYK 47 / 0 / 47 / 6

HEX #7FF07F

RGB 127 240 127

HSL 120, 0.79%, 0.72%

LAB 86.19, -54.43, 44.66

 

CMYK 47 / 0 / 34 / 6

HEX #7FF09E

RGB 127 240 158

HSL 136.46, 0.79%, 0.72%

LAB 86.65, -49.67, 29.92

 

CMYK 47 / 0 / 22 / 6

HEX #7FF0BC

RGB 127 240 188

HSL 152.39, 0.79%, 0.72%

LAB 87.22, -44.04, 15.29

 

CMYK 22 / 0 / 47 / 6

HEX #BBF07F

RGB 187 240 127

HSL 88.14, 0.79%, 0.72%

LAB 89.12, -35.22, 48.94

 

CMYK 25 / 0 / 54 / 2

HEX #BCFB73

RGB 188 251 115

HSL 87.79, 0.94%, 0.72%

LAB 92.1, -41.04, 58.04

 

CMYK 22 / 0 / 47 / 6

HEX #BBF07F

RGB 187 240 127

HSL 88.14, 0.79%, 0.72%

LAB 89.12, -35.22, 48.94

 

CMYK 18 / 0 / 39 / 11

HEX #BAE48A

RGB 186 228 138

HSL 88, 0.63%, 0.72%

LAB 85.89, -28.71, 39.51

 

CMYK 14 / 0 / 31 / 15

HEX #B9D896

RGB 185 216 150

HSL 88.18, 0.46%, 0.72%

LAB 82.72, -21.69, 29.25

 

CMYK 10 / 0 / 21 / 20

HEX #B9CDA1

RGB 185 205 161

HSL 87.27, 0.31%, 0.72%

LAB 79.93, -14.55, 19.7

 

CMYK 5 / 0 / 10 / 24

HEX #B8C1AD

RGB 184 193 173

HSL 87, 0.14%, 0.72%

LAB 76.89, -6.74, 9

 

CMYK 0 / 4 / 47 / 6

HEX #F0E67F

RGB 240 230 127

HSL 54.69, 0.79%, 0.72%

LAB 90.16, -10.26, 51.06

 

CMYK 9 / 0 / 47 / 6

HEX #DBF07F

RGB 219 240 127

HSL 71.15, 0.79%, 0.72%

LAB 91.19, -23.34, 51.95

 

CMYK 21 / 0 / 47 / 6

HEX #BDF07F

RGB 189 240 127

HSL 87.08, 0.79%, 0.72%

LAB 89.24, -34.51, 49.11

 

CMYK 34 / 0 / 47 / 6

HEX #9FF07F

RGB 159 240 127

HSL 103.01, 0.79%, 0.72%

LAB 87.59, -44.82, 46.71

 

CMYK 46 / 0 / 47 / 6

HEX #81F07F

RGB 129 240 127

HSL 118.94, 0.79%, 0.72%

LAB 86.27, -53.88, 44.77

 

CMYK 36 / 0 / 77 / 9

HEX #94E735

RGB 148 231 53

HSL 87.98, 0.79%, 0.56%

LAB 83.81, -51.11, 72.41

 

CMYK 29 / 0 / 62 / 8

HEX #A8EB5A

RGB 168 235 90

HSL 87.72, 0.78%, 0.64%

LAB 86.25, -43.37, 61.89

 

CMYK 22 / 0 / 47 / 6

HEX #BBF07F

RGB 187 240 127

HSL 88.14, 0.79%, 0.72%

LAB 89.12, -35.22, 48.94

 

CMYK 15 / 0 / 33 / 4

HEX #CFF4A4

RGB 207 244 164

HSL 87.75, 0.78%, 0.8%

LAB 91.97, -25.38, 34.72

 

CMYK 9 / 0 / 19 / 3

HEX #E2F8C9

RGB 226 248 201

HSL 88.09, 0.77%, 0.88%

LAB 94.96, -15.26, 20.21

 

CMYK 22 / 0 / 48 / 6

HEX #BBF07E

RGB 187 240 126

HSL 87.89, 0.79%, 0.72%

LAB 89.11, -35.33, 49.4

 

CMYK 47 / 0 / 17 / 6

HEX #7FF0C8

RGB 127 240 200

HSL 158.76, 0.79%, 0.72%

LAB 87.49, -41.53, 9.42

 

CMYK 0 / 47 / 3 / 6

HEX #F07FEA

RGB 240 127 234

HSL 303.19, 0.79%, 0.72%

LAB 69.22, 57.7, -35.35

 

CMYK 22 / 0 / 48 / 6

HEX #BBF07E

RGB 187 240 126

HSL 87.89, 0.79%, 0.72%

LAB 89.11, -35.33, 49.4

 

CMYK 47 / 21 / 0 / 6

HEX #7FBDF0

RGB 127 189 240

HSL 207.08, 0.79%, 0.72%

LAB 74.32, -6.42, -31.49

 

CMYK 0 / 47 / 21 / 6

HEX #F07FBD

RGB 240 127 189

HSL 327.08, 0.79%, 0.72%

LAB 67.56, 50.62, -12.84

 

CMYK 22 / 0 / 48 / 6

HEX #BBF07E

RGB 187 240 126

HSL 87.89, 0.79%, 0.72%

LAB 89.11, -35.33, 49.4

 

CMYK 47 / 0 / 17 / 6

HEX #7FF0C8

RGB 127 240 200

HSL 158.76, 0.79%, 0.72%

LAB 87.49, -41.53, 9.42

 

CMYK 26 / 47 / 0 / 6

HEX #B17FF0

RGB 177 127 240

HSL 266.55, 0.79%, 0.72%

LAB 62.35, 41.44, -49.93

 

CMYK 0 / 47 / 31 / 6

HEX #F07FA6

RGB 240 127 166

HSL 339.29, 0.79%, 0.72%

LAB 66.87, 47.53, -0.91

 

CMYK 22 / 0 / 48 / 6

HEX #BBF07E

RGB 187 240 126

HSL 87.89, 0.79%, 0.72%

LAB 89.11, -35.33, 49.4

 

CMYK 47 / 0 / 3 / 6

HEX #7FF0EA

RGB 127 240 234

HSL 176.81, 0.79%, 0.72%

LAB 88.34, -33.68, -7.11

 

CMYK 26 / 47 / 0 / 6

HEX #B17FF0

RGB 177 127 240

HSL 266.55, 0.79%, 0.72%

LAB 62.35, 41.44, -49.93

 

CMYK 0 / 47 / 45 / 6

HEX #F07F84

RGB 240 127 132

HSL 357.35, 0.79%, 0.72%

LAB 66.04, 43.71, 17.13

 

Description

Color code: RGB 187 240 126 | qconv.com Color code: RGB 187 240 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 240 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 240 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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