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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 243 21 it is the complementary color RGB 68 12 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 243 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 243 21 shade: RGB 192 243 16, RGB 209 255 35, RGB 226 255 54, RGB 243 255 73 and RGB 255 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 243 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 243 21 shade: RGB 187 243 21, RGB 170 225 2, RGB 153 207 0, RGB 136 189 0 and RGB 119 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 243 21 shade: RGB 187 242 22, RGB 242 238 22, RGB 242 179 22, RGB 242 120 22 and RGB 242 60 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 243 21 shade: RGB 187 242 22, RGB 127 242 22, RGB 68 242 22, RGB 22 242 35 and RGB 22 242 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 243 21 shade matches the following richer shades: RGB 187 242 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 243 21 shade: RGB 187 242 22, RGB 177 222 42, RGB 167 203 62, RGB 157 183 81 and RGB 147 163 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 243 21 shade: RGB 242 180 22, RGB 242 239 22, RGB 187 242 22, RGB 128 242 22 and RGB 70 242 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 243 21 shade: RGB 132 173 9, RGB 161 212 11, RGB 187 242 22, RGB 198 244 61 and RGB 210 246 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 243 21 shade: RGB 187 243 21, RGB 22 242 121 and RGB 209 22 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 243 21 shade: RGB 187 243 21, RGB 22 187 242 and RGB 242 22 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 243 21 shade: RGB 187 243 21, RGB 22 242 121, RGB 77 22 242 and RGB 242 22 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 243 21 shade: RGB 187 243 21, RGB 22 242 187, RGB 77 22 242 and RGB 242 22 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 91 / 5

HEX #BBF315

RGB 187 243 21

HSL 75.14, 0.9%, 0.52%

LAB 89.26, -43, 84.66

 

Complementary color

CMYK 71 / 95 / 0 / 8

HEX #440CEA

RGB 68 12 234

HSL 255.14, 0.9%, 0.48%

LAB 32.77, 73.5, -95.14

 

CMYK 21 / 0 / 93 / 5

HEX #C0F310

RGB 192 243 16

HSL 73.48, 0.9%, 0.51%

LAB 89.55, -41.16, 85.59

 

CMYK 18 / 0 / 86 / 0

HEX #D1FF23

RGB 209 255 35

HSL 72.55, 1%, 0.57%

LAB 93.97, -39.53, 86.89

 

CMYK 11 / 0 / 79 / 0

HEX #E2FF36

RGB 226 255 54

HSL 68.66, 1%, 0.61%

LAB 95.14, -32.33, 84.15

 

CMYK 5 / 0 / 71 / 0

HEX #F3FF49

RGB 243 255 73

HSL 63.96, 1%, 0.64%

LAB 96.43, -24.81, 80.19

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 23 / 0 / 91 / 5

HEX #BBF315

RGB 187 243 21

HSL 75.14, 0.9%, 0.52%

LAB 89.26, -43, 84.66

 

CMYK 24 / 0 / 99 / 12

HEX #AAE102

RGB 170 225 2

HSL 74.8, 0.98%, 0.45%

LAB 83.13, -41.91, 81.25

 

CMYK 26 / 0 / 100 / 19

HEX #99CF00

RGB 153 207 0

HSL 75.65, 1%, 0.41%

LAB 76.92, -40.6, 76.26

 

CMYK 28 / 0 / 100 / 26

HEX #88BD00

RGB 136 189 0

HSL 76.83, 1%, 0.37%

LAB 70.61, -39.26, 71.01

 

CMYK 30 / 0 / 100 / 33

HEX #77AB00

RGB 119 171 0

HSL 78.25, 1%, 0.34%

LAB 64.2, -37.9, 65.66

 

CMYK 23 / 0 / 91 / 5

HEX #BBF216

RGB 187 242 22

HSL 75, 0.89%, 0.52%

LAB 88.98, -42.55, 84.31

 

CMYK 0 / 2 / 91 / 5

HEX #F2EE16

RGB 242 238 22

HSL 58.91, 0.89%, 0.52%

LAB 91.72, -18.59, 88.09

 

CMYK 0 / 26 / 91 / 5

HEX #F2B316

RGB 242 179 22

HSL 42.82, 0.89%, 0.52%

LAB 76.79, 11.3, 76.74

 

CMYK 0 / 50 / 91 / 5

HEX #F27816

RGB 242 120 22

HSL 26.73, 0.89%, 0.52%

LAB 63.65, 41.96, 67.09

 

CMYK 0 / 75 / 91 / 5

HEX #F23C16

RGB 242 60 22

HSL 10.36, 0.89%, 0.52%

LAB 54.2, 66.96, 60.53

 

CMYK 23 / 0 / 91 / 5

HEX #BBF216

RGB 187 242 22

HSL 75, 0.89%, 0.52%

LAB 88.98, -42.55, 84.31

 

CMYK 48 / 0 / 91 / 5

HEX #7FF216

RGB 127 242 22

HSL 91.36, 0.89%, 0.52%

LAB 86.04, -63.13, 80.7

 

CMYK 72 / 0 / 91 / 5

HEX #44F216

RGB 68 242 22

HSL 107.45, 0.89%, 0.52%

LAB 84.38, -76.74, 78.64

 

CMYK 91 / 0 / 86 / 5

HEX #16F223

RGB 22 242 35

HSL 123.55, 0.89%, 0.52%

LAB 83.86, -81.2, 75.76

 

CMYK 91 / 0 / 61 / 5

HEX #16F25F

RGB 22 242 95

HSL 139.91, 0.89%, 0.52%

LAB 84.23, -76.56, 56.38

 

CMYK 23 / 0 / 91 / 5

HEX #BBF216

RGB 187 242 22

HSL 75, 0.89%, 0.52%

LAB 88.98, -42.55, 84.31

 

CMYK 23 / 0 / 91 / 5

HEX #BBF216

RGB 187 242 22

HSL 75, 0.89%, 0.52%

LAB 88.98, -42.55, 84.31

 

CMYK 20 / 0 / 81 / 13

HEX #B1DE2A

RGB 177 222 42

HSL 75, 0.73%, 0.52%

LAB 82.78, -37.05, 75.08

 

CMYK 18 / 0 / 69 / 20

HEX #A7CB3E

RGB 167 203 62

HSL 75.32, 0.58%, 0.52%

LAB 76.85, -31.33, 63.02

 

CMYK 14 / 0 / 56 / 28

HEX #9DB751

RGB 157 183 81

HSL 75.29, 0.41%, 0.52%

LAB 70.61, -24.34, 48.11

 

CMYK 10 / 0 / 38 / 36

HEX #93A365

RGB 147 163 101

HSL 75.48, 0.25%, 0.52%

LAB 64.43, -16.08, 30.36

 

CMYK 0 / 26 / 91 / 5

HEX #F2B416

RGB 242 180 22

HSL 43.09, 0.89%, 0.52%

LAB 77.03, 10.78, 76.92

 

CMYK 0 / 1 / 91 / 5

HEX #F2EF16

RGB 242 239 22

HSL 59.18, 0.89%, 0.52%

LAB 91.98, -19.07, 88.29

 

CMYK 23 / 0 / 91 / 5

HEX #BBF216

RGB 187 242 22

HSL 75, 0.89%, 0.52%

LAB 88.98, -42.55, 84.31

 

CMYK 47 / 0 / 91 / 5

HEX #80F216

RGB 128 242 22

HSL 91.09, 0.89%, 0.52%

LAB 86.08, -62.84, 80.75

 

CMYK 71 / 0 / 91 / 5

HEX #46F216

RGB 70 242 22

HSL 106.91, 0.89%, 0.52%

LAB 84.41, -76.42, 78.68

 

CMYK 24 / 0 / 95 / 32

HEX #84AD09

RGB 132 173 9

HSL 75, 0.9%, 0.36%

LAB 65.6, -33.49, 65.94

 

CMYK 24 / 0 / 95 / 17

HEX #A1D40B

RGB 161 212 11

HSL 75.22, 0.9%, 0.44%

LAB 78.86, -39.57, 76.91

 

CMYK 23 / 0 / 91 / 5

HEX #BBF216

RGB 187 242 22

HSL 75, 0.89%, 0.52%

LAB 88.98, -42.55, 84.31

 

CMYK 19 / 0 / 75 / 4

HEX #C6F43D

RGB 198 244 61

HSL 75.08, 0.89%, 0.6%

LAB 90.34, -38.01, 77.13

 

CMYK 15 / 0 / 59 / 4

HEX #D2F664

RGB 210 246 100

HSL 74.79, 0.89%, 0.68%

LAB 91.92, -31.94, 64.69

 

CMYK 23 / 0 / 91 / 5

HEX #BBF315

RGB 187 243 21

HSL 75.14, 0.9%, 0.52%

LAB 89.26, -43, 84.66

 

CMYK 91 / 0 / 50 / 5

HEX #16F279

RGB 22 242 121

HSL 147, 0.89%, 0.52%

LAB 84.51, -73.05, 44.95

 

CMYK 14 / 91 / 0 / 5

HEX #D116F2

RGB 209 22 242

HSL 291, 0.89%, 0.52%

LAB 52.44, 87.66, -66.67

 

CMYK 23 / 0 / 91 / 5

HEX #BBF315

RGB 187 243 21

HSL 75.14, 0.9%, 0.52%

LAB 89.26, -43, 84.66

 

CMYK 91 / 23 / 0 / 5

HEX #16BBF2

RGB 22 187 242

HSL 195, 0.89%, 0.52%

LAB 70.95, -19.42, -38.01

 

CMYK 0 / 91 / 23 / 5

HEX #F216BB

RGB 242 22 187

HSL 315, 0.89%, 0.52%

LAB 55.11, 85.69, -30.7

 

CMYK 23 / 0 / 91 / 5

HEX #BBF315

RGB 187 243 21

HSL 75.14, 0.9%, 0.52%

LAB 89.26, -43, 84.66

 

CMYK 91 / 0 / 50 / 5

HEX #16F279

RGB 22 242 121

HSL 147, 0.89%, 0.52%

LAB 84.51, -73.05, 44.95

 

CMYK 68 / 91 / 0 / 5

HEX #4D16F2

RGB 77 22 242

HSL 255, 0.89%, 0.52%

LAB 35.13, 73.88, -95.74

 

CMYK 0 / 91 / 41 / 5

HEX #F2168F

RGB 242 22 143

HSL 327, 0.89%, 0.52%

LAB 53.42, 81.19, -7.37

 

CMYK 23 / 0 / 91 / 5

HEX #BBF315

RGB 187 243 21

HSL 75.14, 0.9%, 0.52%

LAB 89.26, -43, 84.66

 

CMYK 91 / 0 / 23 / 5

HEX #16F2BB

RGB 22 242 187

HSL 165, 0.89%, 0.52%

LAB 85.64, -60.14, 13.26

 

CMYK 68 / 91 / 0 / 5

HEX #4D16F2

RGB 77 22 242

HSL 255, 0.89%, 0.52%

LAB 35.13, 73.88, -95.74

 

CMYK 0 / 91 / 68 / 5

HEX #F2164D

RGB 242 22 77

HSL 345, 0.89%, 0.52%

LAB 51.82, 76.79, 30.26

 

Description

Color code: RGB 187 243 21 | qconv.com Color code: RGB 187 243 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 243 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 243 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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