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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 0 66 it is the complementary color RGB 67 255 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 0 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 0 66 shade: RGB 193 0 61, RGB 210 18 80, RGB 227 36 99, RGB 244 54 118 and RGB 255 72 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 0 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 171 0 47, RGB 154 0 28, RGB 137 0 9 and RGB 120 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 188 0 15 and RGB 188 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 188 0 117, RGB 188 0 168, RGB 158 0 188 and RGB 107 0 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 0 66 shade matches the following richer shades: RGB 188 0 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 173 15 70, RGB 158 30 75, RGB 142 45 79 and RGB 127 61 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 0 66 shade: RGB 188 0 169, RGB 188 0 119, RGB 188 0 69, RGB 188 0 18 and RGB 188 31 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 0 66 shade: RGB 106 0 37, RGB 147 0 51, RGB 188 0 66, RGB 229 0 80 and RGB 255 16 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 188 157 0 and RGB 0 144 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 69 188 0 and RGB 0 69 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 188 157 0, RGB 0 188 119 and RGB 0 31 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 0 66 shade: RGB 188 0 66, RGB 163 188 0, RGB 0 188 119 and RGB 25 0 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

Complementary color

CMYK 74 / 0 / 26 / 0

HEX #43FFBD

RGB 67 255 189

HSL 158.94, 1%, 0.63%

LAB 90.04, -60.95, 18.5

 

CMYK 0 / 100 / 68 / 24

HEX #C1003D

RGB 193 0 61

HSL 341.04, 1%, 0.38%

LAB 40.69, 66.46, 23.97

 

CMYK 0 / 91 / 62 / 18

HEX #D21250

RGB 210 18 80

HSL 340.63, 0.84%, 0.45%

LAB 45.24, 69.69, 18.65

 

CMYK 0 / 84 / 56 / 11

HEX #E32463

RGB 227 36 99

HSL 340.21, 0.77%, 0.52%

LAB 50.09, 72.01, 14.09

 

CMYK 0 / 78 / 52 / 4

HEX #F43676

RGB 244 54 118

HSL 339.79, 0.9%, 0.58%

LAB 55.26, 73.39, 10.31

 

CMYK 0 / 72 / 46 / 0

HEX #FF4889

RGB 255 72 137

HSL 338.69, 1%, 0.64%

LAB 59.62, 72.44, 5.54

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 100 / 73 / 33

HEX #AB002F

RGB 171 0 47

HSL 343.51, 1%, 0.34%

LAB 35.72, 60.47, 25.65

 

CMYK 0 / 100 / 82 / 40

HEX #9A001C

RGB 154 0 28

HSL 349.09, 1%, 0.3%

LAB 31.7, 55.5, 31.99

 

CMYK 0 / 100 / 93 / 46

HEX #890009

RGB 137 0 9

HSL 356.06, 1%, 0.27%

LAB 27.68, 50.62, 37.1

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 100 / 92 / 26

HEX #BC000F

RGB 188 0 15

HSL 355.21, 1%, 0.37%

LAB 39.11, 63.87, 47.9

 

CMYK 0 / 100 / 100 / 26

HEX #BC0000

RGB 188 0 0

HSL 0, 1%, 0.37%

LAB 39.06, 63.7, 53.46

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 100 / 38 / 26

HEX #BC0075

RGB 188 0 117

HSL 322.66, 1%, 0.37%

LAB 41.18, 69.35, -10.94

 

CMYK 0 / 100 / 11 / 26

HEX #BC00A8

RGB 188 0 168

HSL 306.38, 1%, 0.37%

LAB 43.53, 75.31, -38.4

 

CMYK 16 / 100 / 0 / 26

HEX #9E00BC

RGB 158 0 188

HSL 290.43, 1%, 0.37%

LAB 39.41, 73.54, -57.16

 

CMYK 43 / 100 / 0 / 26

HEX #6B00BC

RGB 107 0 188

HSL 274.15, 1%, 0.37%

LAB 31.25, 67.39, -70.84

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 91 / 60 / 32

HEX #AD0F46

RGB 173 15 70

HSL 339.11, 0.84%, 0.37%

LAB 37.24, 60.34, 12.89

 

CMYK 0 / 81 / 53 / 38

HEX #9E1E4B

RGB 158 30 75

HSL 338.91, 0.68%, 0.37%

LAB 35.41, 53.52, 6.65

 

CMYK 0 / 68 / 44 / 44

HEX #8E2D4F

RGB 142 45 79

HSL 338.97, 0.52%, 0.37%

LAB 34.38, 43.75, 2.17

 

CMYK 0 / 52 / 34 / 50

HEX #7F3D54

RGB 127 61 84

HSL 339.09, 0.35%, 0.37%

LAB 34.98, 31.23, -0.47

 

CMYK 0 / 100 / 10 / 26

HEX #BC00A9

RGB 188 0 169

HSL 306.06, 1%, 0.37%

LAB 43.59, 75.45, -38.91

 

CMYK 0 / 100 / 37 / 26

HEX #BC0077

RGB 188 0 119

HSL 322.02, 1%, 0.37%

LAB 41.25, 69.55, -12.07

 

CMYK 0 / 100 / 63 / 26

HEX #BC0045

RGB 188 0 69

HSL 337.98, 1%, 0.37%

LAB 39.78, 65.68, 17.51

 

CMYK 0 / 100 / 90 / 26

HEX #BC0012

RGB 188 0 18

HSL 354.26, 1%, 0.37%

LAB 39.13, 63.91, 46.63

 

CMYK 0 / 84 / 100 / 26

HEX #BC1F00

RGB 188 31 0

HSL 9.89, 1%, 0.37%

LAB 40.69, 59.02, 54.06

 

CMYK 0 / 100 / 65 / 58

HEX #6A0025

RGB 106 0 37

HSL 339.06, 1%, 0.21%

LAB 20.82, 43.41, 10.39

 

CMYK 0 / 100 / 65 / 42

HEX #930033

RGB 147 0 51

HSL 339.18, 1%, 0.29%

LAB 30.5, 54.71, 15.34

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 100 / 65 / 10

HEX #E50050

RGB 229 0 80

HSL 339.04, 1%, 0.45%

LAB 48.56, 75.84, 23.74

 

CMYK 0 / 94 / 61 / 0

HEX #FF1064

RGB 255 16 100

HSL 338.91, 1%, 0.53%

LAB 54.61, 81.65, 20.54

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 16 / 100 / 26

HEX #BC9D00

RGB 188 157 0

HSL 50.11, 1%, 0.37%

LAB 65.6, -1.01, 69.11

 

CMYK 100 / 23 / 0 / 26

HEX #0090BC

RGB 0 144 188

HSL 194.04, 1%, 0.37%

LAB 55.66, -16.28, -31.89

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 63 / 0 / 100 / 26

HEX #45BC00

RGB 69 188 0

HSL 97.98, 1%, 0.37%

LAB 67.45, -60.15, 67.31

 

CMYK 100 / 63 / 0 / 26

HEX #0045BC

RGB 0 69 188

HSL 217.98, 1%, 0.37%

LAB 33.75, 30.74, -66.98

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 16 / 100 / 26

HEX #BC9D00

RGB 188 157 0

HSL 50.11, 1%, 0.37%

LAB 65.6, -1.01, 69.11

 

CMYK 100 / 0 / 37 / 26

HEX #00BC77

RGB 0 188 119

HSL 157.98, 1%, 0.37%

LAB 67.5, -56.15, 23.95

 

CMYK 100 / 84 / 0 / 26

HEX #001FBC

RGB 0 31 188

HSL 230.11, 1%, 0.37%

LAB 25.6, 53.29, -80.46

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 13 / 0 / 100 / 26

HEX #A3BC00

RGB 163 188 0

HSL 67.98, 1%, 0.37%

LAB 72.06, -27.85, 72.87

 

CMYK 100 / 0 / 37 / 26

HEX #00BC77

RGB 0 188 119

HSL 157.98, 1%, 0.37%

LAB 67.5, -56.15, 23.95

 

CMYK 87 / 100 / 0 / 26

HEX #1900BC

RGB 25 0 188

HSL 247.98, 1%, 0.37%

LAB 23.13, 63.21, -84.56

 

Description

Color code: RGB 188 0 66 | qconv.com Color code: RGB 188 0 66 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, none green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 0 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 65 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 65% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

52% - Ice Cream Dub - Ice ...
Link: http://www.ice-creamdub.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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