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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 138 151 it is the complementary color RGB 66 117 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 138 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 138 151 shade: RGB 194 138 146, RGB 211 156 165, RGB 228 174 184, RGB 245 192 203 and RGB 255 210 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 138 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 138 151 shade: RGB 189 138 151, RGB 172 120 132, RGB 155 102 113, RGB 138 84 94 and RGB 121 66 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 138 151 shade: RGB 188 137 150 and RGB 188 137 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 138 151 shade: RGB 188 137 150, RGB 188 137 164, RGB 188 137 178, RGB 185 137 188 and RGB 171 137 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 138 151 shade matches the following richer shades: RGB 188 137 150, RGB 203 122 143, RGB 218 107 136, RGB 233 92 128 and RGB 248 78 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 138 151 shade: RGB 188 137 150, RGB 174 152 157, RGB 159 167 165, RGB 144 182 172 and RGB 129 196 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 138 151 shade: RGB 188 137 178, RGB 188 137 164, RGB 188 137 151, RGB 188 137 137 and RGB 188 151 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 138 151 shade: RGB 156 87 105, RGB 174 111 127, RGB 188 137 150, RGB 203 163 174 and RGB 218 190 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 138 151 shade: RGB 189 138 151, RGB 188 185 137 and RGB 137 171 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 138 151 shade: RGB 189 138 151, RGB 151 188 137 and RGB 137 151 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 138 151 shade: RGB 189 138 151, RGB 188 185 137, RGB 137 188 175 and RGB 137 140 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 138 151 shade: RGB 189 138 151, RGB 176 188 137, RGB 137 188 175 and RGB 149 137 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 20 / 26

HEX #BD8A97

RGB 189 138 151

HSL 344.71, 0.28%, 0.64%

LAB 62.7, 21.39, 0.77

 

Complementary color

CMYK 44 / 0 / 11 / 54

HEX #427568

RGB 66 117 104

HSL 164.71, 0.28%, 0.36%

LAB 45.47, -20.51, 1.82

 

CMYK 0 / 29 / 25 / 24

HEX #C28A92

RGB 194 138 146

HSL 351.43, 0.31%, 0.65%

LAB 63.11, 22.51, 4.28

 

CMYK 0 / 26 / 22 / 17

HEX #D39CA5

RGB 211 156 165

HSL 350.18, 0.38%, 0.72%

LAB 69.71, 21.81, 3.38

 

CMYK 0 / 24 / 19 / 11

HEX #E4AEB8

RGB 228 174 184

HSL 348.89, 0.5%, 0.79%

LAB 76.21, 21.17, 2.55

 

CMYK 0 / 22 / 17 / 4

HEX #F5C0CB

RGB 245 192 203

HSL 347.55, 0.73%, 0.86%

LAB 82.61, 20.59, 1.77

 

CMYK 0 / 18 / 13 / 0

HEX #FFD2DE

RGB 255 210 222

HSL 344, 1%, 0.91%

LAB 88.27, 17.62, 0.03

 

CMYK 0 / 27 / 20 / 26

HEX #BD8A97

RGB 189 138 151

HSL 344.71, 0.28%, 0.64%

LAB 62.7, 21.39, 0.77

 

CMYK 0 / 30 / 23 / 33

HEX #AC7884

RGB 172 120 132

HSL 346.15, 0.24%, 0.57%

LAB 55.96, 22.12, 1.65

 

CMYK 0 / 34 / 27 / 39

HEX #9B6671

RGB 155 102 113

HSL 347.55, 0.21%, 0.5%

LAB 49.09, 22.92, 2.63

 

CMYK 0 / 39 / 32 / 46

HEX #8A545E

RGB 138 84 94

HSL 348.89, 0.24%, 0.44%

LAB 42.08, 23.83, 3.76

 

CMYK 0 / 45 / 38 / 53

HEX #79424B

RGB 121 66 75

HSL 350.18, 0.29%, 0.37%

LAB 34.94, 24.85, 5.1

 

CMYK 0 / 27 / 20 / 26

HEX #BC8996

RGB 188 137 150

HSL 344.71, 0.28%, 0.64%

LAB 62.33, 21.42, 0.78

 

CMYK 0 / 27 / 27 / 26

HEX #BC8989

RGB 188 137 137

HSL 0, 0.28%, 0.64%

LAB 61.99, 19.47, 7.69

 

CMYK 0 / 27 / 20 / 26

HEX #BC8996

RGB 188 137 150

HSL 344.71, 0.28%, 0.64%

LAB 62.33, 21.42, 0.78

 

CMYK 0 / 27 / 13 / 26

HEX #BC89A4

RGB 188 137 164

HSL 328.24, 0.28%, 0.64%

LAB 62.73, 23.7, -6.59

 

CMYK 0 / 27 / 5 / 26

HEX #BC89B2

RGB 188 137 178

HSL 311.76, 0.28%, 0.64%

LAB 63.17, 26.17, -13.85

 

CMYK 2 / 27 / 0 / 26

HEX #B989BC

RGB 185 137 188

HSL 296.47, 0.28%, 0.64%

LAB 63.21, 27.03, -19.48

 

CMYK 9 / 27 / 0 / 26

HEX #AB89BC

RGB 171 137 188

HSL 280, 0.28%, 0.64%

LAB 61.81, 22.37, -21.74

 

CMYK 0 / 27 / 20 / 26

HEX #BC8996

RGB 188 137 150

HSL 344.71, 0.28%, 0.64%

LAB 62.33, 21.42, 0.78

 

CMYK 0 / 40 / 30 / 20

HEX #CB7A8F

RGB 203 122 143

HSL 344.44, 0.44%, 0.64%

LAB 60.43, 34.16, 2.24

 

CMYK 0 / 51 / 38 / 15

HEX #DA6B88

RGB 218 107 136

HSL 344.32, 0.6%, 0.64%

LAB 59.16, 46.36, 4.7

 

CMYK 0 / 61 / 45 / 9

HEX #E95C80

RGB 233 92 128

HSL 344.68, 0.76%, 0.64%

LAB 58.54, 57.49, 8.78

 

CMYK 0 / 69 / 51 / 3

HEX #F84E79

RGB 248 78 121

HSL 344.82, 0.92%, 0.64%

LAB 58.78, 67.06, 13.57

 

CMYK 0 / 27 / 20 / 26

HEX #BC8996

RGB 188 137 150

HSL 344.71, 0.28%, 0.64%

LAB 62.33, 21.42, 0.78

 

CMYK 0 / 13 / 10 / 32

HEX #AE989D

RGB 174 152 157

HSL 346.36, 0.12%, 0.64%

LAB 64.87, 9, 0.37

 

CMYK 5 / 0 / 1 / 35

HEX #9FA7A5

RGB 159 167 165

HSL 165, 0.04%, 0.64%

LAB 67.82, -3.21, 0.04

 

CMYK 21 / 0 / 5 / 29

HEX #90B6AC

RGB 144 182 172

HSL 164.21, 0.21%, 0.64%

LAB 71.12, -14.85, 0.87

 

CMYK 34 / 0 / 9 / 23

HEX #81C4B3

RGB 129 196 179

HSL 164.78, 0.36%, 0.64%

LAB 74.45, -25, 1.79

 

CMYK 0 / 27 / 5 / 26

HEX #BC89B2

RGB 188 137 178

HSL 311.76, 0.28%, 0.64%

LAB 63.17, 26.17, -13.85

 

CMYK 0 / 27 / 13 / 26

HEX #BC89A4

RGB 188 137 164

HSL 328.24, 0.28%, 0.64%

LAB 62.73, 23.7, -6.59

 

CMYK 0 / 27 / 20 / 26

HEX #BC8997

RGB 188 137 151

HSL 343.53, 0.28%, 0.64%

LAB 62.35, 21.58, 0.25

 

CMYK 0 / 27 / 27 / 26

HEX #BC8989

RGB 188 137 137

HSL 0, 0.28%, 0.64%

LAB 61.99, 19.47, 7.69

 

CMYK 0 / 20 / 27 / 26

HEX #BC9789

RGB 188 151 137

HSL 16.47, 0.28%, 0.64%

LAB 65.46, 11.71, 12.61

 

CMYK 0 / 44 / 33 / 39

HEX #9C5769

RGB 156 87 105

HSL 344.35, 0.28%, 0.48%

LAB 45.5, 30.64, 2.28

 

CMYK 0 / 36 / 27 / 32

HEX #AE6F7F

RGB 174 111 127

HSL 344.76, 0.28%, 0.56%

LAB 53.92, 27.18, 1.64

 

CMYK 0 / 27 / 20 / 26

HEX #BC8996

RGB 188 137 150

HSL 344.71, 0.28%, 0.64%

LAB 62.33, 21.42, 0.78

 

CMYK 0 / 20 / 14 / 20

HEX #CBA3AE

RGB 203 163 174

HSL 343.5, 0.28%, 0.72%

LAB 70.83, 16.47, -0.08

 

CMYK 0 / 13 / 10 / 15

HEX #DABEC5

RGB 218 190 197

HSL 345, 0.27%, 0.8%

LAB 79.48, 11.1, 0.14

 

CMYK 0 / 27 / 20 / 26

HEX #BD8A97

RGB 189 138 151

HSL 344.71, 0.28%, 0.64%

LAB 62.7, 21.39, 0.77

 

CMYK 0 / 2 / 27 / 26

HEX #BCB989

RGB 188 185 137

HSL 56.47, 0.28%, 0.64%

LAB 74.31, -6.63, 24.81

 

CMYK 27 / 9 / 0 / 26

HEX #89ABBC

RGB 137 171 188

HSL 200, 0.28%, 0.64%

LAB 68.08, -7.61, -12.5

 

CMYK 0 / 27 / 20 / 26

HEX #BD8A97

RGB 189 138 151

HSL 344.71, 0.28%, 0.64%

LAB 62.7, 21.39, 0.77

 

CMYK 20 / 0 / 27 / 26

HEX #97BC89

RGB 151 188 137

HSL 103.53, 0.28%, 0.64%

LAB 72.46, -22.04, 21.85

 

CMYK 27 / 20 / 0 / 26

HEX #8997BC

RGB 137 151 188

HSL 223.53, 0.28%, 0.64%

LAB 62.58, 3.47, -20.82

 

CMYK 0 / 27 / 20 / 26

HEX #BD8A97

RGB 189 138 151

HSL 344.71, 0.28%, 0.64%

LAB 62.7, 21.39, 0.77

 

CMYK 0 / 2 / 27 / 26

HEX #BCB989

RGB 188 185 137

HSL 56.47, 0.28%, 0.64%

LAB 74.31, -6.63, 24.81

 

CMYK 27 / 0 / 7 / 26

HEX #89BCAF

RGB 137 188 175

HSL 164.71, 0.28%, 0.64%

LAB 72.48, -19.5, 1.16

 

CMYK 27 / 26 / 0 / 26

HEX #898CBC

RGB 137 140 188

HSL 236.47, 0.28%, 0.64%

LAB 59.62, 9.77, -25.35

 

CMYK 0 / 27 / 20 / 26

HEX #BD8A97

RGB 189 138 151

HSL 344.71, 0.28%, 0.64%

LAB 62.7, 21.39, 0.77

 

CMYK 6 / 0 / 27 / 26

HEX #B0BC89

RGB 176 188 137

HSL 74.12, 0.28%, 0.64%

LAB 74.19, -12.81, 24.48

 

CMYK 27 / 0 / 7 / 26

HEX #89BCAF

RGB 137 188 175

HSL 164.71, 0.28%, 0.64%

LAB 72.48, -19.5, 1.16

 

CMYK 21 / 27 / 0 / 26

HEX #9589BC

RGB 149 137 188

HSL 254.12, 0.28%, 0.64%

LAB 59.81, 15.24, -24.98

 

Description

Color code: RGB 189 138 151 | qconv.com Color code: RGB 189 138 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 138 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 138 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 20 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 20% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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