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Color name
RGB 188 107 213

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 107 213 it is the complementary color RGB 67 148 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 107 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 107 213 shade: RGB 193 107 208, RGB 210 125 227, RGB 227 143 246, RGB 244 161 255 and RGB 255 179 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 107 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 171 89 194, RGB 154 71 175, RGB 137 53 156 and RGB 120 35 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 213 107 209, RGB 213 107 181, RGB 213 107 152 and RGB 213 107 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 160 107 213, RGB 131 107 213 and RGB 107 107 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 107 213 shade matches the following richer shades: RGB 188 107 213, RGB 196 92 228 and RGB 204 77 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 180 123 198, RGB 172 138 182, RGB 164 153 167 and RGB 156 168 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 107 213 shade: RGB 130 107 213, RGB 158 107 213, RGB 187 107 213, RGB 213 107 211 and RGB 213 107 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 107 213 shade: RGB 154 52 186, RGB 174 75 204, RGB 188 107 213, RGB 203 139 222 and RGB 217 172 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 213 107 113 and RGB 107 213 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 213 187 107 and RGB 107 213 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 213 107 113, RGB 134 213 107 and RGB 107 213 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 107 213 shade: RGB 188 107 213, RGB 213 134 107, RGB 134 213 107 and RGB 107 187 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

Complementary color

CMYK 55 / 0 / 72 / 42

HEX #43942A

RGB 67 148 42

HSL 105.85, 0.56%, 0.37%

LAB 54.6, -44.56, 46.3

 

CMYK 7 / 49 / 0 / 18

HEX #C16BD0

RGB 193 107 208

HSL 291.09, 0.52%, 0.62%

LAB 58.42, 49.6, -38.11

 

CMYK 7 / 45 / 0 / 11

HEX #D27DE3

RGB 210 125 227

HSL 290, 0.65%, 0.69%

LAB 64.89, 48.87, -38.48

 

CMYK 8 / 42 / 0 / 4

HEX #E38FF6

RGB 227 143 246

HSL 288.93, 0.85%, 0.76%

LAB 71.3, 48.12, -38.8

 

CMYK 4 / 37 / 0 / 0

HEX #F4A1FF

RGB 244 161 255

HSL 292.98, 1%, 0.82%

LAB 77.25, 45.49, -34.31

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 12 / 54 / 0 / 24

HEX #AB59C2

RGB 171 89 194

HSL 286.86, 0.46%, 0.55%

LAB 51.49, 49.91, -41.21

 

CMYK 12 / 59 / 0 / 31

HEX #9A47AF

RGB 154 71 175

HSL 287.88, 0.42%, 0.48%

LAB 44.9, 50.5, -40.73

 

CMYK 12 / 66 / 0 / 39

HEX #89359C

RGB 137 53 156

HSL 288.93, 0.49%, 0.41%

LAB 38.31, 50.83, -40.03

 

CMYK 12 / 74 / 0 / 46

HEX #782389

RGB 120 35 137

HSL 290, 0.59%, 0.34%

LAB 31.81, 50.62, -38.95

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 0 / 50 / 2 / 16

HEX #D56BD1

RGB 213 107 209

HSL 302.26, 0.56%, 0.63%

LAB 61.01, 55.43, -34.44

 

CMYK 0 / 50 / 15 / 16

HEX #D56BB5

RGB 213 107 181

HSL 318.11, 0.56%, 0.63%

LAB 59.89, 50.81, -20.27

 

CMYK 0 / 50 / 29 / 16

HEX #D56B98

RGB 213 107 152

HSL 334.53, 0.56%, 0.63%

LAB 58.91, 46.64, -5.03

 

CMYK 0 / 50 / 42 / 16

HEX #D56B7C

RGB 213 107 124

HSL 350.38, 0.56%, 0.63%

LAB 58.15, 43.28, 10.14

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 25 / 50 / 0 / 16

HEX #A06BD5

RGB 160 107 213

HSL 270, 0.56%, 0.63%

LAB 54.86, 41.56, -46.81

 

CMYK 38 / 50 / 0 / 16

HEX #836BD5

RGB 131 107 213

HSL 253.58, 0.56%, 0.63%

LAB 52, 34.06, -51.54

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD5

RGB 107 107 213

HSL 240, 0.56%, 0.63%

LAB 50.03, 28.45, -54.8

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 14 / 60 / 0 / 11

HEX #C45CE4

RGB 196 92 228

HSL 285.88, 0.72%, 0.63%

LAB 57.07, 61.6, -51.5

 

CMYK 16 / 68 / 0 / 4

HEX #CC4DF4

RGB 204 77 244

HSL 285.63, 0.88%, 0.63%

LAB 56.76, 72.83, -60.88

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 9 / 38 / 0 / 22

HEX #B47BC6

RGB 180 123 198

HSL 285.6, 0.4%, 0.63%

LAB 59.84, 35.19, -30.35

 

CMYK 5 / 24 / 0 / 29

HEX #AC8AB6

RGB 172 138 182

HSL 286.36, 0.23%, 0.63%

LAB 61.93, 20.9, -18.15

 

CMYK 2 / 8 / 0 / 35

HEX #A499A7

RGB 164 153 167

HSL 287.14, 0.07%, 0.63%

LAB 64.54, 6.67, -5.85

 

CMYK 7 / 0 / 10 / 34

HEX #9CA898

RGB 156 168 152

HSL 105, 0.08%, 0.63%

LAB 67.53, -7.28, 6.82

 

CMYK 39 / 50 / 0 / 16

HEX #826BD5

RGB 130 107 213

HSL 253.02, 0.56%, 0.63%

LAB 51.91, 33.82, -51.68

 

CMYK 26 / 50 / 0 / 16

HEX #9E6BD5

RGB 158 107 213

HSL 268.87, 0.56%, 0.63%

LAB 54.65, 41.02, -47.16

 

CMYK 12 / 50 / 0 / 16

HEX #BB6BD5

RGB 187 107 213

HSL 285.28, 0.56%, 0.63%

LAB 57.93, 48.92, -41.76

 

CMYK 0 / 50 / 1 / 16

HEX #D56BD3

RGB 213 107 211

HSL 301.13, 0.56%, 0.63%

LAB 61.1, 55.78, -35.43

 

CMYK 0 / 50 / 14 / 16

HEX #D56BB7

RGB 213 107 183

HSL 316.98, 0.56%, 0.63%

LAB 59.96, 51.12, -21.3

 

CMYK 17 / 72 / 0 / 27

HEX #9A34BA

RGB 154 52 186

HSL 285.67, 0.56%, 0.47%

LAB 42.57, 61, -50.92

 

CMYK 15 / 63 / 0 / 20

HEX #AE4BCC

RGB 174 75 204

HSL 286.05, 0.56%, 0.55%

LAB 49.97, 59.36, -49.36

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 9 / 37 / 0 / 13

HEX #CB8BDE

RGB 203 139 222

HSL 286.27, 0.56%, 0.71%

LAB 66.85, 38.4, -32.72

 

CMYK 6 / 26 / 0 / 9

HEX #D9ACE7

RGB 217 172 231

HSL 285.76, 0.55%, 0.79%

LAB 76.09, 26.67, -23.35

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 0 / 50 / 47 / 16

HEX #D56B71

RGB 213 107 113

HSL 356.6, 0.56%, 0.63%

LAB 57.9, 42.16, 16.18

 

CMYK 50 / 0 / 32 / 16

HEX #6BD590

RGB 107 213 144

HSL 140.94, 0.56%, 0.63%

LAB 77.71, -45.93, 24.93

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 0 / 12 / 50 / 16

HEX #D5BB6B

RGB 213 187 107

HSL 45.28, 0.56%, 0.63%

LAB 76.53, -1.02, 43.64

 

CMYK 50 / 0 / 12 / 16

HEX #6BD5BB

RGB 107 213 187

HSL 165.28, 0.56%, 0.63%

LAB 78.64, -36.92, 3.46

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 0 / 50 / 47 / 16

HEX #D56B71

RGB 213 107 113

HSL 356.6, 0.56%, 0.63%

LAB 57.9, 42.16, 16.18

 

CMYK 37 / 0 / 50 / 16

HEX #86D56B

RGB 134 213 107

HSL 104.72, 0.56%, 0.63%

LAB 78.3, -43.76, 44.57

 

CMYK 50 / 0 / 2 / 16

HEX #6BD5D0

RGB 107 213 208

HSL 177.17, 0.56%, 0.63%

LAB 79.2, -31.79, -6.97

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 0 / 37 / 50 / 16

HEX #D5866B

RGB 213 134 107

HSL 15.28, 0.56%, 0.63%

LAB 63.56, 27.42, 27.19

 

CMYK 37 / 0 / 50 / 16

HEX #86D56B

RGB 134 213 107

HSL 104.72, 0.56%, 0.63%

LAB 78.3, -43.76, 44.57

 

CMYK 50 / 12 / 0 / 16

HEX #6BBBD5

RGB 107 187 213

HSL 194.72, 0.56%, 0.63%

LAB 71.87, -17.52, -20.66

 

Description

Color code: RGB 188 107 213 | qconv.com Color code: RGB 188 107 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 107 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 107 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 50 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 50% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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