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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 81 163 it is the complementary color RGB 67 174 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 81 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 81 163 shade: RGB 193 81 158, RGB 210 99 177, RGB 227 117 196, RGB 244 135 215 and RGB 255 153 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 81 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 81 163 shade: RGB 188 81 163, RGB 171 63 144, RGB 154 45 125, RGB 137 27 106 and RGB 120 9 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 81 163 shade: RGB 187 82 163, RGB 187 82 134, RGB 187 82 106 and RGB 187 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 81 163 shade: RGB 187 82 163, RGB 184 82 187, RGB 155 82 187, RGB 127 82 187 and RGB 98 82 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 81 163 shade matches the following richer shades: RGB 187 82 163, RGB 207 63 173, RGB 226 43 183 and RGB 246 24 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 81 163 shade: RGB 187 82 163, RGB 168 101 152, RGB 149 121 142, RGB 129 140 132 and RGB 110 159 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 81 163 shade: RGB 156 82 187, RGB 184 82 187, RGB 187 82 163, RGB 187 82 135 and RGB 187 82 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 81 163 shade: RGB 135 52 115, RGB 164 64 141, RGB 187 82 163, RGB 199 112 179 and RGB 210 141 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 81 163 shade: RGB 188 81 163, RGB 187 128 82 and RGB 82 187 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 81 163 shade: RGB 188 81 163, RGB 163 187 82 and RGB 82 163 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 81 163 shade: RGB 188 81 163, RGB 187 128 82, RGB 82 187 107 and RGB 82 142 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 81 163 shade: RGB 188 81 163, RGB 187 159 82, RGB 82 187 107 and RGB 82 110 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 13 / 26

HEX #BC51A3

RGB 188 81 163

HSL 314.02, 0.44%, 0.53%

LAB 50.94, 52.98, -23.85

 

Complementary color

CMYK 61 / 0 / 47 / 32

HEX #43AE5C

RGB 67 174 92

HSL 134.02, 0.44%, 0.47%

LAB 63.54, -48.54, 33.1

 

CMYK 0 / 58 / 18 / 24

HEX #C1519E

RGB 193 81 158

HSL 318.75, 0.47%, 0.54%

LAB 51.49, 53.68, -20.01

 

CMYK 0 / 53 / 16 / 18

HEX #D263B1

RGB 210 99 177

HSL 317.84, 0.55%, 0.61%

LAB 57.85, 53.17, -21.12

 

CMYK 0 / 48 / 14 / 11

HEX #E375C4

RGB 227 117 196

HSL 316.91, 0.66%, 0.67%

LAB 64.19, 52.53, -22.05

 

CMYK 0 / 45 / 12 / 4

HEX #F487D7

RGB 244 135 215

HSL 315.96, 0.83%, 0.74%

LAB 70.5, 51.82, -22.83

 

CMYK 0 / 40 / 8 / 0

HEX #FF99EA

RGB 255 153 234

HSL 312.35, 1%, 0.8%

LAB 76.06, 49.25, -24.66

 

CMYK 0 / 57 / 13 / 26

HEX #BC51A3

RGB 188 81 163

HSL 314.02, 0.44%, 0.53%

LAB 50.94, 52.98, -23.85

 

CMYK 0 / 63 / 16 / 33

HEX #AB3F90

RGB 171 63 144

HSL 315, 0.46%, 0.46%

LAB 44.56, 53.27, -22.61

 

CMYK 0 / 71 / 19 / 40

HEX #9A2D7D

RGB 154 45 125

HSL 315.96, 0.55%, 0.39%

LAB 38.25, 53.13, -20.97

 

CMYK 0 / 80 / 23 / 46

HEX #891B6A

RGB 137 27 106

HSL 316.91, 0.67%, 0.32%

LAB 32.13, 52.19, -18.71

 

CMYK 0 / 93 / 28 / 53

HEX #780957

RGB 120 9 87

HSL 317.84, 0.86%, 0.25%

LAB 26.38, 49.89, -15.49

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 0 / 56 / 28 / 27

HEX #BB5286

RGB 187 82 134

HSL 330.29, 0.44%, 0.53%

LAB 49.88, 47.98, -8.26

 

CMYK 0 / 56 / 43 / 27

HEX #BB526A

RGB 187 82 106

HSL 346.29, 0.44%, 0.53%

LAB 49.06, 44.63, 7.37

 

CMYK 0 / 56 / 56 / 27

HEX #BB5252

RGB 187 82 82

HSL 0, 0.44%, 0.53%

LAB 48.52, 42.39, 21.05

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 2 / 56 / 0 / 27

HEX #B852BB

RGB 184 82 187

HSL 298.29, 0.44%, 0.53%

LAB 51.62, 55.46, -36.84

 

CMYK 17 / 56 / 0 / 27

HEX #9B52BB

RGB 155 82 187

HSL 281.71, 0.44%, 0.53%

LAB 47.74, 47.76, -43.23

 

CMYK 32 / 56 / 0 / 27

HEX #7F52BB

RGB 127 82 187

HSL 265.71, 0.44%, 0.53%

LAB 44.43, 40.56, -48.72

 

CMYK 48 / 56 / 0 / 27

HEX #6252BB

RGB 98 82 187

HSL 249.14, 0.44%, 0.53%

LAB 41.56, 33.73, -53.47

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 0 / 70 / 16 / 19

HEX #CF3FAD

RGB 207 63 173

HSL 314.17, 0.6%, 0.53%

LAB 51.65, 66.95, -28.38

 

CMYK 0 / 81 / 19 / 11

HEX #E22BB7

RGB 226 43 183

HSL 314.1, 0.76%, 0.53%

LAB 53.29, 78.42, -31.43

 

CMYK 0 / 90 / 21 / 4

HEX #F618C2

RGB 246 24 194

HSL 314.05, 0.93%, 0.53%

LAB 56.23, 87.04, -32.96

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 0 / 40 / 10 / 34

HEX #A86598

RGB 168 101 152

HSL 314.33, 0.28%, 0.53%

LAB 51.72, 34.61, -16.42

 

CMYK 0 / 19 / 5 / 42

HEX #95798E

RGB 149 121 142

HSL 315, 0.12%, 0.53%

LAB 54.05, 14.61, -7.27

 

CMYK 8 / 0 / 6 / 45

HEX #818C84

RGB 129 140 132

HSL 136.36, 0.05%, 0.53%

LAB 57.16, -5.61, 2.89

 

CMYK 31 / 0 / 24 / 38

HEX #6E9F79

RGB 110 159 121

HSL 133.47, 0.2%, 0.53%

LAB 61.21, -24.52, 14.7

 

CMYK 17 / 56 / 0 / 27

HEX #9C52BB

RGB 156 82 187

HSL 282.29, 0.44%, 0.53%

LAB 47.87, 48.02, -43.02

 

CMYK 2 / 56 / 0 / 27

HEX #B852BB

RGB 184 82 187

HSL 298.29, 0.44%, 0.53%

LAB 51.62, 55.46, -36.84

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 0 / 56 / 28 / 27

HEX #BB5287

RGB 187 82 135

HSL 329.71, 0.44%, 0.53%

LAB 49.92, 48.11, -8.81

 

CMYK 0 / 56 / 43 / 27

HEX #BB526B

RGB 187 82 107

HSL 345.71, 0.44%, 0.53%

LAB 49.08, 44.73, 6.8

 

CMYK 0 / 61 / 15 / 47

HEX #873473

RGB 135 52 115

HSL 314.46, 0.44%, 0.37%

LAB 35.68, 43.25, -18.95

 

CMYK 0 / 61 / 14 / 36

HEX #A4408D

RGB 164 64 141

HSL 313.8, 0.44%, 0.45%

LAB 43.48, 50.38, -22.54

 

CMYK 0 / 56 / 13 / 27

HEX #BB52A3

RGB 187 82 163

HSL 313.71, 0.44%, 0.53%

LAB 50.97, 52.22, -23.82

 

CMYK 0 / 44 / 10 / 22

HEX #C770B3

RGB 199 112 179

HSL 313.79, 0.44%, 0.61%

LAB 58.96, 43.56, -20.7

 

CMYK 0 / 33 / 8 / 18

HEX #D28DC2

RGB 210 141 194

HSL 313.91, 0.43%, 0.69%

LAB 67.01, 34.3, -16.83

 

CMYK 0 / 57 / 13 / 26

HEX #BC51A3

RGB 188 81 163

HSL 314.02, 0.44%, 0.53%

LAB 50.94, 52.98, -23.85

 

CMYK 0 / 32 / 56 / 27

HEX #BB8052

RGB 187 128 82

HSL 26.29, 0.44%, 0.53%

LAB 58.61, 17.82, 33.96

 

CMYK 56 / 0 / 9 / 27

HEX #52BBAA

RGB 82 187 170

HSL 170.29, 0.44%, 0.53%

LAB 69.64, -34.45, -0.54

 

CMYK 0 / 57 / 13 / 26

HEX #BC51A3

RGB 188 81 163

HSL 314.02, 0.44%, 0.53%

LAB 50.94, 52.98, -23.85

 

CMYK 13 / 0 / 56 / 27

HEX #A3BB52

RGB 163 187 82

HSL 73.71, 0.44%, 0.53%

LAB 72.19, -23.8, 49.56

 

CMYK 56 / 13 / 0 / 27

HEX #52A3BB

RGB 82 163 187

HSL 193.71, 0.44%, 0.53%

LAB 62.99, -17.8, -19.9

 

CMYK 0 / 57 / 13 / 26

HEX #BC51A3

RGB 188 81 163

HSL 314.02, 0.44%, 0.53%

LAB 50.94, 52.98, -23.85

 

CMYK 0 / 32 / 56 / 27

HEX #BB8052

RGB 187 128 82

HSL 26.29, 0.44%, 0.53%

LAB 58.61, 17.82, 33.96

 

CMYK 56 / 0 / 43 / 27

HEX #52BB6B

RGB 82 187 107

HSL 134.29, 0.44%, 0.53%

LAB 68.31, -47.8, 31.56

 

CMYK 56 / 24 / 0 / 27

HEX #528EBB

RGB 82 142 187

HSL 205.71, 0.44%, 0.53%

LAB 56.81, -6.27, -29.4

 

CMYK 0 / 57 / 13 / 26

HEX #BC51A3

RGB 188 81 163

HSL 314.02, 0.44%, 0.53%

LAB 50.94, 52.98, -23.85

 

CMYK 0 / 15 / 56 / 27

HEX #BB9F52

RGB 187 159 82

HSL 44, 0.44%, 0.53%

LAB 66.5, 0.78, 43.47

 

CMYK 56 / 0 / 43 / 27

HEX #52BB6B

RGB 82 187 107

HSL 134.29, 0.44%, 0.53%

LAB 68.31, -47.8, 31.56

 

CMYK 56 / 41 / 0 / 27

HEX #526EBB

RGB 82 110 187

HSL 224, 0.44%, 0.53%

LAB 47.67, 12.84, -43.76

 

Description

Color code: RGB 188 81 163 | qconv.com Color code: RGB 188 81 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 81 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 81 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 13 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 13% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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