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Color name
RGB 188 172 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 172 129 it is the complementary color RGB 67 83 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 172 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 172 129 shade: RGB 193 172 124, RGB 210 190 143, RGB 227 208 162, RGB 244 226 181 and RGB 255 244 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 172 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 172 129 shade: RGB 188 172 129, RGB 171 154 110, RGB 154 136 91, RGB 137 118 72 and RGB 120 100 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 172 129 shade: RGB 188 171 128, RGB 188 155 128, RGB 188 139 128 and RGB 188 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 172 129 shade: RGB 188 171 128, RGB 188 188 128, RGB 172 188 128, RGB 155 188 128 and RGB 139 188 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 172 129 shade matches the following richer shades: RGB 188 171 128, RGB 203 179 112, RGB 219 186 96, RGB 235 193 81 and RGB 250 200 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 172 129 shade: RGB 188 171 128, RGB 172 164 143, RGB 156 157 159, RGB 141 150 175 and RGB 125 143 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 172 129 shade: RGB 188 139 128, RGB 188 155 128, RGB 188 171 128, RGB 188 187 128 and RGB 173 188 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 172 129 shade: RGB 153 133 80, RGB 173 154 101, RGB 188 171 128, RGB 202 189 155 and RGB 216 207 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 172 129 shade: RGB 188 172 129, RGB 133 188 128 and RGB 147 128 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 172 129 shade: RGB 188 172 129, RGB 128 188 171 and RGB 171 128 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 172 129 shade: RGB 188 172 129, RGB 133 188 128, RGB 128 145 188 and RGB 183 128 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 172 129 shade: RGB 188 172 129, RGB 128 188 141, RGB 128 145 188 and RGB 188 128 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 31 / 26

HEX #BCAC81

RGB 188 172 129

HSL 43.73, 0.31%, 0.62%

LAB 70.72, -0.81, 24.25

 

Complementary color

CMYK 47 / 34 / 0 / 51

HEX #43537E

RGB 67 83 126

HSL 223.73, 0.31%, 0.38%

LAB 35.76, 6.23, -26.25

 

CMYK 0 / 11 / 36 / 24

HEX #C1AC7C

RGB 193 172 124

HSL 41.74, 0.36%, 0.62%

LAB 71.08, 0.56, 27.49

 

CMYK 0 / 10 / 32 / 18

HEX #D2BE8F

RGB 210 190 143

HSL 42.09, 0.43%, 0.69%

LAB 77.59, 0.1, 26.35

 

CMYK 0 / 8 / 29 / 11

HEX #E3D0A2

RGB 227 208 162

HSL 42.46, 0.54%, 0.76%

LAB 83.99, -0.29, 25.28

 

CMYK 0 / 7 / 26 / 4

HEX #F4E2B5

RGB 244 226 181

HSL 42.86, 0.74%, 0.83%

LAB 90.3, -0.64, 24.26

 

CMYK 0 / 4 / 22 / 0

HEX #FFF4C8

RGB 255 244 200

HSL 48, 1%, 0.89%

LAB 96.05, -3.12, 22.56

 

CMYK 0 / 9 / 31 / 26

HEX #BCAC81

RGB 188 172 129

HSL 43.73, 0.31%, 0.62%

LAB 70.72, -0.81, 24.25

 

CMYK 0 / 10 / 36 / 33

HEX #AB9A6E

RGB 171 154 110

HSL 43.28, 0.27%, 0.55%

LAB 64.08, -0.37, 25.41

 

CMYK 0 / 12 / 41 / 40

HEX #9A885B

RGB 154 136 91

HSL 42.86, 0.26%, 0.48%

LAB 57.3, 0.15, 26.65

 

CMYK 0 / 14 / 47 / 46

HEX #897648

RGB 137 118 72

HSL 42.46, 0.31%, 0.41%

LAB 50.39, 0.8, 27.98

 

CMYK 0 / 17 / 56 / 53

HEX #786435

RGB 120 100 53

HSL 42.09, 0.39%, 0.34%

LAB 43.31, 1.62, 29.39

 

CMYK 0 / 9 / 32 / 26

HEX #BCAB80

RGB 188 171 128

HSL 43, 0.31%, 0.62%

LAB 70.44, -0.41, 24.41

 

CMYK 0 / 18 / 32 / 26

HEX #BC9B80

RGB 188 155 128

HSL 27, 0.31%, 0.62%

LAB 66.28, 8.28, 18.76

 

CMYK 0 / 26 / 32 / 26

HEX #BC8B80

RGB 188 139 128

HSL 11, 0.31%, 0.62%

LAB 62.27, 17.12, 13.19

 

CMYK 0 / 32 / 32 / 26

HEX #BC8080

RGB 188 128 128

HSL 0, 0.31%, 0.62%

LAB 59.61, 23.23, 9.44

 

CMYK 0 / 9 / 32 / 26

HEX #BCAB80

RGB 188 171 128

HSL 43, 0.31%, 0.62%

LAB 70.44, -0.41, 24.41

 

CMYK 0 / 0 / 32 / 26

HEX #BCBC80

RGB 188 188 128

HSL 60, 0.31%, 0.62%

LAB 74.96, -9.38, 30.43

 

CMYK 9 / 0 / 32 / 26

HEX #ACBC80

RGB 172 188 128

HSL 76, 0.31%, 0.62%

LAB 73.74, -15.59, 28.59

 

CMYK 18 / 0 / 32 / 26

HEX #9BBC80

RGB 155 188 128

HSL 93, 0.31%, 0.62%

LAB 72.56, -21.98, 26.81

 

CMYK 26 / 0 / 32 / 26

HEX #8BBC80

RGB 139 188 128

HSL 109, 0.31%, 0.62%

LAB 71.56, -27.7, 25.31

 

CMYK 0 / 9 / 32 / 26

HEX #BCAB80

RGB 188 171 128

HSL 43, 0.31%, 0.62%

LAB 70.44, -0.41, 24.41

 

CMYK 0 / 12 / 45 / 20

HEX #CBB370

RGB 203 179 112

HSL 44.18, 0.47%, 0.62%

LAB 73.61, -0.44, 37.28

 

CMYK 0 / 15 / 56 / 14

HEX #DBBA60

RGB 219 186 96

HSL 43.9, 0.63%, 0.62%

LAB 76.69, 1.06, 49.37

 

CMYK 0 / 18 / 66 / 8

HEX #EBC151

RGB 235 193 81

HSL 43.64, 0.79%, 0.62%

LAB 79.84, 3.09, 60.18

 

CMYK 0 / 20 / 74 / 2

HEX #FAC841

RGB 250 200 65

HSL 43.78, 0.95%, 0.62%

LAB 82.92, 4.98, 70.2

 

CMYK 0 / 9 / 32 / 26

HEX #BCAB80

RGB 188 171 128

HSL 43, 0.31%, 0.62%

LAB 70.44, -0.41, 24.41

 

CMYK 0 / 5 / 17 / 33

HEX #ACA48F

RGB 172 164 143

HSL 43.45, 0.15%, 0.62%

LAB 67.51, -0.71, 11.94

 

CMYK 2 / 1 / 0 / 38

HEX #9C9D9F

RGB 156 157 159

HSL 220, 0.02%, 0.62%

LAB 64.71, 0.03, -1.18

 

CMYK 19 / 14 / 0 / 31

HEX #8D96AF

RGB 141 150 175

HSL 224.12, 0.18%, 0.62%

LAB 62.14, 2.2, -14.13

 

CMYK 34 / 25 / 0 / 25

HEX #7D8FBE

RGB 125 143 190

HSL 223.38, 0.33%, 0.62%

LAB 59.64, 4.97, -26.53

 

CMYK 0 / 26 / 32 / 26

HEX #BC8B80

RGB 188 139 128

HSL 11, 0.31%, 0.62%

LAB 62.27, 17.12, 13.19

 

CMYK 0 / 18 / 32 / 26

HEX #BC9B80

RGB 188 155 128

HSL 27, 0.31%, 0.62%

LAB 66.28, 8.28, 18.76

 

CMYK 0 / 9 / 32 / 26

HEX #BCAB80

RGB 188 171 128

HSL 43, 0.31%, 0.62%

LAB 70.44, -0.41, 24.41

 

CMYK 0 / 1 / 32 / 26

HEX #BCBB80

RGB 188 187 128

HSL 59, 0.31%, 0.62%

LAB 74.69, -8.86, 30.08

 

CMYK 8 / 0 / 32 / 26

HEX #ADBC80

RGB 173 188 128

HSL 75, 0.31%, 0.62%

LAB 73.81, -15.21, 28.7

 

CMYK 0 / 13 / 48 / 40

HEX #998550

RGB 153 133 80

HSL 43.56, 0.31%, 0.46%

LAB 56.21, 0.18, 31.26

 

CMYK 0 / 11 / 42 / 32

HEX #AD9A65

RGB 173 154 101

HSL 44.17, 0.31%, 0.54%

LAB 64.11, -0.61, 30.36

 

CMYK 0 / 9 / 32 / 26

HEX #BCAB80

RGB 188 171 128

HSL 43, 0.31%, 0.62%

LAB 70.44, -0.41, 24.41

 

CMYK 0 / 6 / 23 / 21

HEX #CABD9B

RGB 202 189 155

HSL 43.4, 0.31%, 0.7%

LAB 76.87, -0.84, 18.87

 

CMYK 0 / 4 / 16 / 15

HEX #D8CFB6

RGB 216 207 182

HSL 44.12, 0.3%, 0.78%

LAB 83.23, -1.02, 13.54

 

CMYK 0 / 9 / 31 / 26

HEX #BCAC81

RGB 188 172 129

HSL 43.73, 0.31%, 0.62%

LAB 70.72, -0.81, 24.25

 

CMYK 29 / 0 / 32 / 26

HEX #85BC80

RGB 133 188 128

HSL 115, 0.31%, 0.62%

LAB 71.22, -29.75, 24.79

 

CMYK 22 / 32 / 0 / 26

HEX #9380BC

RGB 147 128 188

HSL 259, 0.31%, 0.62%

LAB 57.34, 19.82, -28.81

 

CMYK 0 / 9 / 31 / 26

HEX #BCAC81

RGB 188 172 129

HSL 43.73, 0.31%, 0.62%

LAB 70.72, -0.81, 24.25

 

CMYK 32 / 0 / 9 / 26

HEX #80BCAB

RGB 128 188 171

HSL 163, 0.31%, 0.62%

LAB 71.89, -23.08, 2.43

 

CMYK 9 / 32 / 0 / 26

HEX #AB80BC

RGB 171 128 188

HSL 283, 0.31%, 0.62%

LAB 59.64, 27.47, -25.07

 

CMYK 0 / 9 / 31 / 26

HEX #BCAC81

RGB 188 172 129

HSL 43.73, 0.31%, 0.62%

LAB 70.72, -0.81, 24.25

 

CMYK 29 / 0 / 32 / 26

HEX #85BC80

RGB 133 188 128

HSL 115, 0.31%, 0.62%

LAB 71.22, -29.75, 24.79

 

CMYK 32 / 23 / 0 / 26

HEX #8091BC

RGB 128 145 188

HSL 223, 0.31%, 0.62%

LAB 60.31, 4.18, -24.35

 

CMYK 3 / 32 / 0 / 26

HEX #B780BC

RGB 183 128 188

HSL 295, 0.31%, 0.62%

LAB 60.9, 31.37, -23.02

 

CMYK 0 / 9 / 31 / 26

HEX #BCAC81

RGB 188 172 129

HSL 43.73, 0.31%, 0.62%

LAB 70.72, -0.81, 24.25

 

CMYK 32 / 0 / 25 / 26

HEX #80BC8D

RGB 128 188 141

HSL 133, 0.31%, 0.62%

LAB 71.2, -29.14, 17.75

 

CMYK 32 / 23 / 0 / 26

HEX #8091BC

RGB 128 145 188

HSL 223, 0.31%, 0.62%

LAB 60.31, 4.18, -24.35

 

CMYK 0 / 32 / 7 / 26

HEX #BC80AF

RGB 188 128 175

HSL 313, 0.31%, 0.62%

LAB 60.98, 30.61, -15.46

 

Description

Color code: RGB 188 172 129 | qconv.com Color code: RGB 188 172 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 172 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 172 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 31 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 31% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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