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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 221 134 it is the complementary color RGB 67 34 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 221 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 221 134 shade: RGB 193 221 129, RGB 210 239 148, RGB 227 255 167, RGB 244 255 186 and RGB 255 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 221 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 221 134 shade: RGB 188 221 134, RGB 171 203 115, RGB 154 185 96, RGB 137 167 77 and RGB 120 149 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 221 134 shade: RGB 188 221 135, RGB 211 221 135, RGB 221 207 135, RGB 221 184 135 and RGB 221 161 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 221 134 shade: RGB 188 221 135, RGB 165 221 135, RGB 142 221 135, RGB 135 221 151 and RGB 135 221 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 221 134 shade matches the following richer shades: RGB 188 221 135, RGB 191 233 123 and RGB 194 246 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 221 134 shade: RGB 188 221 135, RGB 185 208 148, RGB 182 196 160, RGB 179 184 172 and RGB 176 171 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 221 134 shade: RGB 221 207 135, RGB 212 221 135, RGB 189 221 135, RGB 167 221 135 and RGB 144 221 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 221 134 shade: RGB 153 203 71, RGB 170 212 103, RGB 188 221 135, RGB 206 230 167 and RGB 224 239 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 221 134 shade: RGB 188 221 134, RGB 135 221 184 and RGB 218 135 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 221 134 shade: RGB 188 221 134, RGB 135 189 221 and RGB 221 135 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 221 134 shade: RGB 188 221 134, RGB 135 221 184, RGB 167 135 221 and RGB 221 135 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 221 134 shade: RGB 188 221 134, RGB 135 221 209, RGB 167 135 221 and RGB 221 135 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 39 / 13

HEX #BCDD86

RGB 188 221 134

HSL 82.76, 0.56%, 0.7%

LAB 84.03, -25.14, 39.15

 

Complementary color

CMYK 45 / 72 / 0 / 53

HEX #432279

RGB 67 34 121

HSL 262.76, 0.56%, 0.3%

LAB 22.72, 35.88, -43.97

 

CMYK 13 / 0 / 42 / 13

HEX #C1DD81

RGB 193 221 129

HSL 78.26, 0.58%, 0.69%

LAB 84.3, -23.86, 42.04

 

CMYK 12 / 0 / 38 / 6

HEX #D2EF94

RGB 210 239 148

HSL 79.12, 0.74%, 0.76%

LAB 90.58, -23.95, 40.91

 

CMYK 11 / 0 / 35 / 0

HEX #E3FFA7

RGB 227 255 167

HSL 79.09, 1%, 0.83%

LAB 96.26, -23.06, 39.12

 

CMYK 4 / 0 / 27 / 0

HEX #F4FFBA

RGB 244 255 186

HSL 69.57, 1%, 0.86%

LAB 97.75, -14.46, 31.85

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD86

RGB 188 221 134

HSL 82.76, 0.56%, 0.7%

LAB 84.03, -25.14, 39.15

 

CMYK 16 / 0 / 43 / 20

HEX #ABCB73

RGB 171 203 115

HSL 81.82, 0.46%, 0.62%

LAB 77.64, -25.09, 40.31

 

CMYK 17 / 0 / 48 / 27

HEX #9AB960

RGB 154 185 96

HSL 80.9, 0.39%, 0.55%

LAB 71.15, -25, 41.48

 

CMYK 18 / 0 / 54 / 35

HEX #89A74D

RGB 137 167 77

HSL 80, 0.37%, 0.48%

LAB 64.56, -24.85, 42.62

 

CMYK 19 / 0 / 61 / 42

HEX #78953A

RGB 120 149 58

HSL 79.12, 0.44%, 0.41%

LAB 57.84, -24.61, 43.66

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD87

RGB 188 221 135

HSL 83.02, 0.56%, 0.7%

LAB 84.05, -25.01, 38.67

 

CMYK 5 / 0 / 39 / 13

HEX #D3DD87

RGB 211 221 135

HSL 66.98, 0.56%, 0.7%

LAB 85.66, -16.32, 41.06

 

CMYK 0 / 6 / 39 / 13

HEX #DDCF87

RGB 221 207 135

HSL 50.23, 0.56%, 0.7%

LAB 82.78, -5.35, 37.53

 

CMYK 0 / 17 / 39 / 13

HEX #DDB887

RGB 221 184 135

HSL 34.19, 0.56%, 0.7%

LAB 76.92, 6.65, 29.87

 

CMYK 0 / 27 / 39 / 13

HEX #DDA187

RGB 221 161 135

HSL 18.14, 0.56%, 0.7%

LAB 71.29, 18.96, 22.31

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD87

RGB 188 221 135

HSL 83.02, 0.56%, 0.7%

LAB 84.05, -25.01, 38.67

 

CMYK 25 / 0 / 39 / 13

HEX #A5DD87

RGB 165 221 135

HSL 99.07, 0.56%, 0.7%

LAB 82.63, -33.27, 36.56

 

CMYK 36 / 0 / 39 / 13

HEX #8EDD87

RGB 142 221 135

HSL 115.12, 0.56%, 0.7%

LAB 81.41, -40.89, 34.74

 

CMYK 39 / 0 / 32 / 13

HEX #87DD97

RGB 135 221 151

HSL 131.16, 0.56%, 0.7%

LAB 81.35, -40.47, 26.41

 

CMYK 39 / 0 / 21 / 13

HEX #87DDAE

RGB 135 221 174

HSL 147.21, 0.56%, 0.7%

LAB 81.79, -36.24, 15.02

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD87

RGB 188 221 135

HSL 83.02, 0.56%, 0.7%

LAB 84.05, -25.01, 38.67

 

CMYK 18 / 0 / 47 / 9

HEX #BFE97B

RGB 191 233 123

HSL 82.91, 0.71%, 0.7%

LAB 87.38, -30.98, 48.76

 

CMYK 21 / 0 / 55 / 4

HEX #C2F66E

RGB 194 246 110

HSL 82.94, 0.88%, 0.7%

LAB 91.01, -37.11, 59.09

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD87

RGB 188 221 135

HSL 83.02, 0.56%, 0.7%

LAB 84.05, -25.01, 38.67

 

CMYK 11 / 0 / 29 / 18

HEX #B9D094

RGB 185 208 148

HSL 83, 0.39%, 0.7%

LAB 80.5, -18.01, 27.31

 

CMYK 7 / 0 / 18 / 23

HEX #B6C4A0

RGB 182 196 160

HSL 83.33, 0.23%, 0.7%

LAB 77.26, -11.2, 16.49

 

CMYK 3 / 0 / 7 / 28

HEX #B3B8AC

RGB 179 184 172

HSL 85, 0.08%, 0.7%

LAB 74.09, -3.95, 5.48

 

CMYK 5 / 8 / 0 / 27

HEX #B0ABB9

RGB 176 171 185

HSL 261.43, 0.09%, 0.7%

LAB 70.77, 4.46, -6.53

 

CMYK 0 / 6 / 39 / 13

HEX #DDCF87

RGB 221 207 135

HSL 50.23, 0.56%, 0.7%

LAB 82.78, -5.35, 37.53

 

CMYK 4 / 0 / 39 / 13

HEX #D4DD87

RGB 212 221 135

HSL 66.28, 0.56%, 0.7%

LAB 85.74, -15.93, 41.17

 

CMYK 14 / 0 / 39 / 13

HEX #BDDD87

RGB 189 221 135

HSL 82.33, 0.56%, 0.7%

LAB 84.11, -24.64, 38.77

 

CMYK 24 / 0 / 39 / 13

HEX #A7DD87

RGB 167 221 135

HSL 97.67, 0.56%, 0.7%

LAB 82.74, -32.58, 36.73

 

CMYK 35 / 0 / 39 / 13

HEX #90DD87

RGB 144 221 135

HSL 113.72, 0.56%, 0.7%

LAB 81.51, -40.26, 34.89

 

CMYK 25 / 0 / 65 / 20

HEX #99CB47

RGB 153 203 71

HSL 82.73, 0.56%, 0.54%

LAB 76.03, -36.17, 58.4

 

CMYK 20 / 0 / 51 / 17

HEX #AAD467

RGB 170 212 103

HSL 83.12, 0.56%, 0.62%

LAB 79.96, -31.07, 48.96

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD87

RGB 188 221 135

HSL 83.02, 0.56%, 0.7%

LAB 84.05, -25.01, 38.67

 

CMYK 10 / 0 / 27 / 10

HEX #CEE6A7

RGB 206 230 167

HSL 82.86, 0.56%, 0.78%

LAB 88.21, -18.55, 28.15

 

CMYK 6 / 0 / 16 / 6

HEX #E0EFC8

RGB 224 239 200

HSL 83.08, 0.55%, 0.86%

LAB 92.46, -11.66, 17.21

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD86

RGB 188 221 134

HSL 82.76, 0.56%, 0.7%

LAB 84.03, -25.14, 39.15

 

CMYK 39 / 0 / 17 / 13

HEX #87DDB8

RGB 135 221 184

HSL 154.19, 0.56%, 0.7%

LAB 82.01, -34.23, 10.05

 

CMYK 1 / 39 / 0 / 13

HEX #DA87DD

RGB 218 135 221

HSL 297.91, 0.56%, 0.7%

LAB 67.62, 44.9, -30.85

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD86

RGB 188 221 134

HSL 82.76, 0.56%, 0.7%

LAB 84.03, -25.14, 39.15

 

CMYK 39 / 14 / 0 / 13

HEX #87BDDD

RGB 135 189 221

HSL 202.33, 0.56%, 0.7%

LAB 74.04, -9.58, -21.59

 

CMYK 0 / 39 / 14 / 13

HEX #DD87BD

RGB 221 135 189

HSL 322.33, 0.56%, 0.7%

LAB 66.8, 40.33, -14.22

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD86

RGB 188 221 134

HSL 82.76, 0.56%, 0.7%

LAB 84.03, -25.14, 39.15

 

CMYK 39 / 0 / 17 / 13

HEX #87DDB8

RGB 135 221 184

HSL 154.19, 0.56%, 0.7%

LAB 82.01, -34.23, 10.05

 

CMYK 24 / 39 / 0 / 13

HEX #A787DD

RGB 167 135 221

HSL 262.33, 0.56%, 0.7%

LAB 62.31, 29.68, -39.52

 

CMYK 0 / 39 / 22 / 13

HEX #DD87AC

RGB 221 135 172

HSL 334.19, 0.56%, 0.7%

LAB 66.27, 37.73, -5.45

 

CMYK 15 / 0 / 39 / 13

HEX #BCDD86

RGB 188 221 134

HSL 82.76, 0.56%, 0.7%

LAB 84.03, -25.14, 39.15

 

CMYK 39 / 0 / 5 / 13

HEX #87DDD1

RGB 135 221 209

HSL 171.63, 0.56%, 0.7%

LAB 82.63, -28.74, -2.31

 

CMYK 24 / 39 / 0 / 13

HEX #A787DD

RGB 167 135 221

HSL 262.33, 0.56%, 0.7%

LAB 62.31, 29.68, -39.52

 

CMYK 0 / 39 / 33 / 13

HEX #DD8793

RGB 221 135 147

HSL 351.63, 0.56%, 0.7%

LAB 65.6, 34.34, 7.69

 

Description

Color code: RGB 188 221 134 | qconv.com Color code: RGB 188 221 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 221 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 221 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 39 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 39% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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