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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 214 190 it is the complementary color RGB 67 41 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 214 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 214 190 shade: RGB 193 214 185, RGB 210 232 204, RGB 227 250 223 and RGB 244 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 214 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 171 196 171, RGB 154 178 152, RGB 137 160 133 and RGB 120 142 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 193 214 188, RGB 200 214 188, RGB 207 214 188 and RGB 214 214 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 188 214 197, RGB 188 214 204, RGB 188 214 211 and RGB 188 210 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 214 190 shade matches the following richer shades: RGB 188 214 190, RGB 179 222 183, RGB 171 231 175, RGB 162 240 168 and RGB 153 248 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 197 205 197, RGB 205 196 205, RGB 214 188 212 and RGB 223 179 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 214 190 shade: RGB 200 214 188, RGB 193 214 188, RGB 188 214 190, RGB 188 214 197 and RGB 188 214 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 214 190 shade: RGB 137 182 140, RGB 163 198 165, RGB 188 214 190, RGB 214 229 215 and RGB 239 245 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 188 207 214 and RGB 214 188 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 190 188 214 and RGB 214 190 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 188 207 214, RGB 214 188 212 and RGB 214 195 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 214 190 shade: RGB 188 214 190, RGB 188 199 214, RGB 214 188 212 and RGB 214 203 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

Complementary color

CMYK 0 / 39 / 3 / 74

HEX #432941

RGB 67 41 65

HSL 304.62, 0.24%, 0.21%

LAB 20.68, 16.72, -10.23

 

CMYK 10 / 0 / 14 / 16

HEX #C1D6B9

RGB 193 214 185

HSL 103.45, 0.26%, 0.78%

LAB 83.41, -12.34, 11.96

 

CMYK 9 / 0 / 12 / 9

HEX #D2E8CC

RGB 210 232 204

HSL 107.14, 0.38%, 0.85%

LAB 89.75, -12.33, 11.17

 

CMYK 9 / 0 / 11 / 2

HEX #E3FADF

RGB 227 250 223

HSL 111.11, 0.73%, 0.93%

LAB 96.01, -12.32, 10.41

 

CMYK 4 / 0 / 5 / 0

HEX #F4FFF2

RGB 244 255 242

HSL 110.77, 1%, 0.97%

LAB 98.89, -5.89, 4.95

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 13 / 0 / 13 / 23

HEX #ABC4AB

RGB 171 196 171

HSL 120, 0.17%, 0.72%

LAB 76.73, -13.23, 9.72

 

CMYK 13 / 0 / 15 / 30

HEX #9AB298

RGB 154 178 152

HSL 115.38, 0.14%, 0.65%

LAB 70.16, -13.29, 10.54

 

CMYK 14 / 0 / 17 / 37

HEX #89A085

RGB 137 160 133

HSL 111.11, 0.12%, 0.57%

LAB 63.47, -13.37, 11.42

 

CMYK 15 / 0 / 20 / 44

HEX #788E72

RGB 120 142 114

HSL 107.14, 0.11%, 0.5%

LAB 56.64, -13.46, 12.35

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 10 / 0 / 12 / 16

HEX #C1D6BC

RGB 193 214 188

HSL 108.46, 0.24%, 0.79%

LAB 83.47, -11.82, 10.47

 

CMYK 7 / 0 / 12 / 16

HEX #C8D6BC

RGB 200 214 188

HSL 92.31, 0.24%, 0.79%

LAB 83.97, -9.39, 11.24

 

CMYK 3 / 0 / 12 / 16

HEX #CFD6BC

RGB 207 214 188

HSL 76.15, 0.24%, 0.79%

LAB 84.48, -6.92, 12.03

 

CMYK 0 / 0 / 12 / 16

HEX #D6D6BC

RGB 214 214 188

HSL 60, 0.24%, 0.79%

LAB 85.01, -4.43, 12.85

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 12 / 0 / 8 / 16

HEX #BCD6C5

RGB 188 214 197

HSL 140.77, 0.24%, 0.79%

LAB 83.35, -11.9, 5.46

 

CMYK 12 / 0 / 5 / 16

HEX #BCD6CC

RGB 188 214 204

HSL 156.92, 0.24%, 0.79%

LAB 83.52, -10.58, 2

 

CMYK 12 / 0 / 1 / 16

HEX #BCD6D3

RGB 188 214 211

HSL 173.08, 0.24%, 0.79%

LAB 83.7, -9.22, -1.46

 

CMYK 12 / 2 / 0 / 16

HEX #BCD2D6

RGB 188 210 214

HSL 189.23, 0.24%, 0.79%

LAB 82.72, -6.55, -4.49

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 19 / 0 / 18 / 13

HEX #B3DEB7

RGB 179 222 183

HSL 125.58, 0.39%, 0.79%

LAB 84.61, -21.45, 14.58

 

CMYK 26 / 0 / 24 / 9

HEX #ABE7AF

RGB 171 231 175

HSL 124, 0.56%, 0.79%

LAB 86.46, -29.8, 21.27

 

CMYK 33 / 0 / 30 / 6

HEX #A2F0A8

RGB 162 240 168

HSL 124.62, 0.72%, 0.79%

LAB 88.37, -37.98, 27.41

 

CMYK 38 / 0 / 35 / 3

HEX #99F8A1

RGB 153 248 161

HSL 125.05, 0.87%, 0.79%

LAB 90.08, -45.35, 33.18

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 4 / 0 / 4 / 20

HEX #C5CDC5

RGB 197 205 197

HSL 120, 0.07%, 0.79%

LAB 81.6, -4.2, 3.02

 

CMYK 0 / 4 / 0 / 20

HEX #CDC4CD

RGB 205 196 205

HSL 300, 0.08%, 0.79%

LAB 80.1, 4.76, -3.38

 

CMYK 0 / 12 / 1 / 16

HEX #D6BCD4

RGB 214 188 212

HSL 304.62, 0.24%, 0.79%

LAB 79.05, 13.42, -8.63

 

CMYK 0 / 20 / 2 / 13

HEX #DFB3DB

RGB 223 179 219

HSL 305.45, 0.41%, 0.79%

LAB 77.9, 22.59, -14.05

 

CMYK 7 / 0 / 12 / 16

HEX #C8D6BC

RGB 200 214 188

HSL 92.31, 0.24%, 0.79%

LAB 83.97, -9.39, 11.24

 

CMYK 10 / 0 / 12 / 16

HEX #C1D6BC

RGB 193 214 188

HSL 108.46, 0.24%, 0.79%

LAB 83.47, -11.82, 10.47

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 12 / 0 / 8 / 16

HEX #BCD6C5

RGB 188 214 197

HSL 140.77, 0.24%, 0.79%

LAB 83.35, -11.9, 5.46

 

CMYK 12 / 0 / 5 / 16

HEX #BCD6CC

RGB 188 214 204

HSL 156.92, 0.24%, 0.79%

LAB 83.52, -10.58, 2

 

CMYK 25 / 0 / 23 / 29

HEX #89B68C

RGB 137 182 140

HSL 124, 0.24%, 0.63%

LAB 69.94, -23.41, 16.62

 

CMYK 18 / 0 / 17 / 22

HEX #A3C6A5

RGB 163 198 165

HSL 123.43, 0.23%, 0.71%

LAB 76.61, -18.09, 12.71

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 7 / 0 / 6 / 10

HEX #D6E5D7

RGB 214 229 215

HSL 124, 0.22%, 0.87%

LAB 89.51, -7.54, 5.1

 

CMYK 2 / 0 / 2 / 4

HEX #EFF5F0

RGB 239 245 240

HSL 130, 0.23%, 0.95%

LAB 95.97, -2.87, 1.7

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 12 / 3 / 0 / 16

HEX #BCCFD6

RGB 188 207 214

HSL 196.15, 0.24%, 0.79%

LAB 81.93, -4.98, -5.66

 

CMYK 0 / 12 / 8 / 16

HEX #D6BCC5

RGB 214 188 197

HSL 339.23, 0.24%, 0.79%

LAB 78.63, 10.75, -1.14

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 11 / 12 / 0 / 16

HEX #BEBCD6

RGB 190 188 214

HSL 244.62, 0.24%, 0.79%

LAB 77.14, 5.77, -12.76

 

CMYK 0 / 11 / 12 / 16

HEX #D6BEBC

RGB 214 190 188

HSL 4.62, 0.24%, 0.79%

LAB 78.9, 8.17, 4.11

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 12 / 3 / 0 / 16

HEX #BCCFD6

RGB 188 207 214

HSL 196.15, 0.24%, 0.79%

LAB 81.93, -4.98, -5.66

 

CMYK 0 / 12 / 1 / 16

HEX #D6BCD4

RGB 214 188 212

HSL 304.62, 0.24%, 0.79%

LAB 79.05, 13.42, -8.63

 

CMYK 0 / 9 / 12 / 16

HEX #D6C3BC

RGB 214 195 188

HSL 16.15, 0.24%, 0.79%

LAB 80.16, 5.51, 5.93

 

CMYK 12 / 0 / 11 / 16

HEX #BCD6BE

RGB 188 214 190

HSL 124.62, 0.24%, 0.79%

LAB 83.18, -13.18, 8.94

 

CMYK 12 / 7 / 0 / 16

HEX #BCC7D6

RGB 188 199 214

HSL 214.62, 0.24%, 0.79%

LAB 79.84, -0.77, -8.76

 

CMYK 0 / 12 / 1 / 16

HEX #D6BCD4

RGB 214 188 212

HSL 304.62, 0.24%, 0.79%

LAB 79.05, 13.42, -8.63

 

CMYK 0 / 5 / 12 / 16

HEX #D6CBBC

RGB 214 203 188

HSL 34.62, 0.24%, 0.79%

LAB 82.18, 1.29, 8.84

 

Description

Color code: RGB 188 214 190 | qconv.com Color code: RGB 188 214 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 214 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 214 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 11 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 11% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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