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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 182 230 it is the complementary color RGB 67 73 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 182 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 182 230 shade: RGB 193 182 225, RGB 210 200 244, RGB 227 218 255, RGB 244 236 255 and RGB 255 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 182 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 182 230 shade: RGB 188 182 230, RGB 171 164 211, RGB 154 146 192, RGB 137 128 173 and RGB 120 110 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 182 230 shade: RGB 188 182 230, RGB 201 182 230, RGB 214 182 230, RGB 227 182 230 and RGB 230 182 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 182 230 shade: RGB 188 182 230 and RGB 182 182 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 182 230 shade matches the following richer shades: RGB 188 182 230, RGB 182 174 238, RGB 176 167 245 and RGB 171 159 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 182 230 shade: RGB 188 182 230, RGB 194 190 222, RGB 200 198 214, RGB 206 206 206 and RGB 212 214 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 182 230 shade: RGB 182 202 230, RGB 182 189 230, RGB 188 182 230, RGB 201 182 230 and RGB 213 182 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 182 230 shade: RGB 132 121 209, RGB 160 152 219, RGB 188 182 230, RGB 216 213 240 and RGB 245 244 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 182 230 shade: RGB 188 182 230, RGB 230 182 215 and RGB 196 230 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 182 230 shade: RGB 188 182 230, RGB 230 188 182 and RGB 182 230 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 182 230 shade: RGB 188 182 230, RGB 230 182 215, RGB 224 230 182 and RGB 182 230 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 182 230 shade: RGB 188 182 230, RGB 230 182 201, RGB 224 230 182 and RGB 182 230 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

Complementary color

CMYK 8 / 0 / 66 / 71

HEX #434919

RGB 67 73 25

HSL 67.5, 0.49%, 0.19%

LAB 29.48, -10.31, 27.22

 

CMYK 14 / 19 / 0 / 12

HEX #C1B6E1

RGB 193 182 225

HSL 255.35, 0.42%, 0.8%

LAB 76.21, 12.3, -20.1

 

CMYK 14 / 18 / 0 / 4

HEX #D2C8F4

RGB 210 200 244

HSL 253.64, 0.67%, 0.87%

LAB 82.67, 11.94, -20.4

 

CMYK 11 / 15 / 0 / 0

HEX #E3DAFF

RGB 227 218 255

HSL 254.59, 1%, 0.93%

LAB 88.78, 10, -16.87

 

CMYK 4 / 7 / 0 / 0

HEX #F4ECFF

RGB 244 236 255

HSL 265.26, 1%, 0.96%

LAB 94.5, 6.09, -8.19

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 19 / 22 / 0 / 17

HEX #ABA4D3

RGB 171 164 211

HSL 248.94, 0.35%, 0.74%

LAB 69.41, 12.18, -22.97

 

CMYK 20 / 24 / 0 / 25

HEX #9A92C0

RGB 154 146 192

HSL 250.43, 0.27%, 0.66%

LAB 62.7, 12.6, -22.76

 

CMYK 21 / 26 / 0 / 32

HEX #8980AD

RGB 137 128 173

HSL 252, 0.22%, 0.59%

LAB 55.86, 13.07, -22.58

 

CMYK 22 / 29 / 0 / 40

HEX #786E9A

RGB 120 110 154

HSL 253.64, 0.18%, 0.52%

LAB 48.86, 13.59, -22.43

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 13 / 21 / 0 / 10

HEX #C9B6E6

RGB 201 182 230

HSL 263.75, 0.49%, 0.81%

LAB 77.03, 15.9, -21.5

 

CMYK 7 / 21 / 0 / 10

HEX #D6B6E6

RGB 214 182 230

HSL 280, 0.49%, 0.81%

LAB 78.15, 20.09, -19.7

 

CMYK 1 / 21 / 0 / 10

HEX #E3B6E6

RGB 227 182 230

HSL 296.25, 0.49%, 0.81%

LAB 79.33, 24.33, -17.8

 

CMYK 0 / 21 / 4 / 10

HEX #E6B6DC

RGB 230 182 220

HSL 312.5, 0.49%, 0.81%

LAB 79.3, 23.52, -12.43

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 21 / 21 / 0 / 10

HEX #B6B6E6

RGB 182 182 230

HSL 240, 0.49%, 0.81%

LAB 75.52, 9.95, -23.94

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 24 / 27 / 0 / 7

HEX #B6AEEE

RGB 182 174 238

HSL 247.5, 0.65%, 0.81%

LAB 73.8, 16.19, -30.92

 

CMYK 28 / 32 / 0 / 4

HEX #B0A7F5

RGB 176 167 245

HSL 246.92, 0.8%, 0.81%

LAB 71.87, 20, -37.74

 

CMYK 32 / 37 / 0 / 1

HEX #AB9FFD

RGB 171 159 253

HSL 247.66, 0.96%, 0.81%

LAB 69.86, 25.1, -45.26

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 13 / 14 / 0 / 13

HEX #C2BEDE

RGB 194 190 222

HSL 247.5, 0.33%, 0.81%

LAB 78.21, 7.64, -15.45

 

CMYK 7 / 7 / 0 / 16

HEX #C8C6D6

RGB 200 198 214

HSL 247.5, 0.16%, 0.81%

LAB 80.47, 3.71, -7.72

 

CMYK 0 / 0 / 0 / 19

HEX #CECECE

RGB 206 206 206

HSL 0, 0%, 0.81%

LAB 82.76, 0, -0.01

 

CMYK 1 / 0 / 7 / 16

HEX #D4D6C6

RGB 212 214 198

HSL 67.5, 0.16%, 0.81%

LAB 85.08, -3.49, 7.66

 

CMYK 21 / 12 / 0 / 10

HEX #B6CAE6

RGB 182 202 230

HSL 215, 0.49%, 0.81%

LAB 80.68, -0.85, -16.12

 

CMYK 21 / 18 / 0 / 10

HEX #B6BDE6

RGB 182 189 230

HSL 231.25, 0.49%, 0.81%

LAB 77.31, 6.13, -21.21

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 13 / 21 / 0 / 10

HEX #C9B6E6

RGB 201 182 230

HSL 263.75, 0.49%, 0.81%

LAB 77.03, 15.9, -21.5

 

CMYK 7 / 21 / 0 / 10

HEX #D5B6E6

RGB 213 182 230

HSL 278.75, 0.49%, 0.81%

LAB 78.06, 19.76, -19.84

 

CMYK 37 / 42 / 0 / 18

HEX #8479D1

RGB 132 121 209

HSL 247.5, 0.49%, 0.65%

LAB 55.26, 24.98, -44.08

 

CMYK 27 / 31 / 0 / 14

HEX #A098DB

RGB 160 152 219

HSL 247.16, 0.48%, 0.73%

LAB 65.78, 17.47, -33.04

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 10 / 11 / 0 / 6

HEX #D8D5F0

RGB 216 213 240

HSL 246.67, 0.47%, 0.89%

LAB 86.25, 6.13, -12.85

 

CMYK 2 / 3 / 0 / 2

HEX #F5F4FB

RGB 245 244 251

HSL 248.57, 0.47%, 0.97%

LAB 96.44, 1.58, -3.25

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 0 / 21 / 7 / 10

HEX #E6B6D7

RGB 230 182 215

HSL 318.75, 0.49%, 0.81%

LAB 79.15, 22.64, -9.95

 

CMYK 15 / 0 / 21 / 10

HEX #C4E6B6

RGB 196 230 182

HSL 102.5, 0.49%, 0.81%

LAB 87.83, -19.8, 19.77

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 0 / 18 / 21 / 10

HEX #E6BCB6

RGB 230 188 182

HSL 7.5, 0.49%, 0.81%

LAB 79.71, 14.13, 8.7

 

CMYK 21 / 0 / 18 / 10

HEX #B6E6BC

RGB 182 230 188

HSL 127.5, 0.49%, 0.81%

LAB 87.08, -23.49, 15.47

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 0 / 21 / 7 / 10

HEX #E6B6D7

RGB 230 182 215

HSL 318.75, 0.49%, 0.81%

LAB 79.15, 22.64, -9.95

 

CMYK 3 / 0 / 21 / 10

HEX #E0E6B6

RGB 224 230 182

HSL 67.5, 0.49%, 0.81%

LAB 89.77, -9.88, 22.77

 

CMYK 21 / 0 / 14 / 10

HEX #B6E6C5

RGB 182 230 197

HSL 138.75, 0.49%, 0.81%

LAB 87.28, -21.87, 11.05

 

CMYK 18 / 21 / 0 / 10

HEX #BCB6E6

RGB 188 182 230

HSL 247.5, 0.49%, 0.81%

LAB 75.98, 11.8, -23.19

 

CMYK 0 / 21 / 13 / 10

HEX #E6B6C9

RGB 230 182 201

HSL 336.25, 0.49%, 0.81%

LAB 78.75, 20.28, -2.96

 

CMYK 3 / 0 / 21 / 10

HEX #E0E6B6

RGB 224 230 182

HSL 67.5, 0.49%, 0.81%

LAB 89.77, -9.88, 22.77

 

CMYK 21 / 0 / 8 / 10

HEX #B6E6D4

RGB 182 230 212

HSL 157.5, 0.49%, 0.81%

LAB 87.63, -19.01, 3.69

 

Description

Color code: RGB 188 182 230 | qconv.com Color code: RGB 188 182 230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 182 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 182 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 21 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 21% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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