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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 25 177 it is the complementary color RGB 67 230 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 25 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 25 177 shade: RGB 193 25 172, RGB 210 43 191, RGB 227 61 210, RGB 244 79 229 and RGB 255 97 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 25 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 25 177 shade: RGB 188 25 177, RGB 171 7 158, RGB 154 0 139, RGB 137 0 120 and RGB 120 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 25 177 shade: RGB 189 24 178, RGB 189 24 133, RGB 189 24 89, RGB 189 24 45 and RGB 189 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 25 177 shade: RGB 189 24 178, RGB 156 24 189, RGB 111 24 189, RGB 67 24 189 and RGB 24 24 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 25 177 shade matches the following richer shades: RGB 189 24 178 and RGB 206 7 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 25 177 shade: RGB 189 24 178, RGB 172 41 163, RGB 154 59 148, RGB 137 76 133 and RGB 120 93 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 25 177 shade: RGB 112 24 189, RGB 156 24 189, RGB 189 24 178, RGB 189 24 134 and RGB 189 24 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 25 177 shade: RGB 116 15 109, RGB 153 19 144, RGB 189 24 178, RGB 225 29 212 and RGB 230 66 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 25 177 shade: RGB 188 25 177, RGB 189 68 24 and RGB 24 189 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 25 177 shade: RGB 188 25 177, RGB 178 189 24 and RGB 24 178 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 25 177 shade: RGB 188 25 177, RGB 189 68 24, RGB 24 189 35 and RGB 24 145 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 25 177 shade: RGB 188 25 177, RGB 189 118 24, RGB 24 189 35 and RGB 24 96 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 6 / 26

HEX #BC19B1

RGB 188 25 177

HSL 304.05, 0.77%, 0.42%

LAB 45.03, 73.65, -41.37

 

Complementary color

CMYK 71 / 0 / 66 / 10

HEX #43E64E

RGB 67 230 78

HSL 124.05, 0.77%, 0.58%

LAB 80.93, -70, 59.88

 

CMYK 0 / 87 / 11 / 24

HEX #C119AC

RGB 193 25 172

HSL 307.5, 0.77%, 0.43%

LAB 45.65, 73.89, -37.37

 

CMYK 0 / 80 / 9 / 18

HEX #D22BBF

RGB 210 43 191

HSL 306.83, 0.66%, 0.5%

LAB 50.91, 76.17, -40.01

 

CMYK 0 / 73 / 7 / 11

HEX #E33DD2

RGB 227 61 210

HSL 306.14, 0.75%, 0.56%

LAB 56.41, 77.54, -42.08

 

CMYK 0 / 68 / 6 / 4

HEX #F44FE5

RGB 244 79 229

HSL 305.45, 0.88%, 0.63%

LAB 62.07, 78.25, -43.7

 

CMYK 0 / 62 / 3 / 0

HEX #FF61F8

RGB 255 97 248

HSL 302.66, 1%, 0.69%

LAB 66.97, 77.09, -46.43

 

CMYK 0 / 87 / 6 / 26

HEX #BC19B1

RGB 188 25 177

HSL 304.05, 0.77%, 0.42%

LAB 45.03, 73.65, -41.37

 

CMYK 0 / 96 / 8 / 33

HEX #AB079E

RGB 171 7 158

HSL 304.76, 0.92%, 0.35%

LAB 40.05, 70.19, -38.13

 

CMYK 0 / 100 / 10 / 40

HEX #9A008B

RGB 154 0 139

HSL 305.84, 1%, 0.3%

LAB 35.47, 65.22, -34

 

CMYK 0 / 100 / 12 / 46

HEX #890078

RGB 137 0 120

HSL 307.45, 1%, 0.27%

LAB 31.05, 59.38, -29.32

 

CMYK 0 / 100 / 16 / 53

HEX #780065

RGB 120 0 101

HSL 309.5, 1%, 0.24%

LAB 26.54, 53.41, -24.45

 

CMYK 0 / 87 / 6 / 26

HEX #BD18B2

RGB 189 24 178

HSL 304, 0.77%, 0.42%

LAB 45.2, 74.15, -41.68

 

CMYK 0 / 87 / 30 / 26

HEX #BD1885

RGB 189 24 133

HSL 320.36, 0.77%, 0.42%

LAB 43.01, 68.32, -18.03

 

CMYK 0 / 87 / 53 / 26

HEX #BD1859

RGB 189 24 89

HSL 336.36, 0.77%, 0.42%

LAB 41.52, 64.16, 7.21

 

CMYK 0 / 87 / 76 / 26

HEX #BD182D

RGB 189 24 45

HSL 352.36, 0.77%, 0.42%

LAB 40.67, 61.72, 33.61

 

CMYK 0 / 87 / 87 / 26

HEX #BD1818

RGB 189 24 24

HSL 0, 0.77%, 0.42%

LAB 40.47, 61.13, 44.96

 

CMYK 0 / 87 / 6 / 26

HEX #BD18B2

RGB 189 24 178

HSL 304, 0.77%, 0.42%

LAB 45.2, 74.15, -41.68

 

CMYK 17 / 87 / 0 / 26

HEX #9C18BD

RGB 156 24 189

HSL 288, 0.77%, 0.42%

LAB 40.24, 70.17, -56.43

 

CMYK 41 / 87 / 0 / 26

HEX #6F18BD

RGB 111 24 189

HSL 271.64, 0.77%, 0.42%

LAB 33.36, 63.69, -67.93

 

CMYK 65 / 87 / 0 / 26

HEX #4318BD

RGB 67 24 189

HSL 255.64, 0.77%, 0.42%

LAB 28.17, 59.23, -76.68

 

CMYK 87 / 87 / 0 / 26

HEX #1818BD

RGB 24 24 189

HSL 240, 0.77%, 0.42%

LAB 25.33, 57.03, -81.49

 

CMYK 0 / 87 / 6 / 26

HEX #BD18B2

RGB 189 24 178

HSL 304, 0.77%, 0.42%

LAB 45.2, 74.15, -41.68

 

CMYK 0 / 97 / 6 / 19

HEX #CE07C1

RGB 206 7 193

HSL 303.92, 0.93%, 0.42%

LAB 48.42, 81.26, -45.17

 

CMYK 0 / 87 / 6 / 26

HEX #BD18B2

RGB 189 24 178

HSL 304, 0.77%, 0.42%

LAB 45.2, 74.15, -41.68

 

CMYK 0 / 76 / 5 / 33

HEX #AC29A3

RGB 172 41 163

HSL 304.12, 0.62%, 0.42%

LAB 42.76, 64.55, -36.82

 

CMYK 0 / 62 / 4 / 40

HEX #9A3B94

RGB 154 59 148

HSL 303.79, 0.45%, 0.42%

LAB 41.43, 51.01, -30.09

 

CMYK 0 / 45 / 3 / 46

HEX #894C85

RGB 137 76 133

HSL 303.93, 0.29%, 0.42%

LAB 41.5, 34.6, -21.06

 

CMYK 0 / 23 / 2 / 53

HEX #785D76

RGB 120 93 118

HSL 304.44, 0.13%, 0.42%

LAB 42.96, 15.65, -9.89

 

CMYK 41 / 87 / 0 / 26

HEX #7018BD

RGB 112 24 189

HSL 272, 0.77%, 0.42%

LAB 33.5, 63.81, -67.69

 

CMYK 17 / 87 / 0 / 26

HEX #9C18BD

RGB 156 24 189

HSL 288, 0.77%, 0.42%

LAB 40.24, 70.17, -56.43

 

CMYK 0 / 87 / 6 / 26

HEX #BD18B2

RGB 189 24 178

HSL 304, 0.77%, 0.42%

LAB 45.2, 74.15, -41.68

 

CMYK 0 / 87 / 29 / 26

HEX #BD1886

RGB 189 24 134

HSL 320, 0.77%, 0.42%

LAB 43.05, 68.43, -18.58

 

CMYK 0 / 87 / 52 / 26

HEX #BD185A

RGB 189 24 90

HSL 336, 0.77%, 0.42%

LAB 41.55, 64.24, 6.62

 

CMYK 0 / 87 / 6 / 55

HEX #740F6D

RGB 116 15 109

HSL 304.16, 0.77%, 0.26%

LAB 27.18, 50.96, -28.68

 

CMYK 0 / 88 / 6 / 40

HEX #991390

RGB 153 19 144

HSL 304.03, 0.78%, 0.34%

LAB 36.46, 63.12, -35.51

 

CMYK 0 / 87 / 6 / 26

HEX #BD18B2

RGB 189 24 178

HSL 304, 0.77%, 0.42%

LAB 45.2, 74.15, -41.68

 

CMYK 0 / 87 / 6 / 12

HEX #E11DD4

RGB 225 29 212

HSL 303.98, 0.77%, 0.5%

LAB 53.64, 84.76, -47.62

 

CMYK 0 / 71 / 5 / 10

HEX #E642DB

RGB 230 66 219

HSL 304.02, 0.77%, 0.58%

LAB 57.88, 77.97, -44.83

 

CMYK 0 / 87 / 6 / 26

HEX #BC19B1

RGB 188 25 177

HSL 304.05, 0.77%, 0.42%

LAB 45.03, 73.65, -41.37

 

CMYK 0 / 64 / 87 / 26

HEX #BD4418

RGB 189 68 24

HSL 16, 0.77%, 0.42%

LAB 45.66, 46.78, 49.17

 

CMYK 87 / 0 / 29 / 26

HEX #18BD86

RGB 24 189 134

HSL 160, 0.77%, 0.42%

LAB 68.25, -52.12, 16.96

 

CMYK 0 / 87 / 6 / 26

HEX #BC19B1

RGB 188 25 177

HSL 304.05, 0.77%, 0.42%

LAB 45.03, 73.65, -41.37

 

CMYK 6 / 0 / 87 / 26

HEX #B2BD18

RGB 178 189 24

HSL 64, 0.77%, 0.42%

LAB 73.5, -21.6, 71.27

 

CMYK 87 / 6 / 0 / 26

HEX #18B2BD

RGB 24 178 189

HSL 184, 0.77%, 0.42%

LAB 66.3, -32.32, -16.12

 

CMYK 0 / 87 / 6 / 26

HEX #BC19B1

RGB 188 25 177

HSL 304.05, 0.77%, 0.42%

LAB 45.03, 73.65, -41.37

 

CMYK 0 / 64 / 87 / 26

HEX #BD4418

RGB 189 68 24

HSL 16, 0.77%, 0.42%

LAB 45.66, 46.78, 49.17

 

CMYK 87 / 0 / 81 / 26

HEX #18BD23

RGB 24 189 35

HSL 124, 0.77%, 0.42%

LAB 67.06, -66.29, 60.57

 

CMYK 87 / 23 / 0 / 26

HEX #1891BD

RGB 24 145 189

HSL 196, 0.77%, 0.42%

LAB 56.21, -15.4, -31.6

 

CMYK 0 / 87 / 6 / 26

HEX #BC19B1

RGB 188 25 177

HSL 304.05, 0.77%, 0.42%

LAB 45.03, 73.65, -41.37

 

CMYK 0 / 38 / 87 / 26

HEX #BD7618

RGB 189 118 24

HSL 34.18, 0.77%, 0.42%

LAB 55.93, 21.18, 57.48

 

CMYK 87 / 0 / 81 / 26

HEX #18BD23

RGB 24 189 35

HSL 124, 0.77%, 0.42%

LAB 67.06, -66.29, 60.57

 

CMYK 87 / 49 / 0 / 26

HEX #1860BD

RGB 24 96 189

HSL 213.82, 0.77%, 0.42%

LAB 41.59, 14.23, -54.79

 

Description

Color code: RGB 188 25 177 | qconv.com Color code: RGB 188 25 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 25 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 25 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 6 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 6% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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