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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 127 160 it is the complementary color RGB 66 128 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 127 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 127 160 shade: RGB 194 127 155, RGB 211 145 174, RGB 228 163 193, RGB 245 181 212 and RGB 255 199 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 127 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 172 109 141, RGB 155 91 122, RGB 138 73 103 and RGB 121 55 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 189 127 143 and RGB 189 127 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 189 127 176, RGB 184 127 189, RGB 167 127 189 and RGB 151 127 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 127 160 shade matches the following richer shades: RGB 189 127 160, RGB 204 111 161, RGB 220 95 162, RGB 236 80 163 and RGB 251 64 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 173 142 159, RGB 157 158 158, RGB 142 174 157 and RGB 126 189 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 127 160 shade: RGB 184 127 189, RGB 189 127 176, RGB 189 127 160, RGB 189 127 143 and RGB 189 127 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 127 160 shade: RGB 154 79 119, RGB 175 99 139, RGB 189 127 160, RGB 203 154 180 and RGB 217 181 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 189 168 127 and RGB 127 184 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 160 189 127 and RGB 127 160 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 189 168 127, RGB 127 189 156 and RGB 127 147 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 127 160 shade: RGB 189 127 160, RGB 189 187 127, RGB 127 189 156 and RGB 127 129 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

Complementary color

CMYK 48 / 0 / 26 / 50

HEX #42805F

RGB 66 128 95

HSL 148.06, 0.32%, 0.38%

LAB 48.79, -28.21, 11.84

 

CMYK 0 / 35 / 20 / 24

HEX #C27F9B

RGB 194 127 155

HSL 334.93, 0.35%, 0.63%

LAB 60.79, 29.93, -4.24

 

CMYK 0 / 31 / 18 / 17

HEX #D391AE

RGB 211 145 174

HSL 333.64, 0.43%, 0.7%

LAB 67.39, 29.17, -5.04

 

CMYK 0 / 29 / 15 / 11

HEX #E4A3C1

RGB 228 163 193

HSL 332.31, 0.55%, 0.77%

LAB 73.89, 28.47, -5.78

 

CMYK 0 / 26 / 13 / 4

HEX #F5B5D4

RGB 245 181 212

HSL 330.94, 0.76%, 0.84%

LAB 80.3, 27.82, -6.46

 

CMYK 0 / 22 / 9 / 0

HEX #FFC7E7

RGB 255 199 231

HSL 325.71, 1%, 0.89%

LAB 85.94, 24.84, -8.17

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 37 / 18 / 33

HEX #AC6D8D

RGB 172 109 141

HSL 329.52, 0.28%, 0.55%

LAB 53.63, 29.71, -7.03

 

CMYK 0 / 41 / 21 / 39

HEX #9B5B7A

RGB 155 91 122

HSL 330.94, 0.26%, 0.48%

LAB 46.78, 30.55, -6.15

 

CMYK 0 / 47 / 25 / 46

HEX #8A4967

RGB 138 73 103

HSL 332.31, 0.31%, 0.41%

LAB 39.83, 31.42, -5.11

 

CMYK 0 / 55 / 31 / 53

HEX #793754

RGB 121 55 84

HSL 333.64, 0.38%, 0.35%

LAB 32.78, 32.29, -3.82

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 33 / 24 / 26

HEX #BD7F8F

RGB 189 127 143

HSL 344.52, 0.32%, 0.62%

LAB 59.87, 26.27, 1.22

 

CMYK 0 / 33 / 33 / 26

HEX #BD7F7F

RGB 189 127 127

HSL 0, 0.32%, 0.62%

LAB 59.46, 24.04, 9.82

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 33 / 7 / 26

HEX #BD7FB0

RGB 189 127 176

HSL 312.58, 0.32%, 0.62%

LAB 60.9, 31.68, -16.15

 

CMYK 3 / 33 / 0 / 26

HEX #B87FBD

RGB 184 127 189

HSL 295.16, 0.32%, 0.62%

LAB 60.82, 32.45, -23.71

 

CMYK 12 / 33 / 0 / 26

HEX #A77FBD

RGB 167 127 189

HSL 278.71, 0.32%, 0.62%

LAB 59.04, 26.96, -26.6

 

CMYK 20 / 33 / 0 / 26

HEX #977FBD

RGB 151 127 189

HSL 263.23, 0.32%, 0.62%

LAB 57.49, 21.89, -29.11

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 46 / 21 / 20

HEX #CC6FA1

RGB 204 111 161

HSL 327.74, 0.48%, 0.62%

LAB 58.77, 42.86, -10.57

 

CMYK 0 / 57 / 26 / 14

HEX #DC5FA2

RGB 220 95 162

HSL 327.84, 0.64%, 0.62%

LAB 58.05, 55.94, -12.01

 

CMYK 0 / 66 / 31 / 7

HEX #EC50A3

RGB 236 80 163

HSL 328.08, 0.8%, 0.62%

LAB 58.24, 67, -12.05

 

CMYK 0 / 75 / 35 / 2

HEX #FB40A4

RGB 251 64 164

HSL 327.91, 0.96%, 0.62%

LAB 58.84, 76.46, -11.48

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 18 / 8 / 32

HEX #AD8E9F

RGB 173 142 159

HSL 327.1, 0.16%, 0.62%

LAB 62.28, 14.58, -4.58

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 18 / 0 / 10 / 32

HEX #8EAE9D

RGB 142 174 157

HSL 148.13, 0.16%, 0.62%

LAB 68.36, -14.41, 5.11

 

CMYK 33 / 0 / 17 / 26

HEX #7EBD9C

RGB 126 189 156

HSL 148.57, 0.32%, 0.62%

LAB 71.71, -27.35, 10.33

 

CMYK 3 / 33 / 0 / 26

HEX #B87FBD

RGB 184 127 189

HSL 295.16, 0.32%, 0.62%

LAB 60.82, 32.45, -23.71

 

CMYK 0 / 33 / 7 / 26

HEX #BD7FB0

RGB 189 127 176

HSL 312.58, 0.32%, 0.62%

LAB 60.9, 31.68, -16.15

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 33 / 24 / 26

HEX #BD7F8F

RGB 189 127 143

HSL 344.52, 0.32%, 0.62%

LAB 59.87, 26.27, 1.22

 

CMYK 0 / 33 / 33 / 26

HEX #BD7F7F

RGB 189 127 127

HSL 0, 0.32%, 0.62%

LAB 59.46, 24.04, 9.82

 

CMYK 0 / 49 / 23 / 40

HEX #9A4F77

RGB 154 79 119

HSL 328, 0.32%, 0.46%

LAB 43.94, 36.31, -8.6

 

CMYK 0 / 43 / 21 / 31

HEX #AF638B

RGB 175 99 139

HSL 328.42, 0.32%, 0.54%

LAB 51.73, 35.95, -8.66

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 24 / 11 / 20

HEX #CB9AB4

RGB 203 154 180

HSL 328.16, 0.32%, 0.7%

LAB 68.83, 22.39, -6.37

 

CMYK 0 / 17 / 8 / 15

HEX #D9B5C8

RGB 217 181 200

HSL 328.33, 0.32%, 0.78%

LAB 77.26, 16.08, -4.75

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 11 / 33 / 26

HEX #BDA87F

RGB 189 168 127

HSL 39.68, 0.32%, 0.62%

LAB 69.72, 1.48, 24

 

CMYK 33 / 3 / 0 / 26

HEX #7FB8BD

RGB 127 184 189

HSL 184.84, 0.32%, 0.62%

LAB 71.19, -17.18, -8.46

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 15 / 0 / 33 / 26

HEX #A0BD7F

RGB 160 189 127

HSL 88.06, 0.32%, 0.62%

LAB 73.16, -20.77, 28.19

 

CMYK 33 / 15 / 0 / 26

HEX #7FA0BD

RGB 127 160 189

HSL 208.06, 0.32%, 0.62%

LAB 64.43, -4.32, -18.63

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 11 / 33 / 26

HEX #BDA87F

RGB 189 168 127

HSL 39.68, 0.32%, 0.62%

LAB 69.72, 1.48, 24

 

CMYK 33 / 0 / 17 / 26

HEX #7FBD9C

RGB 127 189 156

HSL 148.06, 0.32%, 0.62%

LAB 71.76, -27.04, 10.41

 

CMYK 33 / 22 / 0 / 26

HEX #7F93BD

RGB 127 147 189

HSL 220.65, 0.32%, 0.62%

LAB 60.83, 3, -24.12

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA0

RGB 189 127 160

HSL 328.06, 0.32%, 0.62%

LAB 60.37, 28.93, -7.8

 

CMYK 0 / 1 / 33 / 26

HEX #BDBB7F

RGB 189 187 127

HSL 58.06, 0.32%, 0.62%

LAB 74.76, -8.59, 30.71

 

CMYK 33 / 0 / 17 / 26

HEX #7FBD9C

RGB 127 189 156

HSL 148.06, 0.32%, 0.62%

LAB 71.76, -27.04, 10.41

 

CMYK 33 / 32 / 0 / 26

HEX #7F81BD

RGB 127 129 189

HSL 238.06, 0.32%, 0.62%

LAB 55.97, 13.46, -31.63

 

Description

Color code: RGB 189 127 160 | qconv.com Color code: RGB 189 127 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 127 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 127 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 15 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 15% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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